Walter Hudd Movies
Walter Hudd was one of the busier actors of his generation, across a 40-year career that carried him from touring the British provinces to work in international films. Born in London at the end of the 19th century, he began his professional performing career in the teens, making his debut in the play The Manxman in 1919. He toured as a member of the Fred Terry Company, and made his London debut in the 1920s. Hudd first came to serious critical attention with his portrayal of Guildenstern in a 1925 modern-dress production of Hamlet, and he later became a theatrical star in the play Too Good To Be True, in the role of Private Meek, a character modeled after T.E. Lawrence; as surviving photos from the production reveal, in costume he was a near dead-ringer for the real-life Lawrence. Hudd also directed on the stage during the 1930s and 1940s, including several Shakespearean plays presented at Stratford-on-Avon. In movies, Hudd was usually cast in supporting and character roles, initially as part of the stable of actors associated with Alexander Korda's London Films, in movies like I Stand Condemned and Rembrandt. In 1937, however, he got a rare chance to play a lead onscreen, as Petersen in Elephant Boy, an unusual documentary-drama co-directed by Robert Flaherty and Zoltan Korda, which is best remembered today for having introduced the boy actor Sabu to the world. Hudd devoted a great deal of effort to bringing theatrical entertainment to the factory workers and more remote villages of England during World War II, though he still managed to play roles in Major Barbara and I Know Where I'm Going, among a handful of major movies. After the war, his film parts multiplied, and he was very busy on the screen during the 1950s, in productions as different as Anthony Asquith's The Importance of Being Earnest and Tony Richardson's Look Back in Anger, and playing every kind of character role from coroners (in Cast a Dark Shadow) to British admirals (in Sink the Bismarck!) and German intelligence chiefs (in The Two-Headed Spy). Had he lived longer, Hudd would almost certainly have become a fixture of British television -- he had done one very, very early episode of The Avengers -- but his death in early 1963, at age 65, cut short a promising Indian summer to his career. ~ Bruce Eder, All Movie Guide- 1963
Tony Hancock, as big a comedy star as it was possible to be in the Britain of 1963, decided to pull a "Charlie Chaplin" with The Punch and Judy Man. He plays an end-of-pier seashore entertainer who is loved by children but reviled by adults. Hancock's efforts to establish himself as a man of importance invariably end in disappointment and despair. Not even Tony Hancock's legion of fans could be persuaded to drink up the bathos ladled out in The Punch and Judy Man. Ironically, Hancock in real life ended up committing suicide in 1968. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Hancock, Sylvia Syms, (more)
- 1963
This engaging children's musical finds Billy Bowles (Tommy Steele) as an A & R talent co-ordinator who has grown up as an orphan. He returns every Saturday to play with the orphans in the place he grew up. The sentimental Billy arranges a recording session and a benefit performance to help the institution. He gathers a bevy of song and dance professionals in the spirit of Andy Hardy and puts on a show the kids will never forget. Billy steals the show with his inspired hoofing and crooning. ~ Dan Pavlides, All Movie Guide
- Starring:
- Tommy Steele, Michael Medwin, (more)
- 1962
The title of this episode refers to a huge futuristic computer named Plato. When the computer is sabotaged and one of its creators is murdered, Cathy is dispatched to the scene to investigate. Wondering why she's been given a solo assignment, Cathy is unaware that Steed is monitoring her every move. But will he be able to save her from meeting the same fate as the unfortunate computer scientist? First broadcast in England on December 15, 1962, "The Big Thinker" was written by Martin Woodhouse; by the timed it aired in America on February 11, 1961, the episode's notion of "advanced" computer technology was amusingly quaint. ~ Hal Erickson, All Movie Guide
- 1962
Based on Mark Twain's classic tale, this lively 16th-century-set comedy drama chronicles the misadventures and the lessons learned by two disparate and discontented look-a-likes who swear that the grass really is greener on the other side of the fence. ~ Sandra Brennan, All Movie Guide
- Starring:
- Guy Williams, Sean Scully, (more)
- 1962
Religion and medical ethics clash in this provocative drama that tells the story of a man prosecuted by the system because he refused to grant his dying daughter badly needed blood transfusions because he had faith that God would miraculously heal her. Unfortunately, the girl dies and now, in addition to dealing with the courts, angry doctors and an embittered wife (who had finally caved-in and signed the papers too late), he must also wrestle with his own conflicting feelings. ~ Tana Hobart, All Movie Guide
- Starring:
- Michael Craig, Patrick McGoohan, (more)
The Bismarck was the fabled German battleship of World War II. This film traces the "life" of the Bismarck from its launching (courtesy of newsreel footage) through its many battles and narrow escapes, concluding with its far-from-inevitable sinking in the Spring of 1941. Since one couldn't expect a ship to carry a 97-minute movie, the story concentrates on the human element, specifically a British intelligence captain (Kenneth More), who has lost his family in the London blitz and thus has a personal reason for seeing the Bismarck blasted from the sea. The captain's tireless efforts are abetted by the love and support of a female naval officer Dana Wynter. The climactic sinking is deftly assembled from stock footage and newly shot scenes of expertly delineated scale models. As a bonus, Sink the Bismarck yielded a hit song, which many children of the 1960s can still recite from memory. ~ Hal Erickson, All Movie Guide
- Starring:
- Kenneth More, Dana Wynter, (more)
Peter Sellers stars as an inmate in a "model prison" run by Maurice Denham. Though Sellers is disinclined to escape (he's never been as comfortable in his life), he is convinced to do so by phony vicar Wilfred Hyde-White, who breaks into jail to outline a robbery scheme. Hyde-White's plan is to have Sellers and his cellmates David Lodge and Bernard Cribbins take a brief "vacation" from jail, pull off a big-time robbery, then return undetected to prison, thereby establishing a perfect alibi. Within its 87-minute time span, Two-Way Stretch takes satirical potshots at political bleeding hearts, obese Middle Eastern potentates, and regulation-bound British police officials. One cannot be faulted for wishing that Peter Sellers had stuck to engaging small-scale British farces such as this and had never ventured into such unamusing big-budgeters as The Bobo and There's a Girl in My Soup. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Sellers, Wilfrid Hyde-White, (more)
- 1959
Director Gordon Parry's last two films were the 1959 Friends and Neighbors and this so-so, slapstick comedy about a zany naval base on an island just off the southern coast of Britain. Not having a whole lot to do, the klutzy commander (Cecil Parker), a womanizing second officer (Leslie Phillips) and just about everyone else are making money by smuggling and other sub rosa, shady activities. When this motley crew gets word that the powers-that-be want to shut down the base and transfer them to other posts, they start to invent all the reasons they can for remaining where they are. They get deeper and deeper into their deceptions until they are ready to stage a fake revolution with the collusion of the civilian islanders. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Cecil Parker, Ronald Shiner, (more)
- 1958
This WWII espionage drama is based on the true tale of a British spy, as told in the story by J. Alvin Kugelmass. Alex Schottland (Jack Hawkins) is a career agent for England, having served during WWI. He is assigned to Nazi Germany and rises to the rank of general as WWII breaks out. His contact is Cornaz (Felix Alymer), who pretends to be a clock seller. But Cornaz's identity is discovered, and he is brutally murdered. Schottland overcomes suspicions and makes contacts with a new British agent, Lili Geyr (Gia Scala), who is a nightclub singer. His love for her is first feigned as part of the spy game -- then becomes real. ~ Michael Betzold, All Movie Guide
- Starring:
- Jack Hawkins, Gia Scala, (more)
- 1958
The mental breakdown of a guilt-ridden man provides the drama in this fascinating psychological profile that stars Richard Attenborough as a scientist who can't live with himself after he accidentally kills the brother of his fiancee. In order to escape the pain, Attenborough changes his name and begins living in a ramshackle Victorian boarding house where he slowly begins losing his mind. Eventually the police show up and begin taking statements from the bewildered, frightened tenants. ~ Sandra Brennan, All Movie Guide
- Starring:
- Richard Attenborough, Bernard Lee, (more)
This hastily assembled sequel to the popular British service farce Up the Creek finds David Tomlinson returning in the role of Lt. Fairweather, skipper of the not-so-good ship Aristotle. This time, however, Fairweather's enterprisingly larcenous bos'un is played not by Peter Sellers but by music-hall favorite Frankie Howerd. The plot finds the Aristotle being sold to a mythical middle-eastern country. Assigned to deliver the vessel to its new owners, Fairweather discovers that his faithful bos'un has once again sold tickets to passengers, in direct violation of regulations. The resulting comic complications are as predictable as they are hilarious. ~ Hal Erickson, All Movie Guide
- Starring:
- David Tomlinson, Shirley Eaton, (more)
Archetypal British "angry young man" Jimmy Porter (Richard Burton) is a college-educated bloke who can't seem to get any better job than working in a candy store. Jimmy's relationship with his wife Alison (Mary Ure) alternates between hugs and kisses when he's feeling good and verbal abuse when he's down on himself, which is often. Alison's best friend Helena Charles (Claire Bloom) advises Alison to escape her injurious marriage. Left with no one for a punching bag, Jimmy romances Helena. Having suffered a miscarriage, Alison returns, and Helena walks out of Jimmy's life. In keeping with its depiction of the dead-end existence of most of England's working poor in the late 1950s, nothing is truly resolved in Look Back in Anger. Playwright John Osborne (at that time married to Mary Ure) uses Jimmy Porter as a spokesman for Osborne's own spleen-venting harangues against the British government and class system. Not only did Look Back in Anger spawn a new genre of British social-protest films, but it also inspired two remakes, both filmed for television. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Burton, Claire Bloom, (more)
- 1956
The topicality of Satellite in the Sky enabled the British-based Danzinger Bros. to release the film through Warner Bros., rather than their usual United Artists distribution channels. The story concerns the first manned space satellite, launched from England with commander Michael Hayden (Kieron Moore) at the controls. It is the mission of Hayden and his crew to test out the deadly "tritonium" bomb in outer space. Once he's left the atmosphere, Hayden discovers that he's been harboring a stowaway: reporter and anti-weapons activist Kim Hamilton (Lois Maxwell). Everyone's life is placed in peril when the bomb affixes itself to the side of the satellite. As tension mounts, the crew -- and Kim -- race against time to either remove or defuse the tick-tick-ticking weapon. Satellite in the Sky represented documentary filmmaker Paul Dickson's first fictional effort; like most other directors, Dickson was unable to curb the overacting of the venerable Donald Wolfit, here cast as the near-maniacal creator of the tritonium bomb. ~ Hal Erickson, All Movie Guide
- Starring:
- Kieron Moore, Lois Maxwell, (more)
- 1956
In this location-filmed domestic seriocomedy, Rosanno Brazzi and Glynis Johns play an accountant and his new wife, honeymooning in Monte Carlo. With the casino in full view and ready for action, the couple would be remiss if they didn't give the gaming tables a try. Besides, Brazzi is certain that he's worked out a "system." Sure enough, the couple's marriage suffers mightily as the lure of the casino becomes stronger than their devotion to each other. Based on a story by Graham Greene, Loser Takes All was remade in 1990 as Strike It Rich, with Robert Lindsay and Mollie Ringwald. ~ Hal Erickson, All Movie Guide
- Starring:
- Rossano Brazzi, Glynis Johns, (more)
- 1956
Though his Hollywood career had petered out, Tom Conway continued to star in British films throughout the 1950s. In Last Man to Hang, Conway heads the cast as Roderick, who at present is on trial for his life. Accused of poisoning his wife, Roderick's fate rests in the hands of the jury, who must decide whether or not the death was accidental. The most damning evidence is provided by Roderick's housekeeper Mrs. Tucker (Freda Jackson), who will do anything to see her ex-employer swinging from a gibbet. The title refers to the British Parliament's mid-1950s efforts to outlaw capital punishment; this legislation would in fact not come about until after the miscarriage of justice dramatized in 1972's Ten Rillington Place. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Conway, Elizabeth Sellars, (more)
- 1955
Dirk Bogarde digressed from his usual lightweight image to portray a smarmy murderer in Cast a Dark Shadow. He kills his first wife (Mona Washbourne), hoping to claim her inheritance. Surprise! The inheritance is a myth. Thus Bogarde sets his sights on barkeeper Margaret Lockwood, whom he knows to be heavily insured. But Lockwood is possessed of a naturally suspicious nature, making Bogarde's second murder plot a bit more delicate than his first. Cast a Dark Shadow is a too-literal adaptation of Janet Green's stage play Murder Mistaken. ~ Hal Erickson, All Movie Guide
- Starring:
- Dirk Bogarde, Mona Washbourne, (more)
- 1954
The Good Die Young is a psychological crime yarn, exploring the motivations of four participants in an armed robbery. American ex-GI Joe (Richard Basehart) hopes to use his share of the haul to bring his British wife to the US. Professional boxer Mike (Stanley Baker) finds himself unable to work in his chosen profession when his hand is broken, while his life savings are stolen by his disreputable brother-in-law. American airman Eddie (John Ireland) has deserted upon discovering that his wife (Gloria Grahame) is unfaithful. And shabby aristocrat Rave (Laurence Harvey) needs to pay off his wife's gambling debts. In other words, all four amateur criminals would have been better off staying single, which may or may not be the subliminal message of The Good Die Young. ~ Hal Erickson, All Movie Guide
- Starring:
- Laurence Harvey, Gloria Grahame, (more)
- 1953
The British Cosh Boy was unsubtly but appropriately retitled The Slasher in the U.S. James Kenney plays Roy Walsh, one of the most thoroughly unpleasant characters ever to appear on screen. When he's not busy beating and robbing the aged and infirm, Roy enjoys slapping around his lady friends. And then one day, he goes too far. Based on a stage play by Bruce Walker, in which James Kenney also starred, Cosh Boy makes few concessions to taste and propriety; as a result, it was in for quite a going over when released stateside. Among the women abused by the "hero" in the course of the film is Joan Collins in one of her first important roles. ~ Hal Erickson, All Movie Guide
- Starring:
- James Kenney, Joan Collins, (more)
- 1952
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Anthony Asquith's adaptation of Oscar Wilde's witty play of mistaken identities stars Michael Redgrave as rich bachelor Jack Worthing. Jack's friend is Algernon Moncrieft (Michael Denison), a poor bloke living on credit. Jack refers mysteriously to Algernon about his country retreat, which drives Algernon to distraction, trying to figure out where Jack goes on the weekends. Jack is also in love with Algernon's attractive cousin Gwendolen (Joan Greenwood). He also has a ward, Cecily Cardew (Dorothy Tutin), who lives at the country estate and studies with local spinster Miss Prism (Margaret Rutherford). When Algernon learns of Cecily, he arrives at the country home claiming to be Jack's brother Earnest, knowing Jack had previously regaled Cecily with tales of having to bail the fictitious Earnest out of scrapes so he could sneak out to the city. Having set her eyes on "Earnest" in the flesh after having heard countless tales of his intrigues, Cecily immediately falls in love with Earnest. Meanwhile, Jack comes back to the country dressed in black, determined to announce to the group the demise of the fictional Earnest. As a result, Jack is stupefied when he sees Earnest standing in front of him. Meanwhile, Algernon's aunt, Lady Bracknell (Edith Evans) refuses to grant permission for Jack and Gwendolen's engagement. However, when Lady Bracknell finds out that Algernon is in love with Cecily, she asks Jack for his blessing on their marriage. Of course, Jack won't give his blessing until Lady Bracknell gives her blessing to his proposed marriage to Gwendolen. All is at a standstill until Lady Bracknell recognizes Miss Prism as a governess from the past who holds secrets concerning both Jack and Algernon. ~ Paul Brenner, All Movie Guide
- Starring:
- Michael Redgrave, Edith Evans, (more)
- 1949
Landfall takes place during the early portions of WWII. RAF pilot Rick (Michael Denison) is transferred to another squadron after sinking a British sub during a bombing raid. Disgraced, Rick has no one to turn to, save for sympathetic barmaid Mona (Patricia Plunkett). With her help, the pilot is able to find out the truth behind his "fatal error" and clear his name. Landfall was based on a novel by Nevil Shute, of On the Beach fame. ~ Hal Erickson, All Movie Guide
- Starring:
- Patricia Plunkett, Edith Sharpe, (more)
- 1949
A heated rivalry between two newspapers provides the basis for this mystery. The trouble begins when a corpse is discovered in the gossip columnist's apartment. It is a puzzling mystery until a rival reporter confesses that he killed the fellow in a drunken rage and hid the body in the columnist's apartment. The despairing killer then throws himself beneath a speeding train. ~ Sandra Brennan, All Movie Guide
- 1948
In this drama, set after the war, a WW II flying ace and hero comes to the aid of a hooker who is being harassed by a policeman. He pushes the abusive cop away during the tussle; the cop falls, hits his head, and dies. The former flier is promptly tried and given a three-year prison sentence. He escapes one night during a heavy fog. He is taken in by a caring woman who tries convincing him to surrender. The fugitive at first refuses, but then after seeking sanctuary in a church relents because he does not want the parson to have to lie on his behalf. His surrender is made easier by the knowledge that the woman will wait for him. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jacqueline Clarke, Peter Croft, (more)
While awaiting access to England's Technicolor cameras for their upcoming super-production Stairway to Heaven, the producer-director team of Michael Powell and Emeric Pressburger dashed off a delightful "personal" project, I Know Where I'm Going. Young middle-class Englishwoman Joan Webster (Wendy Hiller) is determined to have the finer things in life, and to that end she plans to marry Sir Robert Bellinger (Norman Shelley), a wealthy, middle-aged industrialist whom she does not love. En route to the Island of Mull, where her future husband resides, Joan is stranded in a colorful Scottish seacoast town. Inclement weather keeps her grounded for a week, during which time she falls in love with young, insouciant naval officer Torquil McNeil (Roger Livesey). Ignoring the dictates of her heart (not to mention common sense), Joan stubbornly insists upon heading out to sea towards her marriage of convenience, but the exigencies of Mother Nature finally convince her that her future resides on the Mainland. A winner all the way, I Know Where I'm Going is full of large and small delights, including a wonderful sense of regional detail and endearing, three-dimensional characterizations (even the mercenary heroine is a likeable character). The film is easily one of the best of the Powell-Pressburger films of the 1940s, and arguably the team's all-time best romantic drama. ~ Hal Erickson, All Movie Guide
- Starring:
- Wendy Hiller, Roger Livesey, (more)
