Robert Hoy Movies

Rear Admiral Matt Sherman (Cary Grant) visits the submarine Sea Tiger on the morning of its decommissioning and reminisces about his time as the first commander of the boat, in 1941. Three days after Pearl Harbor, the sub is damaged during an enemy air raid in the Philippines; rather than abandoning her, Sherman and his chiefs refloat the boat. He's forced to accept the services of Lt. (jg) Nick Holden (Tony Curtis), who has no sea experience. Sherman appoints Holden -- a born conniver, deal-maker, and scrounger (his motto: "In confusion, there is profit") -- as supply officer, and through a series of burglaries and petty thefts he gets the Sea Tiger seaworthy again. Up to this point, the movie is an increasingly amusing service comedy, akin to the lighter moments of Mr. Roberts, running on Grant's wry exasperation and Curtis's cool arrogance, coupled with Arthur O'Connell's periodic sardonic yet optimistic jabs at their situation and Gavin MacLeod's fidgety nervousness. The Sea Tiger puts to sea ahead of the Japanese with a quintet of stranded army nurses aboard. The film shifts to a new level of humor as the officers and crew try to cope with living in close quarters with five attractive women in their midst. Grant gives a very witty performance as a man who is both exasperated by the situation he is in, having to adjust his masculinity to keep it from clashing with the feminine sensibilities of his guests, and also trying to control the mating urges of his men, starting with Holden, who can't stay away from Lt. Duran (Dina Merrill). Complicating matters more is Grant's awareness that the Sea Tiger is a "virgin" -- she has never engaged the enemy, but when they finally do, the accident-prone Lt. Crandall (Joan O'Brien) causes their torpedo to miss a tanker and sink a truck (probably the funniest sight gag in the movie). The boat also gets an accidental coat of pink paint when their supply of red and white runs low, and ends up carrying several Filipino families -- including two pregnant women. Since neither the Japanese nor the Americans officially has a pink submarine, the Sea Tiger ends uphunted by both sides and come under attack by an American destroyer. That's where the women's presence becomes a godsend. The movie ends 18 years later, with Holden a serious career navy man and responsible father, married to Duran, and Grant married to Crandall, who is as accident prone as ever. ~ Bruce Eder, Rovi

In the seventh episode of Walt Disney's ten-part miniseries, Elfego Baca, gunslinger-turned-lawyer Baca (Robert Loggia) comes to the defense of the Mustangers, a nomad-like religious sect. Determined to establish a permanent homestead on a land recently opened up by the government, the Mustanger face fierce opposition from the local cattlemen who worry that they will lose their own grazing land. Ever the champion of the underdog, Elfego Baca hopes to prevent the Mustangers from being driven out by violence -- a task made difficult by the sect's hotheaded leader, Shadrack O'Reilly (Brian Keith). A young James Coburn appears in a supporting role. "Move Along, Mustangers" was originally telecast as part of the Walt Disney Presents anthology. ~ Hal Erickson, Rovi

In the fourth episode of Walt Disney's 17-part miniseries The Tales of Texas John Slaughter, Slaughter (Tom Tryon) has captured outlaw leader Mrs. Barko (Beverly Garland) who, though she faces the gallows, refuses to explain why she was trying to join forces with another notorious bandit, Dan Trask (Dan Duryea). With the nervous approval of his Texas Rangers superior officer Captain Cooper (Judson Platt), Slaughter formulates a plan whereby he and his fiancée Adeline Harris (Norma Moore) will impersonate Mrs. and Mr. Barko and infiltrate the Trask gang. Originally telecast as part of the Walt Disney Presents anthology, "Showdown at Sandoval" and the previous episode "Killers From Kansas" were edited together in 1961 and released overseas as the "feature film" Gunfight at Sandoval. ~ Hal Erickson, Rovi

Paladin (Richard Boone) hires on as bodyguard for waspish English author-poet Oscar Wilde (John O'Malley), who has come West as part of an American lecture tour. A pair of disgruntled hooligans named Jim and Chris Rook (Richard Shannon, Jack Hogan), angry that they were beaten out for the bodyguard assignment, retaliate by kidnapping Wilde and attempting to murder Paladin in the process. Although many of the Wildean epigrams heard on this episode are genuine ("A man can't be too careful in the choice of enemies"), several were created from whole cloth by scriptwriter Irving Wallace, later the author of such bestselling novels as The Prize and The Word. ~ Hal Erickson, Rovi

Four Girls in Town is essentially an excuse by Universal-International to test out several of their newer contractees. The plot is motivated by a worldwide movie talent hunt, which naturally arouses the attentions of a bevy of pretty young aspiring actresses. The four girls of the title are Kathy Sonway (Julie Adams, who'd been appearing in films since 1950), Ina Schiller (Germany's Marianne Cook, nee Koch), Maria Antonelli (Italy's Elsa Martinelli) and Vicki Dauray (Gia Scala, also from Italy but herein portraying a Frenchwoman). Conducting the screen tests is budding director Mike Snowden (George Nader), who predictably falls in love with one of the hopefuls. Some laughs are had at the expense of Universal's rival 20th Century-Fox in the person of Helene Stanton, cast as a Marilyn Monroe clone named "Rita Holloway". ~ Hal Erickson, Rovi

Revenge of the Creature is, of course, the sequel to Universal's fabulously successful The Creature from the Black Lagoon--and like its predecessor, the film was lensed in 3-D (though released "flat" in most theatres). Though the audience had seen the Gill-Man shot full of holes in the first picture, he still resides in the Black Lagoon in the sequel, apparently none the worse for wear. Two oceanographers (John Bromfield and Robert B. Williams) capture the creature and put him on display at Florida's Ocean Harbor Park (actually Marineland of the Atlantic). Here the hapless Gill-Man is taught a few words of English by compassionate icthyologists John Agar and Lori Nelson. Eventually, however, the creature reverts to type, kills one of his captors and goes on a rampage. And once again, he manages to briefly abduct the heroine and carry her off. Not nearly as good as the first Creature, this followup is saved by the underwater photography of Charles S. Welbourne--and by the effective performance by Ricou Browning as the Gill-Man. ~ Hal Erickson, Rovi

In this unusual Western directed by Douglas Sirk, Rock Hudson stars as Taza, whose legendary father Cochise (Jeff Chandler) is on his deathbed. Taza promises his father that he will keep the tribe -- which Cochise united and ruled -- at peace. But Taza's brother wants the tribe to join with another bloodthirsty tribe, headed by Geronimo (Ian MacDonald), which is tangling with white settlers and other Indian tribes. Taza must battle his brother and try to keep his promise to his father. This film was originally shown in 3-D, and many of the battle scenes feature shots of warriors rushing headlong toward the screen. ~ Michael Betzold, Rovi