William Hudson Movies

While pulling off an art heist, Robert Dewey (J.D. Cannon) is forced to knock out a museum executive. Convinced he has killed the man, Dewey may have no qualms about killing again. The FBI must stop Dewey before he manages to murder Helen Meade (Antoinette Bower), the woman who unwittingly messed up his meticulous escape plan. The highlight of this episode is a high-speed chase on a motorcycle (which, of course, was manufactured by the Ford Motor Company, the longtime sponsor of The F.B.I.). Watch for future Mod Squad star Peggy Lipton in a bit role. ~ Hal Erickson, All Movie Guide

In the series' opening episode, audiences are introduced to the super-submarine Seaview, built, owned and operated by the Nelson Institute of Marine Research headed by Vice Admiral Harriman Nelson (Richard Basehart). An assassination attempt on Nelson kills the commander of the Seaview on the eve of a vital mission -- a desperate run with scientist Fred Wilson (Eddie Albert) to the North Pole to detonate a hydrogen bomb to counteract a series of deadly tidal waves. The ship puts to sea with a new captain, Commander Lee Crane (David Hedison), whose long professional rivalry with Wilson only complicates the mission. ~ Bruce Eder, All Movie Guide

Moon Pilot is an engaging Disney sci-fi comedy that manages to shoot off a few neat and surprisingly satirical barbs at the hypertense US/Russia "space race" of the era. Tom Tryon plays an astronaut who is ordered to keep his upcoming moon flight a secret, even from his family. While on a plane, Tryon is approached by lovely Dany Saval, who seems to know all about the astronaut's hush-hush mission, and who warns him about possible defects in his spacecraft. Despite the diligence of his FBI guards, Tryon is confronted time and again by Saval, who eventually reveals herself to be a visitor from the planet Beta Lyrae. A friendly alien, Saval merely wants to offer Tryon a special coating formula that will safeguard his rocket. Enchanted by the girl, Tryon plays hookey on his guards to spend more time with her, leaving the FBI, NASA, the CIA and the local constabulary to chase their own tails. When his rocket is launched, Tryon discovers that Saval has stowed away. The two sing a romantic song about Beta Lyrae while mission control (personified by Brian Keith at his most bombastic) expresses confusion over the bizarre transmissions emanating from Tryon's capsule. The release of Moon Pilot was heralded by a "preview" on Disney's Wonderful World of Color TV series, titled "Spy in the Sky." ~ Hal Erickson, All Movie Guide

For reasons best known to local TV programmers, the modest shocker The Screaming Skull was telecast on what seemed to be a daily basis in the 1960s. The hero-villain is Eric (played by John Hudson, who later billed himself as William Hudson), the husband of neurotic millionairess Jenni Peggy Webber. By strategically placing miniature skulls all over the house, Eric hopes to drive Jenni into madness so that he can take control of her fortune. The police suspect that Mickey the gardener Alex Nicol, who also directed the film) is the man behind the campaign of terror, but the truth finally surfaces in the last reel, wherein Eric gets what's coming to him-and more besides. Perhaps it's worth noting that the 10-minute abdridgement of Screaming Skull, made available to the 8-mm home movie market in the 1970s, is just as entertaining as the full-length feature. ~ Hal Erickson, All Movie Guide

A "Shock Theater" perennial since it was first released to television in the early 1960s (stretch-framed to pad out its running time), The Amazing Colossal Man is firmly in the "So Bad It's Good" category. While overseeing the atomic tests in the Nevada desert, Army colonel Glenn Langan is exposed to extensive amounts of radiation. As a result, Langan grows, and grows, and grows, at the rate of ten feet per day. This sudden height gain adversely affects the poor man's mind, and soon he's as mad as a hatter. Looking for all the world like Mr. Clean in a diaper, the Colossal Man goes on a murderous rampage, laying waste to several Las Vegas landmarks before he is killed by army bullets while standing atop the Boulder Dam. The special effects are adequate, but the dialogue is ridiculous-in fact, if we didn't know better, we'd say that the film was intended to be funny. Our favorite bit: the huge hypodermic needle. ~ Hal Erickson, All Movie Guide

Director Alfred Hitchcock lets us know from the outset that The Wrong Man is a painfully true story and not one of his customary fabricated suspense yarns, through the simple expedient of walking before the camera and telling us as much (this introductory appearance replaced his planned cameo role as a nightclub patron). The real-life protagonist, musican Christopher Emmanuel Balestrero, is played by Henry Fonda. Happily married and gainfully employed at the Stork Club, Balestrero's life takes a disastrous turn when he goes to an insurance office, hoping to borrow on his wife's (Vera Miles) life insurance policy in order to pay her dental bills. One of the girls in the office spots Balestrero, identifying him as the man who robbed the office a day or so earlier. This, and a few scattered bits of circumstantial evidence, lead to Balestrero's arrest. Though he's absolutely innocent, he can offer no proof of his whereabouts the day of the crime. Lawyer Frank O'Connor (Anthony Quayle) does his best to help his client, but he's up against an indifferent judicial system that isn't set up to benefit the "little man". Meanwhile, Balestrero's wife becomes emotionally unhinged, leading to a complete nervous breakdown. As Balestrero prays in his cell, his image is juxtaposed onto the face of the actual criminal-who looks nothing like the accused man! Utilizing one of his favorite themes-the helplessness of the innocent individual when confronted by the faceless bureaucracy of the Law-Hitchcock weaves a nightmarish tale, all the more frightening because it really happened (the film's best moment: Fonda looking around the nearly empty courtroom during his arraignment, realizing that the rest of the world cares precisely nothing about his inner torment). Hitch enhances the film's versimilitude by shooting in the actual locations where the real story occured. His only concession to Hollywood formula was the half-hearted coda, assuring us that Mrs. Balestrero eventually recovered from her mental collapse (she sure doesn't look any too healthy the last time we see her!) Watch for uncredited appearances by Harry Dean Stanton, Bonnie Franklin, Tuesday Weld and Charles Aidman. ~ Hal Erickson, All Movie Guide

Battle Hymn was inspired by the true story of American minister Dean Hess, played here with rare sensitivity by Rock Hudson. A bomber pilot during World War II, Hess inadvertently releases a bomb which destroys a German orphanage. Tortured by guilt, Hess relocates in Korea after the war to offer his services as a missionary. Combining the best elements of Christianity and Eastern spiritualism, Hess establishes a large home for orphans. The preacher's efforts are threatened when the Korean "police action" breaks out in 1950. Battle Hymn was one of several collaborations between Rock Hudson and director Douglas Sirk--though Sirk felt that Robert Stack would have been better suited to the role of Rev. Hess. ~ Hal Erickson, All Movie Guide

Inspired in part by the true story of baseball great Ted Williams, who after serving in World War II was drafted to serve in the Korean War just as his baseball career was taking off, Strategic Air Command stars James Stewart as "Dutch" Holland, a star third baseman with the St. Louis Cardinals. "Dutch" served with distinction as a fighter pilot during World War II, and as the Air Force adds new B-36 and B-47 jets to their arsenal, they need experienced men to fly these new weapons in our atomic deterrent force, and Holland is called back to duty. He's not terribly happy about this development: he loves baseball, his team is doing well, and his wife Sally (June Allyson) is expecting a baby. But you can't fight Uncle Sam, and Holland becomes a reluctant but proud member of the S.A.C., where he and his fellow pilots man the jets that will be our first line of defense should the cold war turn hot. While Strategic Air Command's story hasn't dated well (and for a military drama, there's surprisingly little action), James Stewart and June Allyson make the most of their material, and the aerial footage remains impressive. ~ Mark Deming, All Movie Guide

Joseph Cotten plays a assistant bank manager who steals $500,000 from the safe late on a Friday. He plans to fly to Brazil with his wife (Teresa Wright) and child. They get as far as New Orleans; the wife finds out about the robbery and walks out on Cotten. Stricken by guilt, Cotten must now return to his home town and replace the money before he's found out on Monday morning. Writer/director Andrew L. Stone smooths out the unrealistic elements of The Steel Trap by filming extensively at real locations. ~ Hal Erickson, All Movie Guide

Through an incredible series of circumstances, the Bowery Boys sign up for a hitch in the Navy. While clumsily going about the shipboard duties, Slip (Leo Gorcey), Sach (Huntz Hall) and the rest of the gang search high and low for a couple of crooks disguised in sailor suits who've stolen a large sum of money intended for charity. They don't find the bad guys right away, but dimwitted Sach manages to replace the money through a lucky gambling streak. Finally collaring the villains, the Bowery Boys head to Navy headquarters for a reward--only to end up accidentally signing for another hitch at sea. Silly though it sounds, Let's Go Navy is one of the most believable Bowery Boys comedies, as well as one of the funniest. Contributing to the general hilarity is prune-faced Allen Jenkins as the Boys' chief petty officer. ~ Hal Erickson, All Movie Guide

Ida Lupino, one of the few major Hollywood actresses to move from the sound stage to the director's chair in the 1940s and 1950s, helmed this story about a mother's obsessive drive to see her daughter succeed. Florence Farley (Sally Forrest) is a young woman with a tremendous gift as a tennis player, and her mother Milly (Claire Trevor) is determined to see Florence make the most of her talents. However, Milly's greatest concern isn't with her daughter's happiness or well-being, but with her own financial success, and when Milly begins interfering with Florence's romance with Gordon McKay (Robert Clarke), the daughter begins to rebel against her mother. Director Lupino and actor Robert Ryan both make cameo appearances as spectators at a tennis match. ~ Mark Deming, All Movie Guide

Barbara Stanwyck plays a woman whose addiction to gambling all but ruins her life. Stanwyck's husband Robert Preston tries to stand by her side, but even he is driven away by her gambling mania. Stanwyck lies, cheats and steals in order to raise capital for her addiction, descending from comparative wealth to grinding poverty in the process. Eventually she is reduced to gambling for penny-ante stakes in back alleys, before she is rescued by her still-faithful spouse. The Lady Gambles includes an appearance by young Tony Curtis, in the bit role of a helpful bellhop. ~ Hal Erickson, All Movie Guide

Lucille Ball stars as the wife of a war correspondent, anxiously awaiting her husband's return. Ball is convinced that hubby (George Brent) is looking forward to feminine companionship after four long years at the front. Imagine her surprise when it looks as though her husband wasn't quite as lonely as she'd thought--thanks to sexy combat photographer Vera Zorina. Ball files for divorce, but the outcome is tipped off by the title: the Lovers come back. Lucille Ball is merely decorative for the most part in this film, though she has one delightful comic scene involving an attempt to smoke a cigar. To avoid confusion with a 1962 Doris Day/Rock Hudson epic of the same name, Lover Come Back was retitled When Lovers Meet for television. ~ Hal Erickson, All Movie Guide