Arthur Hoyt Movies
Stage actor/director Arthur Hoyt first stepped before the movie cameras in 1916. During the silent era, Hoyt played sizeable roles in such major productions as Four Horsemen of the Apocalypse (1921) and The Lost World (1925). In sound films, he tended to be typecast as a henpecked husband or downtrodden office worker. One of his mostly fondly remembered talkie performances was as befuddled motel-court manager Zeke in It Happened One Night (1934). Despite advancing age, he was busy in the late 1930s, appearing in as many as 12 pictures per year. In his last active decade, Arthur Hoyt was a member of writer/director Preston Sturges' unofficial stock company, beginning with The Great McGinty (1940) and ending with The Sin of Harold Diddlebock (1947). ~ Hal Erickson, All Movie Guide- 1938
The 1938 filmization of Myron Brinig's novel The Sisters stars Bette Davis, Jane Bryan and Anita Louise as Louise, Grace and Helen Elliot. The daughters of turn-of-the-century druggist Henry Travers and his wife Beulah Bondi, the Elliot girls all meet their future husbands at a 1904 ball in honor of President Teddy Roosevelt. Special emphasis is given the relationship between Louise and reckless, irresponsible newspaperman Frank Medlin (Errol Flynn). Feeling trapped by his marriage, Medlin turns to drink and philandering. When Frank eventually runs off to Singapore, Louise is too proud to hold her husband by informing him that she's pregnant. Caught up in the 1906 San Francisco earthquake (superbly conveyed with a single interior shot of a collapsing apartment), Louise wanders around dazedly until she finds shelter in an Oakland brothel (though it is not so specified). She loses her baby, but is consoled by her employer Ian Hunter, who falls in love with her. The original book ended with Louise giving up her unhappy marriage for a joyous relationship with her boss; the film ends with Louise being reunited with the suddenly sobered Frank (despite the protests of both Bette Davis and Errol Flynn). A prime example of Hollywood Soap Opera, The Sisters also yielded an amusing reel of outtakes, the best of which shows Bette Davis breaking up Errol Flynn by sighing "I've just had a baby in the ladies' room." ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Bette Davis, (more)
- 1937
A lovely stenographer, tired of men falling all over her, tries to make herself homely in this comedy. With her horn rim specs and tweed suits, she finds that she is actually able to get some work done. She begins working as a writer's secretary to help him make his deadline. When the writer catches her without her suit and glasses, he instantly falls in love. Songs include: "Wreaths of Flowers", "Ever Since Eve", and "Shine on Harvest Moon". ~ Sandra Brennan, All Movie Guide
- Starring:
- Robert Montgomery, Marion Davies, (more)
- 1937
Contrary to earlier published reports, Columbia's Let's Get Married was not directed by Leo McCarey. Nor would McCarey have evinced much interest in this minor-league romantic comedy set in, of all places, a weather bureau. Ralph Bellamy plays the diligent chief weatherman who falls in love with the daughter (Ida Lupino) of a wealthy politician (Walter Connolly). The girl's father would rather she marry socially acceptable Reginald Denny. Usually neither Bellamy nor Denny ever gets the girl, but someone has to be around for the final clinch. ~ Hal Erickson, All Movie Guide
- Starring:
- Ida Lupino, Walter Connolly, (more)
- 1937
Raymond McCarey, the prolific if less-inspired brother of Leo McCarey, called the directorial shots for Universal's Love in a Bungalow. Nan Grey stars as young real estate agent Mary Callahan, whose job it is to guide potential house-buyers through a "model" bungalow. Enter Jeff Langan (Kent Taylor), a handsome young indigent who moves into the bungalow and steadfastly refuses to move out. Falling in love with the stubborn but charming Jeff, Mary conspires with him to enter a radio contest in hopes of winning the bungalow rent-free. But there's a catch: Jeff and Mary have to pretend to be married. Never a studio to throw anything away, Universal recycled the plot of Love in a Bungalow for one of its mini-musicals of the 1940s. ~ Hal Erickson, All Movie Guide
- Starring:
- Nan Grey, Kent Taylor, (more)
- 1937
This service comedy from the Republic Studio mills was perhaps the most aggressively titled of the "Marine Corps" film cycle of the mid-1930s (Come on Leathernecks, Pride of the Marines et. al.) Paul Kelly plays Phil Donlan, a pugnacious ex-cop and ex-Olympic athlete who is run out of New York in disgrace after falsely being accused of drunkenness. The innocent cause of Donlan's woes is pretty Paula Denbrough (June Travis), daughter of a Marine colonel (Purnell Pratt). To ingratiate himself with Paula -- and incidentally, to restore his reputation -- Donlan joins the Corps, where after a grueling training period he earns a commission. Offered a chance to return to the New York police force, Donlan gives it up to re-enlist, and Paula couldn't be happier. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Kelly, June Travis, (more)
- 1937
In this romance, a secretary is awarded a legacy. Later she meets a male secretary who begins protecting her from an avaricious baron endeavoring to steal her money. The two rivals engage in fisticuffs, and the secretary loses. Fortunately, he wins the love of the girl. He then reveals that his actually a millionaire himself. ~ Sandra Brennan, All Movie Guide
- Starring:
- Madeleine Carroll, Francis Lederer, (more)
Paradise Express is Grand Hotel out of Twentieth Century, fresh from the Republic Studio breeding farms. The titular express is a small-time freight service, struggling for survival against a larger, more streamlined rail company. Faced with bankruptcy, the owners of the underdog railroad challenge their competitors to a race, winner take all. Handsome Larry Doyle (Grant Withers) mans the controls of the Paradise Express, bearing a collection of familiar movie stereotypes. Featured in the cast is harmonica virtuoso Bob McClung, who earlier in 1937 provided off-screen assistance to Laurel and Hardy's "harmonica challenge" scene in Hal Roach's Pick a Star. ~ Hal Erickson, All Movie Guide
- Starring:
- Grant Withers, Dorothy Appleby, (more)
- 1937
In this tuneful, romantic drama, an Australian opera star (Grace Moore) wants to perform in a major U.S. festival but cannot enter the country unless she is married. To this end, she hires a handsome artist (Cary Grant) temporarily marry her. At first it is all strictly business, but in time, the artist starts falling in love. Songs include: "Our Song," "Minnie the Moocher" (this number is usually cut out in 98m televised version of the film), "Siboney," and "The Waltz Song." ~ Sandra Brennan, All Movie Guide
- Starring:
- Grace Moore, Cary Grant, (more)
Financier J.B. Ball (Edward Arnold) -- known in the press as "the Bull of Broad Street" -- may be one of the wealthiest investment bankers in the country, but he also knows the value of a dollar. And when his wife (Mary Nash) spends 50,000 of them on a sable coat, he is driven into such a fury in the ensuing argument on the roof of their Fifth Avenue townhouse, that he throws the coat into the street -- where it promptly lands on the head of Mary Smith (Jean Arthur), a clerk-typist on her way to work, riding on the upper deck of a double-decker bus, ruining her hat in the process. She jumps off the bus to try to return the coat, but Ball insists that she keep it. What she really needs, however, is not a 50,000-dollar sable coat so much as a ride to work -- as she doesn't even have a dime for bus fare -- and perhaps a new hat. Ball obliges, taking her to one of the top clothing stores in New York, buying her an expensive fur hat to go with the coat, and then dropping her at work in his limo. Her superiors, seeing her decked out in a sable coat and a new hat, and getting out of the chauffeured car, conclude that Mary is a kept woman, and, therefore, unfit to work for the boys magazine where she is employed, and they fire her. Now out of work and virtually broke, she seems to have become a victim of random fate, but suddenly the scales start to tip the other way from the very same misunderstanding that got her fired. Having been seen in the company of J.B. Ball -- whose name she didn't even get -- she is rumored to be his mistress; the prissy clothing store proprietor (Franklin Pangborn) spreads this story, and that turns Mary into the object of attention for Mr. Louis Louis (Luis Alberni), the owner of a failed luxury hotel on which Ball's bank holds the mortgage, and is about to foreclose. For reasons that she can't begin to understand, since there is nothing going on between her and J.B. Ball (whose name she doesn't even know), or between her and anyone, Louis moves her into the most luxurious suite in his hotel for a dollar a day, asking her only to inform "that certain someone" of how she loves living there. Mary has no idea of who "that certain someone" is, or what Louis is talking about, but she needs a place to live, and Louis is insistent. She still needs to eat, and, while trying to get a meal at the automat, she crosses paths with a handsome, well-meaning, but inept waiter (Ray Milland), who gets fired for helping her. She takes him into her suite so he has a place to stay, and the two fall in love in the course of finding out about each other. She knows that he is John Ball Jr., but doesn't realize that he is the son of J.B. Ball, trying to make it on his own, nor does she yet realize who J.B. Ball is, in terms of being the man who gave her the coat and the new hat, or one of the wealthiest men in the country. But after the elder Ball spends an innocent night at the Hotel Louis, a gossip columnist named "Wallace Whistling" (William Demarest) prints that he is keeping a woman at the hotel, and suddenly the Hotel Louis, perceived as a fashionable playground for the upper-crust, is filled with guests. This multiple case of mistaken identity plunges through two or three new layers, eventually bringing about an impending stock market crash to rival 1929, before Mary discovers who her would-be benefactor and her would-be fiancé are. She bails them out of the jam that they're in, also restoring the Ball's marriage, her own reputation, and her romance with Ball's son in the process. ~ Bruce Eder, All Movie Guide
- Starring:
- Jean Arthur, Edward Arnold, (more)
- 1937
The Westland Case was the opening volley in Universal's "Crime Club" series. The film was based on Headed for a Hearse, a novel by Jonathan Latimer which had to be toned down considerably for the filmgoers' consumption. Latimer's cynical private-eye team of Bill Crane and Doc Williams are here played by Preston S. Foster and Frank Jenks, who'd repeat these roles in subsequent entries. This time out, Bill and Doc try to clear a wrongly condemned man before his date with the electric chair. This they do on behalf of the poor fellow's desperate fiancee Emily Lou (Carol Hughes) -- who, like most of the other characters in the film, knows a lot more than she's telling. If The Westland Case doesn't make a whole lot of sense, it certainly can't be faulted for a lack of energy. ~ Hal Erickson, All Movie Guide
- Starring:
- Preston S. Foster, Carolyn Hughes, (more)
In this crime drama, a young couple decides to rob the bank where the woman works as a teller. They get 100,000 dollars and hide it in a music box. Unfortunately, they are caught and sentenced to prison. Upon their release, the two hope that the money will still be in the little box, which they left with an antique dealer. Unfortunately, the dealer died and they must frantically scramble to find the missing fortune. In the end, they do find it, but decide to turn it in to the authorities and go straight. ~ Sandra Brennan, All Movie Guide
- Starring:
- Richard Cromwell, Helen Mack, (more)
- 1937
Though he would later dismiss it as "just a ten-day job," actor Conrad Nagel made a remarkably smooth directorial debut with Grand National's Love Takes Flight. Bruce Cabot stars as Neil Bradshaw, an egotistical commercial pilot in love with stewardess Joan Lawson (Beatrice Roberts). Somewhat incredibly, Neil becomes a movie star, jilting Joan in the process to taking up with vampish actress Diane Audre (Astrid Allwyn). Joan takes small comfort in the fact that she is also offered a Hollywood contract; to show up the swell-headed Neil, she matriculates into a champion aviatrix, breaking airborne records left and right. Before the inevitable reunion between Neil and Joan, the audience is treated to dozens of "product placement" plugs for American Airlines. ~ Hal Erickson, All Movie Guide
- Starring:
- Bruce Cabot, Beatrice Roberts, (more)
- 1937
Not only is "she" no lady, but heroine Jerry (Ann Dvorak) doesn't even have a ladylike name. Jerry is an insurance investigator who moonlights as a jewel thief, making life difficult for professional diamond-swiper Carter (John Trent). It turns out that at least one of these two reprobates is actually working on the side of the law -- but which one? The story is played for laughs, perhaps because the producers realized that this confusing concoction would never be taken seriously. She's No Lady was produced independently by former studio executive B. P. Schulberg, and released by Schulberg's old studio Paramount. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Dvorak, John Trent, (more)
A Star is Born came into being when producer David O. Selznick decided to tell a "true behind-the-scenes" story of Hollywood. The truth, of course, was filtered a bit for box-office purposes, although Selznick and an army of screenwriters based much of their script on actual people and events. Janet Gaynor stars as Esther Blodgett, the small-town girl who dreams of Hollywood stardom, a role later played by both Judy Garland and Barbra Streisand in the 1954 and 1976 remakes. Jeered at by most of her family, Esther finds an ally in her crusty old grandma (May Robson), who admires the girl's "pioneer spirit" and bankrolls Esther's trip to Tinseltown. On arrival, Esther heads straight to Central Casting, where a world-weary receptionist (Peggy Wood), trying to let the girl down gently, tells her that her chances for stardom are about one in a thousand. "Maybe I'll be that one!" replies Esther defiantly. Months pass: through the intervention of her best friend, assistant director Danny McGuire (Andy Devine), Esther gets a waitressing job at an upscale Hollywood party. Her efforts to "audition" for the guests are met with quizzical stares, but she manages to impress Norman Maine (Fredric March), the alcoholic matinee idol later played by James Mason and Kris Kristofferson. Esther gets her first big break in Norman's next picture and a marriage proposal from the smitten Mr. Maine. It's a hit, but as Esther (now named Vicki)'s star ascends, Norman's popularity plummets due to a string of lousy pictures and an ongoing alcohol problem. The film won Academy Awards for director William Wellman and Robert Carson in the "original story" category and for W. Howard Greene's glistening Technicolor cinematography. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Gaynor, Fredric March, (more)
- 1937
Partners in Crime was Paramount's follow-up to its successful Murder Goes to College; both films were based on a series of mystery novels by Kurt Steel. Lynne Overman and Roscoe Karns are back as insouciant private eye Hank Hyer and his bibulous partner-in-crimesolving Sim Perkins. Our heroes are currently engaged in protecting a reform-ticket mayoral candidate from a blackmail scheme. When this fails, Sim himself runs for mayor, and through the sort of miracles that only happen in movies he wins the election. A clever last-minute plot twist loses him his office, but at least the good guys did triumph for a while. Alas, Partners in Crime went the way of most sequels; lacking the freshness and spontaneity of the first film, it was less successful at the box office, precluding any more follow-ups. On the other hand, it did afford an excellent early acting opportunity for new Paramount contractee Anthony Quinn. ~ Hal Erickson, All Movie Guide
- Starring:
- Lynne Overman, Muriel Hutchison, (more)
- 1936
Loosely based on a story by frontier writer Bret Harte, this romantic western drama tells the story of an innocent, carefree mountain-raised girl who causes quite a stir every time she comes to town to bring her boozy father home from the bar. One day, the flirtatious gal is kissed by the town schoolmaster. Utterly confused as to the gesture's significance, she goes to the town brothel for professional advice. The film was made twice before in 1918 and 1922. ~ Sandra Brennan, All Movie Guide
- Starring:
- Anne Shirley, John Beal, (more)
- 1936
In one of the best Charlie Ruggles-Mary Boland vehicles of the 1930s, Ruggles plays a mild mannered husband prone to sleepwalking. His nocturnal prowlings cause no end of embarrassment for his wife (Mary Boland), especially since Ruggles is a more aggressive personality when asleep. Eventually, Ruggles' midnight wandering gets him mixed up with gangsters. It looks bad for our stars, but Ruggles and Boland manage to wriggle out of the dilemma and into a happy ending. Early to Bed was scripted by versatile character actor Lucien Littlefield, who plays a small part in this film and had previously appeared with Ruggles and Boland in the memorable Ruggles of Red Gap (36). ~ Hal Erickson, All Movie Guide
- Starring:
- Mary Boland, Charlie Ruggles, (more)
- 1936
- NR
A remake of the 1917 Mary Pickford vehicle of the same name, Poor Little Rich Girl stars Shirley Temple in the title role. Neglected by her widowed soap-tycoon father (Michael Whalen), lonely Barbara Barry (Temple) spends most of her time in the company of her nursemaid Collins (Sara Haden). While on a shopping excursion in the City, Collins is killed in a traffic accident, and Barbara gets lost in the crowd. She finds shelter in the warm and loving tenement home of barber Tony (Henry Armetta), where she makes the acquaintance of vaudeville entertainers Jerry and Jimmy Dolan (Alice Faye and Jack Haley). Assuming that the girl is an orphan, the Dolans invite her to join their act when they discover that she possesses considerable singing and dancing talents. As fate would have it, Jerry, Jimmy and Barbara audition for a radio program which happens to be sponsored by Barbara's dad! For all its music, charm and vivacity, Poor Little Rich Girl has an unsettling inner lining of cruelty: Not only is the plot motivated by the death of Shirley's governess, but our poor heroine spends a good portion of the film avoiding a seedy would-be child molester (John Wray)! ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Temple, Alice Faye, (more)
- 1936
In this musical comedy, a strong-willed young woman hires a student to impersonate a boorish French count and brings him home to meet her parents. She wants him to be as appalling as possible so they will hate him and allow her to date the man she really loves who has recently been divorced. Romantic mayhem ensues as she finds herself really falling for the student. Songs include: "Cabin on a Hilltop" (Bert Kalmar, Harry Ruby), "Let's Make a Wish," and "My Heart Wants to Dance" (Kalmar, Ruby, Sid Silvers). ~ Sandra Brennan, All Movie Guide
- Starring:
- Gene Raymond, Ann Sothern, (more)
Fritz Lang's first American film is a vigorous and perceptive indictment of mob law, starring Spencer Tracy and Sylvia Sidney. Katherine (Sidney) leaves her boyfriend, Joe Wilson (Tracy), behind in their Midwestern hometown when she takes a job in another city. Joe is a decent, hard-working soul, who wants to save up to buy a gas station and looks forward to the future when he and Katherine can get married. A year later, Joe is traveling to meet Katherine so that they can be married. Driving through a small town, Joe is stopped by a deputy sheriff waving a shotgun. Apparently there has been a kidnapping, and the fact that Joe has peanuts in his pocket circumstantially incriminates him in the crime. Joe is arrested and jailed. As Joe sits in his jail cell, the local townspeople begin to talk and whisper and spread rumors. Finally, a lynch mob forms and heads toward the jail. The mob tries to storm the jail and frustrated over their inability to penetrate the prison walls, they set the jail on fire. Joe barely manages to escape ("I could smell myself burning"), but the mob thinks that Joe has been burned to death. Behind the scenes, and with the help of his brothers, Joe tries to rig the verdict in the impending trial of the 22 vigilantes. ~ Paul Brenner, All Movie Guide
- Starring:
- Spencer Tracy, Sylvia Sidney, (more)
- 1936
In this crime drama a high-school principal's principles are put to the test when he, also a member of a parole board, is given the ultimate power to decide whether his son, a brutal criminal is to be paroled. The others do not know about the inmate's relationship to their colleague and the son tries to use this to his advantage. Sure enough his blackmail works and the heartless crook is freed to go on an unparalleled crime spree with his moll until his father comes forth and gives him final justice. ~ Sandra Brennan, All Movie Guide
- Starring:
- James Gleason, Bruce Cabot, (more)
In this drama, a manicurist is mistaken for the winner of a large sweepstakes and finds herself pursued by fortune hunters. One of them wants to marry her for the publicity and a stage contract. The trouble really begins when the real winner shows up. She is more than happy to let the manicurist get all the attention, provided she gets the money. ~ Sandra Brennan, All Movie Guide
- Starring:
- Patricia Farr, William Bakewell, (more)
When a car crash ends the life of a fabulously wealthy patron of the arts, the decedent's $20,000,000 fortune is inherited by one Longfellow Deeds (Gary Cooper) of Mandrake Falls, Vermont. Already a reasonably successful local businessman, Deeds doesn't really feel the need for anything extra in his life: he just wants enough time to practice his tuba and compose greeting-card doggerel. When Deeds is convinced to move to New York, hard-boiled newspaper reporter Babe Bennett (Jean Arthur) is dispatched to get the inside scoop on "The Cinderella Man." Babe's stories of Deeds' eccentricities and no-nonsense dealings with phonies and poseurs provide excellent headline fodder; but she begins to regret her actions, having fallen in love with the big lug. Deeds ultimately sets up a foundation to dispense his fortune to the country's neediest souls, on the proviso that the recipients do their best to get back on their feet, a turn of events that leads his lawyer John Cedar (Douglas Dumbrille) to try to have him declared insane. By the end of the sanity hearing, the judge (H. B. Walker) declares: "Not only are you sane, but you're the sanest man who ever walked in this courtroom!" A joyously unadulterated hunk of Frank Capra-corn, Mr. Deeds Goes to Town was adapted by Robert Riskin from Clarence Buddington Kelland's short story "Opera Hat." In addition to the pleasure of watching the country bumpkin outwit city slickers, the movie is a film buff's dream, boasting one of the best character-actor casts ever assembled for a single film. Nominated for four Academy Awards, the film won Frank Capra his second Oscar (out of three) as Best Director. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Jean Arthur, (more)
After retiring from a boxing career, Johnny Cave (James Cagney) accepts an appointment to serve as head of the Bureau of Weights and Measures. However, when he discovers that his organization is full of corruption and lies, he sets out to uncover the scam, much to the dismay of his girlfriend, Janet (Mae Clarke), and his underhanded coworkers. ~ Iotis Erlewine, All Movie Guide
- Starring:
- James Cagney, Mae Clarke, (more)
- 1935
In this family comedy, the wealthy executive of a steel company must endure life with a strict, teetotaling wife, a wild daughter, and a deadbeat son. To gain some much needed attention, the lonesome fellow hires a hitman to kill him. Instead, the gunman kidnaps him to frighten the family into appreciating their devoted father. Along the way, the kidnapper begins falling in love with his employer's daughter. ~ Sandra Brennan, All Movie Guide
- Starring:
- Leila Hyams, Phillips Holmes, (more)
