Clegg Hoyt Movies

Set during Cuba's struggle to free itself from colonialist Spain, this exciting adventure chronicles the exploits of a tough, mercenary gun runner who learns about honor, sacrifice and caring for others when he ends up forced to smuggle his latest weapon's cache aboard a beat up stern wheeler bound for Cuba. There he meets a beautiful freedom fighter who has been in the States trying to rally her expatriot colleagues into returning to join in the battle. It is she, with her passionate idealism and unwavering courage, who turns the gunrunner's life around. ~ Sandra Brennan, All Movie Guide

Matt (James Arness) is forced to kill Sam Kertchner (Fredd Wayne), a wild-eyed outlaw who'd come to Dodge looking for trouble. Before long, Sam's 16-year-old brother Peyt (Jack Diamond) shows up in town, determined to avenge his brother's death. Matt must somehow straighten Peyt out before one of them ends up full of holes. Based on the Gunsmoke radio broadcast of August 23, 1954, this episode reunites actor James Arness) with director Christian Nyby, who'd previously worked with Arness in the 1951 sci-fi film classic (The Thing. ~ Hal Erickson, All Movie Guide

Its title notwithstanding, Roger Corman's Rock All Night is a tense little hostage melodrama. Corman regular Dick Miller stars as Shorty, a much-maligned hanger-on at the Cloud Nine tavern. Shorty's hotheaded pugnaciousness comes in handy when a pair of gunmen (played by Russell Johnson--yes, "The Professor" on Gilligan's Island! -- and Jonathan Haze) invade the Cloud Nine and terrorize the patrons. Mel Welles, who later played the kvetching flower-store proprietor in Little Shop of Horrors, is a riot as a hip-talking showbiz agent. Also on hand is Abby Dalton, the soon-to-be star of Corman's Viking Women and the Sea Serpent. The film's very brief musical interludes are provided by the Platters and the Blockbusters. Rock All Night was originally released on a double bill with Dragstrip Girl. ~ Hal Erickson, All Movie Guide

Actually, this retelling of the life of outlaw Jesse James is only as true as its predecessor, the highly fanciful 1939 Tyrone Power-Henry Fonda starrer Jesse James. Generous chunks of stock footage from the earlier film are reused here, albeit reframed to accommodate the CinemaScope process. Robert Wagner makes an interesting James, though he is upstaged throughout by Jeffrey Hunter as his brother Frank. Adhering to the Canon, the film insists that the James boys were forced into a life of crime by greedy railroad men -- hence, their ongoing vendetta against trains. Director Nicholas Ray adds a few psychological nuances not found in the more prosaic 1939 film. John Carradine, who played "dirty little coward" Bob Ford in the original Jesse James, appears in the remake as Rev. Jethro Bailey. ~ Hal Erickson, All Movie Guide

This biographical drama, chronicles the patriotic exploits of World War II hero Colonel Francis C. Grevemberg, who fought a tough battle against crime and corruption in his home state, Louisiana. He got his chance to serve the state when he was appointed the superintendent of state police by the new governor. Prior to his appointment, Louisiana had been notorious for it's graft, crooked leadership, and criminal underpinnings. Upon accepting his position, Grevemberg vowed to eradicate it from the state governments. It was not an easy task as he met with almost constant opposition from all sides. He and his staff did succeed and Louisiana was a cleaner state. ~ Sandra Brennan, All Movie Guide

Recently returned from hunting Tigers in India, sportsman Ellsworth (Parley Baer) declares that he has been placed under a curse. Unless he can find a way to prevent it, Ellsworth is convinced that he will be killed by a huge tiger--even though he lives in Houston! Drawing upon his own experiences in India, Paladin (Richard Boone) does everything he can to dissuade Ellsworth from his seemingly unfounded fears...but this is one curse that is not to be taken lightly. ~ Hal Erickson, All Movie Guide

A newspaper headline prompts Clete Vine (John Craven) to recall an incident in his childhood, 35 years ago. Growing up in a gang-infested neighborhood, young Clete (played by Glenn Walken, the brother of Christopher Walken) idolizes local mob boss Mr. Rose (Dennis Patrick), while Clete's best friend, Iggy (Barry Gordon), reserves his idolatry for his own father (Biff Elliot). When both boys witness Rose in the act of killing a man, Clete is intimidated into silence, but Iggy immediately heads to the police -- thereby setting off a four-decade marathon of duplicity, disillusionment, and death. ~ Hal Erickson, All Movie Guide

A formerly rough-and-tumble Western mining town has lived in peace and tranquility ever since the arrival of gentle giants Jamie and Ben McMahon (Arch Johnson, Read Morgan). All this changes when an odd-looking little man (Norman Lloyd) shows up in town, promptly challenging the McMahon brothers' authority. Despite their combined brawn, Jamie and Ben prove utterly incapable of standing up to the Little Man -- who seems to possess demonic powers! ~ Hal Erickson, All Movie Guide

The Cartwright boys' fraternal horseplay takes a painful turn when they accidentally injure their hired hand Jebediah Milbank (John Carradine). As Milbank recovers in Ben Cartwright's bedroom, Ben orders his rambunctious sons to tend to Jeb's unfinished responsibilities-and to that end, he dispatches Adam, Hoss and Joe to three different directions. Also appearing are Jena Engstrom as Ann, Claude Johnson as Paul, Denver Pyle as Theodore and John Qualen as Parley. First telecast October 1, 1961, "Springtime" was written by John Furia Jr.. ~ Hal Erickson, All Movie Guide

The Young Savages is what used to be called a "thinking man's picture" about a potentially lurid subject: urban juvenile delinquency. A blind Puerto Rican boy is knifed to death in Spanish Harlem, and three teenage gang members are accused of the crime. Politically ambitious assistant DA Burt Lancaster initially presses for the conviction of all three boys. But as he gets deeper into the case, he realizes that what appears cut-and-dried on the surface is tortuously complex: for starters, the murder victim was hardly the paragon of virtue that the prosecution claims. Despite pressure from his superiors and from members of the accused boys' gang (who at one point threaten Lancaster's wife Dina Merrill with a switchblade,) Lancaster nonetheless sees to it that justice is properly administered. The defendants are portrayed with varying degrees of Brando/Dean "method" by John Davis Chandler, Neil Nephew and Stanley Kristien; more believable, less affected performances are rendered by Shelley Winters, Pilar Seurat and Telly Savalas. Filmed on location in New York, The Young Savages was based on the Evan Hunter novel A Matter of Conviction. ~ Hal Erickson, All Movie Guide

Twice every year, wealthy mountaineer Shep Montrose (Roy Barcroft) invades a small town, throws money in every direction, and wreaks havoc upon the townsfolk and their property. The locals like the fact that Shep is so generous, but they're tired of cleaning up the damage he leaves in his wake. With Shep scheduled to make another of his calamitous weekend visit, Paladin (Richard Boone) is hired to curb the mountain man's predilection for violence--if he can survive the assignment. ~ Hal Erickson, All Movie Guide

Leaning heavily on violence to ostensibly deliver a pacifist message, this standard drama by Philip Leacock looks at the problem of teen gangs from a slightly different angle -- these teens are all wealthy. Everything starts off when aerospace engineer Walt Sherill (Alan Ladd) is accosted and severely beaten by a group of young punks. The victimized man decides to hunt down the thugs on his own, at first just for curiosity and then increasingly for vengeance. His actions spark retaliatory measures, and before the credits roll, the body count is elevated by a few more victims in what amounts to nothing more than a blood feud. In the end, justice of the legal and politically correct sort makes a token appearance. ~ Eleanor Mannikka, All Movie Guide

Unable to get through to a particularly hostile patient, psychiatrist Peter Falk goes to gray-haired senior shrink Sidney Poitier for advice. This prompts Poitier to recall his experiences during World War II. While working on behalf of the government, Poitier was assigned the case of psycho Nazi sympathizer Bobby Darin. A complex flashback structure reveals the various influences that led to Darin's warped state of mind and to his life of crime. Poitier perceives that Darin is potentially dangerous, and insists that he needs further treatment. The government sees things differently, and allows Darin, who on the surface shows signs of recovery, to leave the hospital. The horrible results of this decision serve to convince Poitier to follow his own gut feelings no matter what his fellow "experts" might advise, and to continue probing even the most recalcitrant or deceptively "cured" of patients. Essentially a conformist psychological melodrama, Pressure Point truly comes to life whenever Bobby Darin is on the screen. His performance was outstanding, far better than his Oscar-nominated turn in 1963's Captain Newman MD. Unfortunately, the critics were aligned against Darin, possibly because of the singer/actor's well-publicized arrogance; Judith Crist went so far as to compare Darin to Dr. Samuel Johnson's walking dog, quipping that the most remarkable aspect of Darin's performance was not that he did it well, but that he did it at all. ~ Hal Erickson, All Movie Guide