Arlene Hunter Movies
- 1962
Dana Andrews is ad-man Clint Lorimer in this uneven drama, the last feature film by director Bruce Humberstone, released several years after it was completed. Clint is fired from his job working for a big ad agency, and he is determined to prove himself better than his former bosses. He has two romantic liaisons, one with Peggy Shannon (Jeanne Crain) and another with Anne Temaine (Eleanor Parker). Anne works as the advertising agent for a milk company run by a weirdo exec (Eddie Albert) who plays with toy airplanes in his office, but as time passes he becomes Machiavellian and ego-maniacal. Anne herself changes from a frump to a tough and glossy businesswoman, perhaps making Clint's choice of a future bride easier. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Dana Andrews, Howard St. John, (more)
- 1960
Curvaceous Mamie Van Doren plays a super-genius who finds herself in charge of a college science department. Mamie would like to be appreciated for her intellect alone, but her male students (and most of the faculty) are preoccupied by her monumental breasts. The science department is virtually controlled by a huge robot called Thinko, which plays bets on horses. Gangsters Mickey Shaughnessy and Allan Drake try to neutralize Thinko, who's been right once too often. Strongarming their way on campus, the two crooks recognize Mamie as a former striptease artist. Forced to resign, she marries professor Martin Milner, who has loved her pure and chaste from afar. One expects to see such people as Jackie Coogan, John Carradine and Louis Nye in garbage like this-but how did Tuesday Weld get talked into participating? And wait till you see that nightclub number performed by Conway Twitty. Beauty and the Robot played in many markets under the step-right-up-folks title Sex Kittens Go to College. ~ Hal Erickson, All Movie Guide
- 1958
Revolt in the Big House stars Gene Evans as a prison "lifer" who rules the roost in his particular cell block. With the help of such loose cannons as prison psycho Timothy Carey, Evans engineers a jailbreak. As the cons and the cops sweat through a standoff, it becomes clear that Evans doesn't care how many of his fellow prisoners die so long as he busts out. Conscience-stricken inmate Robert Blake saves his cell mates from the consequences of Evans' recklessness. Revolt in the Big House is excessive violent at times, but never so much as to become "Revolting in the Big House". ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Evans, Robert Blake, (more)
- 1955
Dale Robertson stars as the Son of Sinbad in this tongue-in-cheek Arabian Nights romp. Hoping to rescue Bagdad from the forces of the dreaded Tamerlaine, Sinbad Jr. enlists the aid of the Khalif (Leon Askin) by promising to deliver the secret of "Greek Fire". To expedite this, he enlists the aid of the lovely Kristina (Mari Blanchard), who has memorized said secret. When the bad guys threaten the safety of hero and heroine, slave girl Ameer (Sally Forrest), who heads the all-female descendants of the original Forty Thieves, come galloping to the rescue. Personally produced by Howard Hughes, Son of Sinbad seems to be a clearing house for all of Hughes' voyeuristic fetishes; at one point, stripteaser Lili St. Cyr performs an exotic (and erotic) dance wearing the equivalent of a postage stamp, earning a Condemned rating from the Catholic Legion of Decency. The overabundance of feminie pulchritude gets a little wearing after a while, and it is up to Vincent Price to steal the show as Omar the Tentmaker, improvising passages of his unpublished "Rubiyat" (with a few anachronistic Shakespearean quotes thrown in) as he tries to keep apace with the hero. Also on hand is an uncredited (and fully clothed) Kim Novak as a handmaiden. More silly than sexy when seen today, Son of Sinbad is acceptable nonthink entertainment. ~ Hal Erickson, All Movie Guide
- Starring:
- Dale Robertson, Sally Forrest, (more)
