Sharon Hughes Movies

Somewhere amid the filmmakers' attempts to disorient the viewers of this film with the old movie-within-a-movie trick, it would seem they also got themselves completely lost in the process. The story opens with a false start, depicting an elderly woman being stalked by a faceless maniac (actually a scene from a retired special-effects artist's demo reel). The "real" story begins as the man's daughter (horror's head-spinning sweetheart Linda Blair) is waylaid by a band of hooligans en route to her dad's mountain cabin. This incurs the wrath of Blair's mutant brother, who lives in a hidden compartment within the cabin. As if that weren't enough, even more monsters from Blair's gnarled family tree show up for a lightning bonus round -- including Tab Hunter as a homicidal plastic surgeon. All is revealed (sort of) as yet another movie-within-a-movie, clear evidence of a writer in way over his head. Cable TV prints actually contained an additional twist ending, apparently for no reason whatsoever. ~ Cavett Binion, Rovi

While visiting his former partner in an Arizona border town, LA cop Jack Lucarelli witnesses a murder. The killer is white slaver Gerald McRaney-who turns out to be one of local sheriff Wilford Brimley's most trusted deputies. Nobody believes Lucarelli's eyewitness account, not even his ex-partner Jameson Parker, another of Brimley's deputies. Eventually, it dawns on Parker that his department is seething with corruption. He and Lucarelli work secretly to put an end to McRaney's activities, leading inexorably to the film's climactic bloodbath. The otherwise eminently forgettable American Justice is interesting for its reteaming of onetime Simon and Simon costars Jameson Parker and Gerald McRaney, this time on opposite sides of the law. Parker coproduced the film with costar Lucarelli, while one of the film's supporting actors, Dennis A. Pratt, wrote the script . ~ Hal Erickson, Rovi

The B-grade genres of sexploitation, blaxploitation, and jailhouse flicks mixed with this grotesque sex- and violence-filled melodrama. Linda Blair stars as Carol Henderson, a naïve and inexperienced teenager who is sentenced to 18 months in a women's prison after accidentally killing a man. Once she arrives, Carol meets sadistic, perverted Warden Bacman (John Vernon), who keeps a hot tub in his office. She also encounters the two top-dog prisoners, Ericka (Sybil Danning) and Duchess (Tamara Dobson), who are at war with each other, the leaders of factions in the facility's simmering racial tensions. Then there are the drug-dealing lesbian rapists and the prostitutes, who answer to the warden's snugly-outfitted assistant, Captain Taylor (Stella Stevens). In the meantime, Taylor's lover is secretly carrying on an affair with Ericka. It's a cauldron of fear and rage, but when the prison's corrupt management goes too far, race considerations are set aside as black and white convicts band together. ~ Karl Williams, Rovi

In this slice-n-dicer, a cabbie becomes obsessed with a lovely movie scream queen and decides to follow her to the Cannes Film Festival. Though she is a cult favorite, few take the horror-movie actress seriously. The taxi driver does and is sure that with a little of his expert direction she could become an excellent dramatic actress. Unfortunately, before he can help her, he must first get her attention. He first approaches her while she is taking a shower in her suite. Naturally she attempts to throw him out. A scuffle ensues and he ends up threatening to slit her throat. She escapes and dressed only in a towel runs through a crowd. The taxi driver is right behind her and the other festival-goers, thinking it all a clever promotional gimmick, applaud. He stops to take a bow and she makes it to safety. This bad start does not stop the cabbie from trying to reach her and before the story ends, many people die horrible deaths, leading to the film's surprising ending. Much of the story was shot on location at the 1981 Cannes Film Festival and features shots of several famous actors and filmmakers. ~ Sandra Brennan, Rovi