Arthur Hunnicutt Movies

[124828] This TV movie is a sequel to 1972's Daughters of Joshua Cabe (which was also a TV movie). Cabe (Dan Dailey) is an itinerant western trapper hoping to gain extra homesteading land by pretending to have a family. He hires three "fallen women" (Ronne Troup, Brooke Adams and Christina Hart) to pose as his daughters. Unfortunately, the real father of one of the girls kidnaps his daughter, compelling the remaining ladies to track down their missing "sister". Like the earlier movie, Daughters of Joshu Cabe Return was produced by Aaron Spelling, and was the pilot for a potential TV series. It didn't sell, but Spelling was back in 1976 with another "three girls" adventure project, Charlie's Angels. ~ Hal Erickson, All Movie Guide

The Bounty Man is Clint Walker, back in the saddle some nine years after the cancellation of his TV series Cheyenne. Walker is hired to bring in his quarry dead or alive, and in the past has had no qualms about choosing the latter option. Now he is in competition with hard-bitten Richard Basehart in tracking down a young murderer (John Ericson)--and now he begins to ask himself questions about the morality of his profession. Though there's no authentication of this opinion, The Bounty Man sure looks like a series pilot. It was originally telecast October 21, 1972. ~ Hal Erickson, All Movie Guide

The third season of Adam-12 begins as mobile police officers Pete Malloy (Martin Milner) and Jim Reed (Kent McCord) set their sights on breaking up a gang of loan sharks. Each time the cops think they have the gang dead to rights, they are stymied by intimidated witnesses. Finally, one teenager (played by Tim Rooney, son of film star Mickey Rooney) agrees to provide evidence against the criminals--only to be promptly kidnapped. ~ Hal Erickson, All Movie Guide

Having struck pay dirt with his 1958 western Rio Bravo, Howard Hawks more or less remade the picture twice in the 1960s. The first of these rehashes was El Dorado, with Rio Bravo star John Wayne back for more. Wayne plays a gunfighter who rides into El Dorado to link up with his old pal, sheriff Robert Mitchum ("It's the big one with the big two!" declared the film's advertisements). Wayne has turned down a job with evil land baron Ed Asner, who'd hoped to drive a family off the land that he needed for its water. That family, headed by R.G. Armstrong, is convinced that Wayne is working with Asner; when Armstrong's son Johnny Crawford dies, Wayne is held responsible, earning him a bullet in the spine from Crawford's sister Michele Carey. A year passes: Wayne returns to El Dorado, in the company of his new saddle pal James Caan. They find that Asner is still up to his old tricks, and that Mitchum has descended into alcoholism. Several plot twists and power shifts ensue, leading to the slam-bang climax, with the partially paralyzed Wayne, the newly crippled Mitchum (on crutches), and the concussion-suffering Caan battling together to stave off Asner's minions. The final long-shot, of Wayne and Mitchum limping off together arm-in-arm, is one of the most enduring images in the entire Hawks canon. If they loved it twice they'll love it thrice: in 1969, John Wayne and Howard Hawks teamed up for a third Rio Bravo derivation, Rio Lobo--which, like the first two films, was scripted by Leigh Brackett. Incidentally, that's famed artist Olaf Weighorst (whose paintings appear in the title sequence) in a cameo as the gunsmith. ~ Hal Erickson, All Movie Guide

This rambunctious Disney comedy was based on the novel By the Great Horn Spoon by Sid Fleischman. Roddy McDowall plays Griffin, the very proper butler of Bostonian Bryan Russell. When Russell runs off to California during the 1849 gold rush, Griffin dutifully tags along. Master and butler team up with Shakespearean actor Richard Haydn, who owns a treasure map. Crooked judge Karl Malden (a master of many disguises), pilfers the map once Our Heroes reach San Francisco. While endeavoring to retrieve the valuable parchment, Griffin has any number of adventures, ranging from a bout of fisticuffs with ox-like Mike Mazurki to a romance with Russell's sister Suzanne Pleshette, a former debutante turned saloon singer. If Adventures of Bullwhip Griffin resembles an animated cartoon at times, credit should go to veteran Disney animator Ward Kimball, who provided the spirited cartoon transitions between scenes. ~ Hal Erickson, All Movie Guide

Season Five of Bonanza came to a close on May 24, 1964 with the episode titled "Walter and the Outlaws", a sequel to the previous season's "Any Friend of Walter's" (the scripts for both episodes were written by Lois Hire). Arthur Hunnicutt returns as grizzled prospector Obie, who lives in a squalid shack with his pet dog, the redoubtable Walter. Also making return appearances are Steve Brodie, Vic Werber and James Luisi as dimwitted but deadly outlaws Macie, Teague, and Willard, still determined to steal Obie's cache of gold. This time around, the crooked trio kidnap Walter, hoping to make Obie surrender his treasure. The prospector and the Cartwrights concoct an elaborate rescue scheme which goes hilariously awry. The classic scene in which head outlaw Macie is forced to take castor oil has, alas, often been removed from syndicated prints of "Walter and the Outlaws." ~ Hal Erickson, All Movie Guide

Returning to work after a four-week absence, Perry Mason (Raymond Burr) makes up for lost time by agreeing to represent cantankerous orange grower Amos Keller (Arthur Hunnicutt). To get even with Amos for messing up his plans to bulldoze the local orange groves, land developer Gerald Thornton is suing the old coot, claiming to have been bitten by Amos' dog Hard Tack. Things turns deadly serious, however, when Thornton is murdered and Amos' granddaughter Sandra (Natalie Trundy) is charged with the crime. Watch for future spaghetti-western icon Lee Van Cleef in a supporting role. ~ Hal Erickson, All Movie Guide

This episode is unusual in that there is no defendant as Perry Mason (Raymond Burr) attempts to solve a murder during a coroner's inquest in the mining town of Gold Gulch. Having learned that someone has been selling phony gold mines in the area, Perry disguises himself as a prospector to draw out the culprit. Meanwhile, Perry's associate Paul Drake, searching for clues, stumbles upon the body of James Bradisson. Former light-heavyweight boxing champ Archie Moore plays a supporting role in this episode, which was based on a 1943 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide

Originally telecast January 26 1962, this episode was the first of several Twilight Zone scriptwriting assignments for Earl Hamner, Jr., future creator of The Waltons. Arthur Hunnicutt stars as backwoodsman Hyder Simpson, who despite the dire predictions of his superstitious wife Rachel (Jeanette Nolan) embarks upon a hunting expedition with his faithful dog Rip. While chasing down their quarry, Hyder and Rip fall into a river and drown -- then promptly return home in ghostly form, to find Rachel weeping over Hyder's coffin. Not altogether convinced that he is dead, Hyder wanders the countryside in search of answers -- while Rip uses his still-acute sense of smell to save Hyder from making the biggest mistake of his life -- or death! ~ Hal Erickson, All Movie Guide

In the final episode of Walt Disney's eight-part miniseries The Swamp Fox, Revolutionary War patriot Francis Marion (Leslie Nielsen) and his fellow guerillas have placed themselves under the command of Continental Army officer Captain Richardson (James Seay). Intending to instill some discipline into Marion's ragtag band, Richardson soon finds that he is fighting a losing battle. But all worries about "following the book" are set aside when Marion is ordered by General Greene to capture some horses from the Tories. "Horses for Greene" originally aired as part of the Walt Disney Presents anthology. ~ Hal Erickson, All Movie Guide

In the eighth episode of Walt Disney's ten-part miniseries Elfego Baca, gunslinger-turned-lawyer Baca (Robert Loggia) has secured the legal rights of the Mustangers, a religious sect that has set up a homestead in the middle of cattle country. But though the Mustangers own their property fair and square, the local cattleman still regard the group with suspicion and contempt, putting pressure on local merchants not to sell to any of the sect's members. When Mustanger leader Shadrack O'Reilly (Brian Keith) is refused service at a feed store, he sparks off a huge brawl and ends up in jail -- which, of course, brings Elfego Baca back into the story. Featuring a young James Coburn in a supporting role, "Mustang Man, Mustang Maid" was originally telecast as part of the Walt Disney Presents anthology. ~ Hal Erickson, All Movie Guide

Determined to track down the man who murdered his wife, Flint Johnson (Onslow Stevens) forms a posse. Adam and Little Joe Cartwright, longtime friends of Johnson, join the posse to make sure that proper justice is meted out -- but Johnson has no intention of allowing the law to take its course. Also appearing are Adam Williams as Blackie and Arthur Hunnicutt as Piute. First broadcast on November 28, 1959, "The Posse" was written by Carey Wilbur. ~ Hal Erickson, All Movie Guide

Perhaps the grittiest and grimmest of the Randolph Scott-Budd Boetticher collaborations, The Tall T was adapted by Burt Kennedy from the Elmore Leonard short story The Captive. Scott plays a former ranch foreman who, along with newlyweds Maureen O'Sullivan and John Hubbard, is held hostage at a deserted stagecoach station by ruthless bandit Richard Boone and his henchmen Henry Silva and Skip Homeier. Since we already know that Boone has no qualms about killing a freckle-faced 10 year old boy, we shudder to think of what's in store for Scott and his fellow captives once Boone carries out his plan to rob the next stagecoach. In Boetticher's time-honored Mexican Standoff fashion, Scott bargains with Boone for the life of O'Sullivan, but his efforts are undercut by Hubbard's cowardly treachery. The film's sparse, carefully controlled tension level bursts into full-out bloodshed only minutes before the final fade-out. Curiously, the title The Tall T is never explained at any time; certainly the "T" doesn't refer to Randolph Scott, whose character name is Pat Brennan. ~ Hal Erickson, All Movie Guide