Isabelle Huppert Movies

One of the most enduring and respected actresses in French cinema, Isabelle Huppert is known for her versatile portrayals of characters ranging from the innocent to the sultry to the comic. Born March 16, 1955, in Paris, Huppert graduated from the Paris Conservatoire d'Art Dramatique and made her first film, Faustine et le Bel Été, when she was 16. Her career accelerated rapidly, and she soon found work with such acclaimed directors as Bertrand Blier, with whom she made Les Valseuses (1974), a film also notable for making a star out of Gérard Depardieu; Otto Preminger, for whom she appeared in Rosebud (1975); and Claude Chabrol, with whom she would make a series of films, starting with 1978's Violette Nozière, for which she won a Best Female Performance award at the 1978 Cannes Film Festival. Also in 1978, she won a British Academy Award for Best Newcomer for her role in La Dentellière (The Lacemaker).

Huppert's career in the 1980s commenced fairly inauspiciously, with a part in the legendary flop Heaven's Gate (1981), but it soon picked up with starring roles in Bertrand Tavernier's Coup de Torchon (1981), Jean-Luc Godard's Passion (1982), and Diane Kurys' celebrated Entre Nous (1983). Throughout the 1980s and '90s, Huppert made an impressive number of films in her native country, collaborating with Claude Chabrol on 1988's Une Affaire de Femmes (Story of Women), the widely acclaimed Madame Bovary (1991), and La Cérémonie (1995), for which she won a 1996 Best Actress César. Since the Heaven's Gate fiasco, Huppert's work in American film has been minimal, a worthwhile exception being her role as a nun-turned-nymphomaniac writer of pornographic fiction in Hal Hartley's Amateur (1994). In her native France, Huppert has become something of an institution, continuing to work prolifically on such films as Benoît Jacquot's L'École de la Chair (1998) and serving as the 24th president of the César Awards in March 1999.

Despite the fact that American audiences remained sadly unaware of Huppert's success overseas, her performances in Jacquot's False Servant and the historical drama Saint-Cyr (both 2000) found her meeting challenging roles head on to captivating effect. The sometimes disturbing films she appeared in may not have been the easiest for audiences to digest, but they certainly cemented her belief that the art of acting is a means of "living out one's insanity," and no matter what the subject matter or quality of the actual film, Huppert remained a consistently compelling screen presence. Huppert's success in Chabrol's Merci Pour le Chocolat (2000) came as no surprise to many given her successful track record with the enduring director, and the following year she would once again come under the international spotlight for her remarkable performance as a sexually repressed and self-destructive piano teacher in director Michael Haneke's confrontational drama The Piano Teacher (2001). Her fearless powerhouse performance shocked audiences worldwide and earned Huppert a Best Actress award at the Cannes Film Festival. The film was soon counterbalanced by director François Ozon's popular international black comedy 8 Women the following year. A campy, freewheeling musical mystery starring some of the biggest female stars in French cinema, the film came as an unexpected but infectious jolt of originality to audiences whose skin had been worn thin by a recent spat of heavy dramas.

Huppert's performance as an opinionated hooker who forms an unexpected bond with her illegitimate daughter in 2002's Ghost River benefited the touching drama well, and the following year, she was back with Haneke for the disturbing The Time of the Wolf. As with many of Haneke's films, The Time of the Wolf sharply divided audiences -- some of whom saw the film as celluloid perfection and others who viewed it as unrelentingly downbeat garbage. In 2003, Huppert would appear under the direction of an American director for the first time since 1994's Amateur with a role in Three Kings director David O. Russell's comedy I Heart Huckabees. ~ Rebecca Flint Marx, All Movie Guide
1997  
 
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The 50th film from legendary French New Wave writer and director Claude Chabrol is a typically Hitchcockian comic thriller about a pair of con artists. Up to now, the duo of Betty (Isabelle Huppert) and Victor (Michel Serrault) have contented themselves to small scams at hotel conventions, such as spiking the drink of a gambler, then rolling him for his winnings after he follows the flirtatious Betty back to his room and passes out. It then develops that, for the past year, without telling Victor, Betty has been plotting an enormous score involving Maurice (François Cluzet), the treasurer of an international corporation, who's planning to abscond with a briefcase containing five million Swiss francs in syndicate money. Betty's plan is for Victor to swap an identical briefcase with Maurice's and walk away with the jackpot, but Victor becomes suspicious of Betty's solo venture. Is his once-loyal partner betraying him? What about Maurice, who's no fool, and his gangster bosses, who will surely want their money returned? A dizzying array of potential double-crosses muddles the question of who's grifting who in the Betty-Victor-Maurice triangle. Rien Ne Va Plus (1997) screened at several film festivals under the English-language title The Swindle. ~ Karl Williams, All Movie Guide

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Starring:
Isabelle HuppertMichel Serrault, (more)
1996  
 
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This French-Italian romantic drama is faithfully based on an early 19th century Goethe novel about the destruction of a married couple. They are Charlotte and Edouard, an aristocratic couple who married late in life and happily lives in a lovely Tuscan villa. Their peaceful, marital bliss is interrupted when Othon (Edourd's closest friend) and his goddaughter Ottilie, who was raised in a convent, arrive for an extended visit. The pregnant Charlotte immediately finds herself drawn to Othon while Edouard is attracted to the girl. As they act upon their impulses a tragedy ensues. ~ Sandra Brennan, All Movie Guide

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Starring:
Isabelle HuppertJean-Hugues Anglade, (more)
1996  
 
French philosopher/semiotician Roland Barthes once asked "Why and how do singers find their emotions in their voices?" This passionate German-French documentary explores and pays tribute to that mystery via a montage of interviews and musical performances by three of the world's greatest opera divas: soprano Martha Modl, mezzo soprano Rita Gorr and soprano Anita Cerquetti. ~ Sandra Brennan, All Movie Guide

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Starring:
Anita CerquettiMartha Mödl, (more)
1995  
 
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When Catherine Lelievre (Jacqueline Bisset) hires mousy and taciturn Sophie (Sandrine Bonnaire) as a housemaid, she thinks that she found a treasure. Mr. Lelievre (Jean-Pierre Cassel) seems to agree with her, pointing out that the maid just has yet to learn how to serve dinner correctly. Wealthy liberals, they treat her generously enough and expect diligence and reliability in return. However, Sophie didn't tell her new employers that she is dyslexic, and very soon she has terrible troubles with even such supposedly ordinary things as shopping lists. She befriends outspoken postal clerk Jeanne (Isabelle Huppert), who occasionally helps her with the above-mentioned lists and tells her all sorts of gossip about the Lelievre family. Mr. Lelievre, who suspects that Jeanne opens their mail, tells Sophie that Jeanne was charged with the murder of her four-year-old daughter and though she was later acquitted, he can't believe in her innocence. Thus he forbids Sophie to invite Jeanne to the Lelievre house, and the tension between Sophie and her employers increases. What could have been a thriller in the hands of a different director, in the case of Claude Chabrol has become another witty and observant social commentary about the eternal confrontation between the rich and the poor. Ruth Rendell's novel A Judgement in Stone was previously filmed in 1986 in Canada. ~ Yuri German, All Movie Guide

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Starring:
Isabelle HuppertSandrine Bonnaire, (more)
1994  
NR  
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French director Christian Vincent charts the dissolution of a long-term relationship with his third film, based on the novel by Dan Franck. Daniel Auteuil and Isabelle Huppert star as Pierre and Anne, a couple who have been living together as husband and wife for several years. Although they never married, they do have a fifteen-month-old son, Loulou. One night at the cinema, Anne refuses to take Pierre's hand and the strained moment leads to her confession that she has fallen in love with another man. Although Pierre seems at first to take the news calmly, he becomes increasingly desperate and enraged as the days pass, while the distant Anne walks a fine line between embarking on a new romance and trying not to hurt Pierre too greatly. When a pair of friends, Victor (Jerome Deschamps) and Claire (Karin Viard), announce that they are finally marrying after their own years-long relationship, it sparks a final confrontation between Pierre and Anne. ~ Karl Williams, All Movie Guide

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Starring:
Isabelle HuppertDaniel Auteuil, (more)
1994  
 
In this erotic, melodramatic thriller set in rundown apartment block in Petrograd (now St. Petersburg), Russia during the 1920's, a woman prowls the alleys to exact her revenge. It is based on a novel by Yevgyeni Zamyatin. Sofia lives in an apartment with her hard-working husband Trofim. She is a good wife. Together they share a vigorous sex-life only marred by her failure to conceive. The insecure woman, to keep her husband from straying, adopts a Ganka, a 13-year old orphan. The dark-eyed girl is beautiful and it soon becomes obvious that Trofim is attracted to her. Time passes and sure enough, he ends up sleeping with her too. This does not set will with Sofia. She begins to plot Ganka's demise after the girl fails to die during a flood. ~ Sandra Brennan, All Movie Guide

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Starring:
Isabelle HuppertBoris Nevzorov, (more)
1994  
R  
Hal Hartley's fourth feature is a significant break from the quirky romantic comedy territory of his previous work -- though all of the deadpan idiosyncracies which make him such a singular filmmaker remain intact, here he tries his hand at the thriller genre, a move yielding typically unconventional and innovative results. Amateur stars Hartley mainstay Martin Donovan as Thomas, an amnesiac who, in the first scenes, wakes up in an alley, badly injured; he stumbles to a nearby coffeeshop where he meets Isabelle (Isabelle Huppert), a former nun and would-be nymphomaniac who now makes her living writing pornographic fiction. She takes him back to her apartment, where in time his past slowly begins to emerge -- a sharp contrast to the sweet, even naive soul that Huppert has befriended, it appears that the old Thomas was in fact a vicious pornographer whose attempted murder was at the hands of his wife, adult film star wife Sofia (Elina Lowensohn). Thomas is also the target of a nefarious European arms merchant whose hired guns are hot on his trail. ~ Jason Ankeny, All Movie Guide

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Starring:
Isabelle HuppertMartin Donovan, (more)
1992  
 
Diane Kurys and Antoine Lacomblez wrote this drama of a woman novelist and her troubled, 20-year relationship with a man who has fathered two children with another woman. ~ Nicole Gagne, All Movie Guide

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Starring:
Isabelle HuppertBernard Giraudeau, (more)
1991  
PG13  
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Literary critics long regarded Gustave Flaubert's iconic French novel Madame Bovary as unfilmable (despite several attempts by Vincente Minnelli and others to bring it to the screen), but Nouvelle Vague architect Claude Chabrol set out to definitively prove them wrong with this Oscar-nominated feature adaptation from 1991, starring Isabelle Huppert (The Lacemaker). Huppert stars as Emma Bovary, a woman whose happiness depends exclusively on elements outside of herself. She spends her days indulging in flights of fancy and endless romantic longings, emotionally estranged from her good-natured but ignorant husband Charles (Jean-François Balmer) a physician whom she married as an escape from her landowner father's farm. Her fate seems poised to change when she meets and falls hard for Rodolphe Boulanger (Christophe Malavoy) - a lover who takes her to bed and then vows to elope with her. Pinning all of her hopes on this, she invests in a traveling costume that she's unable to afford (rendering herself completely in debt with a local millner), and plans to skip town with Rodolphe when the monies come due. Alas, Rodolphe, as it turns out, never planned to follow through with the elopement plans, and promptly abandons Emma, leaving her to face the dire consequences of her foolish decisions. ~ Nathan Southern, All Movie Guide

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Starring:
Isabelle HuppertChristophe Malavoy, (more)
1991  
 
In this movie, a woman is going mad, literally, with frustration. Based on a novel by Ingeborg Bachmann, Isabelle Huppert plays the distraught woman who feels that the choice between her uninspiring husband and her indifferent lover warrants ever-escalating displays of rage, distress and loss of self-control. Eventually her self-indulgence leads to her setting her now-demolished Viennese apartment on fire and burning herself alive in it while the movie score plays songs from grand opera to celebrate her dramatic departure from life. ~ Clarke Fountain, All Movie Guide

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Starring:
Isabelle HuppertMathieu Carrière, (more)
1991  
 
Amnesty International produced this film, which features more than two dozen greats of French cinema making pleas for the lives of political prisoners around the world. Each filmmaker speaks passionately on behalf of an individual whose life has been warped by political intolerance, imprisonment, torture or murder, as the lives of those prisoners or sufferers are documented onscreen. A variety of directors contributed shorts with this theme, and the ways in which the appeals are dramatized differ markedly from one to the next. ~ Clarke Fountain, All Movie Guide

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Starring:
Catherine DeneuvePhilippe Noiret, (more)
1989  
 
In this drama, two disparate women are bereaved when the third part of their love triangle dies. After the funeral, the wife decides it is time to get to know her husband's mistress. This frightens the mistress a bit because she suspects the wife has an ulterior motive. The story is taken from Fyodor Dostoyevsky's The Eternal Husband. ~ Sandra Brennan, All Movie Guide

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Starring:
Isabelle HuppertBéatrice Dalle, (more)
1988  
 
This political drama is taken from the classic story from Feodor Dostoyevsky, but liberties have been taken and many secondary characters eliminated. The author's condemnation of a godless society and his disdain of those who follow blindly to popular political causes remains intact. ~ Dan Pavlides, All Movie Guide

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Starring:
Jean-Philippe EcoffeyIsabelle Huppert, (more)
1988  
 
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The women in this story are the customers of amateur abortionist Isabelle Huppert. The time is 1941, and the place is a Nazi-occupied French town. Struggling to survive, Huppert turns to illegally terminating unwanted pregnancies for a hefty fee. As her income increases, Huppert moves her family from their grimy surroundings to a posh apartment, sharing her digs with her new friend, prostitute Marie Trintignant. Completely seduced by her affluent lifestyle, Huppert ignores her shell-shocked husband Francois Cluzet, preferring to dally with Nazi collaborator Nils Tavernier. Things take a disastrous turn after one of Huppert's "customers" dies and her disgruntled husband turns her over to the authorities. Story of Women was inspired by the real-life tale of Marie-Louise Girard, who in 1943 was executed by the Vichy Government, who'd declared abortion as a Crime Against the State because it diminished the number of potential soldiers. ~ Hal Erickson, All Movie Guide

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Starring:
Isabelle HuppertFrançois Cluzet, (more)
1987  
 
Isabelle Huppert stars in this thriller as Sarah, a woman who has settled into a more or less normal life in Milan after her lover, a much-wanted terrorist, left the scene. Her life becomes complicated indeed when she becomes aware that he is about to return. The difficulty is that not only is she aware of this, but the police and various underworld groups are also. How is she to protect her own life under the circumstances, much less keep her lover from falling prey to the various traps that are being set for him? ~ Clarke Fountain, All Movie Guide

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Starring:
Isabelle HuppertJoaquim de Almeida, (more)
1987  
 
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In director/writer Curtis Hanson's 1987 chiller The Bedroom Window, architect Terry Lambert (Steve Guttenberg) experiences a most disorienting turn of events when his French lover, Sylvia (Isabelle Huppert) - the wife of his boss - walks over to the titular window in-between lovemaking sessions and witnesses a mysterious man strangling a helpless victim (Elizabeth McGovern). By the time Guttenberg comes to the window, he can see only a crowd of spectators. Because Sylvia wants to avoid a messy involvement in the case (which would soil her reputation, ruin her marriage and cost Lambert his job), Guttenberg agrees to pretend that he witnessed the attack. The ruse, of course, leads to a myriad of complications. And meanwhile, with the psycho still on the loose, Lambert sets out to find him. ~ Hal Erickson, All Movie Guide

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Starring:
Steve GuttenbergElizabeth McGovern, (more)
1986  
 
In a most unusual, near menage a trois, Charlotte (Isabelle Huppert, sister of director Caroline Huppert) is a terrified young singer who is forced to hide out at the home of her ex-boyfriend -- her current male companion has been murdered in his apartment, and she fears the worst. The trouble is that Mathieu (Niels Arestrup), her ex, is happily living with his new love Christine (Christine Pascal), and Charlotte's presence totally unnerves him and upsets Christine. Yet he agrees to hide her above their garage. That arrangement does not last long, and Charlotte shortly disappears on them, only to call Mathieu for help a few days later. He zooms off to her rescue, but even Christine, intensely hurt by Mathieu's behavior with Charlotte, agrees to help the duo cross over into Spain. Before that plan can be put in place, Charlotte is gone again -- leaving Christine and Mathieu to patch up the wounds in their relationship, which faces an uncertain future. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Isabelle HuppertNiels Arestrup, (more)
1986  
R  
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Isabelle Huppert plays a French woman who travels to Australia after leaving her husband. Injured in an accident, Huppert is in danger of losing her sight. Her friends try to get her to "bond" with blind doctor Robert Menzies, who possesses a greenhouse full of cactus. In the big "Author's Statement" scene, Menzies likens his cactus to people who need special care, even though they seem to bloom only when neglected. The arrival of Isabelle's husband Jean-Pierre Mignon only serves to solidify the relationship between "human cacti" Huppert and Menzies. ~ Hal Erickson, All Movie Guide

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Starring:
Isabelle HuppertRobert Menzies, (more)
1985  
 
Josiane Balasko ("the housewife's heroine") has been writing and directing good roles for herself since first entering the acting profession, and this film about a woman on the run is one of her early efforts. Anita (Balasko) has just about had it with life -- she is ready to kill herself when a neighbor (Isabelle Huppert) barges into her apartment to escape her abusive, policeman husband. After the husband is found murdered, both women have to take off rather than face possible implication in his death. Soon they are joined by Rico (Farid Chopel), also hiding out from the police after he was falsely implicated in the violent and tragic escape of a fellow convict. The two women and Rico manage to find a place to hide out for awhile, but life can hardly continue on like this for long. With a mix of comedy and anger, the protagonists try to come to grips with their fate. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Josiane BalaskoIsabelle Huppert, (more)
1983  
 
This sometimes confusing erotic drama about the incestuous relationship of a mother and daughter is based on the autobiography of Italian theater actress Piera Degli Esposti though it focuses more on her mother Eugenia (Hanna Schygulla). The liberated Eugenia and her spaced-out, husband (Marcello Mastroianni) -- a professor -- live in a small provincial Italian town, where Eugenia is noticed as she zooms around on her bicycle and chats up strangers at the train station. While still no more than a grown child, Piera -- in tight dresses -- goes with her mother for a threesome when she engages in sexual relations with other men and subsequently suffers both from poor health and the lack of a normal home. The shadow of the future already clouds the household when Eugenia is committed again and again to the psychiatric clinic. By the time Piera has become an adult, both of her parents are in separate mental hospitals -- and both (even the father) are still sexually eccentric, to say the least. (Hanna Schygulla) won the "Best Actress" award at the 1983 Cannes Film Festival for her portrayal of Eugenia. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Hanna SchygullaIsabelle Huppert, (more)
1983  
 
Isabelle Huppert plays an attractive Parisienne out looking for some fun during her vacation on the ski slopes of Courchevel in the Alps when she starts up a relationship with a great-looking sportswear salesman (Thierry Lhermitte), but at the same time, she is entranced by a little chubby disk jockey in a night club (Coluche). Come to find out, the salesman and the disk-jockey are best friends, complicating matters for everyone, especially when the disk-jockey begins to find his buddy's new flame irresistible. Although this is a sexual comedy meant as a vehicle for the talents of Coluche, it unfolds as a rather run-of-the-mill, sentimental, two-handkerchief story about the classic love triangle. ~ Eleanor Mannikka, All Movie Guide

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Starring:
ColucheIsabelle Huppert, (more)
1983  
PG  
French filmmaker Diane Kurys directs the period drama Coup de Foudre (distributed in the U.S. as Entre Nous), adapted from a book she co-wrote with Olivier Cohen. The semi-autobiographical story is based on the life of the director's mother. Lena (Isabelle Huppert) is a Jewish refugee from Belgium living in occupied France during WWII. In order to avoid being sent to a German concentration camp, she agrees to marry the discharged military officer Michel (Guy Marchand). He tries to provide a decent life for her by running an auto repair business. They have two children together, but Lena is unhappy and stifled by her domestic life. Michel doesn't offer her the sensitivity and affection that she requires. Meanwhile, in Paris, the extroverted artist Madeleine (Miou-Miou) mourns the accidental death of her husband. After the liberation of France, she marries actor Costa (Jean-Pierre Bacri) and has children of her own. In 1952, Lena and Madeleine meet by chance in Lyons. The two women develop an emotional relationship that borders on romantic involvement. Their bond is only strengthened by a mutual dissatisfaction with their husbands, children, and home life in general. Entre Nous was nominated for the Best Foreign Film Oscar in 1983. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Miou-MiouIsabelle Huppert, (more)
1982  
R  
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This French sex farce is translated in English as The Trout. Joseph Losey directed and co-wrote the film, which stars Isabelle Huppert as Frederique, a young woman living on her family's rural trout farm. Frederique is trapped in a dull marriage to a rube. She decides to leave him and the trout farm for the city; she wants to make her living in the financial sector. She ends up in a cutthroat corporate world and meets up with the sophisticated Lou (the legendary Jeanne Moreau). Frederique finds herself trading sexual favors for corporate advancement and becoming more deeply involved in a complicated series of business dealings. Eventually, she longs for a return to her simpler life on the trout farm. ~ Michael Betzold, All Movie Guide

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Starring:
Isabelle HuppertJeanne Moreau, (more)
1982  
R  
Passion, a major film in Jean-Luc Godard's ongoing investigation of the relations between painting and cinema, uses innovative forms to explore political and economic questions. Jerzy Radziwilowicz plays a director shooting a film whose scenes are all reproductions of paintings by Goya, Valasquez, and other European masters. Production comes to a halt when his producers refuse to increase his budget until he explains the film's story to them. Meanwhile, the director is ending an affair with Hanna (Hanna Schygulla), the wife of Michel (Michel Piccoli), who is the manager of the hotel where the film's cast and crew are staying. In a sub-plot, Isabelle Huppert plays a factory worker who attempts to unionize her fellow employees. The story of Passion is elliptical and incomplete. It is a means of presenting a collection of scenes and images on related themes. This kind of story will become the hallmark of Godard's later career. The links among the episodes become even looser in such films as Germany: Year Nine Zero and For Ever Mozart. Passion marks the reunion of Godard with director of photography Raoul Coutard, who shot many of Godard's films of the 1960s. The cinematography is key to understanding this difficult film in which how an image is shot is as important as what it depicts. Godard and Coutard favor shots that begin as open, disorganized framings and become painterly compositions as the people and things in them move. ~ Louis Schwartz, All Movie Guide

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Starring:
Hanna SchygullaMichel Piccoli, (more)

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