Bill Hunter Movies

In this Australian drama, an alcoholic becomes so desperate to dry out that he voluntarily checks himself into a mental ward. Things get sticky when he has trouble getting along with one of his male nurses and ends up being held there against his will for being "uncooperative." ~ Sandra Brennan, All Movie Guide

The Far East and the Land Down Under are about to have a head-on collision in this action drama. Fang (Jimmy Wang Yu) is an undercover detective from Hong Kong sent to Australia to crack open the operation of a Sydney mob boss named Wilton (George Lazenby). Fang puts his skills as a hang glider pilot and martial arts master to work as he sets up Wilton for a literally explosive finale. Samo Hung (aka Kim Po Hung), later to become a major martial arts star in his own right, appears in a supporting role and has an impressive battle with an Australian cop. The film also features the song "Sky High" by Jigsaw, which would go on to become a Top 40 hit. ~ Mark Deming, All Movie Guide

The Australian Eliza Fraser tries for the wig-and-bodice bawdiness of Tom Jones. The title character, played by Susannah York, is an 18th century lass who is shipwrecked together with Trevor Howard on a remote Australian island. Her lively exploits among the refugees help to make Eliza famous--or rather, notorious--throughout the British empire. Once rescued, Eliza earns her keep at county fairs by regaling audiences with her own tales of her adventures. Tim Burstall both wrote and directed Eliza Fraser from an original screenplay by David Williamson. ~ Hal Erickson, All Movie Guide

Prominent Australian Aboriginal activist Gary Foley plays a leading role in Backroads. Foley is cast as an Aborigine who links up with boorish, racist Bill Hunter. A wanted criminal, Hunter drags Foley down to his level. Disaster results, with the Aborigine bearing the brunt of the worst life has to offer. Running a scant 61 minutes, Backroads makes its point with the brutal sharpness of a slap. ~ Hal Erickson, All Movie Guide

In this Australian drama, a man serves his six-year prison sentence for participating in a robbery and then tries to return home after his release. His former crime partners are waiting for him and angrily beat him up because he doesn't know where the loot from their last robbery is hidden. The hitchhiking ex-con is picked up by a mentally unstable model driving a 1938 sedan. Once they arrive, he learns that his mother has killed herself and that his girl friend has mysteriously disappeared. After that he and the model set out to find her. ~ Sandra Brennan, All Movie Guide

Dead Man's Float is a very short and occasionally sweet juvenile melodrama. A cheeky bunch of children who think they're pretty smart are in for a rude awakening when they confront a gang of drug smugglers who play for keeps. Since the film is aimed at the kiddie trade, the youngsters prevail over the villains, though it's nip and tuck for a while there. The film is nothing if not energetic, with its cast of unknowns breezing through the proceedings with confidence. Filmed in Australia, Dead Man's Float entertains during its swift 75 minutes, even though it doesn't stick to the ribs. ~ Hal Erickson, All Movie Guide

As this gritty drama about a young teen's fight to overcome her past begins to unfold, flashbacks are interspersed with the present-tense story. This technique keeps viewers wondering exactly where Sam (Tracey Mann) is going: in the direction that led her to jail, or towards a normal life? After she gets out of prison, her old friends and a corrupt cop named Brady (Bill Hunter) provide formidable obstacles. They all see her as a rebellious delinquent in spite of her efforts to change. Faced with nearly insurmountable odds, Sam's struggle for her future is not going to be easily won. Mann won a 1980 Best Actress Award from the Australian Film Institute for her performance. ~ Eleanor Mannikka, All Movie Guide

Heatwave is the mildly interesting story of a woman's attempt to stop a redevelopment plot which she thought was the cover-up for fraud and other criminal activity. Kate (Judy Davis), through her own efforts, manages to find some evidence to support her claims and also have a romance. Davis gives an energetic performance as the crusading woman, but the script lacks a convincing plot or characters. While it has some good moments, Heatwave is primarily notable because it was one of the earlier efforts of Australian director Phillip Noyce, who went on to make the very exciting Dead Calm. ~ Linda Rasmussen, All Movie Guide

This patchy, uneven combination of fantasy and musical comedy is hilarious in parts and embarrassing in others, though the premise has great potential in itself -- a screwball Captain Invincible is out to save the world from his nemesis, Mr. Midnight, the white supremacist. Captain Invincible (Alan Arkin) is wallowing in his cups in the Australian outback when he receives an unusual call from the American President asking for his help. Unusual because the Captain had no choice but to go into exile after Joseph McCarthy's Un-American Activities Committee became suspicious of his red cape, and he has never been sober enough to recover from the shock. This history is given in a mock newsreel at the beginning of the film. But now Mr. Midnight is threatening to dismember New York City by convincing all the ethnic groups to live along the seashore. Once they are situated on beachfront property, he will blast out a crack in the earth behind them, cut their connection to the mainland, and send them drifting off into the Atlantic. It seems the dastardly Midnight has stolen the ultra-secret hypno-ray and can slice off New Jersey whenever he wants. Weakened by depression and alcohol, Captain Invincible is nursed back to full throttle by Patty Patria (Kate Fitzpatrick) and is soon ready to zoom over Sydney to the far side of the globe -- after practicing in harness in front of rear-projected scenes. Meanwhile, Mr. Midnight and his sidekick are all set to defend their turf, and their ability to slice it up -- though the (American) patriotic sentimentality that prevails in the end, after several other songs have come and gone, is summarized in a rendition of "God Bless America" that conflicts with the opening scenes and may leave foreign audiences cold. ~ Eleanor Mannikka, All Movie Guide

In this offbeat crime film, Willie Parker (Terence Stamp) an English mobster turned informant, has been given a new identity and has been living in a small, isolated village in Spain for 10 years. Unfortunately for Parker, the men he has betrayed have ascertained his whereabouts and send Braddock (John Hurt), a professional hitman, and his apprentice Myron (Tim Roth) to bring Parker to Paris where his ex-associates await. After kidnapping Parker, nothing goes as planned. Now they are followed by a Spanish policeman (Fernando Rey) who seems to anticipate each of their moves, and they are burdened by Maggie (Laura del Sol), the mistress of a fellow mobster they were forced to kill. What should have been a routine hit becomes a psychological battle between all the participants as Parker, in a fight for time and for his life, plays one against the other. Set against the bleak Spanish landscape and featuring evocative and memorable theme music, the film builds to a surprising conclusion where the true nature of all the characters is revealed. Terence Stamp develops the character of Parker in a subtle but surprisingly comic performance and Laura del Sol shines as a woman who will do what is necessary to survive. Tim Roth, in his film debut, plays a brutal, but oddly endearing thug. But it is John Hurt, in a sensitive and nuanced performance, who brings a perceptive intelligence and depth to his role which adds a philosophical and psychological dimension to the film. Hurt plays his difficult role without a misstep and with a rare economy of action. Thoughtful and frequently amusing, The Hit, superbly written by Peter Prince, is both a compelling and suspenseful crime drama and also a deep and profound meditation on life, death and courage. ~ Linda Rasmussen, All Movie Guide

The inspirational autobiogry of A.B. Facey was the source for the four-part Austalian miniseries A Fortunate Life. Spanning the years from 1897 to 1916, the story began when eight-year-old Bert Facey, abandoned by his widowed mother, was forced to work on a farm run by sadistic horse thieves. After several years of backbreaking manual labor, Bert was given a break when he went to live on the farm owned by the Philips family. Conscripted into the Army at the outbreak of WWII, the hero managed to survive the carnage at Gallipoli, and after additional hardships and setbacks, enjoyed a happily-ever-after as the husband of the beautiful Evelyn, a union that would endure for six decades. Facey's book was published in 1981, one year before his death at age 77. The TV version of A Fortunate Life was telecast by Australia's Nine Network in 1985. ~ Hal Erickson, All Movie Guide