David Hurst Movies

Jason Connery (son of Sean Connery) stars as Johnny Kirkland in this slightly uneven teen drama about facing down obstacles at college and at home. When Johnny goes off to the university, he is leaving behind an aloof and alcoholic mother (Diane Cilento, Jason Connery's real-life mother) whose recent divorce has further destabilized her emotionally. At school, his frat brothers latch on to the fact that Johnny excelled in his high school at both grades and sports and rather than hope his success will continue, they do everything they can to "bring him down to size." Apparently, their own size is quite small, indeed, barely visible to the naked eye if their loutish behavior is any yardstick. Compounding these problems are Johnny's troubles with his girlfriend Robin (Laura Williams) -- can life get any worse? Most likely not, but how it gets better is the focus in the rest of the film. ~ Eleanor Mannikka, Rovi

Quincy (Jack Klugman) investigates when the mother and sister of apparent murder victim Peter Nielsen (Bruce Wright)--whom he has already officially declared dead--come forth to declare that the "dead" man is not only still alive, but has been in contact with them since the "killing." The investigation leads to a downtown messenger service, which turns out to be a front for an illegal drug ring. Appearing as the alleged victim's mother is Priscilla Pointer, in real life the mother of actress Amy Irving. ~ Hal Erickson, Rovi

Rex Stout's corpulent, orchid-loving detective Nero Wolfe would eventually headline his own 1980s TV series, courtesy of star William Conrad. This earlier unsold TV pilot stars Thayer David, whom some Stout devotees consider the best of the many media Wolfes (which included Walter Connolly and Sidney Greenstreet). Frank D. Gilroy wrote and directed this adaptation of the Stout novel The Doorbell Rang, in which Wolfe protects his client (Anne Baxter) by taking on "the whole damned federal government". As always, Wolfe remains in his easy chair to do the brainwork, while his faithful assistant Archie Goodwin (Tom Mason) handles the rough stuff. Nero Wolfe tested well in the ratings, and might well have gone on immediately to a regular weekly series, but the sudden death of star Thayer David put the whole project in mothballs--until Bill Conrad was available. ~ Hal Erickson, Rovi

Stripping Valerie -- aka Angelique (Lara Parker) -- of her witch's powers, Gerard (James Storm) kidnaps her and places her in the custody of his cohort, Charles (James Storm). She manages to kill her captor and escape, just as the doomed Quentin is approaching the headsman's chopping block. In Parallel Time, the seriously ill Justin Collins (David Hurst) warns Catherine (also Lara Parker) against marrying Morgan. This episode originally aired on January 25, 1971. ~ Hal Erickson, Rovi

Like M*A*S*H and Catch-22, both released the same year, this military comedy takes place in an earlier war but is really a thinly disguised treatise on the modern-day insanity and avariciousness then unfolding in Vietnam. Clint Eastwood stars as Kelly, a former lieutenant whose illusions about the glory of war, if he has any, are lost when he is busted in rank for following some poorly considered orders in World War II France. After capturing a friendly German officer, Kelly learns the whereabouts of millions of dollars in gold bars, earmarked to finance a military payroll. Taking advantage of a three-day liberty, Kelly assembles a motley trio of fellow soldiers to help him sneak behind enemy lines and retrieve the booty. They include Big Joe (Telly Savalas), a gruff sergeant; Crapgame (Don Rickles), a supply sergeant already enriching himself as a black marketer and con man; and the hippie-like tank commander Oddball (Donald Sutherland). Since crossing into enemy-held territory means heading in the opposite direction of the retreating Allies, Kelly and his men encounter armed resistance. Receiving word of their campaign, the vain General Colt (Carroll O'Connor) mistakes the quartet of freelancing scam artists for all-American heroes. ~ Karl Williams, Rovi

Traveling on a diplomatic mission to meet with the leaders of the planet of Gideon, Captain Kirk instead finds himself aboard a ghostly version of the Enterprise in this episode of the landmark science fiction series. Having fallen victim to what appears to be a transporter mishap, Kirk wanders through an abandoned copy of his own starship. There is only one other soul on board, a woman named Odona, who cannot -- or will not -- explain her presence. But Kirk eventually discovers that his strange situation was brought about by the leaders of Gideon, and that it may be somehow related to the planet's severe over-population. Kirk must find a way to escape from the shadow starship before it is too late for himself and for the people of Gideon. ~ Judd Blaise, Rovi

It all begins when a parishioner named Benito (David Hurst) donates a lottery ticket to Convent San Tanco. Though grateful, the nuns cannot accept such a gift, so Sr. Bertrille returns the ticket. When Benito happens to spot Sr. Bertrille flying off into the heavens, he is convinced that she's a saint, and that the ticket has been blessed-a misapprehension that may end up bankrupting not only Benito, but all his friends and relatives. Written by Lawrence Marks, "The Lottery" originally aired April 10, 1969, as the final episode of The Flying Nun's second season. ~ Hal Erickson, Rovi

Twenty-seven-year-old Barbra Streisand seemed an inappropriate choice for middle-aged, match-making widow Dolly Levi, but her energy carries her right through the role and dominates the lackluster movie around her. The plot, drawn from Thornton Wilder's The Matchmaker (itself based on a 19th-century British farce), is set in motion when Yonkers feed store clerk Cornelius Hackl (Michael Crawford) celebrates his promotion by taking his pal Barnaby Tucker (Danny Lockin) to New York City for a "corking good time." But Cornelius and Barnaby can't avoid crossing paths with their boss Horace Vandergelder (Walter Matthau), who'd give them Holy Ned if he saw them in a fancy restaurant with two fancy girls instead of tending the store. Mr. Vandergelder himself is the object of Dolly's affections, though she pretends to have only a professional interest in the widowed merchant, going through the motions of finding him a new wife when in fact she'd like to be the lucky bride herself. The film's musical set pieces include a show-stopping rendition of the title number, with Louis Armstrong more or less playing himself. The biggest number is "Before the Parade Passes By," in which thousands of costumed marchers and atmosphere extras cavort before a huge replica of a New York City thoroughfare in the 1890s (actually the main entrance of the 20th Century-Fox studio, with period facades adorning the office buildings). An artifact of an era in which Broadway musicals were a significant part of popular culture, Hello Dolly seemed bizarrely irrelevant in the social turmoil of the late 1960s, and it became one of the late-1960s big-budget failures that led Hollywood studios toward a different kind of filmmaking in the 1970s. ~ Hal Erickson, Rovi

Released theatrically overseas, How to Steal the World was comprised of two episodes from the American TV series Man from U.N.C.L.E. U.N.C.L.E. agents Napoleon Solo (Robert Vaughn) and Ilya Kuriakin (David McCallum) investigate when fellow agent Barry Sullivan and European general Leslie Nielsen disappear. Shortly afterward, five of the world's top scientists are mysteriously abducted. The trail leads to the Himalayas, where Sullivan has set himself up as potential world dictator, hoping to use the combined talents of the scientists to build a device that will spread mind-controlling gas throughout the planet. How to Steal the World was originally telecast in two weekly installments as the "The Seven Wonders of the World Affair"--the final two episodes of Man From U.N.C.L.E., which had been cancelled by NBC to make way for Rowan and Martin's Laugh-In. ~ Hal Erickson, Rovi

Baltic freedom fighter Nikolai Kurzon (Bob Tiedemann) has been kidnapped by Colonel Alex Stahl (Steve Ihnat), leader of the secret police in Kurzon's homeland. To rescue both Kurzon and his thousands of followers, the IMF must make it appear that Stahl has sold out his government. To accomplish this, Cinnamon poses as an astrologer with a remarkable record of accurate predictions. Much of the action takes place on an airplane that, to all appearances, is doomed to crash with Stahl aboard. Originally telecast December 3, 1967, "The Astrologer" was written by James F. Griffith. ~ Hal Erickson, Rovi

Jill Day plays Mary in this frolicksome British comedy. While on vacation in Switzerland, Mary finds herself the object of several tourists' affection. Two of the men, Nigel Patrick and David Tomlinson, are British. The third, Leo McKern, is a wealthy, boorish Greek. Throughout the film, the actors remain vastly superior to their material. All for Mary was adapted from a play by Harold Beck and Kay Bannerman. ~ Hal Erickson, Rovi

Beloved British comedian Norman Wisdom made his second film appearance in One Good Turn. This time, nebbishy Norman plays a jack-of-all-trades, employed by an orphanage. After a steady series of slapstick setpieces, our hero sets about to save the orphanage from the hands of its creditors. Those who've noted a remarkable resemblance between the vehicles of Norman Wisdom and Jerry Lewis will not be dissuaded by One Good Turn, in which the star ladles on the sentiment and pathos with a trowel. Like most of Wisdom's films, One Good Turn did better in the U.S. as a "Late Late Show" entry than a theatrical release. ~ Hal Erickson, Rovi