Kim Hunter Movies

Also known as Stairway to Heaven, A Matter of Life and Death is the remarkable British fantasy film that became the surprise hit of 1946. David Niven stars as Peter Carter, a World War II RAF pilot who is forced to bail out of his crippled plane without a parachute. He wakes up to find he has landed on Earth utterly unharmed...which wasn't supposed to happen according to the rules of Heaven. A celestial court argues over whether or not to claim Carter's life or to let him survive to wed his American sweetheart (Kim Hunter). During an operation, in which Carter hovers between life and death, he dreams that his spirit is on trial, with God (Abraham Sofaer) as judge and Carter's recently deceased best friend (Roger Livesey) as defense counsel. The film tries to have it both ways by suggesting that the heavenly scenes are all a product of Carter's imagination, but the audience knows better. Among the curious but effective artistic choices in A Matter of Life and Death was the decision to film the earthbound scenes in Technicolor and the Heaven sequences in black-and-white. The film was a product of the adventuresome team known as "The Archers": Michael Powell and Emeric Pressburger. ~ Hal Erickson, All Movie Guide

In the classic play by Tennessee Williams, brought to the screen by Elia Kazan, faded Southern belle Blanche DuBois (Vivien Leigh) comes to visit her pregnant sister, Stella (Kim Hunter), in a seedy section of New Orleans. Stella's boorish husband, Stanley Kowalski (Marlon Brando), not only regards Blanche's aristocratic affectations as a royal pain but also thinks she's holding out on inheritance money that rightfully belongs to Stella. On the fringes of sanity, Blanche is trying to forget her checkered past and start life anew. Attracted to Stanley's friend Mitch (Karl Malden), she glosses over the less savory incidents in her past, but she soon discovers that she cannot outrun that past, and the stage is set for her final, brutal confrontation with her brother-in-law. Brando, Hunter, and Malden had all starred in the original Broadway version of Streetcar, although the original Blanche had been Jessica Tandy. Brando lost out to Humphrey Bogart for the 1951 Best Actor Oscar, but Leigh, Hunter, and Malden all won Oscars. ~ Hal Erickson, All Movie Guide

George and Helen Pasashvily's colorful memoir Anything Can Happen was delightfully brought to the screen by the Paramount producing team of William Perlberg and George Seaton. Jose Ferrer heads the cast as Eastern European immigrant Giorgi Pasashvily, whose wide-eyed innocence and uncertain grasp of the English language causes him no end of trouble during his first months in America. Things take an upward turn when Giorgi falls in love with American girl Helen Watson (Kim Hunter). The film, like the book that preceded it, is told episodically, with moments of high comedy alternating with scenes of tender pathos. As miserly-but-golden-hearted Uncle Besso, Oscar Karlweis has a death scene that is one of the best and most moving of its kind. When originally released in 1952, Anything Can Happen was heralded with a coming-attractions trailer hosted by Edmund Gwenn, which was every bit as enjoyable as the film itself. ~ Hal Erickson, All Movie Guide

"Bad" Ronald (Scott Jacoby) has been in hiding in a secret room ever since going off the deep end and killing a teenaged girl who'd made fun of him. Ronald's mother (Kim Hunter) helps her son to remain hidden, even when the house in which he is sequestered is rented by a family. As luck would have it, three of the family members are nubile young girls--perfect targets for the lonely, and looney, Ronald. In the original John Holbrook Vance novel on which this TV-movie is based, Ronald abducts, repeatedly rapes and ultimately kills two women. The video version of Bad Ronald is heavily laundered, but no less terrifying. ~ Hal Erickson, All Movie Guide

This documentary takes a look back at the making of Planet of the Apes. Not just a campy sci-fi thriller, the film was also an expression of sublimated fears of a world wracked by the Cold War. Special attention is paid to the makeup that made viewers forget they were watching people in ape costumes. Scattered throughout are interviews with cast members like Charlton Heston and scenes that never made it up from the cutting room floor. ~ Rob Ferrier, All Movie Guide

Ex-Hollywoodite A. Edward Sutherland co-directed the British programmer Bermuda Affair with Robert J. Shaw. Gary Merrill and Ron Randell play a pair of army chums who run a postwar air transport service. Reversing the cliché, it is Merrill, the homelier of the two men, who turns out to be a rat with women. Merrill messes around with Randell's wife Zena Marshall, but makes up for all past misdeeds when he gives up his own life to save his friend from certain doom. Filmed on location, Bermuda Affair was released worldwide by Hollywood's Columbia Pictures. ~ Hal Erickson, All Movie Guide

Kim Hunter guest-stars as greedy Ada Halle, who holds a monopoly on all salt deposits in Spanish Wells. Charging exorbitant prices for her precious salt, Ada sparks a war between the haves (the wealthy cattlemen of the territory) and the have-nots (the small ranchers). Making things dicier is the fact that Ada is the fiancee of Ben Cartwright's old friend Cash Talbot (John Doucette). Originally telecast on February 4, 1968, "The Price of Salt" was written by B.W. Sandefur. ~ Hal Erickson, All Movie Guide

The two-part TV movie Cross of Fire is set in the 1920s, when the Ku Klux Klan was at the height of its political power in Indiana. Part One, originally telecast November 5, 1989, details the resurgence of the Klan (which had been created during the Reconstruction era) under the leadership of David "Steve" Stephenson (John Heard). Cloaking himself in the twin veils of patriotism and morality, Stephenson rails against such "deviates" as blacks, Jews and Catholics, gaining political clout and financial kickbacks as his "invisible empire" grows. Part two of Cross of Fire, telecast November 6, traces the fall of Stephenson -- not because his followers have wised up, but because of a 1925 rape and murder charge. ~ Hal Erickson, All Movie Guide

An abundance of subplots are expertly woven together by screenwriter/director Richard Brooks in Deadline - USA. Humphrey Bogart stars as crusading editor Ed Hutcheson, whose newspaper is on the verge of closing thanks to the machinations of the mercenary daughter (Audrey Christie) of Mrs. Garrison (Ethel Barrymore), the paper's owner. Though he and his staff will all be out of work within a few days, Hutcheson intends to go out with a bang, exposing the criminal activities of "untouchable" gang boss Rienzi (Martin Gabel). Despite numerous disappointments and setbacks, Hutcheson achieves a pyrrhic victory as the film draws to a close. Throughout the story, the many pressures brought to bear upon a big-city newspaper--political, commercial, etc.--are realistically detailed, as is the relationship between Hutcheson and his ex-wife Nora (Kim Hunter). The cast of Deadline USA is uniformly excellent, from featured players Warren Stevens, Jim Backus, Paul Stewart Fay Baker and Ed Begley to such unbilled performers as Tom Browne Henry, Raymond Greenleaf, Tom Powers, and Kasia Orzazewski (essentially reprising her unforgettable characterization in Call Northside 777). ~ Hal Erickson, All Movie Guide

The first new TV-movie of 1988 (it debuted January 1st), Drop-Out Mother is a belated follow-up to the 1983 Dick Van Dyke vehicle Drop-Out Father. Valerie Harper plays a busy executive who decides one day to turn her back on the business world to become a full-time mom. Problem is, her husband and kids have pretty full lives, thus they can't quite accommodate her. Wayne Rogers plays hubby, Danny Gerard and Alyson Court are the kids, and Carol Kane is the obligatory Best Friend. Drop-Out Mother passes the time, but it's a far cry from its consistently entertaining 1983 predecessor. ~ Hal Erickson, All Movie Guide

Escape From the Planet of the Apes is the third in the series of films based upon the Planet of the Apes characters created by novelist Pierre Boulle. At the end of the second film, the centuries-in-the-future world colonized by simians was destroyed, but apes Cornelius (Roddy McDowall) and Zira (Kim Hunter) were able to escape in the space vessel left behind by 20th century astronaut George Taylor (Charlton Heston). Cornelius and Zira pass through another time warp, finding themselves in the Earth of the 1970s. When they reveal their ability to speak, the apes are first treated as curiosities, then as threats when the government, believing the story that the Earth will eventually be inherited by monkeys, tries to prevent the birth of Zira's baby. They are ultimately given shelter by sympathetic circus owner Armando (Ricardo Montalban). This film was followed by the fourth "Apes" entry, 1972's Conquest of the Planet of the Apes. ~ Hal Erickson, All Movie Guide

William Devane stars as John Henry Faulk, a popular radio and TV entertainer of the 1950s. In 1956, Faulk is blacklisted on the basis of an attack from the self-appointed anticommunist group AWARE. Fired by CBS, Faulk decides to sue AWARE for libel. His attorney Louis Nizer (George C. Scott) warns him that such a case will take several years to get to court, thus Faulk reluctantly takes a series of low-paying jobs to sustain himself during his "down period". In 1962, the case is finally brought before a judge, with several witnesses pointing out the idiotic iniquities of the Blacklist mentality (one child actor was prohibited from working because he had a name that sounded like that of an adult blacklistee). Appearing as themselves during the courtroom scenes are actress Kim Hunter, herself a blacklist victim, and producers David Susskind and Mark Goodson. Faulk wins his case, though his original award of $3.5 million in damages is later reduced to $550,000, and he is never able to completely return to his pre-blacklist prominence. Like several other filmic recreations of the "witch-hunt" era, Fear on Trial was first presented in the mid-1970s (October 2, 1975, to be exact), long after the most zealous of the 1950s anti-Red groups had fallen by the wayside. The film earned an Emmy award for screenwriter David Rintels. ~ Hal Erickson, All Movie Guide