Josephine Hutchinson Movies

This drama about corporate treachery was based on the best-selling novel by Alice Tisdale Hobart. Stephen Chase (Pat O'Brien) is a salesman and inventor with an American oil company who is sent to China to reach that nation's untapped market. While Stephen is often told that his company looks after their own and he's selflessly devoted to his job, it becomes evident with time that they're treating him with disrespect. After his fiancée leaves him, Stephen marries a woman he's only just met, Hester (Josephine Hutchinson), because he's already arranged to bring a wife to China. Stephen has designed a new kerosene lamp for the Chinese market, but his rival Swaley (William B. Davidson) is given credit for the product. When Stephen is transferred to another part of China, he accepts even though his wife is expecting a baby; the physical toll of the journey causes Hester to lose the child. Stephen and Hester become close to another American couple, Don and Alice Wellman (John Eldredge and Jean Muir), but when Stephen is ordered to fire Don, he unhesitatingly agrees. After communist forces nationalize the oil firm's holdings, Stephen risks his life to protect $15,000 in company funds. But when he is released from the hospital, Stephen learns that instead of being rewarded, he's been demoted -- and another man was promoted in his place. ~ Mark Deming, All Movie Guide

The Right to Live was the second film version of Somerset Maugham's The Sacred Flame (the first, produced in 1929, starred Conrad Nagel), which in its original form posed the question "Can there truly be such a thing as a mercy killing?" Put simply, it is the tragic tale of two brothers: Colin Trent (George Brent), strong and virile, and Maurice Trent (Colin Clive), crippled and bedridden. Though there's no hope for Maurice's recovery, his wife Stella (Josephine Hutchinson) has vowed -- publicly at least -- to remain faithfully by his side until the bitter end. When that end finally comes, the family doctor declares that Maurice has died a natural death. But Nurse Weyland (Peggy Wood), who has long suspected that something has been going on between Stella and her healthy brother-in-law Colin, believes that Maurice was murdered. Her insistence upon an autopsy is as much a product of her dedication to duty as to her own silent yearning for Colin. Thanks to the newly-strengthened Production Code, Maugham's powerful ending could not be used, thereby watering down what might have been a truly compelling and controversial film. ~ Hal Erickson, All Movie Guide

In this drama, the big city wife of a small town doctor learns a valuable lesson as she struggles to adapt to rural life. ~ Sandra Brennan, All Movie Guide

In this comedy drama, a newspaper report discovers that a popular religious cult is really a scam. Unbeknownst to him, his wife is messing around with his managing editor. When he finds out, he leaves them and begins his own affair with the female reporter he has secretly loved all along. ~ Sandra Brennan, All Movie Guide

The most elaborate--and longest--of Universal's Frankenstein series, Son of Frankenstein represents Boris Karloff's last appearance in the role of the Monster. The title character is played by Basil Rathbone, who with wife Josephine Hutchinson and son Donnie Donegan returns to the Old Country to take over his late father's estate. Rathbone receives a cool reception from the local villagers, who remember all too well the havoc wreaked by his father's monstrous creation. Though he assures his neighbors that he has no intention of following in his father's footsteps, Rathbone is hounded by suspicious town constable Lionel Atwill, whose stiff artificial arm is an unfortunate legacy of an earlier confrontation with Karloff. Also hanging around Frankenstein Castle is crazed shepherd Bela Lugosi), whose neck was broken in an unsuccessful hanging attempt. Lugosi wishes to exact revenge on the city fathers who'd tried to execute him, and to that end persuades Rathbone to revive the hideous Karloff. At first resistant, Rathbone becomes as obsessed as his father with the notion of creating artificial life. Now the fun begins, directed with Germanic intensity by Rowland V. Lee. Though Mel Brooks's Young Frankenstein has rendered Son of Frankenstein virtually impossible to take seriously, the film remains an excellent marriage of the slick, sanitized production values of the "New Universal" and the Gothic zeitgeist of the earlier Frankenstein epics. Best line: Lugosi, looking over the dormant body of The Monster, explains raspily that "He does...things...for me." Hans J. Salter's intense musical score for Son of Frankenstein would continue to resurface in Universal's Mummy B pictures of the 1940s. Watch for Ward Bond in a bit part as a police officer...and see if you can spot Dwight Frye, whose supporting part was excised from the final release print, among the villagers. ~ Hal Erickson, All Movie Guide

This Victorian-era drama is based upon the classic novel by Thomas Hughes. It follows the exploits of a young boy forced to attend a rowdy boarding school. There he finds himself surrounded by budding punks and hoods. It is rough at first, but eventually he learns to make friends and handle himself well in the tough environment. The film is also titled Adventures at Rugby. ~ Sandra Brennan, All Movie Guide

George Taylor (John Hodiak) is a war veteran suffering from amnesia with only two clues to his past: the bitter letter from a woman who hates him and another mysterious letter signed "Larry Cravat." Taylor goes to Los Angeles to meet Cravat. It turns out that Cravat is wanted for murder and the robbery of $2 million. George becomes involved with a singer, Christy (Nancy Guild) and is chased by mobsters while on a search for the stolen money. There ensue a series of chases, an interesting plot twist and a surprise ending as John learns the true identity of Cravat.Somewhere in the Night is the quintessential "amnesia victim" as protagonist film, somewhat slow, but nevertheless, engrossing and suspenseful. ~ Linda Rasmussen, All Movie Guide

While appearing in the stage production Harvey, comedian Joe E. Brown was persuaded by director Harold Schuster to accept the atypically serious starring role in The Tender Years. Though hardly his first dramatic film appearance, it was undoubtedly Brown's best. The star is cast as kindly turn-of-the-century rural minister Will Norris, who takes it upon himself to rid his community of the brutal sport of dog-fighting. Discovering that the dog to which his own son Ted (Richard Lyon) has become attached is being used for fighting purposes, Reverend Norris steals the animal, knowing full well that he'll stand trial for his "crime." Moved by the reverend's dedication and sincerity, the authorities decide to call off his trial -- and, eventually, to illegalize all dog-fighting activities. Though basically a "family" film, The Tender Years contains some rather tense scenes with the battling dogs, so it might be best to exercise of bit of parental discretion. ~ Hal Erickson, All Movie Guide

Though completed in 1950, Love Is Better Than Ever was held back from release until 1952, due in great part to the "political undesirability" of star Larry Parks, whose career was effectively ruined after he humbled himself before the House Un-American Activities Committee. Parks plays Broadway talent agent Jud Parker, who takes a fancy to small-town dance teacher Anastacia Macaboy (Elizabeth Taylor). Parker wines and dines Anastacia during her visit to New York for the purposes of seduction. But the girl assumes that his intentions are honorable, and sends word of her "impending" engagement to her hometown newspaper. With his reputation on the line, Parker agrees to confirm the engagement if asked, with the understanding that he doesn't really mean it. Rest assured that by fade-out time, he will mean it. Gene Kelly makes an unbilled cameo appearance in Love Is Better Than Ever, which also features such reliables as Ann Doran, Kathleen Freeman, and Dick Wessel. ~ Hal Erickson, All Movie Guide

Packaged and sold as an outdoor actioner, Many Rivers to Cross is as much a comedy as anything else. Robert Taylor stars as 18th century trapper Bushrod Gentry, who is himself entrapped into marriage by the spunky Mary Stuart Cherne (Eleanor Parker). Escaping his marital responsibilities (which were impressed upon him on threat of death), Gentry heads into the North Country, with Mary in hot pursuit. Hero and heroine spend the rest of the picture taking turns rescuing each other from hostile Indians. Some of the humor is predicated upon the wholesale slaughter of the "redskins", and as such is a bit hard to take when seen today. Supporting Taylor and Parker are Victor McLaglen as the heroine's burly father, and TV-stars-to be James Arness (Gunsmoke) and Russell Johnson and Alan Hale Jr. (Gilligan's Island). ~ Hal Erickson, All Movie Guide

Having inherited a huge cattle ranch from his late father, Will Keough (Fred MacMurray) wants nothing more than to tend to his work and live in peace, but this is made impossible by the tense situation in his own household. Will's two younger brothers, Bless (Jeffrey Hunter) and Hade (Dean Stockwell), are as different as night and day: Convinced that he was responsible for the death of his father, Bless refuses to use a gun, and is thus branded a coward; conversely, Hade is wild and reckless, literally an accident waiting to happen. Exacerbating the situation is the brothers' grim and merciless mother (Josephine Hutchinson), who has instilled most of Bless' guilt feelings, and Will's sweetheart Aud Niven (Janice Rule), who finds herself drawn to the sensitive Bless. Ultimately, there will have to be a showdown...but who among the Keogh siblings will survive? ~ Hal Erickson, All Movie Guide

There's no shortage of suspects when vitriolic society columnist Mary K. Davis (Marian Seldes) is murdered. Even so, the police charge the dead woman's nurse Leona Walsh (Josephine Hutchinson) with the crime...mainly because Leona has given a full confession to DA Hamilton Burger (William Talman). Inasmuch as Leona's lawyer is Perry Mason (Raymond Burr), she is of course not guilty, but Perry has a tough time proving it--and to make matters worse, Burger intends to discredit Mason in court by calling his secretary Della Street (Barbara Hale) to the stand to testify that her boss has tampered with the evidence! This episode is based on a 1957 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide