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Marsha Hunt Movies

American actress Marsha Hunt, born Marcia Hunt, attended the Theodore Irving School of Dramatics while still a teenager. Simultaneously, she worked as a Powers model until she debuted onscreen in The Virginia Judge (1935) at age 18. Hunt went on to become a very busy screen actress through the early '50s. In the '30s she appeared in supporting roles such as bridesmaids and coeds, while in the '40s she played leads in second features and second leads and supporting roles in major productions. In the early '50s, during the heyday of the McCarthy Era "witch hunts," she was blacklisted by the studios for her liberal political beliefs, and after 1952 she appeared in only a handful of films, as well as the TV series Peck's Bad Girl. Through the '80s, however, she still turned up occasionally in character roles on TV. From 1938-43 she was married to editor (now director) Jerry Hopper. After 1946 she was married to movie/TV scriptwriter Robert Presnell Jr., who died in 1986. She remains active in social issues, lending her help to organizations involved with such issues as peace, poverty, population, and pollution; she is a frequent speaker on the issues that concern her, and she serves on nearly a dozen Boards of Directors. She was last onscreen in Johnny Got His Gun (1971). ~ Rovi
1988  
 
Aging and infirm negotiator Admiral Mark Jameson (Clayton Rohner) is transported by the Enterprise to the planet Mordan IV to negotiate a hostage crisis. En route, Jameson miraculously becomes younger and younger. The Admiral's wife Ann (Marsha Hunt) reveals the secret behind Jameson's incredible rejuvenation, while the hostile ruler of Mordan IV, motivated by an as-yet-unexplained vendetta, plans a deadly "reception" for the esteemed visitor. First telecast February 13, 1988, "Too Short a Season" was written by Michael Michaelian and D.C. Fontana. ~ Hal Erickson, Rovi

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1985  
 
When Cabot Cove resident Beverly Garrett is electrocuted in her own bathtub in a locked bathroom, Sheriff Amos Tupper (Tom Bosley) is willing to write the tragedy off as an accident; Tupper, you see, is thinking about retirement, and has already hand-picked his successor. But Jessica (Angela Lansbury) can't shake the belief that Beverly was murdered, prompting the long-suffering Tupper to dare Jessica to prove it! Adding to the intrigue is a controversial land sale, a vicious poison-pen campaign that has spread throughout town, and Jessica's mounting frustration over playing hostess to a visiting travel writer. ~ Hal Erickson, Rovi

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1971  
 
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The author of the famous late 1930's antiwar book Johnny Got His Gun wrote and directed this film adaptation. It concerns a nameless young soldier (Timothy Bottoms) in a veteran's hospital in the World War I period. The young man has had his face blown off, he is without the use of any of his senses save touch, and also has no arms or legs. He is in a coma at the beginning of the film, and his doctors doubt that he will regain consciousness. This is also what they hope. A nurse, while changing his dressings, discovers that he is awake and responsive. The unrelieved awfulness of his situation is apparent to many. However, in order to keep the "good order" of the military, the regular Army general commanding the hospital will not allow the boy to be seen or his family notified, nor will he permit anyone to perform a mercy killing. Interspersed with this horror are flashbacks of the youth's life before the war. ~ Clarke Fountain, Rovi

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1971  
 
The case against a big-time racketeer may be dismissed because of a hung jury. Ironside (Raymond Burr) suspects that one of the jury members has been bribed to be the sole "holdout." With only 24 hours at his disposal, the Chief must find out which of the 12 jurors has been bought off--a difficult assignment in that the jury has been sequestered and is beyond his reach. This episode boasts a particularly strong supporting cast, including veteran Hollywood leading lady Marsha Hunt as a no-nonsense judge. ~ Hal Erickson, Rovi

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1970  
 
When a wealthy friend of the San Francisco police commissioner reports that his dog is missing, a disgruntled Ironside (Raymond Burr) passes the responsibility of locating the pooch to his assistants Ed (Don Galloway) and Eve (Barbara Anderson). Meanwhile, Mark (Don Mitchell) finds out that the lost dog is in the hands of some two-bit thieves who've decided to "achieve greatness" by kidnapping the pets of the rich and famous--and they're not above eliminating anyone who gets in their way. Frequent Ironside director Abner Biberman takes on an acting role in this episode. ~ Hal Erickson, Rovi

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1969  
 
Richard Alan Simmons, scriptwriter of Fear No Evil, evidently held fond memories of the old British chiller Dead of Night (a cornucopia of inspiration for programs like The Twilight Zone). The "Mirror Sequence" in the earlier film was gussied up for the basic plotline of this 1969 TV-movie. Bradford Dillman purchases an antique mirror, which turns out to be the portal for a supernatural world. Upon Dillman's death, his fiancee (Lynda Day) discovers that the mirror might be able to bring back her lost lover. Fear No Evil did so well in the overnight ratings that it spawned a sequel, 1970's Ritual of Evil. ~ Hal Erickson, Rovi

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1964  
 
A typical "wrinkle in time" drama from the pen of Richard Matheson, this episode opens as young heiress Anne Henderson (Diana Hyland), taking a horseback ride near her family estate, is suddenly pursued by a witch-like rider dressed in black. This terrifying experience has no effect on Anne's determination to defy her parents' wishes and elope with irresponsible David Mitchell (Robert Hogan). As it turns out, Anne would have been wise to regard the mysterious horsewoman as a portent of disaster. This extremely intense Twilight Zone episode was originally broadcast on February 21, 1964. ~ Hal Erickson, Rovi

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Starring:
Diana HylandRobert Hogan, (more)
 
1964  
 
In Volume 18 of a collection culled from the 1963-1965 science fiction anthology television series, an entomologist hires a new lab assistant, never guessing that she is actually the agent of an alien culture of bee-like creatures. ~ Jason Ankeny, Rovi

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1960  
 
The Plunderers is a fairly slow-paced, uneven western about a group of young toughs who run amok until they are brought up short by a one-armed Civil War vet. The leader Jeb (Ray Strickland) is accompanied by his three cohorts, Mule (Roger Torrey) a hulking Paul Bunyan type, Rondo (John Saxon), and Davy (Dee Pollack), the most innocent of the quartet. When the young men arrive in the small town, they take it over and rule the roost like four despots. Sam (Jeff Chandler), a shell-shocked veteran of the Civil War, slowly gets his act together and begins to take the four down, one at a time. ~ Eleanor Mannikka, Rovi

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Starring:
Jeff ChandlerJohn Saxon, (more)
 
1959  
 
A surprisingly serious and well-acted major studio variation on the "teens in trouble" films that AIP and Allied Artists cranked out in the 1950's, Blue Denim stars Brandon De Wilde and Carol Lynley as Arthur and Janet, a pair of high school sweethearts who find in each other the love and understanding they don't receive from their emotionally distant parents. However, teenage romance leads to adult consequences when Janet finds herself pregnant; neither of the teens can broach the subject with their parents, and since they're regarded as too young to get married, they're forced to seek out an illegal abortion before Janet is no longer able to hide her condition. While time has dated the story, Blue Denim still comes off as sincere and well-crafted (the sequence where the teen lovers meet the abortionist is still a bit spooky all these years later), and was considered quite frank in its day. ~ Mark Deming, Rovi

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Starring:
Carol LynleyBrandon de Wilde, (more)
 
1958  
 
Iris Teleton (Margaret Leighton) is invited to tea by Blanche Herbert (Marsha Hunt), who is carrying on an affair with Iris' husband, Oliver (Murray Matheson). When Blanche asks Iris to give Oliver a divorce, Iris turns her down -- thus setting in motion a chain of events leading to murder. In the end, Iris' fate rests in the hands of her husband...and one might conclude that he knew all along what the outcome of the story would be. ~ Hal Erickson, Rovi

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1957  
 
In this routine possession potboiler, Peggie Castle plays a suburban housewife being slowly driven mad by the intrusive, restless spirit of her husband's first wife, whose soul has been tainted by her participation in a Satanic cult headed by high priest Father Renall (Otto Reichow). The woman's husband (Arthur Franz) and his sister (Marsha Hunt) decide to infiltrate the cult in order to put an end to its murderous practices, but it is only through the intervention of a former cultist (Marianne Stewart) that they are able to overthrow the evil master's reign of terror once and for all. The tepid screenplay by Catherine Turney is an adaptaion of her novel The Other One. ~ Cavett Binion, Rovi

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Starring:
Peggie CastleArthur Franz, (more)
 
1957  
 
Karl Malden plays an air force sergeant who is tempted by a better-paying civilian job. Malden's daughter Natalie Wood is in love with a young colonel (Efrem Zimbalist Jr.) whom her father regards as an insolent hothead. The younger man proves his worth during jet maneuvers, while Malden decides that he's of more value in the service than as a working stiff. Bombers B-52 has some excellent moments, including a well-staged variation of the obligatory "breaking the news to the pilot's widow" scene. The film earned latter-day notoriety in the 1980s when a prominent movie historian analyzed the script (by Irving Wallace) and found an overabundance of sexual innuendo--including such in-flight dialogue as "She's unable to receive fuel" and "Request jet penetration!" ~ Hal Erickson, Rovi

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Starring:
Natalie WoodKarl Malden, (more)
 
1956  
 
Filmed in the Philippines, No Place to Hide effectively juxtaposes the innocence of children with the horror of a potential plague. The kids (Hugh Corcoran, Ika Jariega Jr.) find themselves in the possession of a handful of pretty colored pellets. They take off on a hike through the city and countryside, intending somewhere along the way to open their pellets and see what treasures lie therein. Meanwhile, the authorities, aware that those pellets contain disease-carrying chemicals, frantically conduct a search for the missing kids. This 1955 film bears no relation to the 1991 No Place to Hide, a cop miller starring Kris Kristofferson and Drew Barrymore. ~ Hal Erickson, Rovi

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Starring:
David BrianMarsha Hunt, (more)
 
1954  
 
Hollywood actress Marsha Hunt, blacklisted during the "Red Scare" of the early 1950s, was able to find occasional work in England. Ms. Hunt is top-billed in Diplomatic Passport, but hers is a secondary role to hero Paul Carpenter. The latter plays an American diplomat who is being used as an unwitting courier by diamond smugglers.Honor Blackman, twixt and tween her "English Rose" period and her leather-clad Avengers days, is the femme fatale. Diplomatic Passport was co-produced by Burt Balaban, of American theatre-chain fame. ~ Hal Erickson, Rovi

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1952  
 
The Happy Time was adapted from the long-running Broadway play by Samuel Taylor, which in turn was based on the novel by Robert Fontaine. Set in Quebec during the early part of the 20th century, the film concentrates on the activities of a large French-Canadian family headed by Charles Boyer. Most of the humor arises from "coming of age" complications and sexual awakenings, especially when worldly prodigal son Louis Jourdan returns to the fold and exercises his influence on impressionable young Bobby Driscoll. Not permitted to include the racier portions of the play, director Richard Fleischer compensated by adopting a frenetic, farcelike pace, which works about half the time. Happy Time was later musicalized on Broadway in the 1960s, with Robert Goulet in the Louis Jourdan part. ~ Hal Erickson, Rovi

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Starring:
Charles BoyerLouis Jourdan, (more)
 
1952  
 
At least half of the two-part Actors and Sin is well worth having. Part One, "Actor's Blood", is based on a Ben Hecht tale of theatrical intrigue. Edward G. Robinson plays a Barrymoresque Shakespearean actor whose obsessive control of the life and career of his actress-daughter Marsha Hunt results in disaster. Part Two, "Woman of Sin", is another Ben Hecht yarn, this one satirical in nature. Eddie Albert stars as a Hollywood agent who'd sell his Grandmother to represent the author of a sensationally sexy screenplay titled, yes, Woman of Sin. Much to Albert's surprise (but not ours), the author turns out to be a precocious 9-year-old girl, played by Hecht's own daughter Jenny. Of the two playlets, "Actor's Blood", though ripely melodramatic, scores best in the acting department. "Woman of Sin" is too arch and smug to be consistently funny, while Jenny Hecht is perhaps the greatest argument against nepotism in film history. Ostensibly directed by Ben Hecht (who also produced), Actors and Sin was largely helmed by cinematographer Lee Garmes. ~ Hal Erickson, Rovi

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Starring:
Edward G. RobinsonMarsha Hunt, (more)
 
1949  
 
William Powell stars in Take One False Step as a happily married college professor who foolishly agrees to a reunion supper with old flame Shelley Winters. Winters later disappears, and the evidence points to murder. To allay suspicion--and to avoid losing an important financial grant to his university--Powell starts his own investigation. The trail leads him to San Francisco, where poor Powell becomes mired in a confusing crime plot. Fortunately, Winters is still alive; unfortunately, Powell may not be for long. Adapted from the Irwin Shaw novel Night Call, Take One False Step is saved from tawdriness by the innate dignity of William Powell. Also, the film is leavened by unexpected moments of humor, notably the relaxed banter between Powell and Shelley Winters. ~ Hal Erickson, Rovi

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Starring:
William PowellShelley Winters, (more)
 
1949  
 
Marsha Hunt seems far too mature and intelligent for the pulpish goings-on in Mary Ryan, Detective. Still, Hunt was a pro (for that matter, she still is), and she managed to survive this Columbia "B" without egg on her face. Assigned to get the goods on a notorious fence, detective Mary Ryan (Hunt) poses as a prison inmate to gain the confidence of one of her quarry's confederates. Upon being sprung from jail, Mary goes to work for the fence--and, predictably, nearly gets bumped off when her ruse is revealed. Featured in the cast are such crime-meller habitues as John Dehner, Ben Welden, Paul Bryar and Ralph Dunn. ~ Hal Erickson, Rovi

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Starring:
Marsha HuntJohn Litel, (more)
 
1949  
 
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Made on a miniscule budget primarily financed by its star Franchot Tone, Jigsaw is a strange little crime film. Howard Malloy (Tone), a crusading New York assistant district attorney, is dedicated to exposing a group of supposedly patriotic Americans who have murdered his friend after he discovered that they were truly a fascist "hate group." The group sends Barbara, (Jean Wallace) to seduce and compromise Malloy. Barbara regrets her actions and is murdered as she attempts to confess to Malloy. Malloy now is determined to expose the group. All the loose ends are tied up in the climax, which takes place in a modern art museum. Jigsaw is a competent, uninspired crime drama peppered with cameo appearances by top Hollywood stars including Marlene Dietrich, Henry Fonda, Burgess Meredith and John Garfield. ~ Linda Rasmussen, Rovi

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Starring:
Franchot ToneJean Wallace, (more)
 
1948  
 
Violent and viscerally sexual, Anthony Mann's muscular low-budget noir tells the tale of a framed gangster's quest for vengeance after he busts out of prison. Once freed, gangster Joe Sullivan Dennis O'Keefe) and his girl friend Pat (Claier Trevor) set off to find the mobster who set him up. The kidnapping of Ann Martin (Marsha Hunt), the social worker who wrote to Joe in prison, leads the fugitive into a romantic triangle of death, passion and tragedy. ~ Sandra Brennan, Rovi

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Starring:
Dennis O'KeefeClaire Trevor, (more)
 
1948  
 
Few major directors made "small" films with such frequency and expertise than the ubiquitous Allan Dwan. Set in 1933, Dwan's The Inside Story tells the tale of a small Vermont town forced to tighten its belt during the Depression. When a wealthy visitor from New York places $1000 in the town's hotel safe, Horace Taylor (Gene Lockhart) the hotel's debt-ridden owner, "borrows" the money to pay off his creditors, intending to replace the cash once he's back on his feet. This act of larceny snowballs into a "collective crime," with everyone in town getting his or her hands on the money during the course of the story. By keeping the cash in circulation, the town manages to save itself from financial ruin -- but there's still that problem of getting the money back before the authorities find out. The husband-wife team of Richard Sale and Mary Loos scripted The Inside Story from an original screen treatment co-authored by former press agent (and future Hitchcock collaborator) Ernest Lehman. ~ Hal Erickson, Rovi

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Starring:
Florence BatesHobart Cavanaugh, (more)
 
1947  
 
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A woman struggles to reassemble her broken life in this drama that features Susan Hayward in her first starring role. The woman started out as a night-club singer, but abandoned her career after marrying a budding radio star. At first she does everything she can to insure his success, but when he finally hits the big-time, the woman finds herself deeply depressed and turning toward the bottle for solace because he is increasingly absent from her life. She becomes a full-fledged alcoholic and her husband, unable to take it anymore begins divorce and custody procedures. It takes such extreme measures to wake her up to her problem. Fortunately, with hard work, and renewed support from her husband, she overcomes her addiction. ~ Sandra Brennan, Rovi

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Starring:
Susan HaywardLee Bowman, (more)