Helena Humann Movies

Two rich boys decide to try their hands at manual labor and so get summer jobs working on a Texas offshore oil rig in this taut thriller. They look forward to it until they encounter a mean-spirited boss who resents them because of their wealth. He mercilessly picks upon them and they wonder if they will survive until helpful Bo Landry shows up. Bo seems to be such a good person and the boys are glad to have him on their side. Unfortunately, things are not what they seem and soon their lives are really in danger. ~ Sandra Brennan, All Movie Guide

An adoptive parent discovers that some children are given up by their biological parents for very good reasons in this dark comedy. Ben Healy (John Ritter) is a pleasant but brow-beaten yuppie working for his father Big Ben (Jack Warden), a tyrannical sporting goods dealer. Ben would love to have a son, but his wife Flo (Amy Yasbeck) has been unable to conceive. Ben approaches less-than-scrupulous adoption agent Igor Peabody (Gilbert Gottfried) with his dilemma, and Igor presents Ben and Flo with a cute seven-year-old boy, Junior (Michael Oliver). However, Junior is hardly a model child; mean-spirited and incorrigible, the child leaves a path of serious destruction in his wake, and is even pen pals with Martin Beck (Michael Richards), a notorious serial killer. After the cat ends up in the hospital, the house catches on fire, and Junior displays his effective but unethical method for winning in Little League, Ben is having serious doubts about Junior when Beck escapes from jail and decides to kidnap his faithful correspondent, along with Junior's new mom. Problem Child proved to be a major box office success, spawning two sequels and a TV series. ~ Mark Deming, All Movie Guide

If the Perils of Pauline were set in a campy New York City with a dash of trash added in, Not for Publication would result, though the awful jokes and kinky characters are not going to be entertaining to everyone. Lois (Nancy Allen) is a reporter at a sleazoid newspaper, a paragon of yellow journalism that she is determined to turn back to its first incarnation as The New York Enforcer, a better paper. The not-so-good Mayor Franklyn (Laurence Luckinbill) adopts Lois as his personal assistant when she bursts into his office one day and strongly advises him to cut the pressure to shut down porn shops or he will lose the vote of New York's youth. She hires a photographer (David Naughton) to work in the mayor's office, planning to use his skills for her tabloid paper -- but then a quirky menage à trois arises between the mayor, the photographer, and Lois. After some undercover sleuthing in Long Island, Lois connects the mayor to various robberies that have occurred in the city and thinks of a way to bring back the New York Enforcer and handle the mayor at the same time. ~ Eleanor Mannikka, All Movie Guide

British director Tony Garnett's American film debut is a tale of revenge that criticizes American gun culture. Karen Young plays Kathleen Sullivan, an idealistic Boston educator who travels to Texas to teach. In her new home town she meets Larry Keeler (Clayton Day), a handsome lawyer who is obsessed with guns. On their first date together, things seem to go swimmingly, but on their second date, Larry brings his gun along and Kathleen finds herself raped with a firearm pointed at her head. Kathleen becomes consumed with vengeance; she learns how to handle a gun, becomes a crack shot, and goes forth to seek revenge for her rape. ~ Paul Brenner, All Movie Guide

Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, All Movie Guide