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John Hurt Movies

Considered one of Great Britain's most consistently brilliant players, John Hurt is at his best when playing victims forced to suffer mental, physical, or spiritual anguish. A small man with a slightly sinister countenance and a tenor voice that never completed the transition between early adolescence and manhood, Hurt is generally cast in supporting or leading roles as eccentric characters in offbeat films. The son of a clergyman, Hurt was training to be a painter at St. Martin's School of the Arts when he became enamored with acting and enrolled in London's Royal Academy of Dramatic Art instead. He made his theatrical and film debuts in 1962 (The Wild and the Willing). Though he frequently appears on-stage, Hurt, unlike his many colleagues, is primarily a film and television actor. He gave one of his strongest early performances playing Richard Rich in Fred Zinnemann's A Man for All Seasons (1966). His subsequent work remained high quality through the '70s. On television, Hurt made his name in the telemovie The Naked Civil Servant and furthered his growing reputation as the twisted Caligula on the internationally acclaimed BBC miniseries I, Claudius (1976). He received his first Oscar nomination for playing a supporting role in the harrowing Midnight Express and a second nomination for his sensitive portrayal of the horribly deformed John Merrick -- but for his voice, Hurt was unrecognizable beneath pounds of latex and makeup. In 1984, Hurt was the definitive Winston Smith in Michael Radford's version of Orwell's 1984. Other memorable roles include a man who finds himself hosting a terrifying critter in Alien (1979), his parody of that role in Mel Brooks' Spaceballs (1987), an Irish idiot in The Field (1990), and in Rob Roy (1995).

In 1997, Hurt played the lead role of Giles De'ath (pronounced day-ath) for the comedy drama Love and Death on Long Island. The film, which follows a widower (Hurt) who forms an unlikely obsession with a teen heartthrob who lives in Long Island and occasionally stars in low-brow films. Love and Death was praised for its unlikely, yet poignant portrait of unrequited love. The same year, Hurt took on the role of a multi-millionaire willing to fund a scientist's (Jodie Foster) efforts to communicate with alien life in Contact. Hurt took a voice role in the animated series Journey to Watership Down and its sequel, Escape to Watership Down in 1999, and again for The Tigger Story in 2000. In 2001, Hurt joined the cast of Harry Potter & the Sorcerer's Stone to play the small but vital role of wand merchant Mr. Ollivander, and narrated Lars von Trier's experimental drama Dogville. Later, Hurt played an American professor in Hellboy (2004), and won praise for his portrayal of a bounty hunter in The Proposition, a gritty Western from director John Hillcoat.

Hurt continued to work in small but meaty supporting roles throughout the next several years, most notably in the drama Beyond the Gates (2005), for which he played a missionary who arrived in Rwanda just before genocide erupted, and as the tyrannical Chancellor Sutler in director James McTiegue's adaptation of Alan Moore's graphic novel V for Vendetta (2006). In 2010, Hurt reprised his role of Mr. Ollivander for Harry Potter and the Deathly Hallows, Part 1, and for its sequel in 2011. The actor co-starred with Charlotte Rampling in Melancholia (2011), Lars von Trier's meditation on depression, and played the Head of the British Secret Intelligence Service in the multi-Academy Award nominated spy thriller Tinker, Tailor, Soldier, Spy the same year.
~ Sandra Brennan, Rovi
1987  
PG  
Add Spaceballs to Queue Add Spaceballs to top of Queue  
A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he's transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes -- as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien. ~ Brian J. Dillard, Rovi

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Starring:
Mel BrooksJohn Candy, (more)
 
1986  
 
Ostensibly about the 1984 miners' strike in England, this rambling drama veers into a story about Bill (John Hurt) a rootless man who lives in a rundown movie theater and Jess (newcomer Maureen Douglass) who is intent on sabotaging the mining company. Bill creates his own reality in the theater by projecting images he likes on the screen but this lifestyle ends when the building is slated for demolition. Just as Bill is looking for another place to set up housekeeping Jess picks him up and offers him a ride. A computer and some curious-looking plans in the back of the vehicle peak his curiosity though after some adventures on the road, Bill gets dropped off. It does not take long for him to decide to pursue Jess, and the adventure continues. ~ Eleanor Mannikka, Rovi

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Starring:
John HurtIan Dury, (more)
 
1986  
PG  
Add From the Hip to Queue Add From the Hip to top of Queue  
Director Bob Clark, whose previous cinematic endeavors ran the gamut from Porky's to A Christmas Story, called the shots on From the Hip. Fresh out of law school, Robin Weathers (Judd Nelson) is hired by a law firm not known for its ethics. Weathers' first client is a man who, up to trial time, was perfectly willing to cop a plea. Instead, the novice lawyer sharkishly secures a "not guilty" verdict--not to mention a public reputation as a live wire. His jealous older colleagues decide to get even with Weathers by assigning him a case that cannot possibly be won. Thus it is that Weathers is assigned to defend insufferable murder suspect Douglas Benoit (John Hurt), who refuses to cooperate with his attorney even though he's facing a death sentence. ~ Hal Erickson, Rovi

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Starring:
Elizabeth PerkinsJohn Hurt, (more)
 
1986  
PG  
Add Jake Speed to Queue Add Jake Speed to top of Queue  
An adventure tale for movie buffs, Jake Speed deftly lifts scenes from detective films of the '40s through the '70s to bring an added dimension to its spoof of the detective and adventure genres. When a family gets word that their daughter has been kidnapped in Paris, her father comments that they should get "Jake Speed" to find her. However, Jake is a comic strip character, and the reaction is that he might as well ask for Batman. But lo-and-behold, the other daughter Margaret (Karen Kopins) gets a message to meet Speed (Wayne Crawford) and his author, Remo (Dennis Christopher), and the men tell her they must go to Africa, where her sister is being held. After a certain amount of trial and error, they eventually find the nation where she's being held -- which happens to be in the middle of a revolution. ~ Eleanor Mannikka, Rovi

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Starring:
Wayne CrawfordDennis Christopher, (more)
 
1985  
 
In this otherwise routine film, John Hurt is outstanding as the deceptively unbalanced Peter, brother of Laurence (Julian Sands), an inmate for the last many years in a mental institution in Geneva, Switzerland. An unusual accident cost the life of Laurence's twin brother, when they were just little boys, and sent Laurence to the Geneva clinic. For reasons of his own, Peter, a respected anthropology professor, gets Laurence released from the institution's care and then sets them both up in a low-end apartment in the city. When Pascale (Victoria Abril), a young college student, starts to fall for Laurence, Peter's own mental state is called into question. ~ Eleanor Mannikka, Rovi

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Starring:
John HurtJulian Sands, (more)
 
1985  
PG  
Add The Black Cauldron to Queue Add The Black Cauldron to top of Queue  
Walt Disney Pictures produced this ambitious, animated tale of sorcery and swordfighting. Taran (voice of Grant Bardsley), is an assistant to Dallben (voice of Freddie Jones), a pigkeeper in the mythical land of Prydain. Taran longs to be a knight, and he's given his chance to live out his dream when he is sent out in search of a magical black cauldron which can either be a powerful instrument of good or a bottomless fount of evil, depending entirely upon who should find it. However, Taran is not the only one in search of this talisman -- the Horned King (voice of John Hurt) wants the cauldron to shore up his sinister powers and raise an army of the dead, and with the help of the all-seeing pig Hen-Wren, the wicked one may make his hideous plans a reality. The Black Cauldron had the distinction of being the first animated feature from Disney to receive a PG rating from the MPAA, due to some frightening scenes of black magic. ~ Mark Deming, Rovi

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Starring:
Grant BardsleySusan Sheridan, (more)
 
1984  
R  
Add The Hit to Queue Add The Hit to top of Queue  
In this offbeat crime film, Willie Parker (Terence Stamp) an English mobster turned informant, has been given a new identity and has been living in a small, isolated village in Spain for 10 years. Unfortunately for Parker, the men he has betrayed have ascertained his whereabouts and send Braddock (John Hurt), a professional hitman, and his apprentice Myron (Tim Roth) to bring Parker to Paris where his ex-associates await. After kidnapping Parker, nothing goes as planned. Now they are followed by a Spanish policeman (Fernando Rey) who seems to anticipate each of their moves, and they are burdened by Maggie (Laura del Sol), the mistress of a fellow mobster they were forced to kill. What should have been a routine hit becomes a psychological battle between all the participants as Parker, in a fight for time and for his life, plays one against the other. Set against the bleak Spanish landscape and featuring evocative and memorable theme music, the film builds to a surprising conclusion where the true nature of all the characters is revealed. Terence Stamp develops the character of Parker in a subtle but surprisingly comic performance and Laura del Sol shines as a woman who will do what is necessary to survive. Tim Roth, in his film debut, plays a brutal, but oddly endearing thug. But it is John Hurt, in a sensitive and nuanced performance, who brings a perceptive intelligence and depth to his role which adds a philosophical and psychological dimension to the film. Hurt plays his difficult role without a misstep and with a rare economy of action. Thoughtful and frequently amusing, The Hit, superbly written by Peter Prince, is both a compelling and suspenseful crime drama and also a deep and profound meditation on life, death and courage. ~ Linda Rasmussen, Rovi

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Starring:
John HurtTim Roth, (more)
 
1984  
 
Add King Lear to Queue Add King Lear to top of Queue  
Shakespeare's tragedy, made for British television, is given a full-blooded rendition here with the great Laurence Olivier in the title role and a stellar cast to support him, in the tale of a king torn apart by the ambition and treachery within his family and by his own pride. ~ Mark Hockley, Rovi

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Starring:
Laurence OlivierAnna Calder-Marshall, (more)
 
1984  
 
Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. On the opposite end of the spectrum stands Adam, who is disillusioned with his father's drive to succeed at all costs (the father does receive a few awards) and who longs to go back to his roots -- in Warsaw. The story jumps from one scene to the next with some fantasy segments and not always enough connecting narrative. Otherwise, this is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation. ~ Eleanor Mannikka, Rovi

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Starring:
Michael YorkJanna Szerzerbic, (more)
 
1984  
R  
Directed by British filmmaker Michael Radford, Nineteen Eighty-Four is the second film adaptation of the George Orwell novel. The film is set during April of 1984 in post-atomic war London, the capital city of the repressive totalitarian state of Oceania. Winston Smith (John Hurt) is a government bureaucrat whose job is rewriting history and erasing people from existence. While his co-worker Parsons (Gregor Fisher) seems content to follow the state's laws, Winston starts to write in a secret diary despite the fact the "Big Brother" is watching everyone at all times by way of monitors. He silently suffers and tries to comprehend his oppression, which forbids individual human behaviors such as free thinking and sex. He meets Julia (Suzanna Hamilton), who works for the Ministry of Truth, and they engage in a stoic love affair. They are soon found out, and Winston is interrogated and tortured by his former friend O'Brien (Richard Burton in his final film appearance). ~ Andrea LeVasseur, Rovi

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Starring:
John HurtRichard Burton, (more)
 
1984  
PG  
Add Champions to Queue Add Champions to top of Queue  
John Hurt plays the British jockey Bob Champion in this true story of how Champion overcame cancer and the rigors of chemotherapy for an impressive personal and professional comeback. Just as Champion is in the middle of a vacation in Kentucky, he finds out he has cancer, and, like others before him, submits to the full, painful treatments of multiple injections and radiation, suffering as much or more from the cure as from the illness (these treatments are graphic). Gaunt and nauseous, Champion also endures realistic meetings with his doctors that hold forth no guarantee of a cure. His eventual remission leads to yet another grueling physical schedule to get him back into shape for the Grand National Steeplechase -- a 30-fence, well-publicized race that offers difficult hurdles for both the horses and their jockeys. If the 115-minutes running time of this film were cut in places, it would create a better, trim and slim, fast-paced telling of an even more focused tale. ~ Eleanor Mannikka, Rovi

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Starring:
John HurtEdward Woodward, (more)
 
1983  
R  
Add The Osterman Weekend to Queue Add The Osterman Weekend to top of Queue  
A man discovers that his best friends are actually spies -- or are they? -- in this thriller based on Robert Ludlum's best-selling novel. John Tanner (Rutger Hauer) is the host of a television news show who once a year spends a long weekend with three of his best friends from college, Bernard Osterman (Craig T. Nelson), Joseph Cardone (Chris Sarandon), and Richard Tremayne (Dennis Hopper). Tanner is approached by Lawrence Fassett (John Hurt), a CIA agent who has evidence proving that his three pals are actually agents working with the Soviet Union. With Tanner's reluctant approval, his house is wired with video surveillance equipment so that the CIA can monitor what Osterman, Cardone, and Tremayne say and do over their weekend together in hopes of putting the traitors behind bars. However, Tanner soon realizes that Fassett's agenda is not all that it appears to be. The Osterman Weekend was directed by Sam Peckinpah; it proved to be his last film, as he died a year after its release. ~ Mark Deming, Rovi

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Starring:
Rutger HauerJohn Hurt, (more)
 
1982  
PG13  
Add The Plague Dogs to Queue Add The Plague Dogs to top of Queue  
Like Watership Down, Plague Dogs is an animated cartoon feature based on a novel by Richard Adams and produced by Martin Rosen. And also like Watership Down, it is more appropriate for an older audience. Two dogs escape from a British government research lab. As the authorities hunt down the canine fugitives, the two dogs search for their original master and for a place where they'll be free from the iniquities and cruelties of Mankind. Plague Dogs was completed in 1982, but was not released in the US until two years later. ~ Hal Erickson, Rovi

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Starring:
John HurtChristopher Benjamin, (more)
 
1982  
R  
Add Partners to Queue Add Partners to top of Queue  
TV director James Burrows made his feature debut with this unusual film that's a situation comedy-style twist on both The Odd Couple (1968) and Cruising (1980). The murder of a male model in a gay, beachfront enclave of L.A. warrants an undercover investigation, so police officer Benson (Ryan O'Neal), a straight, macho, law-and-order type, is assigned to partner with file clerk Kerwin (John Hurt), a mild-mannered homosexual. Benson and Kerwin are to pose as a gay couple who have just moved to the area. At first, Benson's slovenly ways drive the fussy Kerwin to distraction, while Kerwin's sexual orientation and prissy manners are a source of constant frustration for straight-arrow Benson. However, the two eventually become friendly roommates, if not exactly friends, and Benson even begins to see the world through Kerwin's eyes. Although he carries a badge, the fussy Kerwin is essentially a civilian, but as he and Benson close in on the murderer, Kerwin reveals himself to be a far more capable cop than Benson assumes him to be. Partners was written by Francis Veber, author of La Cage aux Folles (1978) and The Man with One Red Shoe (1985). ~ Karl Williams, Rovi

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Starring:
Ryan O'NealJohn Hurt, (more)
 
1981  
PG  
Add Night Crossing to Queue Add Night Crossing to top of Queue  
Two friends chart a daring path to freedom in this drama from Walt Disney Pictures. Peter Strelzyk (John Hurt) and Guenter Wetzel (Beau Bridges) are two men living in East Germany who can no longer tolerate the petty tyrannies of Communist rule. Together, they formulate a daring plan to escape to democratic West Germany in a hot air balloon, but Peter and Guenter realize that they have to build a very special lighter-than-air craft to carry both themselves and their families to safety. Night Crossing also features Jane Alexander, Doug McKeon, and Keith McKeon as members of the Strelzyk Family, and Glynnis O'Connor, Michael Liesik, and Geoffrey Liesik as the Wetzels. ~ Mark Deming, Rovi

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Starring:
John HurtJane Alexander, (more)
 
1981  
R  
Add History of the World -- Part I to Queue Add History of the World -- Part I to top of Queue  
Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, Rovi

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Starring:
Mel BrooksDom DeLuise, (more)
 
1981  
PG  
Each installment of An Evening With presents a performer, band, group, or other public figure in a setting aimed to please fans looking for a representative sampling of what a particular person or group of people does best. In this installment, famed author Quentin Crisp performs before a live and appreciative audience. Crisp specializes in applying his dry wit to everyday topics, such as style and personality development. ~ Rob Ferrier, Rovi

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1981  
R  
Add Heaven's Gate to Queue Add Heaven's Gate to top of Queue  
A notorious artistic and financial failure, Michael Cimino's Heaven's Gate was blamed for critically wounding the movie Western and definitively ushering out the 1970s Hollywood New Wave of young, brash, independent filmmakers. Taking a revisionist, post-Vietnam view of American imperialism, Cimino used the historical Johnson County War incident in Wyoming to create an impressionistic tapestry of Western conflict between poor immigrant settlers and rich cattle barons led by Canton (Sam Waterston) and his hired gun Nate Champion (Christopher Walken). Attempting to mediate is idealistic Harvard graduate and county marshal Averill (Kris Kristofferson), who is both Nate's friend and his romantic rival for the affections of Ella Watson (Isabelle Huppert). However, war erupts, at great cost to all involved. Flush from his success with the Oscar-winning The Deer Hunter (1978), Cimino demanded creative control, and his insistence on shooting on location and building historically accurate sets and props multiplied the film's original budget to a then-astronomical $36 million. When United Artists premiered the original 219-minute version (sight unseen), they discovered that Cimino had produced an elliptical epic, compounding the box-office difficulties of making a Western without any major stars. Critics howled about Cimino's incomprehensible self-indulgence, and United Artists pulled the film after several days. Re-released five months later, 70 minutes shorter, Heaven's Gate bombed again, and MGM bought out the financially crippled United Artists. The ailing Western genre virtually vanished during the 1980s, Cimino's career never recovered, and Hollywood studios had had enough of bankrolling financially risky ventures by "auteur" directors. Heaven's Gate's reputation recovered somewhat after its video release, as it garnered praise from some viewers for such visually remarkable sequences as the Harvard dance and the final battle, as well as for David Mansfield's haunting score. Steven Bach's book Final Cut provides a full production history. ~ Lucia Bozzola, Rovi

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Starring:
Kris KristoffersonChristopher Walken, (more)
 
1980  
PG  
Add The Elephant Man to Queue Add The Elephant Man to top of Queue  
John Hurt stars as John Merrick, the hideously deformed 19th century Londoner known as "The Elephant Man". Treated as a sideshow freak, Merrick is assumed to be retarded as well as misshapen because of his inability to speak coherently. In fact, he is highly intelligent and sensitive, a fact made public when one Dr. Frederick Treves (Anthony Hopkins) rescues Merrick from a carnival and brings him to a hospital for analysis. Alas, even after being recognized as a man of advanced intellect, Merrick is still treated like a freak; no matter his station in life, he will forever be a prisoner of his own malformed body. Unable to secure rights for the famous stage play The Elephant Man, producer Mel Brooks based his film on the memoirs of Frederick Treves and a much later account of Merrick's life by Ashley Montagu. The film is lensed in black and white by British master cinematographer Freddie Francis. Though nominated for eight Academy Awards, the film was ultimately shut out in every category. ~ Hal Erickson, Rovi

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Starring:
Anthony HopkinsJohn Hurt, (more)
 
1979  
R  
Add Alien to Queue Add Alien to top of Queue  
"In space, no one can hear you scream." A close encounter of the third kind becomes a Jaws-style nightmare when an alien invades a spacecraft in Ridley Scott's sci-fi horror classic. On the way home from a mission for the Company, the Nostromo's crew is woken up from hibernation by the ship's Mother computer to answer a distress signal from a nearby planet. Capt. Dallas's (Tom Skerritt) rescue team discovers a bizarre pod field, but things get even stranger when a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt). Over the objections of Ripley (Sigourney Weaver), science officer Ash (Ian Holm) lets Kane back on the ship. The acid-blooded incubus detaches itself from an apparently recovered Kane, but an alien erupts from Kane's stomach and escapes. The alien starts stalking the humans, pitting Dallas and his crew (and cat) against a malevolent killing machine that also has a protector in the nefarious Company. ~ Lucia Bozzola, Rovi

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Starring:
Tom SkerrittSigourney Weaver, (more)
 
1979  
 
Add Crime & Punishment to Queue Add Crime & Punishment to top of Queue  
This version of Crime and Punishment is a British television miniseries adaptation of the classic work of literature by Fyodor Dostoyevsky. John Hurt stars as Rodya Raskolnikov, a 19th century Russian intellectual living in poor conditions who struggles with the moral choice to commit a crime in order to save his sister. Originally airing on the BBC in 1979, it was also shown as part of Masterpiece Theatre on PBS. ~ Andrea LeVasseur, Rovi

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1978  
R  
An asylum director begins telling a visitor to a cricket game the story of one of his "better" patients, Crossley (Alan Bates) who is able to compete. Some time previously, Crossley accosted Anthony (John Hurt), a composer, just after church and was for some reason invited to dinner. Once at the composer's home, he tells the story of his unusual upbringing among Australian Aborigines, and of the awful and strange gifts this has left him with. Among them is the ability to bring about another's death by using a certain kind of shout. The next morning, he begins to weave an erotic spell on the composer's wife Rachel (Susannah York), and then proves his killing ability on a sheep in a field. His influence increasingly disrupts their peaceful lives, until in a confrontation, the composer finds a way to best Crossley - but which results in his being placed in a mental institution. ~ Clarke Fountain, Rovi

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Starring:
Alan BatesSusannah York, (more)
 
1978  
PG  
Add The Lord of the Rings to Queue Add The Lord of the Rings to top of Queue  
Controversial animator Ralph Bakshi's literal adaptation of J.R.R. Tolkien's classic fantasy trilogy, The Lord of the Rings, is brought to the screen in a reverent, stilted way, with Bakshi forsaking his sharp-edged animated looniness for a rotoscoped dullness. Although the film's title encompasses the entire Tolkien trilogy, this longish Bakshi feature, in fact, covers only the first book, The Fellowship of the Ring, and the first half of the second, The Two Towers. Given the complexity of the original story line, this unfortunately means that only those intimately familiar with the books will be able to understand what is happening in the movie. In brief, however, an evil sorcerer from a previous era created a magical ring which enables its users to call upon its tremendous powers to rule the world, but it inevitably warps them to evil. It was believed lost, but during a resurgence of magical evil in the world, Bilbo, a simple, plain-spoken hobbit, recovers it from its hiding place. The forces of good give his nephew Frodo the choice to bear the awful burden of the ring to a place where it may be destroyed. ~ Clarke Fountain, Rovi

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Starring:
Christopher GuardWilliam Squire, (more)
 
1978  
PG  
Add Watership Down to Queue Add Watership Down to top of Queue  
Unique in the annals of animated films, Watership Down is a serious, even grim tale that many will find relentless and depressing and others will find poetic and moving. It doesn't pull any punches. Death -- violent, disturbing death -- is ever present, portrayed in a manner that is astonishingly honest for a cartoon. As a result, it is that rare animated film that really aims for a mature audience, despite its superficial funny animal trappings. It has a brilliant opening, most likely created by UPA veteran John Hubley, which in a primitive and simplistic style relates a creation myth as told by rabbits. The style changes thereafter, with beautiful watercolor backgrounds and a more natural approach to character animation. Unfortunately, the animation suffers somewhat from this point, becoming a bit sloppy, although it continues to portray the characters' movements as realistically as possible. The character designs themselves are rather too similar, with the result that it is sometimes difficult to tell the various rabbits apart. The story is also sometimes told in too-broad strokes, leaving those unfamiliar with the novel confused as to exactly what has happened and, more importantly, why. However, these flaws are redeemed by some unforgettable sequences, including a chilling segment detailing the destruction of the rabbits' warren and a devastatingly sad end sequence in which the Black Rabbit of Death gently takes one of the heroes away with it. Voiced by a fine cast, with stellar work from John Hurt and Richard Briers, Watership Down is an imperfect film with some of the most powerful moments ever created for the genre. ~ Craig Butler, Rovi

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Starring:
John HurtRichard Briers, (more)