Jeffrey Hunter Movies

This drama tells of the powerful rise of emperor Julius Caesar along with his swift fall in this adaptation of William Shakespeare's play. ~ All Movie Guide

Henry Hathaway directed this high-tension drama about a man teetering on the verge of self-destruction and how his dilemma affects those around him. Robert Cosick (Richard Basehart) is a desperate and despondent young man who has never gotten along with his parents (Robert Keith and Agnes Moorehead) and believes his girlfriend Virginia (Barbara Bel Geddes) no longer loves him. Cosick creeps onto the ledge of a skyscraper in downtown New York and threatens to jump; for the next 14 hours, Dunnigan (Paul Douglas), a policeman who was passing by, tries to talk him down, searching for a way to convince him that life is worth living. A crowd forms on the street below as Dunnigan talks with Cosick; Danny (Jeffrey Hunter) and Ruth (Debra Paget) meet as they watch the grim spectacle and discover how much they have in common. Meanwhile, in a building across the street, a young woman about to sign her divorce papers (Grace Kelly) finds herself wondering if she should give up on her marriage so hastily as she watches Cosick debate about throwing away his life. Fourteen Hours marked Grace Kelly's screen debut; Ossie Davis and Brian Keith also appear in small roles. ~ Mark Deming, All Movie Guide

Take Care of My Little Girl is a genteel "expose" of college-sorority snobbery. Jeanne Crain stars as Liz Erickson a perky coed who is pledged to an old, established sorority. At first amused by such rituals as "rushing" and "Hell week," Liz eventually feels threatened by the tyranny of the sorority caste system. She is particularly upset with her "sisters"' preoccupation with doltish boyfriends and their disdain for their classwork. With the moral support of student Joe Blake (Dale Robertson), Liz finally gets her priorities in order. Take Care of My Little Girl would make a fascinating companion piece with For Men Only (1951), director Paul Henreid's vitriolic attack against the injurious rituals of male fraternities. ~ Hal Erickson, All Movie Guide

Dreamboat stars Clifton Webb as Thornton Sayre, the perfectionist professor of literature at a sedate Midwestern university. Widowed and with a pretty daughter (Anne Francis), Sayre has given no clue to his previous life before becoming a teacher. But thanks to television, everyone discovers that Sayre is actually Bruce Blair, a former silent screen star known as "America's Dreamboat." Sayre's onetime leading lady (Ginger Rogers) has made a comeback hosting screenings of her old films on TV, and the result is acute embarrassment for both the professor and his college. Sayre takes the case all the way to court, where he wangles a compromise agreement: he will permit his films to be televised as long as they're not "doctored" to accommodate commercial endorsements (this was based on a real-life lawsuit involving cowboy Gene Autry -- which Autry lost). The ensuing publicity costs Sayre his college job, but the renewal of interest in his old films results in a new movie contract. Although silent movies and singing commercials are easy satirical targets, Dreamboat still delivers the laughs, and it's fun to see Clifton Webb camping it up as a "Doug Fairbanks" type. ~ Hal Erickson, All Movie Guide

Myrna Loy returns as Mrs. Gilbreth -- efficiency expert, industrial engineer, and mother of twelve -- in this sequel to Cheaper By The Dozen. After the death of her husband, Gilbreth is forced to take over as the family's primary breadwinner, but she soon discovers that not every company who hired her and her husband in the past is eager to work with her on her own. Facing prejudice from many of her prospective clients, Gilbreth finally makes good training engineers for Sam Harper (Edward Arnold), putting her family back on solid financial ground. In the meantime, the dozen Gilbreth children are growing up, most notably eldest daughter Ann (Jeanne Crain), who enters into a serious romance with Bob Grayson (Jeffrey Hunter), a young doctor. The supporting cast includes Hoagy Carmichael, Debra Paget, Barbara Bates and Robert Arthur. ~ Mark Deming, All Movie Guide

Debra Paget displays as much epidermis as the 1954 censors would allow in the escapist adventure Princess of the Nile. Ms. Paget is cast as Taura, a fearless 13th century princess who does her best to defend Egypt against an invading Bedouin (Michael Rennie). When not wielding her trusty scimitar, Taura poses as a dancing girl to undermine the Bedouin's plans. She is aided by the Prince Haidi (Jeffrey Hunter), son of the Caliph of Baghdad. The plotline is negligible: the audience was more interested in watching Debra Paget and scores of underclad lovelies undulating to the quasi-Eastern musical score by Lionel Newman. ~ Hal Erickson, All Movie Guide

In Seven Angry Men, Raymond Massey stars as controversial 19th-century abolitionist John Brown, a role he'd previously essayed in 1940's Santa Fe Trail. Without glossing over Brown's murderous fanaticism and cold-bloodedness, the film manages to invoke a degree of sympathy for the man, whose intentions were honorable even if his methods were not. After cutting a bloody swath through Kansas, Brown and his followers hole up in a warehouse at Harper's Ferry, Virginia, where he meets his own personal Waterloo at the hands of federal troops. The romantic subplot is handled by Jeffrey Hunter, cast as Brown's son Owen, and Debra Paget as Owen's sweetheart Elizabeth. James Edwards offers another strong characterization as an articulate freed slave who follows John Brown to his doom. ~ Hal Erickson, All Movie Guide

Unusual for its time, this 1955 film is a sympathetic treatment of the U.S. Army's resettlement of Native Americans in the Old West. The Cheyenne tribe agrees to leave its hunting grounds in Wyoming so that white settlers looking for gold can move in. Colonel Lindsay (John Lund) is in charge of the troops carrying out the resettlement journey. He is helped by an experienced land surveyor, John Tanner (Robert Wagner). Cheyenne tribesmen Little Dog (Jeffrey Hunter) and American Horse (Hugh O'Brian) are friends with Tanner and helpful in the resettlement -- at least until Little Dog's fiancée, Appearing Day (Debra Paget), takes a liking to Tanner. The attraction threatens to scuttle everything, and the tribe sends an arrow with a white feather as a declaration of war. Tanner convinces tribal leader Chief Broken Hand (Eduard Franz) to allow the men to settle the matter themselves. ~ Michael Betzold, All Movie Guide

A small Kansas town braces itself for the arrival of the first Texas trail herd. The marshal (Robert Ryan) expects trouble from the herd drivers, who'll be thirsty and lascivious after months on the trail. The town's saloon owner (Robert Middleton), anticipating a business boom, wants to remove the marshal and thus leave the town wide open. The marshal can expect little help from his deputy (Jeffrey Hunter), whose father was killed by the lawman. The Proud Ones builds slowly to an explosive climax, in which the deputy chooses the right side and Law & Order is maintained. ~ Hal Erickson, All Movie Guide

If John Ford is the greatest Western director, The Searchers is arguably his greatest film, at once a grand outdoor spectacle like such Ford classics as She Wore a Yellow Ribbon (1949) and Rio Grande (1950) and a film about one man's troubling moral codes, a big-screen adventure of the 1950s that anticipated the complex themes and characters that would dominate the 1970s. John Wayne plays Ethan Edwards, a former Confederate soldier who returns to his brother Aaron's frontier cabin three years after the end of the Civil War. Ethan still has his rebel uniform and weapons, a large stash of Yankee gold, and no explanations as to where he's been since Lee's surrender. A loner not comfortable in the bosom of his family, Ethan also harbors a bitter hatred of Indians (though he knows their lore and language well) and trusts no one but himself. Ethan and Martin Pawley (Jeffrey Hunter), Aaron's adopted son, join a makeshift band of Texas Rangers fending off an assault by renegade Comanches. Before they can run off the Indians, several homes are attacked, and Ethan returns to discover his brother and sister-in-law dead and their two daughters kidnapped. While they soon learn that one of the girls is dead, the other, Debbie, is still alive, and with obsessive determination, Ethan and Martin spend the next five years in a relentless search for Debbie -- and for Scar (Henry Brandon), the fearsome Comanche chief who abducted her. But while Martin wants to save his sister and bring her home, Ethan seems primarily motivated by his hatred of the Comanches; it's hard to say if he wants to rescue Debbie or murder the girl who has lived with Indians too long to be considered "white." John Wayne gives perhaps his finest performance in a role that predated screen antiheroes of the 1970s; by the film's conclusion, his single-minded obsession seems less like heroism and more like madness. Wayne bravely refuses to soft-pedal Ethan's ugly side, and the result is a remarkable portrait of a man incapable of answering to anyone but himself, who ultimately has more in common with his despised Indians than with his more "civilized" brethren. Natalie Wood is striking in her brief role as the 16-year-old Debbie, lost between two worlds, and Winton C. Hoch's Technicolor photography captures Monument Valley's savage beauty with subtle grace. The Searchers paved the way for such revisionist Westerns as The Wild Bunch (1969) and McCabe & Mrs. Miller (1971), and its influence on movies from Taxi Driver (1976) to Close Encounters of the Third Kind (1977) and Star Wars (1977) testifies to its lasting importance. ~ Mark Deming, All Movie Guide

Budd Corliss (Robert Wagner) is an ambitious, poor boy from the wrong-side-of-the-tracks who murders his girlfriend Dorothy (Joanne Woodward) -- making the death look like a suicide -- when her pregnancy eliminates his chances of being accepted by her wealthy family. Her sister Ellen (Virginia Leith), refusing to believe that Dorothy has committed suicide, begins to investigate on her own. She meets Budd, and ignorant of his prior relationship with Dorothy begins a relationship with him. When Ellen discovers that Budd knew Dorothy, the stage is set for a final, dramatic showdown as Ellen fights to revenge her sister and save her own life. The script, adapted from the novel of the same name written by Ira Levin is excellent and tension-filled. Joanne Woodward is fine in a touching performance as the vulnerable and trusting Dorothy. A wooden performance by Robert Wagner in the pivotal central role mars the film and destroys some of its credibility, as Wagner, though handsome, lacks the charm and charisma necessary to make the character of Budd believable. Also, despite an excellent performance by Mary Astor as Budd's class-conscious, greedy mother, the film fails to achieve any sympathy for Budd or understanding of the motivations that drove him to do what he did. ~ Linda Rasmussen, All Movie Guide

A handful of suburban couples discover that emotional turmoil lurks behind the placid exterior of the planned community of Sunrise Hills in this drama based on the novel by John McPartland. David and Jean Martin (Jeffrey Hunter and Patricia Owens) find their relationship starting to crumble after Jean is raped by Troy Boone (Cameron Mitchell), an alcoholic war veteran who has been unable to readjust to civilian life. Meanwhile, Troy's wife, Leola (Joanne Woodward), wants to start a family, but Troy isn't interested in having children. Jerry Flagg (Tony Randall) is a used car salesman who turns to drink to deal with the disappointments of his career and his life, which is more than his wife, Isabelle (Sheree North), bargained for in their relationship. And Herman Kreitzer (Pat Hingle) is the good-hearted proprietor of a hardware store who wants to help his Japanese-American assistant Iko (Aki Aleong) find a new home. Though Herman's wife, Betty (Barbara Rush), discourages him because of the reaction that she foresees from the rest of the community, she eventually sides with him and joins him in the effort to help Iko assimilate. ~ Mark Deming, All Movie Guide