Marv Wolfman Movies

Everyone loves a good, two-fanged fright flick, and from the silent screen to the 21st Century, vampire films have drawn moviegoers to theaters in droves. Much like the immortal monsters that stalk the night in search of precious blood, it seems that our fascination with these strange and seductive creatures will never die. In this ocumentary, interviews with a wide array of filmmakers, actors, special-effects artists, writers, and critics combine with a hearty collection of memorable film clips to explore the evil and eroticism that abounds in vampiric cinema. Vampires director John Carpenter, Underworld director Len Wiseman, and The Lost Boys director Joel Schumacher all weigh in on what inspired them to craft films featuring vampires, while Kristanna Loken and Stuart Townsend reveal what it was like to assume the persona of a creature that so many viewers fear, yet embrace at the same time. Additional interviews with Stan Winston and Greg Nicotero highlight how creative vampires can be tons of ghoulish fun, while writers Marv Wolfman and David Goyer discuss understanding their motivations and critics Leonard Maltin and Harry Knowls explain just why these monsters are so compelling to watch up on the big screen. ~ Jason Buchanan, Rovi

British director Stephen Norrington helmed this David S. Goyer adaptation of the Marvel Comics character created in 1973 by scripter Marv Wolfman and artist Gene Colan. In the Tomb of Dracula comic book origin, just before Blade's mother gave birth to Blade, she was bitten by a vampire, which made Blade immune to vampires. Now a vampire hunter, Blade, joined by vampire detective Hannibal King and Dracula-descendent Frank Drake, stalks vampires. In the 1990s (in Marvel's Nightstalkers), Blade teamed with Drake and King in an agency created to fight a variety of supernatural beings. The Marvel origin is retold in this 1998 Norrington film, with Blade's mother dying as he is born. Thirty-some years later, Blade now exists somewhere between the two worlds, not human but not fully vampire. He has become a relentless and superhuman vampire hunter, out to avenge the death of his mother and protect the rest of humankind from the evil vampire race. In this pursuit, Blade storms a notorious vampire nightclub and in a virtual bloodbath manages to wipe out most of the blood-lusting denizens. But the burnt corpse of vampire Quinn (Donal Logue) is reanimated at the hospital morgue and bites hematologist Karen Jenson (N'Bushe Wright). Blade magically appears at the hospital just in time to whisk Karen to his hideaway, a machine-shop run by his mentor Abraham Whistler (Kris Kristofferson), who once rescued Blade and who now produces a antidote to keep Blade from turning into a full-fledged vampire and who builds custom weapons for Blade to use against his evil foes. Meanwhile, Blade's vampire arch-nemesis Deacon Frost (Stephen Dorff) uses computers to translate the Book of Erebus, with the ultimate aim of bringing down the old-guard vampire council, headed by Dragonetti (Udo Kier), and triggering the Blood Tide -- an event in which everyone in the world becomes a vampire. ~ Bhob Stewart, Rovi

In part two of "The Return of Optimus Prime," an embittered scientist has successfully infected all the Transformers with a dangerous alien virus. Only the revived Optimus Prime can prevent the various machines from destroying each other, not to mention everyone else on earth. The key to Prime's success is the elusive Matrix, which holds all the secrets of the Transformers -- but which may well be destroyed in the process of saving the world. Written by Cherie Wilkerson and Marv Wolfman, part two of "The Return of Optimus Prime" was first seen in America on February 25, 1987. ~ Hal Erickson, Rovi

Cobra Commander draws up plans to steal the G.I. Joe team's new laser device. The theft is not so much for power as for ego; the Commander intends to create a monument to himself on the Moon. Meanwhile, a romance develops between Quick-Kick and pretty Joe Team trainee Amber, who, predictably, ends up being used as a pawn by the villains. Written by Marv Wolfman, "Lasers in the Night" was originally telecast in America on October 22, 1985. ~ Hal Erickson, Rovi