Clegg Hoyt Movies

Leaning heavily on violence to ostensibly deliver a pacifist message, this standard drama by Philip Leacock looks at the problem of teen gangs from a slightly different angle -- these teens are all wealthy. Everything starts off when aerospace engineer Walt Sherill (Alan Ladd) is accosted and severely beaten by a group of young punks. The victimized man decides to hunt down the thugs on his own, at first just for curiosity and then increasingly for vengeance. His actions spark retaliatory measures, and before the credits roll, the body count is elevated by a few more victims in what amounts to nothing more than a blood feud. In the end, justice of the legal and politically correct sort makes a token appearance. ~ Eleanor Mannikka, All Movie Guide

Rod Steiger is the screen's first "method mobster" in the title role of Al Capone. The film traces Big Al's progress from a torpedo in the hire of Chicago gangster Johnny Torrio (Nehemiah Persoff) to Capone's takeover of the Windy City's bootlegging operations, and his ultimate downfall at the hands of the IRS. Rod Steiger delivers every line with maniacal gusto, as though it will be his last; sometimes he sounds like Frank Gorshin doing a Rod Steiger impression, but for the most part it is a dynamite performance. Featured in the cast are Murvyn Vye as Bugs Moran, Joe De Santis as Big Jim Colosimo, Lewis Charles as Hymie Weiss, Robert Gist as O'Banion, and James Gregory and Martin Balsam as composite characters, respectively based on honest Chicago cop John Siege and duplicitous newspaper reporter Jake Lingle. ~ Hal Erickson, All Movie Guide

On a cold and blizzardy night, a man named Lorca (Ricardo Montalban) saunters into the Last Chance Saloon in the Western town of Buffalo Bend. Upon realizing that a wanted poster for Lorca hangs on the saloon's wall, the patrons of the bar hold a raffle to see who will turn the outlaw in and collect the reward money. Surprisingly, Lorca seems amused to be the "prize" in the raffle, and even more so when the winner turns out to be a woman named Shasta Cooney (Constance Ford). ~ Hal Erickson, All Movie Guide

A formerly rough-and-tumble Western mining town has lived in peace and tranquility ever since the arrival of gentle giants Jamie and Ben McMahon (Arch Johnson, Read Morgan). All this changes when an odd-looking little man (Norman Lloyd) shows up in town, promptly challenging the McMahon brothers' authority. Despite their combined brawn, Jamie and Ben prove utterly incapable of standing up to the Little Man -- who seems to possess demonic powers! ~ Hal Erickson, All Movie Guide

A ricocheting bullet catches Little Joe Cartwright in his-er-nether regions. Seeking answers to his brother's non-fatal but certainly embarrassing injury, Hoss tries to communicate with world-weady female gunslinger Willie Mae Rikeman (Louise Latham) and her two uncontrollable sons Judd (Mark Slade) and Jeb (Robert Doyle. Both Cartwright boys emerge from the experience with a better appreciation of their own family. Written and directed by Herman Hoffman, "A Real Nice, Friendly Little Town" was first shown on November 27, 1966. ~ Hal Erickson, All Movie Guide

"Old Sheba" is a scraggly circus elephant, which the Cartwrights receive as payment for Hoss' one-night stand as a big-top performer. Ben and Adam insist that Hoss and Joe return the pachyderm, but the boys are convinced that they can take care of Old Sheba all by themselves. To make a long story short, they can't. Also appearing are William Demarest as Tweedy, Henry Kulky as Bearcat, and Clegg Hoyt as Barney. First shown on November 22, 1964, the hilarious "Old Sheba" was written by Alex Sharp. ~ Hal Erickson, All Movie Guide

The Cartwright boys' fraternal horseplay takes a painful turn when they accidentally injure their hired hand Jebediah Milbank (John Carradine). As Milbank recovers in Ben Cartwright's bedroom, Ben orders his rambunctious sons to tend to Jeb's unfinished responsibilities-and to that end, he dispatches Adam, Hoss and Joe to three different directions. Also appearing are Jena Engstrom as Ann, Claude Johnson as Paul, Denver Pyle as Theodore and John Qualen as Parley. First telecast October 1, 1961, "Springtime" was written by John Furia Jr.. ~ Hal Erickson, All Movie Guide

Hanley's life is saved by quick-thinking soldier Vince D'Amato (Joseph Campanella), who in the process is killed by enemy fire. Through a series of misunderstandings, D'Amato's nervous friend Wharton (Frank Gorshin) is given credit for his dead buddy's act of bravery , and is recommended by Hanley for the Silver Star. But does Wharton have what it takes to be a real hero--and what, precisely, is the definition of heroism? This episode was written by Richard Maibaum, better known for his script contributions to the "James Bond" film series. ~ Hal Erickson, All Movie Guide

In the third episode of Walt Disney's ten-part miniseries Elfego Baca, former gunslinger Baca (Robert Loggia) is now studying law under Santa Fe attorney J. Henry Newman (James Dunn). During this period, Elfego butts up against a crooked judge named Hargreaves (Carl Benton Reid), who throws our hero in jail on a trumped up charge. Discovering that Hargreaves intends to cheat local rancher Don Esteban Miranda (Gilbert Roland) out of his land, Elfego plans a daring escape. "Lawman or Gunman" originally aired on the Walt Disney Presents anthology series. ~ Hal Erickson, All Movie Guide

One of a group of captives rescued from the Cheyenne by the Cavalry is a 12-year-old white boy who has been raised as an Indian. Mary Cullen (Marian White) insists that the boy is her own son Dennis, kidnapped from her family in infancy. Despite the combined efforts of Mrs. Cullen and Marshal Matt Dillon (James Arness), there's a strong possibility that the boy will ultimately choose to continue living with the Cheyenne rather than accept is "proper" place in white society. This episode is based on the Gunsmoke radio broadcast of September 24, 1955. ~ Hal Erickson, All Movie Guide

Twice every year, wealthy mountaineer Shep Montrose (Roy Barcroft) invades a small town, throws money in every direction, and wreaks havoc upon the townsfolk and their property. The locals like the fact that Shep is so generous, but they're tired of cleaning up the damage he leaves in his wake. With Shep scheduled to make another of his calamitous weekend visit, Paladin (Richard Boone) is hired to curb the mountain man's predilection for violence--if he can survive the assignment. ~ Hal Erickson, All Movie Guide

The winner of the 1967 Oscar for Best Picture (as well as four other Oscars), In the Heat of the Night is set in a small Mississippi town where an unusual murder has been committed. Rod Steiger plays sheriff Bill Gillespie, a good lawman despite his racial prejudices. When Virgil Tibbs (Sidney Poitier), a well-dressed northern African-American, comes to town, Gillespie instinctively puts him under arrest as a murder suspect. Tibbs reveals himself to be a Philadelphia police detective; after he and Gillespie come to a grudging understanding of one another, Tibbs offers to help in Gillespie's investigation. As the case progresses, both Gillespie and Tibbs betray a tendency to jump to culture-dictated conclusions. Still, the case is solved thanks to the informal teamwork of the two law officers. Based on the novel by John Ball, In the Heat of the Night inspired two sequels, both starring Poiter as Virgil Tibbs. In 1987, a TV series version of In the Heat of the Night appeared, with Carroll O'Connor as Gillespie and Howard Rollins as Tibbs. ~ Hal Erickson, All Movie Guide

Stars in the Back Yard is an alternate title for filmmaker Hugo Haas' valedictory feature Paradise Alley. Taking a breather from his usual plot (a dirty old man victimized by a sluttish young wife), Haas casts himself as a washed-up Hollywood director. Hoping to prove that people are basically decent at heart, he pretends to film the comings and goings of the residents of a run-down boarding house. Though he has no film in his camera, his subjects don't know that, and their behavior bears out his thesis. A happy ending is brought about when a major movie studio offers to finance Haas' project-and, incidentally, to give him some film to work with. Among the participants in Haas' faux production are veterans Corinne Griffith, Margaret Hamilton, Billy Gilbert, Chester Conklin and Almira Sessions. Completed in 1958, Paradise Alley didn't attain a release until 1962, when it went directly to television. ~ Hal Erickson, All Movie Guide