Fay Bainter Movies

American actress Fay Bainter was working in stock at age five, and by the time she was 19 was one of the privileged members of theatrical impresario David Belasco's company. First starring on Broadway in 1912, Bainter was cast in ingenue or romantic parts for the first portion of her career. When she finally decided to give movies a try, it was as a mature, somewhat plump character actress. Her first film was This Side of Heaven (1934), after which, according to many historians she was established in kindly, motherly roles - except for those in which she wasn't so kind and motherly, which constituted the more interesting moments of her film career. In 1938, Bainter made cinema history by being nominated for two Academy Awards in two different categories: As best actress for White Banners, a second-string Warners drama in which she played a "Mrs. Fixit", and as best supporting actress in Jezebel, where she had the somewhat harsher role of southern belle Bette Davis' remonstrative Aunt Belle. Academy members were confused by Bainter's dual nomination, the result being that the Academy was compelled to change its nominating and voting rules (P.S.: She won for Jezebel). Occasionally a star (The War Against Mrs. Hadley [1943]) and always near the top of the supporting-cast list, Bainter worked steadily in films until the early 1950s, shifting her attention at that time to television. In 1958, she appeared in the touring company of the Eugene O'Neill play Long Day's Journey Into Night in the role of Mary Tyrone -- a difficult and demanding assignment even for a woman half her age, but one that she pulled off brilliantly. Bainter returned to films as an unsympathetic wealthy dowager in The Children's Hour (1961), which earned her another Oscar nomination -- this time in one category only. ~ Hal Erickson, All Movie Guide
1965  
 
Con artist James Jarvis (Richard Johnson) has made a comfortable living posing as an investment counselor in order to bilk wealthy old women. Jarvis' current target is elderly Mary Crawford (Fay Bainter), who lives with her friend Agatha (Geraldine Fitzgerald). Stripped of her wealth by the duplicitous Jarvis, Mary kills herself -- whereupon Agatha formulates a chillingly clever campaign of revenge. ~ Hal Erickson, All Movie Guide

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Starring:
Richard JohnsonFay Bainter, (more)
1961  
 
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Based on the 1934 play by Lillian Hellman, The Children's Hour is set at an exclusive girl's school managed by best friends Audrey Hepburn and Shirley MacLaine. When student Karen Balkin is punished for one of her many misdeeds, the mean-spirited youngster rushes to her wealthy aunt Fay Bainter, and, randomly choosing a phrase she has undoubtedly read in some magazine, accuses Hepburn and MacLaine of having an "unnatural relationship." As Balkin's lies grow in viciousness, the student's parents withdraw their children from the school. Hepburn and MacLaine sue Bainter for libel, only to lose their case when MacLaine's aunt Miriam Hopkins refuses to testify as a character witness. The trial takes its toll on the relationship between Hepburn and her boyfriend James Garner. When Bainter discovers that her niece has been lying, she tries to make amends, but it is too late. Director William Wyler had also helmed the first film version of Children's Hour, 1936's These Three, which due to censorship restrictions of the time did without the lesbian angle (the little girl's accusations involved a supposed romantic triangle between the two ladies and a male friend). Miriam Hopkins, who plays a supporting role in The Children's Hour, originally essayed the Shirley MacLaine role in These Three. ~ Hal Erickson, All Movie Guide

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Starring:
Audrey HepburnShirley MacLaine, (more)
1953  
 
The President's Lady is an historical drama starring Charlton Heston as Andrew Jackson and Susan Hayward as his wife Rachel, Jackson marries Rachel after she divorces her unfaithful first husband (Whitfield Connor), with scandal resulting when the ex-husband refuses to finalize the divorce. Jackson climbs up the military and political ladder, but Rachel is never socially acceptable due to her "tainted" past. Nonetheless, Jackson stands staunchly beside his wife, even fighting a duel for her honor. On the eve of Jackson's presidential election, Rachel dies, but "Ol' Hickory" takes comfort in recalling a marriage that remained happy against all odds. The best sequence in The President's Lady is a comic vignette which explodes the legend of the "pipe-smoking" Rachel Jackson. ~ Hal Erickson, All Movie Guide

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Starring:
Susan HaywardCharlton Heston, (more)
1951  
 
Paramount's Ray Milland and 20th Century-Fox's Gene Tierney star in Warner Bros.' Close to My Heart. The stars play, respectively, journalist Brad Sheridan and his wife Midge. Unable to have children of her own, Midge opts for adoption, thereby subjecting her husband and herself to the very exacting requirements of adoption agencies. Upon learning of an abandoned child left at a police station, Midge determines to claim the baby for her own, but Brad refuses to go along with his wife's plans until he can find out something more about the child's parents. Brad's feverish above-and-beyond search for the facts make him a highly unreliable adoption risk--but there's still hope for a happy ending. Ironically, star Gene Tierney was still trying to cope with the personal tragedy of giving birth to a severely retarded daughter while filming Close to My Heart. ~ Hal Erickson, All Movie Guide

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Starring:
Ray MillandGene Tierney, (more)
1948  
 
Charles Winninger plays the head of a vaudevillian family who, when jobs become scarce, takes a humble factory job. He dreams of sustaining a show-biz dynasty with his grown children, but none of them show any real interest in trodding the boards. Realizing that the golden days are past, Winninger allows his children to follow their own desires. Give My Regards to Broadway is a regulation 20th Century-Fox Technicolor musical, with all the story elements falling into place precisely when the audience expects them to. The film comes to life during the song and dance sequences featuring Winninger and top-billed Dan Dailey. ~ Hal Erickson, All Movie Guide

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Starring:
Dan DaileyCharles Winninger, (more)
1948  
 
June Bride is based on Feature for June, a play by Eileen Tighe and Graeme Lorimer. Bette Davis plays the businesslike editor of a fashionable woman's magazine, who plans a feature on a "typical" midwestern marriage. She assigns her aide (and former fiance) Robert Montgomery to cover the story, a task he feels is beneath him. Even so, Montgomery keeps his mouth shut as Davis and her assistants Fay Bainter and Mary Wickes descend upon the hapless family of the bride and re-arrange the household so that it will be more "appealing" to the magazine's devoted readers. Unable to stand any more of this, Montgomery devilishly upsets the apple cart: he convinces the younger sister (Betty Lynn) of the bride (Barbara Bates) to elope with the groom (Raymond Roe), for whom the sister carries a torch. Infuriated by Montgomery's intervention, Davis fires him on the spot. She later relents, realizing that the change in marital plans will make an even better story than her original concept. In so doing, Davis finally admits that she's still in love with the cheeky Montgomery. One of the better Bette Davis vehicles of the late 1940s, June Bride is chock full of brisk, bright dialogue and appealing characters. Debbie Reynolds makes her film debut in the teeny-tiny part of a friend of the bride. ~ Hal Erickson, All Movie Guide

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Starring:
Bette DavisRobert Montgomery, (more)
1947  
 
James Thurber wasn't too happy with the Sam Goldwyn film adaptation of his 1939 short story The Secret Life of Walter Mitty, but the Technicolor musical comedy proved to be a cash cow at the box office. Danny Kaye stars as Walter, a milquetoast proofreader for a magazine publishing firm. Walter is constitutionally incapable of standing up for himself, which is why his mother (Fay Bainter) has been able to arrange a frightful marriage between her son and the beautiful but overbearing Gertrude Griswold (Ann Rutherford). As he muses over the lurid covers of the magazines put out by his firm, Walter retreats into his fantasy world, where he is heroic, poised, self-assured, and the master of his fate. Glancing at the cover of a western periodical, Walter fancies himself the two-gun "Perth Amboy Kid"; a war magazine prompts Walter to envision himself as a fearless RAF pilot; and so on. Throughout all his imaginary adventures, a gorgeous mystery woman weaves in an out of the proceedings. Imagine Walter's surprise when his dream girl shows up in the flesh in the person of Rosalind van Horn (Virginia Mayo). The girl is being pursued by a gang of jewel thieves headed by Dr. Hugo Hollingshead (Boris Karloff), a clever psychiatrist who manages to convince Walter that he's simply imagining things again, and that Rosalind never existed. At long last, Walter vows to live his life in the "now" rather than in the recesses of his mind: he rescues Rosalind from the gang's clutches, tells his mother and Gertrude where to get off, and fast-talks his way into a better position with the publishing firm. Substituting the usual Danny Kaye zaniness for James Thurber's whimsy, Secret Life of Walter Mitty works best during the production numbers, especially Kaye's signature tune "Anatole of Paris." ~ Hal Erickson, All Movie Guide

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Starring:
Danny KayeVirginia Mayo, (more)
1947  
 
Just as she had in High Sierra (1941), Ida Lupino enjoys a brief moment of bliss with a man on the run in this highly emotional drama from Warner Bros. She plays Libby, a mountain girl nearly deprived of speech due to her rather hostile environment in general and repressive home life in particular. A true innocent, she falls head-over-heels in love with Barry Burnett (Dane Clark), a member of a prison chain gang building a road through the wilderness. One of those convenient storms endemic to this kind of narrative allows Barry and Libby to escape into the hills but their blissful existence proves of short duration. Deep Valley was filmed on location at Big Sur and Big Bear, CA. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Ida LupinoDane Clark, (more)
1946  
 
Owen Wister's 1902 novel was made into a movie several times, most notably in 1929, with Gary Cooper starring. This 1946 remake of the often-filmed saga gave Joel McCrea the title role as the standing-tall cowboy in Wyoming. The Virginian and his best friend Steve (Sonny Tufts) are rivals for the affections of Molly Wood (Barbara Britton), a schoolteacher who has migrated from the East and finds herself intimidated by the rough morality of the West. Steve is after a quick buck and hooks up with a nefarious cattle rustler, Trampas (Brian Donlevy). The Virginian warns his friend not to take up the life of crime, but to no avail. Much gunplay ensues. ~ Michael Betzold, All Movie Guide

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Starring:
Joel McCreaBrian Donlevy, (more)
1946  
 
Danny Kaye's The Kid From Brooklyn is a virtual scene-for-scene remake of Harold Lloyd's The Milky Way (1936), with music and Technicolor added to the proceedings. Kaye is cast as timid milkman Burleigh Sullivan, who through a fluke knocks out prizefighting champion Speed McFarlane (Steve Cochran). Sensing a swell publicity angle, McFarlane's manager Gabby Sloan (Walter Abel) promotes Burleigh as the next middleweight champ-and to insure this victory, Gabby fixes several pre-title bouts. Unaware that his fighting prowess is a sham, Burleigh develops a swelled head, which alienates him from everyone he cares about, including his sweetheart Polly Pringle (Virginia Mayo). The truth comes out during the climactic title fight, but a chastened Burleigh emerges victorious thanks to a series of incredible plot twists. The strong supporting cast includes Vera-Ellen as Burleigh's sister Susie, Eve Arden as Gabby's wisecracking girl friday Ann Westley, and, repeating his role from Milky Way, Lionel Stander as Speed's lamebrained trainer Spider Schultz. Danny Kaye does his best to play Burleigh Sullivan rather than Danny Kaye, though his efforts are undermined by the interpolated "specialty" number "Pavlova," which just plain doesn't belong in this picture. Like The Milky Way, The Kid From Brooklyn was adapted from the Broadway play by Lynn Root. ~ Hal Erickson, All Movie Guide

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Starring:
Danny KayeVirginia Mayo, (more)
1945  
 
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Twentieth Century-Fox couldn't make a film version of Richard Rodgers and Oscar Hammerstein's Oklahoma in 1945--that particular Broadway musical would remain a "hot ticket" until the end of the decade--so the studio did the next best thing by hiring Rodgers & Hammerstein to pen the score for the Technicolorful State Fair. Fox had previously made a non-singing movie of Philip Stong's novel in 1933, with Janet Gaynor and Will Rogers in the leads. The musical remake downplayed the older characters in favor of the younger members of the cast. Set during the annual Iowa State Fair, the story concentrates on the Frakes family: father Charles Winninger, mother Fay Bainter, and grown-up children Jeanne Crain and Dick Haymes. Each has his or her own reason for attending the fair: Winninger intends to win the "prize hog" ribbon, Bainter hopes to defeat her longtime snooty rival in the "best pickle contest" (she wins when the judges get schnockered on the alcoholic "special ingredient" in her pickles), Crain falls in love with fast-talking journalist Dana Andrews, and Haymes woos footloose and fancy-free vocalist Vivian Blaine. Musical highlights include the Oscar-winning "It Might as Well be Spring," "It's a Grand Night for Singing," and the title number. To avoid confusion with the 1962 remake, the 1945 State Fair was for many years retitled It Happened One Summer for TV showings. ~ Hal Erickson, All Movie Guide

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Starring:
Jeanne CrainDana Andrews, (more)
1944  
 
Based on a play by Phoebe and Henry Ephron, Three Is a Family is a 1940s farce that frequently substitutes noise for humor. Charlie Ruggles plays a hubby whose bungled business schemes force his wife Fay Bainter to enter the workplace. The couple's daughter Marjorie Reynolds shows up with her twin babies in tow. Son Arthur Lake arrives with his pregnant wife (Jeff Donnell). And overbearing maiden aunt Helen Broderick also decides to move in. Because his wife is away at work, poor old Charlie Ruggles is not only housekeeper, but nursemaid and servant as well. If you like diaper and bottle-warmer jokes, you'll love Three is a Family. ~ Hal Erickson, All Movie Guide

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Starring:
Marjorie ReynoldsCharlie Ruggles, (more)
1944  
 
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Adapted from a Saturday Evening Post serial by Frank and Marian Cockrell, Dark Waters stars Merle Oberon as heiress Leslie Calvin, a woman with a neurotic aversion to water. This stems from the fact that in her childhood, Leslie was one of four survivors of a torpedoed steamship. Preying upon Leslie's fears, conniving Mr. Sydney (Thomas Mitchell), a guest at the Calvin family's Louisiana plantation, concocts a campaign of terror designed to drive the poor girl crazy so that he can claim her vast inheritance. Sydney and his cohorts also have the presence of mind to murder all of Leslie's closest relatives, leaving her utterly helpless. ~ Hal Erickson, All Movie Guide

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Starring:
Merle OberonFranchot Tone, (more)
1943  
 
In this wartime comedy drama an ultra-macho but aging Marine sergeant does all he can to keep his men intimidated and towing the line while they are stationed in the Philippines at the beginning of WW II. The tough-as-nails jarhead does have a terrible secret though--he has never been involved in actual combat. When his unit heads out for battle in China, the sarge is humiliated because he has not been granted permission to go. He begins drowning his sorrows in a bottle and later gets into a fight with some merchant sailors. As a result he is tossed into the brig until his wife urges him to retire. He reluctantly agrees and tries his hand at civilian life. Later when the Japanese invade the islands, it is the old sergeant who helps the civilian's safely withdraw; unfortunately he dies in the process. His wife also dies. Later their daughter, once a devout pacifist and now a uniformed member of the armed forces, accepts a medal of honor for her courageous father. ~ Sandra Brennan, All Movie Guide

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Starring:
William LundiganWallace Beery, (more)
1943  
 
In this light romantic comedy, William B. Whitley (William Powell) is an astronomer who is very excited about his latest discovery, a comet that has been named after him. However, Whitley has been so busy tracking the course of his comet as its path leads straight into the moon that he's been ignoring his new wife, Vicky (Hedy Lamarr). Bored and lonely, one day Vicky visits an astrologer who informs her that she will -- on a specific day -- meet a handsome stranger, and they will fall in love. A bit perplexed at this news, Vicky shares the astrologer's report with William; however, he's so appalled that she would waste her time on pseudo-scientific hooey like astrology that he storms out of the house, moving into his observatory for a few days. On the predicted day, Vicky is wondering what happened to her dream man when an air raid warden, Lloyd Hunter (James Craig), shows up to confront Vicky and ends up going inside her house and shutting off her lights. Vicky and Lloyd strike up a conversation, and she begins to realize that he could well be the man the astrologer predicted she would meet; Vicky is interested in him, but just as he's leaving, William returns. William, however, senses that Vicky is infatuated with Lloyd, and he quickly hatches a devious plan to win back her good graces. ~ Mark Deming, All Movie Guide

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Starring:
William PowellHedy Lamarr, (more)
1943  
 
Allen R. Kerward's flagwaving stage play Proof thro' the Night was vastly improved in its screen adaptation, which was retitled Cry Havoc. Margaret Sullavan (making her first screen appearance in two years), Joan Blondell and Ann Southern are among the appropriately deglamorized actresses playing Red Cross nurses caught up in the Pacific War. As the Japanese army forces most of the American troops to retreat from Bataan, the nurses remain, tending to the miserable wretches left behind to defend a defenseless post. This atypical MGM production is far more successful in depicting the plight of courageous women trapped behind enemy lines than was Paramount's over-touted So Proudly We Hail (and the acting was better to boot). Among the very few male characters in Cry Havoc is young bit player Robert Mitchum, appearing briefly as a mortally wounded soldier. ~ Hal Erickson, All Movie Guide

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Starring:
Margaret SullavanAnn Sothern, (more)
1943  
NR  
Author William Saroyan's corn-shucking brand of sentimentality works wonders in this 1943 filmization of his novel. Narrator Ray Collins is dead before the film begins; thus he is able to provide an all-seeing overview of the tiny community of Ithaca, California. The principal character, played by Mickey Rooney, is Collins' son; as the delivery boy for the local telegraph office, Rooney keeps in close contact with virtually every family in town, which results in several comic and poignant moments. Rooney's older brother Van Johnson is in uniform, off fighting World War II; his sister Marcia Hunt is the erstwhile sweetheart of telegraph-office supervisor James Craig. The "circle of life" concept that unifies the anecdotal plotline is best illustrated by the film's final image: after Johnson dies in battle, his best friend, parentless John Craven, is more or less adopted by Collins' family. Reportedly, The Human Comedy was MGM chief executive Louis B. Mayer's favorite film, an apotheosis of Mayer's devotion to "family values." Among the many small-part players populating Human Comedy are Barry Nelson, Robert Mitchum, Don DeFore, Jay Ward (later the producer of Rocky and His Friends) and Carl "Alfalfa" Switzer. ~ Hal Erickson, All Movie Guide

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Starring:
Mickey RooneyFrank Morgan, (more)
1943  
 
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A Booth Tarkington novel was the source for the so-so Judy Garland musical Presenting Lily Mars. Garland plays the title character, a small-town girl with big-city ambitions. She heads to Broadway hoping for stardom, but after a series of disappointments the best she can manage is an understudy job. That's right, folks: the star walks out on opening night, Lily goes on in her place, and the audience boos and throws rotten tomatoes (just kidding: Lily's a sensation, of course). Van Heflin costars as a young producer who falls in love with Lily, but who avoids bestowing upon her instant stardom for fear of being accused of favoritism. Naturally, Judy Garland gets to sing a lot, and whenever she does the picture soars; other musical acts include the orchestras of Bob Crosby and Tommy Dorsey. ~ Hal Erickson, All Movie Guide

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Starring:
Judy GarlandVan Heflin, (more)
1942  
 
This wartime weeper could just as well have been titled Stardom for Margaret, inasmuch as it solidified the popularity of that remarkable child actress Margaret O'Brien. While visiting London, American married couple Robert Young and Laraine Day are caught in the middle of the 1940 blitz. Losing her unborn child during the bombing, Day sadly heads back to the U.S., while her journalist husband stays behind to cover late-breaking events. Young makes the acquaintance of O'Brien and Clifford Severn, children orphaned by the blitz. After pulling the shell-shocked O'Brien out of her near-catatonic state, Young decides to adopt both children and take them back to his wife in the States. There are some tense moments as Young tilts at the stepped-up immigration restrictions, but he is finally able to bring his new family home. Journey for Margaret stars Robert Young and Margaret O'Brien would be reunited two decades later on an episode of Young's TV series Marcus Welby MD, in which Ms. O'Brien played a patient suffering from obesity. ~ Hal Erickson, All Movie Guide

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Starring:
Margaret O'BrienLaraine Day, (more)
1942  
 
In this WW II propaganda piece a wealthy American society matron refuses to sacrifice her material comforts to aid the war effort until she realizes that her selfishness is cheating the boys overseas who are fighting for her freedom. ~ Sandra Brennan, All Movie Guide

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Starring:
Edward ArnoldFay Bainter, (more)
1942  
NR  
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Spencer Tracy and Katharine Hepburn costarred for the first time in the delectable romantic comedy Woman of the Year. Tracy plays New York sportswriter Sam Craig, who becomes incensed at comments about the uselessness of sports made by foreign correspondent Tess Harding (Hepburn). Sam and Tess subsequently use their respective columns to carry on a feud-at least, until they finally meet face to face. After Sam takes Tess to her first baseball game (one of the funniest scenes ever committed to celluloid), the two fall in love. Once married, however, their happiness is threatened by their wildly divergent lifestyles (Sam hadn't intended to spend his honeymoon helping to hide a prominent European refugee from the authorities, nor is Tess prepared for her husband's rowdy sports-oriented pals). When Tess is voted "Woman of the Year", a jealous Sam walks out on her. She endeavors to win him back by cooking him breakfast-with disastrous results. Despite their oil-and-water relationship, Sam and Tess are made for each other, and they're back together for the final fadeout. A hands-down winner at the box office, Woman of the Year earned a "best original screenplay" Oscar for Ring Lardner Jr. and Michael Kanin. Nominated for an award was director George Stevens, an RKO contractee brought to MGM at Hepburn's insistence. And need we remind you at this late date of the subsequent lifelong romance between stars Spencer Tracy and Katharine Hepburn? ~ Hal Erickson, All Movie Guide

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Starring:
Spencer TracyKatharine Hepburn, (more)
1942  
 
So far as W.C. Fields fans are concerned, Ann Hegan Rice's sentimental 1901 novel Mrs. Wiggs of the Cabbage Patch was definitively filmed in 1934. After seven reels' worth of a lachrymose plot about the impoverished Mrs. Wiggs (Pauline Lord) holding her large family together while her husband was off on a "mysterious mission," Fields strolled in as the mail-order husband to neighbor lady ZaSu Pitts, and promptly stole the show. The 1942 remake of Mrs. Wiggs substituted the amusing but hardly immortal Hugh Herbert for W.C. Fields, allowing star Fay Bainter to retain the spotlight. The story is substantially the same as before, including the mortgage on the home, the death of the frailest Wiggs child, and the eleventh-hour appearance of Mr. Wiggs, who solves all financial and emotional problems before lying down to take a nap. The 1942 Mrs. Wiggs of the Cabbage Patch was actually the third film version of the Rice novel; the first had been released in 1919, with Mary Carr in the title role. ~ Hal Erickson, All Movie Guide

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Starring:
Fay BainterCarolyn Lee, (more)
1941  
 
William Powell and Myrna Loy re-team for this (literally) crazy screwball comedy about a happily married couple who, thanks to a visit from mother, find their marriage on the rocks and the husband committed to a mental institution. Poised to celebrate their fourth wedding anniversary, Steven (William Powell) and Susan Ireland (Myrna Loy) find their domestic bliss shattered by a visit from Susan's mother (Florence Bates). Susan's mother sprains her ankle and extends her visit, just in time to draw the wrong conclusions when her son-in-law pays a friendly visit to his old girlfriend Isobel (Gail Patrick). Susan's mother eavesdrops and reports it all to Susan, who in a jealous rage tries to make Steven jealous. But she winds up being chased through the hallway of her apartment building by half-naked archery enthusiast Ward Willoughby (Jack Carson). The couple agree on a divorce, but Steven then has second thoughts. On the advice of his lawyer, George Renny (Sidney Blackmer), Steven pretends he is insane, since the law prohibits Susan from divorcing him if Steven is mentally ill. Unfortunately, Susan is wise to his charade and has him committed to an asylum. ~ Paul Brenner, All Movie Guide

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Starring:
William PowellMyrna Loy, (more)
1941  
 
Advertised as a sort of sequel to MGM's Babes in Arms (1939), Babes on Broadway reunites the two stars of the earlier film: Mickey Rooney and Judy Garland. Rooney is the guiding force of a group of young showbiz hopefuls who are trying to make it on Broadway. When things look darkest, he goes into his "Say, kids!" routine, rousing his companions to put on their own show. Highlights include a sequence in which Rooney and Garland go through a series of imitations of past theatrical greats. As cute and perky as Garland is, she has nothing on the "Carmen Miranda" takeoff performed--in full makeup and platform shoes--by the ubiquitous Rooney. Babes on Broadway ends with a typically overproduced production number stage by the film's director, the immortal Busby Berkeley. ~ Hal Erickson, All Movie Guide

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Starring:
Mickey RooneyJudy Garland, (more)

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