Mary Beth Hughes Movies

Free, Blonde and 21 was one of a handful of films directed by former leading man Ricardo Cortez. Two of 20th Century-Fox's busiest leading ladies, Mary Beth Hughes and Lynn Bari, head the cast of this soap opera-style yarn about life in a hotel catering to women. Hughes plays Jerry, a duplicitious wench who gets involved with gangsters ends up behind bars, while Bari plays Carol, an honest lass who is rewarded at fadeout time with a happy marriage to millionaire Dr. Mayberry (Henry Wilcoxon). Joan Davis injects a few moments of hilarity as the hotel chambermaid, while Alan Baxter is his usual steely-eyed self as a stickup man. For its original New York run, Free, Blonde and 21 was paired with Fox's The Grapes of Wrath, leading several reviewers to note that both films would have been better off with a single-feature presentation. ~ Hal Erickson, All Movie Guide

Lana Turner (a mere 19 years old at the time) stars in this lighthearted musical comedy as Patty Marlow, a dancer fighting her way up the show business ladder. Famous hoofer Freddie Tobin (Lee Bowman) is about to start work on a new movie when his dance partner becomes pregnant and drops out of the project. Press agent Joe Drews (Roscoe Karns) dreams up a publicity stunt to find Freddie's new co-star: he'll stage a contest on college campuses to find a dancer among the student body. However, the contest is merely a ruse, and, when Joe and his cronies spot Patty, they realize she is the perfect girl for the job. Now, they have to pass Patty off as a studious co-ed for the sake of the "contest," which has begun to attract the suspicious attention of student journalist Pug Braddock (Richard Carlson). Artie Shaw and his band perform several numbers (Shaw and Turner would marry two years later), and keep an eye peeled for Veronica Lake in a bit part (she was still known as Constance Keane at the time). ~ Mark Deming, All Movie Guide

Based on the Clare Booth Luce play of the same name, this MGM comedy is justly famous for its all-female cast and deft direction by George Cukor. The plot centers on a group of gossipy high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily wedded Mary Haines (Norma Shearer) finds her marriage in trouble when shopgirl Crystal Allen (Joan Crawford) gets her hooks into Mary's man. Naturally, this situation becomes the hot talk amongst Mary's catty friends, especially the scandalmonger Sylvia Fowler (Rosalind Russell), who has little room to talk -- she finds herself on a train to Reno and headed for divorce right after Mary. But with a bit of guts and daring, Mary snatches her man right back from Crystal's clutches. Snappy, witty dialogue, much of it courtesy of veteran screenwriter Anita Loos, helps send this film's humor over the top. So do the characterizations -- Crawford is as venomous as they come, and this was Russell's first chance to show what she could do as a comedienne. And don't discount Shearer -- her portrayal of good-girl Mary is never overpowered by these two far-flashier roles. The only part of The Women that misses is the fashion-show sequence. It was shot in color -- an innovative idea in its day -- but now both the concept and clothes are dreary and archaic. Do keep an eye on the supporting players, though, especially Mary Boland as the Countess DeLage. The role was based on a cafe society dame of that era, the Countess DiFrasso, who had a wild affair with Gary Cooper; that romance is satirized here. ~ Janiss Garza, All Movie Guide

Lily Becker (Hope Hampton) is the musically talented daughter whose mother forces her into a marriage to the son of a wealthy man. Mistreated by the callous husband, she flees to New York to make it in the music business. She gives birth to a child and attempts suicide when she nearly starves to death for lack of work. A sympathetic young songwriter who has been down the same road takes her in and offers her the benefit of his musical experience. Lily becomes a successful opera singer the very night her husband perishes in a train wreck. She also must overcome the tragic death of her beloved baby. Lily overcomes her misfortunes to become a successful singer. After her husband dies, she is free to pursue romance with the young maestro in this routine melodrama. ~ Dan Pavlides, All Movie Guide