Lisabeth Hush Movies

The John Gardner novel A Complete State of Death became this bloody crime flick that united frequent action genre collaborators Charles Bronson and director Michael Winner. Bronson stars as Detective Lieutenant Lou Torry, a grizzled undercover New York City cop who ruins his career when he is caught going violently overboard while apprehending a ghetto punk. As punishment, Torry is banished all the way to the L.A. Police Department, where he begins investigating a mysterious chain of events involving ex-soldiers that seem to be Mob related. It turns out that Don Alberto Vescari (Martin Balsam), an aging Mafia chieftain, is planning the use of mentally disturbed Vietnam vets as assassins in a campaign of murder. With one broad, gory stroke, Vescari schemes to wipe out his underworld enemies, retaliating for a massacre that wiped out a generation of Sicilian mobsters 40 years earlier. ~ Karl Williams, All Movie Guide

Even Bette Davis showed up in a TV-movie pilot from time to time. The Judge and Jake Wyler stars the indestructible Davis as a hypochondriac former judge who becomes a private detective. Davis puts paroled ex-con Doug McClure to work as her "leg man," searching for clues in the supposed suicide of the heroine's (Joan Van Ark) businessman father. Had Judge and Jake Wyler sold as a series, Davis would have had to choose between this project and another projected weekly, Madame Sin; the decision was made for her when neither series sold. Two years later, Judge and Jake Wyler was rewritten, recast with Lee Grant and Lou Antonio, and repitched as a pilot under the title Partners in Crime (which also didn't fly). ~ Hal Erickson, All Movie Guide

So far as the authorities are concerned, Ironside's artist friend Danny Fielder (William Burns) died just after confessing to the murder of his wife's chauffeur. Why, then, is a San Francisco gift shop prominently displaying a brand-new painting that was obviously created by the "late" Mr. Fielder? In order to get to the truth, Ironside (Raymond Burr) must reopen an old murder case--and in so doing, sets himself up as a candidate for a quick and painful death! ~ Hal Erickson, All Movie Guide

George Roy Hill directed this original musical set the 1920s that mixes pop standards with new tunes written by Sammy Cahn and James Van Heusen. Julie Andrews, in a role that recalls her Broadway triumph in The Boy Friend, stars as Millie Dillmount, who comes to New York is search of a secretarial job and an unattached boss. She moves into a hotel for women, run by kindly Mrs. Meers (Beatrice Lillie), and she befriends the pretty, petite orphan Dorothy Brown (Mary Tyler Moore). Millie finds work with the handsome bachelor Trevor Graydon (John Gavin), but Trevor has his eyes on Dorothy. So too does Mrs. Meers, who despite her kindly exterior is actually an unscrupulous white slaver. Paper clip salesman Jimmy Smith (James Fox), on the other hand, pledges his undying love to Millie. One day, after attending a weekend party being given at the opulent Long Island mansion of Muzzy Van Hossmere (Carol Channing), Dorothy disappears. When Jimmy and Millie smell opium in Dorothy's room, they realize the awful truth about Mrs. Meers. Trying to rescue Dorothy and find the location of Mrs. Meers' hideout, Jimmy disguises himself as an orphaned woman and tries to get himself kidnapped. The scheme backfires, however, and Mrs. Meers drugs and kidnaps both Jimmy and Trevor. It is left to Millie to find the white slavers, free her friends from bondage and save the day. ~ Paul Brenner, All Movie Guide

William Inge co-wrote this story about a young man who may have outgrown the straight-laced boundaries of his home town. After a hitch in the Navy, Bus Riley (Michael Thomas Parks) comes home to the staid Midwestern town of his birth; however, home doesn't feel quite like it used to, and Riley is looking for a new sense of purpose in his life. While his girlfriend Judy (Janet Margolin) tries to offer him the love and understanding he needs, she just isn't enough any more, and Riley soon starts looking for thrills with Laurel (Ann-Margret), a local floozy. Michael Thomas Parks, better known simply as Michael Parks, first put his James Dean-esque loner persona to work in this film; he'd get the most use out of it three years later, when he was top-billed in the briefly popular TV series Then Came Bronson. ~ Mark Deming, All Movie Guide

Seriously injured in a fall, Hoss Cartwright is in desperate need of medical attention. Alas, the only available doctor is a man named Jones (DeForest Kelley), who has been sentenced to hang for murder. Ben Cartwright's pleas to Judge Grant (John Hoyt) to temporarily release Dr. Jones so that he can tend to Hoss' injuries fall upon deaf ears; after all, it was Grant's wife who was murdered by the condemned man. Rounding out the supporting cast are Lisabeth Hush as Karen Jones and Walter Sande as the Sheriff. Written by Frank Chase and Norman Jacobs, "The Decision" first aired on December 16, 1962. ~ Hal Erickson, All Movie Guide

Inasmuch as this episode was scripted by Robert Bloch, one shouldn't be surprised by its echoes of Bloch's suspense classic Psycho. The titular Annabel (Susan Oliver) is the former girlfriend of nerdy chemist David Kelsey (Dean Stockwell), who obsesses over the girl day and night. Having spent a great deal of money to purchase a "dream home" for Annabel and himself, David is startled to learn that the girl is now married and wants nothing to do with him. Refusing to believe that he has lost Annabel forever, David immediately goes into denial -- which in his case proves to be a lethal affliction. "Annabel" was adapted from a story by Patricia Highsmith, the author of another classic Hitchcock film, Strangers on a Train. ~ Hal Erickson, All Movie Guide

In his third Untouchables appearance, Nehemiah Persoff impersonates another real-life gangland figure, in this case the notorious "beer baron" Waxey Gordon. Riding high on the hog after cornering the New Jersey beer market, Waxey has no compunction about killing or double-crossing everyone in sight to advance his career--and even manages to dally with two sexy chorines in the process. But Ness isn't about to turn down the heat on Waxey, and by episode's end he has managed to come up with a novel method of gathering enough evidence to beard the "baron" in his own den. This is the episode in which a mob conclave is staged in the manner of a medieval banquet, replete with a "castle", a battalion of lackeys and a baroque musical score. ~ Hal Erickson, All Movie Guide

Beauty contest winner Marjorie Cluny (Lisabeth Hush) is really steamed when she finds out that her big prize, a Hollywood movie contract, is a hoax. After angrily confronting contest sponsor Frank Patton (Douglas Evans), Marjorie abruptly disappears--not surprising, since Patton has been murdered. Perry Mason (Raymond Burr) is puzzled when two different men hire him to locate the elusive Ms. Cluny. This episode is based on a 1934 novel by Perry Mason creator Erle Stanley Gardner), which was previously adapted as a theatrical feature starring Warren William as Mason. ~ Hal Erickson, All Movie Guide