Jimmy Hunt Movies

A loose remake of the 1931 Richard Barthelmess vehicle of the same name, The All-American stars Tony Curtis as college football star Nick Bonnell. When his parents are killed in a traffic accident while taking a bus trip to see him play, Nick quits football cold. Later on he accepts a scholarship at a small college, but still refuses to resume his gridiron activities--at least for a while. Never the life of the party to begin with, Nick runs afoul of his snooty fellow students and is kicked out of school. Somehow or other, however, he manages to show up during the crucial fourth quarter of the Big Game. Lori Nelson plays requisite heroine Sharon Wallace, who helps draw the taciturn Nick out of his shell, while Mamie Van Doren does what Mamie Van Doren usually does. While the football sequences are exciting, the film is a bit hard to take at times, especially when the 20-plus college freshman Nick is advised by his professors to grin and bear it when he's hazed by the much-younger upper classmen. At the time The All-American was released, much was made of the fact that producer Aaron Rosenberg and director Jess Hibbs had both been USC All-American footballers. ~ Hal Erickson, Rovi

Lone Hand benefits immensely from the genuine Colorado locations seen throughout. Zachary Hallock (Joel McCrea) and his son Joshua (Jimmy Hunt) set up farming in a frontier community plagued by outlaws. Vigilantes want to form a united front against the villains, but Hallock refuses to join, even after witnessing the murder of a Pinkerton detective. Instead, Hallock covertly joins the outlaws, causing anguish not only for his son but also for his new bride Sarah Jane Skaggs (Barbara Hale). The reason behind Hallock's apparently scurrilous behavior are revealed at very the end. Appearing in support in Lone Hand is future "Gunsmoke" star Jim Arness as a charming desperado. ~ Hal Erickson, Rovi

Myrna Loy returns as Mrs. Gilbreth -- efficiency expert, industrial engineer, and mother of twelve -- in this sequel to Cheaper By The Dozen. After the death of her husband, Gilbreth is forced to take over as the family's primary breadwinner, but she soon discovers that not every company who hired her and her husband in the past is eager to work with her on her own. Facing prejudice from many of her prospective clients, Gilbreth finally makes good training engineers for Sam Harper (Edward Arnold), putting her family back on solid financial ground. In the meantime, the dozen Gilbreth children are growing up, most notably eldest daughter Ann (Jeanne Crain), who enters into a serious romance with Bob Grayson (Jeffrey Hunter), a young doctor. The supporting cast includes Hoagy Carmichael, Debra Paget, Barbara Bates and Robert Arthur. ~ Mark Deming, Rovi

Katherine "Katie" Standish (Ann Blyth) has been raised in a restrictive small town by her prudish Aunt Priscilla (Elizabeth Patterson). When Katie heads to New York to help out her improvident Uncle Nathaniel (Cecil Kellaway), she experiences an emotional and romantic awakening. The catalyst for all this is Greenwich Village artist Peter Van Arden (Mark Stevens), much to the dismay of Katie's nerdish hometown fiancé Stuart Grumby (Craig Stevens). The film's finale would be repeated with variations in 1967's The Graduate. Katie Did It was amusingly assembled by Frederick De Cordova, Universal's resident all-purpose director, who went on to produce and direct The Tonight Show during the Johnny Carson years. ~ Hal Erickson, Rovi

This seminal Brady Bunch stars Van Heflin as a widower and Patricia Neal as a widow. Both parties have several children by their first marriages. Heflin and Neal fall in love and decide to marry, each hoping to adopt the other's kids. The couple idealistically subscribes to the "one big happy family" theory, but they hadn't figured that their kids would dislike the idea...and each other. This mild situation comedy was directed with lots of efficiency but little style by Douglas Sirk, who did better for himself with Universal's big-budget romantic melodramas of the mid-1950s. ~ Hal Erickson, Rovi

A murder is witnessed by the victim's little daughter (Gigi Perreau), who immediately goes into a state of shock. All the girl has seen is the shadow of her mother's killer, but the audience knows that the murderer is Ann Sothern. At first Sothern is secure that the girl will never be able to identify her, but as the child shows signs of recovering, Sothern panics. Though the murder was unintentional and the killer is quite fond of the little girl, she nonetheless begins scheming to put the potential witness out of the way. Quite tense at times, especially in the last scene, Shadow on the Wall represents one of the few unsympathetic performances by the otherwise likable Ann Sothern. ~ Hal Erickson, Rovi

Rock Island Trail is proof enough that Republic could turn out an "A" western as well as any of the "majors." This saga of pioneer railroading stars Forrest Tucker as Reed Loomis, a visionary railman who dreams of the day that trains will run from coast to coast. During his own efforts to make this dream come true, Loomis must face the formidable opposition of steamboat operator Kirby Morrow (Bruce Cabot). Another ongoing problem is lack of funds: fortunately, Loomis is in love with Constance Strong (Adele Mara), who happens to be a banker's daughter. Longtime Republic leading-lady Adrian Booth plays Aleeta, an Indian princess who has a yen for Loomis -- meaning, of course, that she probably won't survive to the end of the film. The film's climax is an all-out action orgy in the grand Republic tradition. ~ Hal Erickson, Rovi

Even allowing for the fact that it owed its existence to the popularity of Life with Father (1947), Cheaper by the Dozen is one of the freshest, funniest and most enduring "family" films ever to emerge from Hollywood. Based on the autobiographical novel by Frank Gilbreth Jr. and Ernestine Gilbreth Carey, this is the mostly true story of famed efficiency expert Frank Bunker Gilbreth. As played by Clifton Webb, Gilbreth is a benevolent despot in his own home, managing to keep order and (sometimes) sanity despite the presence of twelve children (hence the title). Myrna Loy co-stars as Gilbreth's wife Lillian, who provides balance to her lively household, while Jeanne Crain is allotted the somewhat thankless role of eldest daughter Ernestine (who also narrates the story). The original book was basically a series of non-chronological anecdotes: Lamar Trotti's screenplay provides a throughline in the form of Gilbreth's ongoing ambition to deliver a series of lectures in Europe. The best moments (taken almost verbatim from the novel) include: Papa Gilbreth's insistence upon filming his family's tonsillectomies, including his own; a cruel but undeniably funny vignette wherein the Gilbreths flummox a lady advocate of planned parenthood (Mildred Natwick); Mr. Gilbreth giving an impromptu demonstration on how to take a bath in the least amount of time; and daughter Ernestine's senior prom, where her father ends up as the life of the party (appearing in this sequence as a Southern belle is Betty Lynn, who later played Thelma Lou on TV's Andy Griffith Show). The decision to retain the book's surprisingly downbeat ending provides a poignant coda to this heartwarming comedy. Cheaper by the Dozen was followed in 1952 by a sequel, Belles on their Toes. ~ Hal Erickson, Rovi

Columbia's heartwarming "Rusty" series came to a close with Rusty's Birthday. As in previous series entries, the doggie hero is played by "Flame", while his human master Danny Mitchell is portrayed by Ted Donaldson. This time, Rusty is taken to parts unknown by a group of tourists who think they've bought the pooch. Later on, Rusty falls into the hands of a migrant worker (Ray Teal) and his family. The worker is a decent sort, meaning that a happy ending is in the offing. Featured as the migrant's son is Jimmy Hunt, later to achieve fame as the youthful protagonist of the 1953 sci-fi classic Invaders from Mars. ~ Hal Erickson, Rovi

So often wasted in passive roles, Evelyn Keyes is virtually the whole show in The Mating of Millie. Keyes is cast as pretty businesswoman Millie McGonigle, who hopes to fill a gap in her life by adopting orphan boy Tommy Bassett (Jimmy Hunt, future star of 1953's Invaders from Mars). But this is 1948: self-supporting though she may be, Millie must have a husband to qualify as an adoptive parent. With the help of her neighbor Doug Andrews (Glenn Ford), Millie tries to trap an acceptable hubby. Guess who Millie falls in love with in the last reel. Just guess. Columbia mounted an elaborate and expensive promotional campaign for The Mating of Millie, resulting in excellent returns at the box office. ~ Hal Erickson, Rovi

When Lucille Fletcher took on the challenge of expanding her classic 30-minute radio suspenser Sorry, Wrong Number into an 89-minute feature film, she opted on the Citizen Kane approach, filling the plotline to the brim with revelatory flashbacks. Barbara Stanwyck stars as bedridden hypochondriac Leona Stevenson, who while trying to make a call from her bedroom telephone gets her wires crossed and inadvertently overhears two men plotting a murder. Anxiously, Leona wades through telephone-company bureaucracy to trace the call, never catching on -- until it's too late -- that the murder being planned is hers. A series of flashbacks details the disintegrating marriage between the wealthy Leona and her weakling husband Henry (Burt Lancaster), and Henry's subsequent disastrous get-rich-quick schemes involving chemist Waldo Evans (Harold Vermilyea) and a surly gangster (William Conrad). It would have been a near-sacrilege to alter the radio play's ironic ending, which fortunately remains intact on film. Sorry Wrong Number was first heard on radio's Suspense series in 1943, with Agnes Moorehead as the harried Mrs. Stevenson (a role she'd repeat several times on radio and on stage). Though disappointed that she wasn't chosen to star in the film version, Moorehead took some satisfaction in the fact that a recording of the original radio program was played constantly on the set to help keep Barbara Stanwyck "in the mood". ~ Hal Erickson, Rovi

Never mind Veronica Lake and Joan Caulfield: the real star of The Sainted Sisters is Barry Fitzgerald, dispensing Hibernian blarney by the wheelbarrowful. The story begins as turn-of-the-century golddiggers Letty and Jane Stanton (Lake and Caulfield) escape New York after divesting a gullible millionaire of $25,000. En route to Canada by way of Maine, the girls are caught in a storm and forced to seek shelter in the home of canny New Englander Robbie McCleary (Fitzgerald). Quickly figuring out that his pretty guests aren't the winsome innocents they pretend to be, McCleary draws upon his own larcenous impulses to convince the sisters to dispense their money amongst the needy and deserving. Letty and Jane not only accede to McCleary's wishes, but reform themselves in the process. Though George "Superman" Reeves is the nominal leading man, The Sainted Sisters belongs to its character actors: Fitzgerald, William Demarest, Beulah Bondi, Chill Wills,et. al. Incidentally, when first released, the word "Sainted" was italicized in the main titles, lest the producers be accused of sacrilege. ~ Hal Erickson, Rovi