Rochelle Hudson Movies

Eternal movie juvenile Eric Linden offers perhaps the best performance of his career in RKO's Are These Our Children? In this pioneering Juvenile Delinquent drama, Linden plays a know-it-all high school dropout who falls in with a bad crowd. While burglarizing the delicatessen of a family friend (William Orlamond), Linden accidentally kills the old man. No one can connect him with the crime, and for a while Linden privately gloats as he reads newspaper stories of the killing. But one of his friends (Ben Alexander), who was in on the robbery, spills the beans, and Linden winds up going to the chair. The true impact of Are These Our Children? is Linden's performance as an emotionally immature youth who cannot fully fathom the seriousness of his dilemma: he tries to jolly himself into believing that he hasn't killed anyone, and as he sits on death row he continues displaying a childish bravado, as if expecting to wake up from a bad dream at any moment. Despite its age and the corniness of some of the dialogue, Are These Our Children? is an unforgettably powerful film. ~ Hal Erickson, All Movie Guide

Often referred to as an imitation of Warner's legendary prison drama I Am a Fugitive From a Chain Gang (1932), RKO's stirring Hell's Highway was actually released a few months earlier. The two films were in production at the same time, but RKO was determined to beat the competition (which also included Universal's Laughter in Hell, 1933) and not a few corners were cut. All three films were set in a generic Southern state (read Georgia) and depicted a horrid penal system more akin to the Middle Ages than the supposedly enlightened 1930s. In Hell's Highway, the chain gang prisoners wear uniforms with a large target printed on the back and the torture instrument du jour is a so-called sweatbox, in constant operation so that unscrupulous contractor Billings (Oscar Apfel) may construct his "Liberty Highway" on time and under budget. When a prisoner dies from exposure in the dreaded contraption, Duke Ellis (Richard Dix) concocts a plan to escape. The escape comes to an abrupt halt with the sudden arrival of his kid brother, Johnny (Tom Brown). The latter ends up in the sweatbox, but Duke has the kid transferred to office duty by using a bit of blackmail. There is a climactic prison riot, during which Duke is killed after saving his brother once again. Or at least that was what a preview audience saw. The death of the film's hero proved so shocking that RKO hastily filmed an alternative ending and Hell's Highway, as it survives today, concludes with Billings being charged with murder (the sweatbox situation) and Duke asked to testify against him. Typical of pre-code Hollywood, Hell's Highway features an openly gay prisoner (who bats his eyes at the prison guards), several scenes of torture, an appearance of near equality between black and white inmates, a bible-quoting polygamist (Charles Middleton), a wife-murdering guard (Warner Richmond), and, for added verisimilitude, a handicapped character who, when mortally wounded during the riot, signs his farewell to this world. Hell's Highway may not have enjoyed the status of I Am a Fugitive From a Chain Gang, but it remains a powerful indictment of the Georgian penal system of 1931 and a fine, well-acted film in its own right. ~ Hans J. Wollstein, All Movie Guide

Edna May Oliver makes the first of three appearances as Hildegarde Withers, the schoolteacher/sleuth created by mystery writer Stuart Palmer. While conducting her students on a tour of the Battery Park Aquarium, Hildegarde spots a dead body in the penguin pool. Police inspector Piper (James Gleason) believes it's an open-and-shut case when he collars the faithless wife (Mae Clarke) of the victim, but Hildegarde suspects there's more to the case than meets the eye. Detective and teacher mellow from antagonists to friends in the course of the investigation, the denouement of which isn't revealed until the suspect is put on trial, where she is defended by her attorney-lover (Robert Armstrong). The murderer's identity isn't too surprising, but Penguin Pool Murder takes several unexpected twists all the same, including a neat reversal on the old "reunited lovers" finale. At the end, Hildegarde and Piper are contemplating marriage, but in the subsequent Edna May Oliver/James Gleason "Hildegarde Withers" films (Murder on the Blackboard, Murder on a Honeymoon) they retain their single status. ~ Hal Erickson, All Movie Guide

David O. Selznick is listed as producer of the RKO western programmer Beyond the Rockies, but don't expect Duel in the Sun here. Within its own modest limits, however, this Tom Keene vehicle is quite enjoyable. Keene plays a cowpoke who battles a greedy land baron. The gimmick here is that the villain is a beautiful young woman, played by Marie Wells. In anticipation of Fritz Lang's Rancho Notorious (1952), Ms. Wells uses her ranch as a "safe house" for various rustlers and sidewinders. Naturally, Keene is too chivalrous to shoot down a woman, but the same cannot be said for Wells' scruffy partners in crime. ~ Hal Erickson, All Movie Guide

Will Rogers is Dr. Bull, a small-town physician with precious little book learning. This doesn't stop him from ministering to the citizens, often substituting advice and witticisms for pills and sutures. There are those who resist Dr. Bull's everyday doses of common sense and humanity, especially the gossip mongers who read the worst into the doctor's frequent visits to a lonely widow (Vera Lewis). Bull triumphs over his adversaries when he stems a typhoid epidemic, proving that the disease was spread by pollution from the construction camp owned by the town's resident Scrooge (Berton Churchill). Directed by John Ford with his usual compassion towards sensible small-town types, Dr. Bull was adapted from The Last Adam, a novel by James Gould Cozzens. ~ Hal Erickson, All Movie Guide

This earnest, socially-conscious road drama centers on two California teenagers who find their comfortable lives thrown into turmoil during the Great Depression. To find work for themselves, the adventurous lads sneak aboard a Chicago-bound train. ~ Iotis Erlewine, All Movie Guide

Walls of Gold is based on the Kathleen Norris novel of the same name. Sally Eilers stars as Jeanie Satterlee, a level-headed blue-collar gal to becomes the mistress of wealthy J. Gordon Ritchie (Ralph Morgan). This she does to spite her sweetheart, Ritchie's nephew Barnes (Norman Foster), who while stewed to the gills has married Jeanie's younger sister. The sister dies in childbirth, whereupon the elder Ritchie adopts the baby. Suffering a heart attack brought on by a vengeful woman from his past, Ritchie dies, leaving Jeanie in charge of her sister's child. Touched by Jeanie's dedication as a surrogate mother, Barnes begs her forgiveness just in time for a happy ending. ~ Hal Erickson, All Movie Guide

After several years' faithful service in RKO Radio's short-subject department, director George Stevens was rewarded with his first feature-length assignment, the innocuous comedy Bachelor Bait. Stu Erwin plays Wilbur Fess, the busy owner of a matrimonial agency called Romance, Inc. So dedicated is Fess to his job that he fails to notice how much his girlfriend Linda (Rochelle Hudson) loves him. As consequence, he very nearly marries Linda off to someone else, but at the last moment he is saved from this boo-boo by good-time girl Alice (Pert Kelton). The title Bachelor Bait was later used by RKO for the British release of the 1949 Shirley Temple vehicle Adventure in Baltimore. ~ Hal Erickson, All Movie Guide

Wallace Beery plays P.T. Barnum in this comic biography of the renowned showman. As the story opens, Phineas Taylor Barnum is operating a dry goods store in New York City with his friend Bailey Walsh (Adolphe Menjou), and he is looking for a way to boost business. He strikes upon the idea of adding a sideshow of human oddities and curious individuals, much to the annoyance of his wife Nancy (Janet Beecher). But the sideshow brings in a large audience, and soon it begins to overtake the retail store; however, Barnum's venture comes to a halt when it is revealed that Zorro The Bearded Lady (May Boley) has fake facial hair,and that Joyce Heth (Lucille LaVerne) wasn't really George Washington's nursemaid, as she claims. Despite this setback, Barnum has developed a taste for show business, and he brings noted English singer Jenny Lind (Virginia Bruce) to the U.S. for a concert tour, where she becomes the toast of New York. Barnum soon becomes infatuated with Lind, and while his attempts to woo her are often fumblingly inept, they're effective enough to alienate Nancy, who leaves him and New York City for good. Between his attempts to romance Lind and his shameless ballyhoo for performing midget General Tom Thumb (George Brasno), Barnum finds himself on Walsh's bad side, who has taken to drinking to ease his anger. After his budding romance with Lind fails, Barnum suffers an even greater indignity when his museum, featuring his sideshow freaks and other wonders and oddities, is burned to the ground by angry rivals. However, Barnum's performers show their loyalty by offering their savings to Barnum to help him rebuild, and Nancy returns to Barnum's side in his moment of need. Walsh also appears, ready to bury the hatchet and show off his latest acquisition -- an elephant named Jumbo who could be used in a traveling act, or perhaps even a circus.... The Mighty Barnum was based on the play by Gene Fowler and Bess Meredyth, who also wrote the screenplay. ~ Mark Deming, All Movie Guide

A lover selflessly dumps her boy friend so that he will obey the wishes of his wealthy benefactor and marry someone more suitable. If he fails to marry an approved woman, his wealthy guardian will no longer pair for his support. Meanwhile, the heartbroken lover ends up marrying a creepy gambler. One day the gambler is shot and killed leaving the girl accused of the crime. Will her true love be able to save her from the death penalty? ~ Sandra Brennan, All Movie Guide

Playboy novelist Michael Shawn's (Warren William) chickens come home to roost in Such Women are Dangerous. Accused of murder, Shawn desperately searches for character witnesses to help him out in court. Alas, all of his former lovers are in a vindictive mood, and all hope to see Shawn fry for what he's done to them. By the time he's been raked over the coals by ambitious DA Stanley (Irving Pichel), Shawn himself believes that he's guilty! The film is ostensibly an object lesson in how a guiltless man can be condemned by a combination of circumstantial evidence and lack of character, but it's doubtful that this theory would hold water in the light of some of the more spectacular real-life murder cases of the 1990s. Such Women are Dangerous is adapted from Odd Thursday, a novel by Vera Caspary. ~ Hal Erickson, All Movie Guide

Richard Boleslawski directed this lavish adaptation of Victor Hugo's oft-filmed epic novel. Fredric March stars as Jean Valjean, who is hauled into prison for stealing a loaf of bread. After ten years at hard labor, he escapes from the merciless prison but the years have taken their toll and Valjean is now a hard and embittered man. Valjean regains his compassion after the kindly Bishop Bienveenu (Cedric Harwicke) refuses to prosecute him for the theft of his candlesticks. Under an assumed name, Valjean becomes a widely liked and respected mayor. He devotes his life to helping others and adopts a young girl as his own. But the town's chief of police, Javert (Charles Laughton) is suspicious about the mayor and one day, after Valjean lifts a wagon off of a man, Javert remembers Valjean from his days on the prison galley. Javert sets out to uncover the mayor's true identity, but Valjean beats him to it -- when a man who claims to be Valjean is put on trial, Valjean appears at the court and reveals his secret. But before he is arrested, he escapes with his adopted daughter Eponine (Frances Drake) to Paris. In Paris, he assumes yet another identity. Eponine falls in love with student radical Marius (John Beal) and Javert, assigned to Paris to keep an eye on the revolutionaries, latches onto Valjean's trail once again. As Paris simmers in revolution, Valjean and Javert reveal themselves to each other for a final confrontation. ~ Paul Brenner, All Movie Guide