Ken Hutchison Movies

In medieval France, knight Rutger Hauer and lady fair Michelle Pfeiffer both run afoul of evil-bishop John Wood. Through the auspices of bishop's confessor Leo McKern, Hauer and Pfeiffer are placed under a curse. During the night, Hauer takes the form of a wolf, while Pfeiffer assumes the form of a hawk by day. The two lovers can only meet one another as humans at dawn and dusk. The only mortal in a position to rescue Hauer and Pfeiffer from their fate is nebbishy pickpocket Matthew Broderick, who acts as liaison between the lovers. With the help of the guilt-ridden McKern--and a convenient solar eclipse--Broderick endeavors to set things aright. ~ Hal Erickson, Rovi

Years after directing the classic Marty (1955), Delbert Mann became a creator of prestige TV movie projects, none more daunting than his adaptation of All Quiet on the Western Front (1979). Richard Thomas stars as Paul Baumer, a teen who, at the urging of zealously patriotic teacher Kantorek (Donald Pleasence) enthusiastically enlists to fight for Germany in WWI, accompanied by several school chums. After training at the hands of the sadistic Corporal Himmelstoss (Ian Holm), Paul and his friends head for the front. There, they discover that war is a bloody, deadly business, although they are heartened by the presence of their commander, wily veteran Stanislaus Katczinsky (Ernest Borgnine). When a French soldier jumps into the bomb crater where Paul has taken refuge one night, he is forced to stab the enemy, then must watch the man die in agony. This incident and the violent deaths of his friends convince Paul that war is a senseless exercise. One of the most respected anti-war novels ever written, the book resulted in the German citizenship of author Erich Maria Remarque being revoked by the Nazi Party. Though a 1930 film adaptation by Lewis Milestone was widely beloved by fans of cinema and the source material, Mann's TV movie was well received, earning a Golden Globe and Emmys for Borgnine and Patricia Neal, who played Paul's mother. ~ Karl Williams, Rovi

Although there have been several British TV adaptations of Emily Bronte's gothic romance Wuthering Heights, this five-part 1978 version is the one regarded as being the most faithful to the original novel. In covering the star-crossed romance between the headstrong Cathy (Kay Adshead) and wild gypsy boy Heathcliff (Ken Hutchinson), this adaptation did not (as have so many others) end with Cathy's death, but instead carried over the story into the next generation, wherein the vengeful Heathcliff continued to wage his private war of retribution against the people whom he felt had wronged him. Irish playwright Hugh Leonard handled the adaptation, deftly juggling the many characters and subplots without the slightest sense of strain. Wuthering Heights was originally beamed out to the British Isles from September 24 to October 22, 1978. ~ Hal Erickson, Rovi

This misunderstood film is a satirical western, written, directed, and produced by Ralph Nelson, which he adapted from the book by James Graham (a pseudonym for Jack Higgins) In a restless Central American nation in the 1920s, Van Horne (Robert Mitchum), a defrocked American priest, hides a gun in his Bible and a knife in his crucifix. He rescues Emmet Keogh (Ken Hutchinson), who is being held by a group of rapacious bandits who are angry that Keogh has taken a mute native girl, Chela (Paula Pritchett), away from them. Keogh, an Irishman, and his friend Jennings (Victor Buono), a British rum-runner, are captured along with Van Horne by Colonel Santilla (John Colicos), a revolutionary leader. The colonel offers to set the three men free and send them safely to the U.S. -- if they agree to kill Tomas De La Plata (Frank Langella), the crazed local strongman. De La Plata was driven mad by Santilla's followers, who murdered his father, raped his mother, and tormented his sister into suicide. Van Horne dons his priestly garb and reopens the church in De La Plata's village, thereby setting up the trap to lure in the madman. ~ Michael Betzold, Rovi

Except for the omission of several passages in the original play, this 1970 adaptation of Julius Caesar faithfully retells Shakespeare's account of events surrounding the assassination of Caesar in 44 B.C. The film begins when Caesar John Gielgud is at the height of his power after conquering Pompey "the Great" in a civil war. Important senators worry that Caesar means to become king, diminish their power, and abolish their beloved Roman republic. Two senators, Cassius Richard Johnson and Brutus Jason Robards, hatch an assassination plot involving other disenchanted Roman citizens. Although a soothsayer warns Caesar of trouble ("Beware the ides of March") and his own wife reports ominous signs ("A lioness hath whelped in the streets; and graves have yawn'd, and yielded up their dead"), Caesar decides to go to the senate on the ides (March 15). Upon arrival, the conspirators greet him with daggers. In his funeral oration, Mark Antony Charlton Heston extols Caesar and incites the citizens against Brutus and the other conspirators. Brutus and Cassius flee Rome with their armies, but Antony and two other sympathizers track them down with their armies. When the tide turns against the conspirators, Brutus and Cassius commit suicide. As does Shakespeare's play, the film leaves the discerning viewer wondering who was the real villain -- Caesar, because of his ambition for power, or Brutus, because of his underhanded plot to maintain the status quo. ~ Mike Cummings, Rovi