Richard Hoyt Movies

Richard Basehart heads an impressive guest cast as Bishop Tim Farrow, who has fallen victim to a would-be murderer. When Stone (Karl Malden) and Keller (Michael Douglas) question the Bishop, he steadfastly refuses to identify his assailant. Is the guilty party a fanatical atheist who has threatened Bishop Farrow in the past--or is the victim protecting someone close to him? Much of this episode was filmed on location at Mission Dolores, previously seen in the Alfred Hitchcock classic Vertigo. ~ Hal Erickson, Rovi

Where Does It Hurt? is a hospital comedy which is carefully designed to leave no interest group unoffended. In the broadest of broad comic manners, it recounts its tale of greed, ignorance and corruption in the medical profession. Dr. Albert T. Hopfnagel (Peter Sellers), a hospital administrator, is a doctor who is expert in the arts of bill-padding, unnecessary surgery, and kickbacks. His assistant (Jo Ann Pflug) has finally had enough of his destructive and dishonest shenanigans and gets him sent to prison. He is released a little too soon for comfort, however. ~ Clarke Fountain, Rovi

Homosexuality in the California mountains during the 1870s provides the basis for this drama that centers on the reminiscences of a grizzled old mountain man who tells the tale of how he lost his lover. It seems the young buck objected to the freewheeling ways of the other homosexuals and so went to seek the counsel of a local shaman who told him that it was okay to have more than one lover at a time. The young man then felt at peace and left the mountain man alone as went off to find sexual adventure elsewhere. ~ Sandra Brennan, Rovi

A cinematic take on a 1960s best-seller, Valley of the Dolls traces the ups and downs of three young women as fame, booze, pills, and men consume their lives. Well-bred, small-town Anne Welles (Peyton Place star Barbara Parkins) arrives in New York eager for fame but settles for a job assisting theatrical attorney Henry Bellamy (Robert H. Harris). The job leads her to cross paths with Helen Lawson (Hollywood veteran Susan Hayward), the grand dame of Broadway musicals, and Neely O'Hara (sitcom star Patty Duke), an up-and-coming performer whom Lawson unceremoniously boots from her latest show. Neely lands on her feet thanks to a series of nightclub gigs, and soon she and Anne befriend Jennifer North (Sharon Tate), a buxom starlet. As Neely becomes a huge star of stage and screen and Jennifer appears topless in a string of European "art" films, Anne becomes a wealthy cosmetics spokeswoman and suffers though a passionate but failed affair with aspiring writer Lyon Burke (Paul Burke). As the pressures of fame and failed romance take their toll on all three women, they take refuge in food, sex, liquor, and pills -- especially Neely, who becomes downright monstrous (the titular "dolls" are the uppers and downers to which she becomes hopelessly addicted). Although the film's characters are fictitious composites, Neely most closely resembles Judy Garland; Garland herself was originally cast as Lawson, but she was replaced after only a few days by Hayward. Although the film's trailer played up the story's titillating subject matter, the script for Valley of the Dolls actually toned down Jacqueline Susann's novel. And despite the fact that Dionne Warwick can be heard singing "(Theme From) The Valley of the Dolls" twice during the film, contractual snags kept her from releasing the soundtrack version; a different arrangement later became a number two pop hit in 1968. ~ Brian J. Dillard, Rovi