Ed Gernon Movies

British actor Robert Carlyle stars as the 20th century's most infamous dictator in this two-part TV biopic. The film covers the life of Adolf Hitler from his childhood to his emergence as absolute ruler of Germany in 1934. Most of the ground covered should be familiar to history buffs: Hitler's failed efforts to become a great artist, his frustration at watching his adopted country fall apart at the seams during World War I, his resolve to put Germany back on its feet by exploiting the nation's horrendous postwar economic woes and its ingrained anti-Semitism, his 1923 arrest, the publication of Hitler's virulent screed Mein Kampf, the growing popularity of National Socialism, and the fatal error made by senile German chancellor Von Hindbenburg (Peter O'Toole) to "neutralize" Hitler by giving him a relatively unimportant political post in 1933. Also covered is Hitler's abortive romance with his half-niece Geli Raubal (Jena Malone) and his longer relationship with the estimable Eva Braun (Zoe Telford). Given the difficulties faced by actor Carlyle and the screenwriters to successfully convey pure, unadulterated evil, much of what we learn about Hitler is conveyed by the observations and reactions of other characters, notably crusading but ineffectual anti-Nazi journalist Fritz Gerlich (Matthew Modine), and especially German publisher Ernst Hanfstaengl (Liev Schreiber) and his wife, Helene (Julianna Margulies). Originally a staunch supporter of Hitler, Hanfstaengl eventually comes to realize the danger the man poses to the world ("He's not human. He simply studies others to become human."); in contrast, Helene, who at the outset is vaguely opposed to National Socialism, is ultimately seduced and swept up by the movement. Not surprisingly, this film stirred up a great deal of controversy even before it aired; some Jewish leaders and prominent Holocaust survivors worried that Hitler might come off as being sympathetic (a concern that may have dictated altering the film's title, which was to have been Hitler: The Early Years); and one of the film's producers was summarily dismissed after issuing a public statement which seemed to compare Germany's blind, unthinking allegiance to Hitler to America's rallying behind George W. Bush during the Iraq crisis. Hitler: The Rise of Evil originally aired May 18 and 20, 2003, on CBS. ~ Hal Erickson, Rovi

Based on the autobiographical book by novelist Beverly Lowry, the made-for-TV Crossed Over chronicles the unlikely friendship between Lowry and one of America's most notorious death-row inmates. Consumed by grief after the hit-and-run death of her 18-year-old son Peter (Nick Roth), Beverly Lowry (played by Diane Keaton, who also executive-produced the film) is unable to overcome her depression, despite the tender ministrations of her supportive husband Ethan (Maury Chaykin). But when a psychic informs her that her son's death was caused by a woman, Beverly obsessively begins researching the lives of other women who'd taken lives. The trail of information leads her to the infamous Karla Faye Tucker (Jennifer Jason Leigh), slated to become the first white woman executed for murder in Texas in 135 years. Although the film necessarily telescopes the facts (the actual relationship between Lowry and Tucker spanned nearly a decade), the film successfully details how Beverly's friendship with the doomed Karla enabled both women to expunge the demons within their respective souls. Filmed in Toronto, Crossed Over was originally aired by CBS on March 3, 2002. ~ Hal Erickson, Rovi

In this broadly satirical TV biopic, Shirley MacLaine pulls out all the stops as legendary cosmetics queen Mary Kay Ash. In Citizen Kane fashion, Mary Kay relates her rise to the top of the home-beauty industry to an inquiring reporter (Rachel Crawford), never allowing an opportunity pass to emphasize how many doors she has opened for the working women of America. Ultimately, however, Mary Kay's predominance is threatened by a much younger (and shriller) rival, Jinger Heath (Parker Posey), whose BeautiControl company takes an enormous bite out of Mary Kay's share of the market. Caught in the middle is a slightly off-center beauty named Lexi Wilcox (Shannen Doherty). Hell on Heels: The Battle of Mary Kay originally aired on October 6, 2002. ~ Hal Erickson, Rovi

From her gradual ascent to stardom in the 1930s to her death from a drug overdose at age 47 in 1969, former vaudeville baby Frances Ethel Gumm, aka Judy Garland, endured a string of personal and career ups and downs that continues to color her reputation as an icon whose tragedies outweighed her triumphs. This TV biopic, based on the first half of daughter Lorna Luft's book Me and My Shadows: A Family Memoir, attempts to humanize Garland's legend by presenting the singer/actress' story from an insider's point of view. Tammy Blanchard plays the young Garland, an MGM contract player with an overbearing mom (played by Marsha Mason) who helped push her daughter to stardom -- and, along with studio boss Louis B. Mayer (Al Waxman), into a lifelong addiction to booze and barbiturates. From her early performances alongside Mickey Rooney to her breakthrough role in The Wizard of Oz, Life With Judy Garland paints the performer as a sweet kid who just wanted to please her mother, especially after the death of her gentle, beloved father (Aidan Devine). Australian actress Judy Davis takes over as the grown-up Garland as the film traces her five marriages, exile from MGM, countless film and stage comebacks, and crippling addictions. The film's final section concentrates on the home life of Luft, her brother Joey, and their half sister Liza Minnelli, as the kids and their broke mom moved from one hotel to another and Luft nursed Garland through depressions and binges. Life With Judy Garland premiered in February of 2001 on ABC, earning Emmy awards for both Davis and Blanchard. ~ Brian J. Dillard, Rovi

This fact-based TV movie begins in 1987, as high-school athlete Alex Kelly (Matthew Settle) awaits his trial for the rape of one girl and the intimidation of several others. Rather than face the justice system, Alex flees to Europe, where he spends virtually the next decade, with covert financial help from his family. Falling in love with a girl in Sweden, Alex builds a whole new life for himself. Ultimately, however, Interpol tracks Alex down, whereupon the story takes a dramatic new turn. Told from the point of view of Alex's female victim, the film does nothing to whitewash its protagonist, even though actor Settle manages to invest his character with a modicum of sympathy; plus, the viewer is left to ponder whether the fault lies entirely with Alex, or with his upbringing. First broadcast by CBS as Crime in Connecticut: The Return of Alex Kelly on March 16, 1999, the film has since been rerun on cable as The Return of Alex Kelly. ~ Hal Erickson, Rovi

Divorced mom Kathleen Russell (Roma Downey) needs a lot of money in a hurry in order to afford a decent home for herself and her daughter Zoey (Sarah Rosen Fruitman). Meanwhile, Kathleen's boss, swinging bachelor Sam Field (Eric McCormick) must pretend to be happily married, and with children, if he wants to close a major business deal with mysterious Mexican financier Javier Del Campo (Hector Elizondo). At first, it seems as though Kathleen and Sam come up with the notion of posing as man and wife all by themselves; but as this made-for-TV romantic comedy-fantasy progresses, it is clear that two other people are actually pulling the strings--and there's a third character looming in the shadows! ~ Hal Erickson, Rovi