Arthur Hoyt Movies

A man who has ruined a woman's life attempts to make good on his debt to her (and his conscience) in this sudsy drama based on a best-selling novel by Lloyd C. Douglas. Bobby Merrick (Robert Taylor) is an alcoholic ne'er-do-well whose recklessness causes the death of Dr. Hudson, a respected physician. Helen Hudson (Irene Dunne), the doctor's widow, turns away from Merrick's apology, only to walk into traffic. She's struck by a car and blinded. Shaken by the tragic events, Merrick gives up alcohol and begins studying to become a doctor and right the wrong he's done to Helen. As he begins spending time at the family's estate through a mutual friend, Helen grows fond of his frequent visits, and they begin to fall in love. However, when Helen learns that Merrick is responsible for her husband's death and her own accident, she moves away to a place where he cannot find her. In time, Merrick becomes a gifted eye surgeon, and he learns that he could restore Helen's sight with a delicate and dangerous operation that he has never performed before. Magnificent Obsession was a box-office success that spawned a 1954 remake directed by Douglas Sirk and starring Rock Hudson and Jane Wyman. ~ Mark Deming, All Movie Guide

Radio baritone Joe Morrison was being groomed for stardom by Paramount when he was top-billed in One Hour Late. Morrison is cast as shipping clerk Eddie Blake, whose girlfriend Betty Dunn (Helen Twelvetrees) is secretary to big boss Stephen Barclay (Conrad Nagel). A trusting soul, Betty sees nothing wrong in accepting Barclay's invitation to visit his home for the weekend. But Eddie suspects the worst and tags along to make sure that Betty's virtue remains intact. As it happens, Eddie's fears are groundless -- as are those of Barclay's wife Ellen (Gail Patrick), who was poised to walk out on her husband at the first sign of extramarital hanky-panky. The script contrives to have a radio station located in the building where Eddie works, permitting Joe Morrison to croon a medley of his hit "The Last Roundup." ~ Hal Erickson, All Movie Guide

There's nary a serious moment in the loopy Warner Bros. programmer A Night at the Ritz. William Gargan stars as Duke Regan, a hot-shot hotel publicity agent. Fired from several jobs, Duke is given one last chance by the Ritz-Carlton. Improvising quickly, he promotes his future brother-in-law Leopold (Erik Rhodes) as a master chef, landing the hapless fellow a choice spot in the Ritz kitchen. But there's a hitch: Not only has Leopold never cooked anything in his life, but the mere mention of food makes him extremely nauseous. As Duke desperately seeks a way out of the web he's woven around himself, a banker's convention shows up at the Ritz, and they're as hungry as hunters. This is one of the few pictures of the 1930s in which a mother-in-law (Bodil Rosing) comes to the rescue. ~ Hal Erickson, All Movie Guide

Two rich and wealthy millionaires who have a lot of money bet that reporter Robert Pryor can't spend $720,000 in twelve hours. If you're asking "Why $720,000?", the answer is: because this Republic programmer is titled $1000 a Minute . Anyway, a couple of cops spot Pryor flashing a roll of bills, and deduce that he's the bank robber they're looking for. For the rest of the film, Pryor must race around to spend his money, while remaining two steps ahead of the Law. The supporting actors in $1000 a Minute are delightfully cast to type, from Edgar Kennedy as a detective to Sterling Holloway as a helpful cabbie. ~ Hal Erickson, All Movie Guide

In this comedy, a con artist gets elected to the chamber of commerce in his home town. He then goes there with three fellow grifters who are not welcome until they pay off the bad bonds they sold the town. Fortunately, the protagonist wins a fortune at the track and pays the debt. Despite this, the three persist with their con games and mayhem ensues. ~ Sandra Brennan, All Movie Guide

This well-mounted Majestic Pictures effort was inspired by Collusion, a novel by Theodore D. Irwin. Edward Arnold is in his element as Frank Rodie, an honest lawyer who turns dishonest to pay off his wife's stock-market losses. Still desperate for money, Rodie offers to serve as a co-respondent in a divorce case. His far-from-grateful wife (Helen Jerome Eddy) uses this as an excuse to divorce him and desert him for her paramour. Rodie spends the rest of the picture proving that his wife was a fool for deceiving and underestimating him. The "blonde" of the title is played by Dorothy Revier, actually one of the more sympathetic characters in the film. ~ Hal Erickson, All Movie Guide

Harold Lloyd plays Ezekial Cobb, a missionary's son who has spent his entire life in China. Cobb is sent to his father's home church in California, where it is hoped he will find a wife. A true babe in the woods, Cobb is befriended by politician Jake Mayo (George Barbier). Mayo is a cog in a crooked political machine whose bosses plan to set up a "reform" candidate for mayor, so that they can continue their underhanded activities unmolested. The candidate drops dead, so Mayo sets up the innocent Cobb as the mayor-to-be--a "cat's paw" to deflect attention from the system's corruption. But once elected, Cobb takes his duties quite seriously and begins to clean up the town. The machine frames Cobb with planted evidence of wrongdoing, destroying the lad's political career. Undaunted, Cobb remembers the story of an ancient Chinese leader, who, similarly disgraced, took the law in his own hands and executed all known criminals in his last days of power. Cobb orders that every crook in town be rounded up and brought to a dark cellar. He insists that they confess their crimes or face instant death--and backs up his words by "beheading" two of the crooks on the spot! Actually, these executions are cleverly designed magical illusions, and no one is really killed; but the terrified criminals are so hoodwinked by Cobb's apparent cold-bloodedness that they literally climb over one another to confess. Cobb is exonerated, and honesty is restored to his administration. While not Harold Lloyd's best feature film, The Cat's Paw is definitely his most unorthodox. ~ Hal Erickson, All Movie Guide

Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991). ~ Paul Brenner, All Movie Guide

Wake Up and Dream was part of a concerted (and successful) effort to turn radio crooner Russ Columbo into a major movie star. The story is the old saw about a trio of vaudevillians, Paul (Columbo), Charley (Roger Pryor) and Toby (June Knight), who have a falling out when both Paul and Charley fall in love with Toby. The girl is indecisive, but she comes to the conclusion that Paul is the man for her. By this time, however, Paul is convinced that Toby is crazy about Charley, and he tries to bring the two of them together. Alas, by the time Wake Up and Dream was released in October of 1934, Russ Columbo was dead, the victim of an accidentally discharged rifle. ~ Hal Erickson, All Movie Guide

Based on a story by Zona Gale, When Strangers Meet concentrates on a small, interrelated community separated down the middle by a narrow path. The bungalow-dwelling residents on one side of the path consider their neighbors to be "beneath" them, and vice versa. Tensions come to a boil when a double murder is committed, with accusations flying back and forth. The solution to the crime comes about when a much-abused housewife (Sarah Padden) finally rebels against her tyrannical husband (played by the ever-hissable Charles Middleton). A good cast, headed by Richard Cromwell and Arline Judge, helps lift this independently-produced drama well above the "B"-picture norm. ~ Hal Erickson, All Movie Guide

In this romantic comedy, a rakish fellow involves himself with a married woman. Later his secretary endeavors to win him away with the promise of a more stable relationship. The rake is tempted, but then decides he prefers the married woman, which is fine with her husband who has an eye for the secretary. ~ Sandra Brennan, All Movie Guide

Versatile character players Minna Gombell and Lucien Littlefield are afforded leading roles in the interesting Poverty-Row effort Marrying Widows. Littlefield plays a wealthy man who is targeted by a conniving gold-digger (Judith Allen). To lure the old duffer into her trap, the sly woman relies upon the wiles of her best friend (Gombell). It all winds up with the "bad" characters going straight, allowing a happy -- if somewhat rushed -- finale. Nominal leading man Johnny Mack Brown, who looks as if he's wandered in from a different movie, is handily out-acted by the supporting cast. ~ Hal Erickson, All Movie Guide

Although it is included in TV's "Shock Theater" passage, there's nothing overtly frightening about the heavily plotted Universal melodrama The Crosby Case. Even while the opening credits are rolling, the audience is introduced to the five main suspects in the murder of a certain Mr. Crosby. Police inspector Thomas (Alan Dinehart) believes that Lynn Ashton (Wynne Gibson), an ex-lover of the victim, is the most likely suspect, though the audience is encouraged not to discount the elderly, seemingly frail Lubeck (Edward Van Sloan), oafish thief Collins (Warren Hymer), heavily-in-debt gambler Willie (John Wray), or even avuncular nightclub doorman Costello (J. Farrell McDonald). The story is a mosaic of flashbacks and flat cuts, the sort that would be hailed as "new" and "innovational" when Citizen Kane was released seven years later. Like RKO Radio's unrelated Ann Vickers, The Crosby Case has gained latter-day fame (or notoriety) with its subtle allusions to an illegal abortion. And yes, that is Walter Brennan in the ship's-stateroom scene. ~ Hal Erickson, All Movie Guide