John Hurt Movies

Considered one of Great Britain's most consistently brilliant players, John Hurt is at his best when playing victims forced to suffer mental, physical, or spiritual anguish. A small man with a slightly sinister countenance and a tenor voice that never completed the transition between early adolescence and manhood, Hurt is generally cast in supporting or leading roles as eccentric characters in offbeat films. The son of a clergyman, Hurt was training to be a painter at St. Martin's School of the Arts when he became enamored with acting and enrolled in London's Royal Academy of Dramatic Art instead. He made his theatrical and film debuts in 1962 (The Wild and the Willing). Though he frequently appears on-stage, Hurt, unlike his many colleagues, is primarily a film and television actor. He gave one of his strongest early performances playing Richard Rich in Fred Zinnemann's A Man for All Seasons (1966). His subsequent work remained high quality through the '70s. On television, Hurt made his name in the telemovie The Naked Civil Servant and furthered his growing reputation as the twisted Caligula on the internationally acclaimed BBC miniseries I, Claudius (1976). He received his first Oscar nomination for playing a supporting role in the harrowing Midnight Express and a second nomination for his sensitive portrayal of the horribly deformed John Merrick -- but for his voice, Hurt was unrecognizable beneath pounds of latex and makeup. In 1984, Hurt was the definitive Winston Smith in Michael Radford's version of Orwell's 1984. Other memorable roles include a man who finds himself hosting a terrifying critter in Alien (1979), his parody of that role in Mel Brooks' Spaceballs (1987), an Irish idiot in The Field (1990), and in Rob Roy (1995). ~ Sandra Brennan, All Movie Guide
1962  
 
Also titled The Wild and the Willing, this is a British production about a rebellious young man of the early 1960s. Harry Brown (Ian McShane) is a lower-class troublemaker at an upscale provincial university. He is brilliant but frequently drunk, and he constantly criticizes the elitism of his professors. Harry becomes the reluctant protégé of Professor Chown (Paul Rogers), who sees the boy's potential and hopes to tame him. Harry soon abandons his girlfriend Josie (Samantha Eggar) for a fling with Chown's wife Virginia (Virginia Maskell), a woman who frequently fools around with her husband's students. ~ Michael Betzold, All Movie Guide

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Starring:
Virginia MaskellPaul Rogers, (more)
1964  
 
This unsavory British programmer stars Ian Hendry as a hustler who seduces anything in skirts. He launches his sexual adventures by trying to put the make on his married boarding house neighbor June Ritchie. She spurns him until he agrees to find her young daughter, who has wandered off. Hendry moves on to Ritchie's sister Annette Andre, but this affair is squelched by Ritchie, who threatens to kill herself and tell all to her husband. Hendry leaves to find new conquests elsewhere. A novel by Nan Maynard was the launching pad for This Is My Street. ~ Hal Erickson, All Movie Guide

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Starring:
June RitchieAvice Landone, (more)
1966  
G  
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Adapted by Robert Bolt and Constance Willis from Bolt's hit stage play, A Man for All Seasons stars Paul Scofield, triumphantly repeating his stage role as Sir Thomas More. The crux of the film is the staunchly Catholic More's refusal to acknowledge King Henry VIII (Robert Shaw)'s break from the church to divorce his first wife and marry Anne Boleyn (an unbilled Vanessa Redgrave). Sir Thomas willingly goes to the chopping block rather than sacrifice his ideals. Director Fred Zinnemann retains the play's verbosity without sacrificing the film's strong sense of visuals. The impeccably chosen cast includes Wendy Hiller as Sir Thomas' likably contentious wife Alice, John Hurt as the deceitful Richard Rich (More's put-downs of this despicable character provide some of the film's biggest laughs), Orson Welles as a dour Cardinal Woolsey, Leo McKern as the ambitious Thomas Cromwell, and Susannah York as More's daughter Margaret. The "Common Man," an important bridging-the-scenes character in the original play, is removed from the film version, which does just fine without him. A Man for All Seasons won six Oscars, including Best Picture, Best Director, and Best Actor, as well as seven British Film Academy awards. ~ Hal Erickson, All Movie Guide

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Starring:
Paul ScofieldWendy Hiller, (more)
1967  
 
Playwright Christopher Isherwood and co-writer/director Tony Richardson adapted the novel by Marguerite Duras into this romantic drama. Jeanne Moreau plays Anna, a Frenchwoman of means who experienced fleeting true love with a sailor many years before. In the interim, her husband killed himself and left Anna his vast fortune, and now she is sailing from port to seedy port, searching the world over in vain for her long-lost sailor. In the meantime, Alan (Ian Bannen), a young Englishman, argues with his girlfriend Sheila (Vanessa Redgrave), and leaves her. Alan encounters Anna and, intrigued, joins her on her heartbreaking quest, which takes them aboard Anna's sailboat to Africa and Greece. As Alan begins to realize that he's falling in love with his traveling companion, they meet Louis de Mozambique (Orson Welles), who joins them on their mission but suggests that Anna's elusive sailor may never have existed anywhere other than in her mind. Nevertheless, Anna and a smitten Alan continue their pursuit. Richardson and Isherwood had collaborated previously on the more successful, darkly satirical The Loved One (1965), adapted from the novel by Evelyn Waugh and considered a cult classic. ~ Karl Williams, All Movie Guide

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Starring:
Jeanne MoreauIan Bannen, (more)
1969  
PG  
In this bitter drama that takes place in the immediate aftermath of World War II, British Major Giles Burnside (David Niven) is assigned to a Austrian refugee camp, his orders to send the masses of displaced civilians to either the Russian or the American zone. Burnside is a by-the-books commander but has trouble making himself understood in the gaggle of different languages. But one of the refugees, Janovic, (Topol), is energetic and can speak many languages and Burnside hires him as his interpreter. Janovic quickly conveys Burnsides's directives and gets the way station running efficiently. Janovic even has time to romance a lovely innkeeper, Maria (Anna Karina). But Janovic's love for Maria hits a brick wall when he finds that she is carrying on an illicit affair with Burnside. As the remaining refugees are being dispatched to the different zones of occupation, Janovic is found to be a Russian deserter who must be returned to the Russian mainland to be executed. Burnside offers to help him escape, but Janovic can't decide whether to trust Burnside or not. ~ Paul Brenner, All Movie Guide

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Starring:
David NivenTopol, (more)
1969  
PG  
Davey Haggart (John Hurt) wishes to follow his father's footsteps and become a highway robber. He also wishes to avoid his father's fate -- which was death by hanging at the tender age of 21 after a botched robbery of the Duke of Argyle (Robert Morley). Davey commits a daring robbery in broad daylight with the help of two henchmen (Ronald Fraser and Fidelma Murphy) and heads for the highlands of Scotland to hide out. The local Constable (Nigel Davenport) warns young Davey he will end up just like his father but helps him escape the fate of dancing on the end of a rope. Annie (Pamela Franklin) is the kind-hearted farm girl who tries to make sweet Davey give up a life of crime and settle down. This comedy was taken from the autobiographical diary"The Life Of David Haggart." ~ Dan Pavlides, All Movie Guide

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Starring:
John HurtPamela Franklin, (more)
1970  
PG  
In this psychological drama, Catherine (Julie Christie) is an attractive young woman living in Rome who is infatuated with a man named Gregory, whom she's never actually met. When her father informs her that he intends to remarry, Catherine is not interested in attending the wedding until she learns that Gregory will also be a guest. She flies to Geneva for the ceremony and imagines Gregory to be an athlete in an advertising poster she sees at the airport; she's lost in fantasies about him, even as her brother Daniel (John Hurt), with whom she once had an incestuous relationship, attempts to seduce her. While she misses meeting Gregory, she does run into the sports star from the poster (Michael Sarrazin); they soon repair to a hotel where they make love. However, Catherine discovers that his chiseled looks don't match his drab personality, and she soon leaves him behind. Before returning to Rome, Catherine makes a last attempt at finding Gregory, whom she's been told is also looking for her. ~ Mark Deming, All Movie Guide

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Starring:
Julie ChristieMichael Sarrazin, (more)
1971  
 
10 Rillington Place is the true story of British mass murderer John Reginald Christie, played with chilling "normality" by Richard Attenborough. Throughout the late '40s, Christie lures middle-aged women to his London flat promising to cure their ailments with nitrous oxide, then kills them, assaults their dead bodies, and buries them. One of his victims is Beryl Evans (Judy Geeson), who misguidedly comes to Christie seeking an abortion -- and in the process, not only loses her own life, but sets in motion a horrid sequence of events that threatens to endanger her husband as well. ~ Hal Erickson, All Movie Guide

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Starring:
Richard AttenboroughJudy Geeson, (more)
1972  
 
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The Pied Piper eschews the romanticism of Robert Browning's poem and returns to the grim Grimm Brothers source. Pop singer Donovan plays the 14th century piper hired by duplicitous burgomaster Donald Pleasance to rid the town of Hamelin of its rats. The piper does what he's asked, but is denied the payment promised him; in revenge, he leads all of Hamelin's children out of town, never to be seen again. Though the story is a familiar one, this 1972 Pied Piper is not a kiddie movie. Director Jacques Demy's depiction of the 14th century as a muddy, backward, superstitious, disease-ridden, vermin-infested era transforms this fable into a squalid tale of revenge (incidentally, all those repulsive rodents are real; note John Holmes' screen credit as "rat trainer"). Donovan is quite good in the lead, and is matched by a remarkably restrained Jack Wild as the crippled boy. If you want the sugary sweet Pied Piper that your mother used to recite at bedtime, stay away from this film. ~ Hal Erickson, All Movie Guide

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Starring:
Jack WildDonald Pleasence, (more)
1972  
 
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A great deal of director Al Viola's version of this film was pruned away for its general release. The missing portions are not only the heart of the story, but they are the heart of the novel by Graham Billings which gave rise to the film. The whole story is that Forbush (John Hurt) is going nowhere in his romance of Tara (Hayley Mills) because he is basically an uninteresting, shallow man. In desperation, he decides to go off to Antarctica and study penguins. He hopes that his heroism in doing this will prove his sincerity to Tara. Once there, he grows genuinely enchanted by his project and develops a real interest in penguins. It is this, rather than his courage, which wins him Tara's affections. The truncated version omits most of the film's reputedly spectacular and affecting Antarctic footage (shot by Arne Sucksdorff) in order to concentrate on the love story. ~ Clarke Fountain, All Movie Guide

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Starring:
John HurtHayley Mills, (more)
1974  
 
Little Malcolm is playwright David Halliwell's brilliantly vicious attack on the hollowness of the 1960s protest movement. Booted out of art school, misfit John Hurt uses his anger to organize a radical anti-establishment organization with two fellow malcontents. What seems at first attractive and trendy turns out to be a dangerous neo-fascist movement. David Warner costars as Hurt's erudite political foe, who finds it hard to stand up against the raw persuasive energy of demagoguery. Ex-Beatle George Harrison produced this searing sociopolitical tome. The film was originally released as Little Malcolm and His Struggle Against the Eunuch. ~ Hal Erickson, All Movie Guide

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Starring:
John HurtJohn McEnery, (more)
1975  
 
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England's Tigon studios produced fairly sophisticated period horror films in the 1970s, including this drawing-room horror-mystery directed by Hammer stalwart Freddie Francis. Peter Cushing stars as a former priest who harbors a dark and horrible secret in his attic. The locked room serves as a prison cell for his crazed, cannibalistic adult son, who acquired his savage tastes in India during his father's missionary work there. Cushing fears that his son will escape to prey upon the effete guests at his rural English estate during a cross-country auto race... though there may be more to fear from one of his guests than from his monstrous son. Far too stuffy to generate any real suspense until the violent, blood-soaked climax, this is definitely one of Tigon's lesser efforts, benefiting mainly from the presence of Cushing and John Hurt as an unbalanced young gardener. Not to be confused with the 1933 horror classic of the same name. ~ Cavett Binion, All Movie Guide

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Starring:
Peter CushingJohn Hurt, (more)
1975  
 
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This 13-episode miniseries was adapted from the book by Robert Graves, which chronicles the tumultuous life and times of Claudius (Derek Jacobi), who despite a deformed leg and a speech impediment through prophecy becomes the Roman Empire. An aging Claudius looks back at the bizarre and treacherous times through which he's lived and sets them down in a secret history that is not to be read until after his death. The distinguished cast of I, Claudius includes John Hurt as Caligula, Brian Blessed as Augustus, Sian Phillips as Livia, Margaret Tyzack as Antonia, and Patrick Stewart as Sejanus. The home-video release also includes the documentary The Epic That Never Was, which looks at producer Alexander Korda ill-starred attempt to film Graves' novel in the mid-1930s. ~ Mark Deming, All Movie Guide

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Starring:
Derek JacobiSian Phillips, (more)
1975  
 
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Based on Quentin Crisp's autobiography, the once-controversial picture The Naked Civil Servant stars John Hurt as Crisp, a flamboyant character who publicly declared his homosexuality during the brutally homophobic and misogynistic England of the 1930s and '40s -- a time when this alternative lifestyle was still an offense punishable by imprisonment in Great Britain. (The man dyed his hair and wore makeup in an era when women were looked on with disapproval for such behavior!) Director Jack Gold handles the material with taste, discretion, and a generous supply of humor; it thus might seem bizarre to a contemporary viewer that anyone could be offended by this, but remember that the world was a different place in 1975. More than a few PBS subscribers threatened to yank their support when this British TV film was first offered to American viewers in the spring of that year. Fortunately, many others were willing to see beyond the film's controversial subject matter and revel in the excellence of the production and its participants; one of the film's biggest and most influential fans was none other than Milton Berle. Carl Davis, best known for his symphonic silent-movie restoration scores, composed the music. Hurt drew equal controversy later that same year for his work in another British drama-turned-PBS special -- when he played the psychotic Caligula in Herbert Wise's epic miniseries I, Claudius. ~ Hal Erickson, All Movie Guide

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Starring:
John HurtPatricia Hodge, (more)
1976  
 
A young secretary (John Hurt) for the British Embassy in the Orient becomes involved with a plantation owner's wife (Judi Bowker). ~ John Bush, All Movie Guide

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1977  
 
Following up 1975's Golden Bear-winning Overlord, director Stuart Cooper delivered this 1977 psychological thriller starring Donald Sutherland as contract killer Jay Mallory. When his wife goes missing, Mallory finds that his distress is starting to affect his work. The plot thickens when he begins to suspect that his latest assignment is connected to her disappearance. With a supporting cast headed up by Christopher Plummer and John Hurt, The Disappearance was written by Paul Mayersberg who would go on to pen the screenplay for Mike Hodges' critically acclaimed Croupier. ~ Matthew Tobey, All Movie Guide

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1977  
 
In this pilot for a TV series. Robert Culp stars as a top criminologist and dabbler in the occult. Gig Young is a drunken doctor who is "magically" cured of his alcoholism by Culp's housekeeper. Culp and Young decide to team up as the Holmes and Watson of the exorcist set. Their first assignment: Get the goods on a licentious, megalomaniac financier (James Villiers), who seems to have achieved success through literally diabolical means. ~ Hal Erickson, All Movie Guide

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Starring:
Robert CulpGig Young, (more)
1977  
 
No relation to the Peter Benchley-inspired 1980 adventure film of the same name, 1977's The Island is set during World War 1. British Army officer John Hurt finds himself victimized by forces he can neither perceive nor understand. It develops that he's been set up as the dupe for an insidiously complex trap. And those whom he thinks he trusts, he can't. Made for British TV, The Island manages to pack its story into a succinct 30 minutes. ~ Hal Erickson, All Movie Guide

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Starring:
John Hurt
1978  
R  
An asylum director begins telling a visitor to a cricket game the story of one of his "better" patients, Crossley (Alan Bates) who is able to compete. Some time previously, Crossley accosted Anthony (John Hurt), a composer, just after church and was for some reason invited to dinner. Once at the composer's home, he tells the story of his unusual upbringing among Australian Aborigines, and of the awful and strange gifts this has left him with. Among them is the ability to bring about another's death by using a certain kind of shout. The next morning, he begins to weave an erotic spell on the composer's wife Rachel (Susannah York), and then proves his killing ability on a sheep in a field. His influence increasingly disrupts their peaceful lives, until in a confrontation, the composer finds a way to best Crossley - but which results in his being placed in a mental institution. ~ Clarke Fountain, All Movie Guide

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Starring:
Alan BatesSusannah York, (more)
1978  
 
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Controversial animator Ralph Bakshi's literal adaptation of J.R.R. Tolkien's classic fantasy trilogy, The Lord of the Rings, is brought to the screen in a reverent, stilted way, with Bakshi forsaking his sharp-edged animated looniness for a rotoscoped dullness. Although the film's title encompasses the entire Tolkien trilogy, this longish Bakshi feature, in fact, covers only the first book, The Fellowship of the Ring, and the first half of the second, The Two Towers. Given the complexity of the original story line, this unfortunately means that only those intimately familiar with the books will be able to understand what is happening in the movie. In brief, however, an evil sorcerer from a previous era created a magical ring which enables its users to call upon its tremendous powers to rule the world, but it inevitably warps them to evil. It was believed lost, but during a resurgence of magical evil in the world, Bilbo, a simple, plain-spoken hobbit, recovers it from its hiding place. The forces of good give his nephew Frodo the choice to bear the awful burden of the ring to a place where it may be destroyed. ~ Clarke Fountain, All Movie Guide

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Starring:
Christopher GuardWilliam Squire, (more)
1978  
PG  
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Unique in the annals of animated films, Watership Down is a serious, even grim tale that many will find relentless and depressing and others will find poetic and moving. It doesn't pull any punches. Death -- violent, disturbing death -- is ever present, portrayed in a manner that is astonishingly honest for a cartoon. As a result, it is that rare animated film that really aims for a mature audience, despite its superficial funny animal trappings. It has a brilliant opening, most likely created by UPA veteran John Hubley, which in a primitive and simplistic style relates a creation myth as told by rabbits. The style changes thereafter, with beautiful watercolor backgrounds and a more natural approach to character animation. Unfortunately, the animation suffers somewhat from this point, becoming a bit sloppy, although it continues to portray the characters' movements as realistically as possible. The character designs themselves are rather too similar, with the result that it is sometimes difficult to tell the various rabbits apart. The story is also sometimes told in too-broad strokes, leaving those unfamiliar with the novel confused as to exactly what has happened and, more importantly, why. However, these flaws are redeemed by some unforgettable sequences, including a chilling segment detailing the destruction of the rabbits' warren and a devastatingly sad end sequence in which the Black Rabbit of Death gently takes one of the heroes away with it. Voiced by a fine cast, with stellar work from John Hurt and Richard Briers, Watership Down is an imperfect film with some of the most powerful moments ever created for the genre. ~ Craig Butler, All Movie Guide

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Starring:
John HurtRichard Briers, (more)
1978  
R  
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Midnight Express is a harrowing tale of a naïve American caught in a nightmare of his own making thousands of miles from his home. Billy Hayes (Brad Davis) is an American tourist visiting Turkey with his girlfriend Susan (Irene Miracle) when he's caught by customs officials trying to smuggle a large amount of hashish out of the country. The crime would normally carry a sentence of four years, but officials decide to make an example of Billy, and he draws a 30-year sentence despite the promises of his Turkish legal counsel. While Susan and Billy's father (Mike Kellin) pledge to do everything they can to speed Billy's release, in fact there's little than can be done. Billy quickly finds himself in a hellish prison that's a nightmare of filth, violence, rape, inedible food, and unspeakable health conditions. However, Billy gains a few confidantes behind bars: Jimmy (Randy Quaid), an American in a constant state of emotional overdrive; Max (John Hurt), an intelligent, drug-addicted Englishman; and Erich (Norbert Weisser), a gay Scandinavian who is attracted to Billy but accepts his gentle refusals of sex. Before long, Billy is convinced that he can take no more, and he makes plans to take the "midnight express" -- jailhouse slang for escape. While his friends are willing to help, they also make clear that almost no one who has tried to escape has lived to tell the tale. Based on a true story, Midnight Express was a box-office hit which won wide acclaim for the performances of Brad Davis and John Hurt; and the screenplay, by Oliver Stone, won an Academy Award. ~ Mark Deming, All Movie Guide

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Starring:
Brad DavisRandy Quaid, (more)
1979  
R  
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"In space, no one can hear you scream." A close encounter of the third kind becomes a Jaws-style nightmare when an alien invades a spacecraft in Ridley Scott's sci-fi horror classic. On the way home from a mission for the Company, the Nostromo's crew is woken up from hibernation by the ship's Mother computer to answer a distress signal from a nearby planet. Capt. Dallas' (Tom Skerritt) rescue team discovers a bizarre pod field, but things get even stranger when a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt). Over the objections of Ripley (Sigourney Weaver), science officer Ash (Ian Holm) lets Kane back on the ship. The acid-blooded incubus detaches itself from an apparently recovered Kane, but an alien erupts from Kane's stomach and escapes. The alien starts stalking the humans, pitting Dallas and his crew (and cat) against a malevolent killing machine that also has a protector in the nefarious Company. ~ Lucia Bozzola, All Movie Guide

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Starring:
Tom SkerrittSigourney Weaver, (more)
1979  
 
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This version of Crime and Punishment is a British television miniseries adaptation of the classic work of literature by Fyodor Dostoyevsky. John Hurt stars as Rodya Raskolnikov, a 19th century Russian intellectual living in poor conditions who struggles with the moral choice to commit a crime in order to save his sister. Originally airing on the BBC in 1979, it was also shown as part of Masterpiece Theatre on PBS. ~ Andrea LeVasseur, All Movie Guide

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