John Hurt Movies

Directed by British filmmaker Michael Radford, Nineteen Eighty-Four is the second film adaptation of the George Orwell novel. The film is set during April of 1984 in post-atomic war London, the capital city of the repressive totalitarian state of Oceania. Winston Smith (John Hurt) is a government bureaucrat whose job is rewriting history and erasing people from existence. While his co-worker Parsons (Gregor Fisher) seems content to follow the state's laws, Winston starts to write in a secret diary despite the fact the "Big Brother" is watching everyone at all times by way of monitors. He silently suffers and tries to comprehend his oppression, which forbids individual human behaviors such as free thinking and sex. He meets Julia (Suzanna Hamilton), who works for the Ministry of Truth, and they engage in a stoic love affair. They are soon found out, and Winston is interrogated and tortured by his former friend O'Brien (Richard Burton in his final film appearance). ~ Andrea LeVasseur, All Movie Guide

Adapted by Robert Bolt and Constance Willis from Bolt's hit stage play, A Man for All Seasons stars Paul Scofield, triumphantly repeating his stage role as Sir Thomas More. The crux of the film is the staunchly Catholic More's refusal to acknowledge King Henry VIII (Robert Shaw)'s break from the church to divorce his first wife and marry Anne Boleyn (an unbilled Vanessa Redgrave). Sir Thomas willingly goes to the chopping block rather than sacrifice his ideals. Director Fred Zinnemann retains the play's verbosity without sacrificing the film's strong sense of visuals. The impeccably chosen cast includes Wendy Hiller as Sir Thomas' likably contentious wife Alice, John Hurt as the deceitful Richard Rich (More's put-downs of this despicable character provide some of the film's biggest laughs), Orson Welles as a dour Cardinal Woolsey, Leo McKern as the ambitious Thomas Cromwell, and Susannah York as More's daughter Margaret. The "Common Man," an important bridging-the-scenes character in the original play, is removed from the film version, which does just fine without him. A Man for All Seasons won six Oscars, including Best Picture, Best Director, and Best Actor, as well as seven British Film Academy awards. ~ Hal Erickson, All Movie Guide

In this otherwise routine film, John Hurt is outstanding as the deceptively unbalanced Peter, brother of Laurence (Julian Sands), an inmate for the last many years in a mental institution in Geneva, Switzerland. An unusual accident cost the life of Laurence's twin brother, when they were just little boys, and sent Laurence to the Geneva clinic. For reasons of his own, Peter, a respected anthropology professor, gets Laurence released from the institution's care and then sets them both up in a low-end apartment in the city. When Pascale (Victoria Abril), a young college student, starts to fall for Laurence, Peter's own mental state is called into question. ~ Eleanor Mannikka, All Movie Guide

British producer Jeremy Thomas made his directorial debut with this drama adapted from the novel by Walker Hamilton. Hindered by a childhood auto accident, teen Bobby (Christian Bale) is a misfit from a well-to-do family; he suffers yet another setback after the premature death of his mother. His stern stepfather, the evil De Winter (Daniel Benzali) labels Bobby "subnormal" and schemes to trick the youth into signing over the family department store. Bobby calls DeWinter "The Fat." To escape The Fat's clutches, Bobby takes off, hitchhiking to Cornwall. The trip ends when the teen causes an accident while trying to keep the driver from intentionally running over a fox. The driver is killed in the crash. Bobby then meets the antisocial Mr. Summers (John Hurt) who states, "People are of no value at all as far as I'm concerned." Summers allows Bobby to move into his shack, eventually revealing his past criminal life, and the two team to confront The Fat in London. Filmed in Cornwall and the Isle of Man. Shown in the Certain Regard section at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

Each installment of An Evening With presents a performer, band, group, or other public figure in a setting aimed to please fans looking for a representative sampling of what a particular person or group of people does best. In this installment, famed author Quentin Crisp performs before a live and appreciative audience. Crisp specializes in applying his dry wit to everyday topics, such as style and personality development. ~ Rob Ferrier, All Movie Guide

Reclusive Britisher Jack Blake (John Hurt) comes to the rescue when motorists Pam Raeburn (Sheila Hancock) and her daughter, Stephanie (Rachael Stirling), are stranded on a lonely road during a heavy rain. Offering the ladies shelter in his stately but rather gloomy mansion, Jack cannot help but notice that Stephanie bears a remarkable resemblance to his own daughter, who had been brutally murdered by an unknown assailant several years earlier. Then and there, Jack decides to use Stephanie as bait to trap the man whom he thinks is his daughter's killer. Made for television, Bait was originally presented on Britain's ITV1 on December 27, 2002. ~ Hal Erickson, All Movie Guide

Two outsiders witness an onslaught of bloody Rwandan genocide in this fact-based drama from director Michael Caton-Jones (Scandal). In 1994, Joe Connor (Hugh Dancy) is a British schoolteacher who has volunteered to spend a year at the Ecole Technique Officielle, a school in the Rwandan capital of Kigali. Connor's arrival in Rwanda occurs after the nation's Civil War between the Tutsis and the Hutus has dissipated (c. August 1993). Yet despite the official end of this well-publicized struggle, political negotiations between the two groups have reached a stalemate, and the Hutus begin systematic preparation for a mass-genocide of the Tutsi people (who have assumed political power via the establishment of the RPF). Connor has already seen signs of the coming conflict in the abuse meted out to Marie (Clare-Hope Ashitey), a Tutsi student who was one of his star pupils, as well as the bitter hatred expressed by Francois (David Gyasi), a Hutu janitor at the school. As the genocide erupts, with extreme Hutu factions slaughtering Tutsis by the thousands, the Ecole Technique becomes a base of operations for Belgian peacekeeping forces from the United Nations. Most extended visitors from the West (especially America and Europe) flee Rwanda as the fighting broke out, but Connor decides to stay, and in fact strikes up a friendship with Father Christopher (John Hurt), a Catholic priest who has come to the nation as a missionary. As Father Christopher serves mass and strives to offer solace to the Tutsis and moderate Hutus caught in the fighting, he and Connor use the school as a safe haven for Tutsi refugees; however, after five days of genocidal killing, the U.N. troops move out, leaving little hope for the people they were supposed to protect. Beyond the Gates was produced by David Belton, who helped write the film's story; Belton was a correspondent with the BBC who was assigned to Rwanda when the fighting broke out. ~ Mark Deming, All Movie Guide

Meciej Dejczer directed this German-French-Polish period drama made with English dialogue. British prisoner Gerry, aka Brute (Til Schweiger) is sent away to complete his sentence in a rundown Romanian orphanage run by sinister Sincal (Pete Postlethwaite), who profits by selling children and other evil activities. Crude operations are executed on patients by alcoholic surgeon Dr. Babits (John Hurt), who plays the violin. On the brighter side, a nubile nurse Mara (Polly Walker) is on the staff of this insidious institution, and she enters into an affair with Brute. Shown at the 1998 Montreal World Film Festival. ~ Bhob Stewart, All Movie Guide

John Hurt plays the British jockey Bob Champion in this true story of how Champion overcame cancer and the rigors of chemotherapy for an impressive personal and professional comeback. Just as Champion is in the middle of a vacation in Kentucky, he finds out he has cancer, and, like others before him, submits to the full, painful treatments of multiple injections and radiation, suffering as much or more from the cure as from the illness (these treatments are graphic). Gaunt and nauseous, Champion also endures realistic meetings with his doctors that hold forth no guarantee of a cure. His eventual remission leads to yet another grueling physical schedule to get him back into shape for the Grand National Steeplechase -- a 30-fence, well-publicized race that offers difficult hurdles for both the horses and their jockeys. If the 115-minutes running time of this film were cut in places, it would create a better, trim and slim, fast-paced telling of an even more focused tale. ~ Eleanor Mannikka, All Movie Guide

This version of Crime and Punishment is a British television miniseries adaptation of the classic work of literature by Fyodor Dostoyevsky. John Hurt stars as Rodya Raskolnikov, a 19th century Russian intellectual living in poor conditions who struggles with the moral choice to commit a crime in order to save his sister. Originally airing on the BBC in 1979, it was also shown as part of Masterpiece Theatre on PBS. ~ Andrea LeVasseur, All Movie Guide

A great deal of director Al Viola's version of this film was pruned away for its general release. The missing portions are not only the heart of the story, but they are the heart of the novel by Graham Billings which gave rise to the film. The whole story is that Forbush (John Hurt) is going nowhere in his romance of Tara (Hayley Mills) because he is basically an uninteresting, shallow man. In desperation, he decides to go off to Antarctica and study penguins. He hopes that his heroism in doing this will prove his sincerity to Tara. Once there, he grows genuinely enchanted by his project and develops a real interest in penguins. It is this, rather than his courage, which wins him Tara's affections. The truncated version omits most of the film's reputedly spectacular and affecting Antarctic footage (shot by Arne Sucksdorff) in order to concentrate on the love story. ~ Clarke Fountain, All Movie Guide

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch's Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman's lover (Gabriel Byrne), also Dickinson's son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake's guide in his protracted passage into the spirit world. ~ Jason Ankeny, All Movie Guide