Jim Hutton Movies

In this suspenseful drama an adolescent glider pilot and his assistant are falsely accused of smuggling drugs by the Hawk's evil henchman. Naturally it is the enigmatic Hawk who is behind it all. ~ Sandra Brennan, Rovi

In this thriller, an innocent man is wrongfully committed to an asylum for the criminally insane. While there he learns how to tap into his psychic powers and to affect the lives of others via astral projection. These skills come in mighty handy after he is released and he heads out for revenge against those who framed him. This movie was originally filmed as The Kirlian Force. ~ Sandra Brennan, Rovi

The Underground Man was the pilot film for a series based on Ross MacDonald's private eye hero Lew Archer (the source of Paul Newman's film appearances as "Lew Harper"). Most of the elements of the factory-approved MacDonald formula are put into effect here: An old flame, a seemingly cut-and-dried case leading to sinister complexities, dark family secrets, ecological rape, and the inadvertent solving of previously unsolved crimes. Archer (Peter Graves) is hired to rescue the kidnapped son of his former love, and the cycle begins. This particular pilot didn't sell, but there would be a separately produced Archer series late in 1974 starring Brian Keith. ~ Hal Erickson, Rovi

Sgt. Ed Brown (Don Galloway) goes undercover as a member of gangster Lew Parker's entourage. Angered over the death of one of his "boys", Parker (Peter Mark Richman) puts out a contract on Chief Ironside (Raymnd Burr)--and now Ed must prove his loyalty to Parker by murdering his own boss. Will he be able to warn Ironside before the fatal moment? And what will happen to Ed when his cover is blown during a robbery? ~ Hal Erickson, Rovi

"Mom" is Connie Stevens, who stars in this made-for-TV comedy. Stevens plays a small-town waitress who is appointed the housemother for a rambunctious fraternity house on the local college campus. The frat boys assume that freewheeling Stevens will allow them to party to their hearts' content, but "Mom" takes her job quite seriously and compels the students to behave themselves. She also becomes involved in a campus feminist movement that threatens to topple the college's male power structure (headed by dean Van Johnson). Call Her Mom was the pilot for a Connie Stevens TV series that found neither a sponsor nor a network. ~ Hal Erickson, Rovi

They Call It Murder was the pilot for a potential TV series based on the "Doug Selby" character created by Perry Mason mentor Earl Stanley Gardner. Inspired by Gardner's 1969 novel The DA Draws a Circle, the film finds district attorney Selby (Jim Hutton) probing the mystery of a corpse in a swimming pool. It is obvious from the outset that the dead man did not drown, but was killed elsewhere and then unceremoniously dumped in the chlorine. Selby traces the chain of events to a car accident and an insurance scam. Originally telecast December 17, 1971, They Call It Murder was given a network rerun in the Spring of 1973--on a particularly bloodthirsty evening in which the competition included the woman-in-jeopardy TV movie The Bait and a murder-trial episode of Hawaii 5-0! ~ Hal Erickson, Rovi

Jim Hutton and Anjanette Comer have the misfortune to be honeymooning while a forest fire ranges all around them. But that's only the beginning, folks. The lovebirds are also being stalked by crazed hunters Tony Franciosa and Peter Lawford. Deadly Hunt is based on Autumn of a Hunter, a novel by Pat Stadley, but it also owes quite a lot to Richard Connell's The Most Dangerous Game. Made for television, the film debuted October 1, 1971. ~ Hal Erickson, Rovi

Chance Buckman (John Wayne) heads a team of international trouble shooters who travel around the world to put out oil fires. The dangerous profession has taken a toll on the marriage between Chance and Madelyn (Vera Miles), who leaves when she can no longer endure the stress of saying goodbye and fearing she will never see him again. With his faithful assistant Greg (Jim Hutton), the team is ready at a moments notice to race anywhere to extinguish the flames of oil fires raging out of control. Greg eventually falls for Chance's daughter, Tish (Katherine Ross), who shares her mother's concern over the dangers the men endure. Hellfighters received technical advising from famed oil-well fighter Red Adair and his assistants who provided excellent and credible information for the film and the pyrotechnic team headed by legendary special-effects expert Fred Knoth. ~ Dan Pavlides, Rovi

Cary Grant made his last film appearance before retiring from the screen in this agreeable piece of fluff based on the 1943 comedy The More the Merrier, which dealt with the romantic complications inherent in the housing shortage in Washington D.C. during World War II. In Walk, Don't Run, the story is updated to a housing shortage in Tokyo during the Olympic Games of 1964. British industrialist Sir William Rutland (Cary Grant) arrives in Tokyo two days before the start of the games and cannot find any suitable accommodations. As a result, he answers an ad for an "apartment to share" and convinces the occupant, Christine Easton (Samantha Eggar), to rent a room to him. The next day he meets the handsome Steve Davis (Jim Hutton), a member of the United States Olympic walking team. Steve also needs a room and convinces Christine to take him on as a second tenant. After meeting Christine's pompous fiancé, Julius D. Haversack (John Standing), Rutland begins to ply his matchmaking skills in an effort to get Christine and Steve to fall in love with each other. ~ Paul Brenner, Rovi

Sam Peckinpah's 1965 feature Major Dundee was recut and rescored for re-release theatrically in 2005, 40 years after its original release. The "Extended Version," as it is known officially, tells essentially the same story as the original but with clearer motivations for the characters (which often seemed vague or obscure in the 1965 edition) and much greater effectiveness. Major Amos Charles Dundee (Charlton Heston) is a West Point graduate who somehow -- it's not clear -- exceeded his orders while serving in the Battle of Gettysburg and, as punishment, has been taken out of combat and put in charge of a Union prison in New Mexico. He then gets word that marauding Apaches under Sierra Charriba (Michael Pate) have raided an American settlement, slaughtering the troops who were pursuing them and kidnapping three young boys, whom they've taken to their lair south of the Rio Grande (and if this sounds a lot like the plot of John Ford's Rio Grande, it's because they used the same story as inspiration). Dundee assumes responsibility for capturing or destroying the raiders and rescuing the captives, but because he has far too few men, he's forced to recruit prisoners, including his one-time friend, Confederate Captain Benjamin Tyreen (Richard Harris), and other "gentlemen of the South," to fill out his ranks. Tyreen and his men despise Dundee, but agree to serve on this mission in exchange for the chance for possible pardon of commutation of sentence (Tyreen and some of his men are facing the rope, for killing a guard in an escape attempt).

The mission takes them deep into Mexico, where they free the children but now find themselves being stalked by the very Apaches that they were hunting, as well as having to fight off the French troops stationed there. And as they quickly see, the French troops, though white and supposedly "civilized" like themselves, treat the native Mexicans in ways that make the Apaches look almost saintly. In the end, this ragtag group of soldiers, malcontents, deserters, traitors, and criminals finds a larger cause in their quest -- bigger even than their own survival -- as they discover something uniquely fine and honorable in being an American, and in American ideals. It takes the sacrifice and deaths of many to get to that point, but the movie -- in this version -- gets us there convincingly, if in decidedly grim and bittersweet fashion. Though based on fiction and shot under incredibly (indeed, legendarily) chaotic conditions, the movie ultimately proves to be a rousingly disturbing examination of what it means to be an American, and the meaning of American ideals. ~ Bruce Eder, Rovi

In this comedy, a middle-aged woman discovers that she is pregnant, to the dismay of her husband and surprise of the town. The husband doesn't feel up to the challenge, and their daughter is now forced to cook and clean around the house, and meanwhile, tries to get pregnant herself. After a drunken argument with the mayor and another with his wife, the husband finally accepts the inevitable. ~ Steve Huey, Rovi

This was the first feature-length film directed by the very successful George Roy Hill. Based on a Tennessee Williams' novel, this standard comedy-drama focuses on two married couples who are both having a hard time of it, at least for now. The first couple, Isabel and George Haverstick (Jane Fonda in an early role, and Jim Hutton), are in trouble because George has bouts of intense fear ultimately brought on by his need to appear to be as macho as he can -- basically his problem is performance anxiety. The second couple, Ralph and Dorothea Baitz (Tony Franciosa and Lois Nettleton) have their problems centering on the fact that he married her for her money -- and she knows it. What she may not realize is that after six years of marriage he has fallen in love with her. Added to that difficulty is the problem of meddlesome in-laws. ~ Eleanor Mannikka, Rovi