Frank E. Hughes Movies
A pointless and ill-advised return to the slasher movie formula -- which had long since worn out its questionable welcome by the mid-'80s. This silly endeavor begins with a hazing stunt perpetrated by pledges of the Phi Delta fraternity, who try to break into a local insane asylum to take a photograph of the homicidal Father Malius (Charles Cragin). Malius, we're told, was responsible for the deaths of several college students nearly 30 years before, and is merely biding his time until he finds the opportunity to kill again. The foolish pledges set off a chain of events allowing Malius to make his escape, whereupon he makes a beeline for his former killing grounds with pickax in hand. From this point forward we're treated to an amalgam of every tired slasher cliche in the book. The only noteworthy element of this dismal production is the brief presence of Darren McGavin, who looks rather disinterested until his lively "surprise" death scene. ~ Cavett Binion, All Movie Guide
- 1947
Raymond Chandler's famed detective Philip Marlowe (George Montgomery) is hired by a rich, eccentric widow, Mrs. Murdock (Florence Bates) to find and return a stolen gold coin. Marlowe quickly finds himself involved an a case which includes robbery, blackmail and murder. Just as Marlowe begins to solve the mystery, he is savagely beaten by Vannier (Fritz Kortner). Marlowe finally puts all the pieces of the puzzle together when he discovers a blackmail scheme involving Murdock's mentally-ill secretary, Merle Davis (Nancy Guild) which leads him to suspect his employer. The Brasher Doubloon, adapted from Chandler's novel, The High Window, and beautifully photographed by Lloyd Ahern captures a proper film noir sensibility with its moody, low-key images and dense, dark background shots, while failing to capture the complexity of the novel. Director John Brahm, who also directed the excellent films The Lodger and Hangover Square, is disappointing, failing to create the depth of characterization and plot which he showed in these films. The Brasher Doubloon remains bland, with undistinguished acting by the entire cast. The only exception is Fritz Kortner, a veteran character actor molded in the expressionist cinema of pre-war Berlin, who creates the grotesque character of Vannier, bringing a sense of evil vitality to an otherwise bland production. ~ Linda Rasmussen, All Movie Guide
- Starring:
- George Montgomery, Nancy Guild, (more)
More serious and less colorful than The King And I, Anna And The King Of Siam is still a well-crafted and elaborate spectacle. Leonowens (Irene Dunne) and her son travel to the tiny kingdom of Siam, where she has been hired to teach Western ways and culture to the multitudes of children sired by the King (Rex Harrison). All too soon, however, the King and Anna clash over the differences in their ways and cultures; Anna is also drawn into a palace romance between the concubine, Tuptim (Linda Darnell), and another man, which ends in tragedy. Whereas The King And I focused on the budding relationship between Anna and the King, the non-musical version is a more straightforward reading of Margaret Landon's book about the real Anna Leonowens. Harrison made his screen debut in the role, which became synonymous with Yul Brynner in the 1956 musical version. ~ Don Kaye, All Movie Guide
- Starring:
- Irene Dunne, Rex Harrison, (more)
One-time movie song-and-dance man James Dunn won an Academy Award for his "comeback" performance in A Tree Grows in Brooklyn. Based on the best-selling novel by Betty Smith, the film relates the trials and tribulations of a turn-of-the-century Brooklyn tenement family. The father, Dunn, is a likable but irresponsible alcoholic whose dreams of improving his family's lot are invariably doomed to disappointment. The mother, Dorothy McGuire, is the true head of the household, steadfastly holding the family together no matter what crisis arises. The story is told from the point of view of daughter Peggy Ann Garner, a clear-eyed realist who nonetheless would like to believe in her pie-in-the-sky father, whom she dearly loves. Joan Blondell co-stars as the family's brash, freewheeling aunt, whose means of financial support is a never-ending source of neighborhood gossip. This first film directorial effort of Elia Kazan earned a special Oscar for "Most Promising Juvenile Performer" Peggy Ann Garner. A Tree Grows From Brooklyn was remade for TV in 1974, and also served as the basis of a Broadway musical. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy McGuire, Joan Blondell, (more)
- 1945
Set in turn-of-the century London, this period thriller stars Laird Cregar as George Harvey Bone, a composer who suffers from a rather severe case of artistic temperament. Driven to distraction by the discordant sounds of the city, the usually sensitive Bone occasionally snaps when exposed to undue stress, and the results can be deadly; he sometimes blacks out and commits murders that he can't quite recall the next morning. Working on a major concerto, Bone is at his wit's end, and when an antique dealer tries to cheat him, the salesman turns up dead. Dr. Allen Middleton (George Sanders), a psychologist with Scotland Yard, questions Bone about the crime; he claims to know nothing about it, but the perceptive doctor suggests that Bone needs to relax more. Taking Middleton's advice, Bone visits a music hall that evening and sees Netta London (Linda Darnell), a singer with whom Bone immediately becomes entranced. This makes the composer even less patient with his sweetheart Barbara Chapman (Faye Marlowe), whose father, the wealthy Sir Henry Chapman (Alan Napier), has commissioned Bone's latest work. When Barbara tells Bone that his concerto is not up to snuff, she only narrowly escapes with her life, and while Bone believes that he's found true love with the beautiful Netta, the singer finds herself in danger when Bone suspects her of infidelity. Hangover Square gave character actor Laird Cregar his first starring role. Sadly, it was also his last film; Cregar, who struggled with weight problems all his life, tipped the scales at nearly 300 pounds when he made this film. Eager for more starring roles, Cregar went on a dangerous crash diet, and while he soon lost 100 pounds, it put his health into serious disarray, and the actor died of a heart attack at the age of 28, shortly before the release of his first starring vehicle. ~ Mark Deming, All Movie Guide
- Starring:
- Laird Cregar, Linda Darnell, (more)
- 1945
In this comedy, a barge captain with an Electra complex marries two women. He married the first because she laughed like his late mother. He married the other because she cooks like his mom. He soon finds himself in over his head. A good friend helps extricate him by devising an ingenious plot. The captain is to be blamed for a murder. He can then escape his wives by pretending to be sent to prison. ~ Sandra Brennan, All Movie Guide
- Starring:
- William Bendix, Joan Blondell, (more)
Seeking a creative challenge after several years' worth of fairly elaborate melodramas, director Alfred Hitchcock stages all of the action in Lifeboat in one tiny boat, adrift in the North Atlantic. The boat holds eight survivors of a Nazi torpedo attack: sophisticated magazine writer/photographer Constance Porter (Tallulah Bankhead), Communist seaman John Kovac (John Hodiak), nurse Alice MacKenzie (Mary Anderson), mild-mannered radio-operator Stan (Hume Cronyn), seriously wounded Brooklynese stoker Gus Smith (William Bendix), insufferable-capitalist Charles Rittenhouse (Henry Hull), black-steward George Spencer (Canada Lee) and half-mad passenger Mrs. Higgins (Heather Angel), who carries the body of her dead baby. This adroitly calculated cross-section of humanity is reduced by one when Mrs. Higgins kills herself. After a day or so of floating aimlessly about, the castaways pick up another passenger, Willy (Walter Slezak), who is a survivor from the German U-boat. At first everyone assumes that Willy cannot speak English, but when the necessity arises he reveals himself to be conversant in several languages and highly intelligent; in fact, he was the U-boat's captain. As the only one on board with any sense of seamanship, Willy steers a course to his mother ship, while the others resign themselves to being prisoners of war. After it becomes necessary to amputate Gus's leg, Willy decides that the burly stoker is excess weight; while the others sleep, he tosses Gus overboard, watching dispassionately as the poor man drowns. When the rest of the passengers discover what he's done, all of them (with one significant exception) violently gang up on Gus, and once more, the lifeboat drifts about sans navigation. ~ Hal Erickson, All Movie Guide
- Starring:
- Tallulah Bankhead, William Bendix, (more)
Based on the novel by A.J. Cronin, The Keys of the Kingdom was the first big-budget effort of movie-newcomer Gregory Peck. This is the 137-minute chronicle of a Scottish priest (Peck), who is assigned a mission in China. Never very focused in his life or work, the priest finds plenty to keep his mind occupied in his new post; when he isn't coping with the starvation and poverty plaguing his flock, he must contend with China's bloody civil war. Nonetheless, he perseveres, and finds it difficult as an elderly man to retire. He returns to Scotland, where he finds a new purpose in life; that of ministering to youngsters who, like him, have trouble determining their place in the world. Keys of the Kingdom was one of the last 20th-Century-Fox films produced by Joseph L. Mankiewicz before his career-shift to directing; Rose Stradner, Mankiewicz' then-wife, has an important role in the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Gregory Peck, Thomas Mitchell, (more)
The Song of Bernadette is a reverent recounting of the life of St. Bernadette of Lourdes. As a teen-aged peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Jennifer Jones) experiences a vision of the Virgin Mary in a nearby grotto. At least, she believes that she did. The religious and political "experts" of the region cannot accept the word of a silly little girl, and do their best to get her to renounce her claims. Bernadette's vision becomes a political hot potato for many years, with the authorities alternately permitting and denying the true believers' access to the grotto. No matter what the higher-ups may think of Bernadette, there is little denying that the springs of Lourdes hold some sort of recuperative powers for the sick and lame. Eventually, Bernadette dies, never faltering in her conviction that she saw the Blessed Virgin; years later, she is canonized as a saint, and the Grotto of Lourdes remains standing as a permanent shrine. The 20th Century-Fox people knew that The Song of Bernadette would whip up controversy from both the religious and the agnostic. The company took some of the "curse" off the project with a now-famous opening title: "To those who believe in God, no explanation is necessary. To those who do not believe in God, no explanation is possible." Jennifer Jones' performance in The Song of Bernadette won her the Best Actress Oscar in 1943. ~ Hal Erickson, All Movie Guide
- Starring:
- Jennifer Jones, Charles Bickford, (more)
This now-classic indictment of mob rule was a pet project of both star Henry Fonda and director William Wellman, both of whom agreed to work on lesser 20th Century-Fox projects in exchange for this film. After a hard winter on the range, cowboys Gil Carter (Fonda) and Art Croft (Harry Morgan) ride into a fleabitten small town for a drink. Within minutes, they get mixed up in a barroom brawl, which earns them the animosity of the locals. By and by, word reaches town that a local rancher has been killed by rustlers. With the sheriff out of town, a lynch mob is formed under the leadership of Major Tetley (Frank Conroy), a former Confederate officer who hopes to recapture past glories. Worried that they'll be strung up, Carter and Croft reluctantly join the mob and head out of town. In the dark of night, the group comes across three sleeping transients: a farmer named Martin (Dana Andrews), a Mexican (Anthony Quinn), and a senile old man (Francis Ford). The fact that Martin carries no bill of sale written by the so-called murder victim is evidence enough for Tetley to demand that the three men be hanged on the spot. Carter knows that this is a gross miscarriage of justice, but he's helpless to intervene. Resolving himself to his fate, Martin gives Carter a letter to deliver to his wife. The three unfortunates die at the end of the rope, and the mob rides off, only to discover that there never was a murder of any kind. Based on a novel by Walter Van Tilburg Clark, The Ox-Bow Incident is not so much a western as a gothic melodrama, with deep, looming shadows and atmospheric underlighting worthy of The Cabinet of Dr. Caligari. Though the film lost a fortune at the box office (a fact that Fox head Darryl F. Zanuck never tired of pointing out to Fonda and Wellman), it gains in stature with each passing year. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Dana Andrews, (more)
- 1943
In this semi-remake of Love is News (37), Betty Grable stars as a Gay-Nineties Bowery saloon singer. Ever seeking an opportunity for advancement, Grable heads to London, becomes a highbrow musical comedy "artiste", and concocts a scheme to land a wealth duke (Reginald Gardiner). Her plan is foiled by a snoopy reporter (Robert Young) from the Police Gazette who has long been a thorn in Grable's side. Young's motive has nothing to do with dishing out gossip; he's in love with Betty and wants her for his own. Tuneful frolics like Sweet Rosie O'Grady seem to be the collective reason that Technicolor was invented. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, Robert Young, (more)
- 1942
A public library at night is the setting for this fast-moving crime caper. George Sanders is a gentleman crook specializing in selling forgeries of rare books. In the company of phony policemen, Sanders enters the library unmolested and pilfers a priceless Shakespeare folio in order to expedite his operation. The criminal's girl friend/accomplice Gail Patrick is willing to go along with the crime until Sanders begins displaying a homicidal streak. She calls in a detective (Richard Denning) to foil the criminal. A murder or two later, Sanders is tracked down amidst the dark, forbidding library shelves. It's no small trick to make a library exciting, but Quiet Please, Murder pulls this off with speed and economy. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Gail Patrick, (more)
