Mary Beth Hurt Movies

Royce, a 60-minute pilot film from MTM productions, enjoyed its first and last network exposure on May 21, 1976. Robert Forster stars as Royce, a Westerner raised by Comanches. In the tradition of Clint Eastwood, Royce is laconic and reclusive; unlike Eastwood, Royce carries no gun. In this installment, Royce helps lady puppeteer Mary Beth Hurt and her two kids travel safely to California, to seek out the lady's husband who abandoned his family back in Kansas. Lensed on location in Arizona. ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story (originally telecast as a single two-hour "special"), Lt. Kojak (Telly Savalas) tackles a case of matricide that has remained unsolved from two years. Unfortunately, he meets stiff opposition in the form of Edna Morrison (Geraldine Page), a powerful politician who is determined that the whole truth about the murder will never see the light of day. Featured in the supporting cast as a deputy district attorney is a pre-Murphy Brown Charles Kimbrough. ~ Hal Erickson, All Movie Guide

Diane Keaton, Kristin Griffith, and Mary Beth Hurt play Renata, Flyn, and Joey, the grown daughters of wealthy Arthur (E.G. Marshall) and his emotionally disturbed wife, Eve (Geraldine Page). When Arthur leaves Eve, her three daughters rally around her. As it turns out, none of the daughters are ideally suited to provide an "anchor" for their distracted mother, but all four women are strengthened by their renewed relationship. Interiors received five Oscar nominations, including Best Director for Woody Allen, Best Original Screenplay for Allen, Best Actress for Geraldine Page, Best Supporting Actress for Maureen Stapleton (who plays Arthur's new love), and Best Art Direction for Mel Bourne and Daniel Robert. ~ Hal Erickson, All Movie Guide

The questionable past of a philandering executive returns to haunt him when he least expects it as Tony-award-winning playwright Terrence McNally's tense adaptation of author John Cheever's short story comes to the Broadway stage. When a callous, white-collar power player seduced and fired his beautiful secretary, he never thought he'd be forced to face the consequences for his cold-hearted actions. This is one woman who's not willing to walk away without a fight though, and when the unstable secretary finds herself pushed to the edge of sanity by the rejection, the man in the red power tie discovers why it's always best to leave bedroom antics out of the boardroom. ~ Jason Buchanan, All Movie Guide

The 1982 film version of the John Irving novel The World According to Garp attempts to captures the quirky spirit while condensing the Irving original. Robin Williams plays the title character, the son of unmarried, unorthodox feminist Jenny Fields (Glenn Close, in her film debut). Every effort made by Jenny to broaden Garp's outlook on life -- she even arranges for him to spend the night with a hooker (Swoosie Kurtz) -- crams more fears and phobias into his psyche. Aspiring to become a novelist, Garp succeeds in this goal at the same time that his mother publishes her first feminist manifesto. Though successful and happily married to college sweetheart Helen Holm (Mary Beth Hurt), Garp remains envious of his fearless mother, who has taken in the radical "Ellen Jamesians," a group named after a young woman who had her tongue cut out by a rapist. Mutilation, in fact, becomes something of a leitmotif in Garp's life, climaxing (in every sense of the word) in an auto accident brought about by Helen's tryst with Michael Milton (Mark Soper). There is, of course, much more to the story than this: standing out amongst the dozens of offbeat supporting characters is John Lithgow as Roberta Muldoon, a transexual ex-football jock. John Irving appears as a referee during a college wrestling match, while director George Roy Hill plays the pilot whose low-flying plane crashes into Garp's new home. The World According to Garp didn't attract as large an audience as other, more conventional Robin Williams vehicles, though Close and Lithgow would both be nominated for Best Supporting Actor statues. ~ Hal Erickson, All Movie Guide

Barret Oliver stars as robot boy Daryl (Data Analyzing Robot Youth Lifeform). The film begins with an intense chase through hairpin mountain roads as a helicopter chases after a racing automobile and the driver of the car shoves a young boy out of the door. The child is rescued and is adopted by Joyce (Mary Beth Hurt) and Andy (Michael McKean) Richardson, a well-meaning, childless couple. It is only after the Richardsons have adopted Daryl and find that the child can't stop hitting home runs that they realize their adopted son is, in fact, a robot. The Richardsons decide to take Daryl back home -- home being a top security research facility where scientists Dr. Jeffrey Stewart (Josef Sommer) and Ellen Lamb (Kathryn Walker) have "given birth" to the boy robot. Once at the research facility, the Richardsons realize that government forces are determined to destroy Daryl and anyone who knows about him. ~ Paul Brenner, All Movie Guide

In this bizarre and very black comedy set in 1950s suburbia, Michael Laemle (Bryan Madorsky) comes to suspect that his conventional parents (Randy Quaid and Mary Beth Hurt) have a little secret which they have kept from him. Nothing too major - - just that they happen to be cannibals. It seems that Dad has been bringing home some extra meat from his place of work, a mortuary. As the lad grows ever more hysterical, he confesses his suspicions to the school psychologist (Sandy Dennis). She ridicules his notions and even comes to the house to show him how foolish he's being. Instead, she becomes an entree in the next family dinner, as Michael's parents attempt to indoctrinate him into their odd lifestyle. ~ Clarke Fountain, All Movie Guide

In this suspense drama, a lawyer finds out more than she wanted to know about her friends and lovers. T.K. Katwuller (Barbara Hershey) is a lawyer with a firm command of her career but an unstable hold on her private life; she's more single than she'd like to be, and she's become romantically involved with one of her clients, Steven Seldes (J.T. Walsh), a real estate agent. When T.K. bumps into her college roommate Ellie (Mary Beth Hurt), she discovers that Ellie is Steven's wife, which T.K. hardly regards as welcome news. T.K. then learns that Steven has been accused of financing porn movies dominated by underage actors; after an angry confrontation, she bitterly breaks off the affair. The next day, Steven turns up murdered, and T.K. discovers that Ellie is the prime suspect. She agrees to handle Ellie's case, and Ellie is acquitted. However, T.K.'s conversations with police detective George Beutel (Sam Shepard) begin to plant a seed of doubt in her mind about Ellie's innocence. ~ Mark Deming, All Movie Guide

In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, All Movie Guide

Spacy Callahan (Markus Klemp) has two problems. In the first place, he's a young teen, which is difficult enough. In the second place, he has been placed "for his own good" in an Iowa juvenile facility which has more than a passing resemblance to a military prison. If a boy breaks one of the innumerable rules of the place, they get placed in a situation where the will probably be sexually molested by their jailer Mr. Kibby, while he quotes Bible verses at them. He has a friend, though, a boy named Gary (Elijah Shepard), and together they make the best of things. That is, until it becomes clear that a clueless young inmate could make things really difficult for them - really difficult. The decide to escape their rural confinement and look up Spacy's mother (Mary Beth Hurt), who has finally divorced Spacy's abusive, alcoholic father. ~ Clarke Fountain, All Movie Guide

Two socialites find their view of the world changed when a young man takes advantage of their preconceptions in this thoughtful comedy-drama. Flan and Ouisa Kittredge (Donald Sutherland and Stockard Channing) are a married couple who have built highly successful careers as art dealers catering to Manhattan's upper crust. The Kittredges are entertaining friends one evening when a young black man named Paul (Will Smith) appears at their door. Paul says that he's a close friend of their children, with whom he attended boarding school, and he's just been mugged and needs to get off the street for a moment. Flan and Ouisa invite him in, and they are immediately taken by Paul's intelligence and charm; he offers to prepare dinner, regales them with stories about his father, Sidney Poitier, and ends up spending the night at their apartment. However, the next morning Flan and Ouisa discover that they've been had; Paul is actually a con artist from the streets who has been pulling the wool over the eyes of many of their friends -- and his actions are beginning to have serious consequences. John Guare adapted the script from his own successful stage play; the supporting cast includes Ian McKellen, Mary Beth Hurt, Bruce Davison, and Heather Graham. ~ Mark Deming, All Movie Guide

The meteoric rise and tragic fall of actress Jean Seberg is dissected in this fascinatingly complex psuedo-documentary that features actress Mary Beth Hurt playing Seberg as she examines her life. Along the way, filmmaker Mark Rappaport frequently digresses and examines the lives of those famous people around her, including Jane Fonda, Otto Preminger, Clint Eastwood and more. The film begins as Preminger discovers the 17-year-old Seberg during a national talent search and decides to cast her in his ill-fated epic Saint Joan. She was for two years a Hollywood star, and then went on to become a European icon of New Wave cinema. During the late 1960s Seberg was affiliated with the Black Panther movement and became a target of the FBI. Her problems were not helped by her alcoholism and drug addiction. During her life she was married four times, attempted suicide once, miscarried, and at age 40 finally overdosed on barbiturates. ~ Sandra Brennan, All Movie Guide