George Humbert Movies

Spencer Tracy won his second Oscar for his portrayal of Father Edward J. Flanagan--then promptly turned the statuette over to the real Father Flanagan out of gratitude. The priest's philosophy that no boy will grow up bad if given a chance in life culminates in his formation of Boys Town in Omaha, Nebraska. Unable to raise funds through "proper" channels, Flanagan finds that his staunchest supporters are the workaday folks who have faith in him; none is stauncher than Jewish pawnbroker Henry Hull, who digs deep into his pockets to help Flanagan realize his dream. The story of the struggle to get Boys Town on its feet paralleled with the regeneration of punkish Mickey Rooney, the younger brother of criminal Edward Norris. At first a wise-guy rebel, Rooney rises to a position of authority, responsibility and respect in Boys Town's self-maintained government. Boys Town, by the way, is the source of the classic line "He ain't heavy--he's my brother." ~ Hal Erickson, All Movie Guide

Girl with Ideas was Universal Pictures' version of MGM's matchless Libeled Lady. Wendy Barrie plays a society girl miffed at the bad press she's been getting in a local newspaper. Unable to convince publisher Walter Pidgeon to cease and desist, Barrie takes her case to court. She wins not only the case but the newspaper itself, whereupon Pidgeon uses his sneakiest journalistic wiles to force new editor Kent Taylor into bankruptcy. Though plainly derivative of earlier heiress vs. editor epics, Girl with Ideas was praised for its originality by contemporary critics. ~ Hal Erickson, All Movie Guide

Nancy Steele was the baby daughter of a munitions tycoon who was kidnapped by an antiwar activist who did it to protest the magnate's support of WW I. This drama provides a sympathetic portrait of the kidnapper who leaves the baby with two close friend who assume it's his and raise her. The activist later gets arrested during a fight and sentenced to two years in prison that become a life sentence after he is framed during a failed escape. One night, he sleeps in his cell when his cellmate overhears the sleeping protestor talking about the notorious kidnapping. When the protestor if finally released, he immediately visits the girl, whom he regards as his daughter. She thinks he is her father too. Together, the two go to New York, where he gets a job working as a gardener for her real father. Trouble comes in the form of his blackmailing cellmate and in the end, the protestor must make a difficult decision involving the fate of his daughter and himself. ~ Sandra Brennan, All Movie Guide

An American actress gets herself a titled husband in this routine comedy from Warner Bros. Unable to get work in her home country, Laurine Lynne (Beverly Roberts) travels to Vienna where her press agent, Joe Craig (Allyn Joslyn), convinces her to marry royalty. The lucky fellow is Prince Rupert (Patric Knowles), an impoverished nobleman now working as a waiter. Do the two of them fall in love despite this marriage of convenience? Of course they do, and in less than 60 minutes of screen time. M.K. Jerome and Jack Scholl provided three less-than-memorable songs to the rather trite proceedings: "Shall We Dream?," "Five Little Maids," and "Echo Mountain." ~ Hans J. Wollstein, All Movie Guide

Adapted by Lillian Hellman from Sidney Kingsley's Broadway play, Dead End concerns itself with several denizens of New York's East River district. Here the elite and the slum-dwellers rub shoulders due to the close proximity of the riverfront tenements with the East Side luxury hotels. Slum girl Drina Gordon (Sylvia Sidney) tries to prevent her younger brother Tommy (Billy Halop) from wasting his life as a member of the local street gang. Tommy and the other kids idolize Baby Face Martin (Humphrey Bogart), a onetime East- sider who has hit the "big time" as a notorious gangster. Dodging the cops, Martin makes a sentimental journey to the neighborhood to visit his mother (Marjorie Main) and his old girlfriend Francie (Clare Trevor). But Martin's mother coldly tells him to get lost, while Francie reveals herself to be a consumptive prostitute. Despite his depressed state, Martin is still admired by the local kids; this displeases sign painter Dave Connell (Joel McCrea), who hopes to escape the slums via his romance with wealthy Kay Burton (Wendy Barrie). Attempting to kidnap a rich boy who'd earlier been beaten up by the street kids, Martin is prevented from making the snatch by Dave, who shoots Martin down. Receiving a large reward, Dave decides to give the money to Drina so that she can afford a lawyer to defend her brother Tommy, who has wrongfully been accused of masterminding the beating of the rich kid. His outlook on life altered by this unselfish act, Dave gives up his mercenary romance with Kay Burton, choosing instead the poverty-stricken Drina. The film introduces the Dead End Kids--Billy Halop, Leo Gorcey, Gabe Dell, Huntz Hall, Bernard Punsley and Bobby Jordan--all of whom were veterans of the Broadway version of Dead End and would be metamorphosed into the East Side Kids and The Bowery Boys. ~ Hal Erickson, All Movie Guide

In this detective adventure, a young woman is accused of stealing a valuable necklace from her boss and takes off for Spain just before the Civil War. She is trailed by a detective form Scotland Yard. He finds her and soon falls in love and the two try to flee on a British ship. The story does not reveal whether the girl was innocent or not. ~ Sandra Brennan, All Movie Guide

Slightly reminiscent of Frank Capra's Platinum Blonde (31), this screwball comedy features those two stalwarts of 1930s comedies: The brash reporter and the giddy heiress. Tyrone Power is the reporter, who makes his living writing about the foibles of the idle rich. His special target is heiress Loretta Young, the daughter of an influential financier (Dudley Digges). Young gets even by announcing her engagement to Power; now it's his turn to have his every movement scrutinized by the Public. Both reporter and heiress connive to embarrass one another, but (as expected) they're headed for the altar at fadeout time. Love is News was remade in 1949 as That Wonderful Urge, with Tyrone Power reprising his role and Gene Tierney in the Loretta Young part. ~ Hal Erickson, All Movie Guide

Johanna Spyri's perennial children's favorite Heidi was retailored to the talents of Shirley Temple, resulting in one of her best vehicles. Orphaned early in the proceeding, Heidi is left in the care of her bitter, misanthropic grandfather Adolph Kramer (Jean Hersholt). It doesn't take long before the sweet little child has melted grandpa's hardened heart, and the two "outcasts" become inseparable. But things take a sinister turn when Heidi's cruel and avaricious aunt (Mady Christians) kidnaps the girl and sells her into servitude in the home of wealthy Segemann (Sidney Blackmer). Making the best of the situation, Heidi befriends Segemann's invalid daughter Klara (Marcia Mae Jones), encouraging the girl to walk unassisted for the first time in years. The grateful Segeman promises to reunite Heidi with her grandfather, but Jones's wicked governess Fraulein Rottenmeier (Mary Nash) contrives to keep the girl and her grandpa separated once more -- until the very, very last moment! Perhaps feeling that the Alpine setting of Heidi did not allow Shirley Temple full scope for her musical talents, the screenwriters contrived to include a dream sequence, wherein Heidi imagines herself to be in Holland and clogs to the tune of "In My Little Wooden Shoes." ~ Hal Erickson, All Movie Guide

This lively riverboat musical shows off the vocal and terpsichorean talents of former Ziegfeld Follies star Barbara Stanwyck as it tells the tale of two newlyweds who must postpone their honeymoon when the groom gets in a fight with a villain, decks him and, believing he has killed him, flees upon a riverboat, leaving his bride to take up with a womanizing photographer. She and the cameraman head for New Orleans and this is where most of the action, music and romantic mayhem takes place. ~ Sandra Brennan, All Movie Guide

John Wayne steered clear of westerns for the most part during his year-long contract with Universal Pictures. In The Sea Spoilers, Wayne is cast as Bob Randall, temporary skipper of a Coast Guard cutter. Randall knows that a gang of seal poachers are operating within his jurisdiction but can do little about it, since head crook Morgan (Russell Hicks) has kidnapped Bob's sweetheart Connie Dawson (Nan Grey). Relying more on brains than brawn in dealing with Morgan's minions, Bob is finally able to secretly summon reinforcements via two-way radio. He also finds time to straighten out Lt. Mays (William Bakewell), the outwardly cowardly son of a Coast Guard commander. Sea Spoilers set up its basic premise in the first reel, devoting the remainder of the running time to a tense game of seaborne cat-and-mouse. ~ Hal Erickson, All Movie Guide

The hero of The Pay-Off is somewhat denser than usual, making his ultimate victory all the more amazing. James Dunn plays newspaper columnist Joe McCoy, who is inveigled by his no-good wife Maxine (Claire Dodd) to become the dupe of crooked sports promoter Marty Bleuler (Alan Dinehart). So devoted is Joe to Maxine that he's willing to overlook the fact that she's committed murder to achieve her own goals. But the guilty must be punished eventually, and Maxine comes to an ignoble end, leaving Joe free to marry his co-worker Connie (Patricia Ellis), who's loved him all along. This 1936 The Pay-Off is not a remake of the 1930 film of the same name. ~ Hal Erickson, All Movie Guide

Carnival barker Spencer Tracy befriends elderly concessionaire Henry B. Walthall, who owns a picturesque but stodgy display depicting Dante's Inferno. Walthall is more interested in the spiritual aspects of Man's fascination with Hell, but Tracy uses hoopla and exaggeration to get the suckers into the Inferno. His interest isn't altruistic; Tracy is enamored of Walthall's niece, Claire Trevor. Through his publicity savvy, Tracy builds the Inferno into a major attraction, complete with full orchestra and scantily clad "devil girls". He also buys up the rest of the carnival, using cold-blooded tactics that result in the suicide of a fellow concessionaire. Within five years, Tracy is a millionaire tycoon of the Entertainment industry. While loved by his wife (Trevor) and son (Scotty Beckett), Tracy conducts his business ruthlessly, bribing a city official to look the other way regarding structural defects in his Inferno display. When this duplicity results in a disastrous accident at the exhibit, the bribed official kills himself. Tracy is exonerated thanks to legal chicanery, but his wife is fed up; she walks out on him, taking their son along. Injured in the accident, Inferno creator H. B. Walthall warns Tracy of the pitfalls of success, using an illustrated edition of Dante to make his point. For nearly ten minutes, the movie audience is treated to a lavish depiction of Hell, magnificently photographed by Rudolph Mate. When the plot resumes, Tracy is on hand for his latest venture, a sumptuous gambling ship. Thanks to the drunken negligence of the crew, the ship catches fire, and it is only upon learning that his son has sneaked aboard that Tracy realizes the consequences of his greed. Tracy labors heroically to rescue the passengers--and, incidentally, to atone for his past sins. ~ Hal Erickson, All Movie Guide

Nathaniel West's novel Miss Lonelyhearts inspired two films of the early 1930s: Advice to the Lovelorn (33) and Hi, Nellie! Paul Muni stars in the latter film as a big-city newspaper editor who gets in trouble for printing unsubstantiated information about a murder case. Muni is demoted and forced to write the paper's advice column, signing himself "Nellie." As he recklessly dispenses frivolous advice, Muni keeps tabs on the person he'd accused of murder. Using his "Nellie" connections, Muni gets the goods on the killer--and nearly gets rubbed out by a gangster mob. Warner Bros. must have been crazy about Hi, Nellie!, since the studio remade the film three times: Love is on the Air (37), You Can't Escape Forever (42), and House Across the Street (49). ~ Hal Erickson, All Movie Guide