Jack Valenti Movies
A decorated veteran, established writer, and longtime president and Chief Executive Officer of the Motion Picture Association of America,
Jack Valenti is, among many other things, the man primarily responsible with the now-familiar ratings system which dominates the American movie marketplace. A native of Houston, TX, at age 15,
Valenti became the youngest graduate of the city's high school and soon went to work for the Humble Oil Company (which would eventually become Exxon). Soon taking to the skies in the Army Air Corps during World War II,
Valenti flew over 50 combat missions as the pilot and commander of a B-25 bomber and was honored with numerous decorations including a Distinguished Flying Cross and an Air Medal with four clusters. Returning to the U.S. to get his B.A. from the University of Houston, the tireless
Valenti pounded the books by night while simultaneously holding down a day job. Following his graduation from Harvard with an M.B.A. a few short years later,
Valenti ventured into business by co-founding Weekley and Valenti, an advertising/political consulting agency. A fateful meeting with then U.S. Senate Majority Leader
Lyndon Johnson found
Valenti establishing a tie that would ultimately have a profound impact on his life, as Weekly and Valenti was in charge of the press during the tenure of
President John F. Kennedy. Riding along with the presidential motorcade on that fateful day in Dallas on November 22, 1963,
Valenti was quickly appointed the first newly appointed special assistant to
President Johnson after
President Kennedy's assassination. It was three short years later that
Valenti would resign from the post and become only the third man ever in charge of the association that he would ultimately become most recognized for, the M.P.A.A. As the president of the M.P.A.A.,
Valenti rallied for a new, voluntary motion-picture ratings system that would provide parents with an indicator of a film's content. Following on the heels of the Hayes Code, the simple ratings of "G" (General Audiences), "M" (Mature Audiences), "R" (Restricted, persons under 16 [later 17] not admitted unless accompanied by an adult), and "X" (No one under 17 admitted) were implicated in 1968. Though over the years the ratings would occasionally experience slight changes ("M" would eventually become "PG" and "X" would become "NC-17" in an attempt to reclaim artistic merit from the former's association with pornography) and a few additions ("PG-13" was implicated in 1984 as a means of indicating a more intense subject matter meant for older teens), the basic concept remained intact. A specially assigned board of unknown individuals vote on a rating after viewing a certain film; the filmmakers are subsequently given the opportunity to appeal the rating if they feel it is unfair. Films released either without M.P.A.A. approval ("NR") or with the "NC-17" rating often find trouble with distribution as many large theater chains and rental outlets refuse to advertise or carry these films of more questionable or controversial content. Later years would find numerous challenges aimed at the M.P.A.A. with claims of major studio releases getting preferential treatment over smaller independent films. Nevertheless,
Valenti and the M.P.A.A. continued to expand their ratings system to television and seek ways to adapt it to new technologies in addition to combating piracy. After receiving his doctorate from the University of Oklahoma,
Valenti was also given his own star on the Hollywood Walk of Fame in addition to being named a Life Member of the Director's Guild of America. In addition to his four books,
Valenti's numerous essays have appeared in such publications as the New York Times, the Washington Post, the Los Angeles Times, Reader's Digest, and Newsweek. Valenti died in April of 2007 after suffering a stroke earlier in the year. ~ Jason Buchanan, Rovi

- 2004
- PG13
- Add The Last Mogul: The Life and Times of Lew Wasserman to Queue
Add The Last Mogul: The Life and Times of Lew Wasserman to top of Queue
For the second half of the 20th century, Lew Wasserman was the most powerful man in show business, even if most people had no idea who he was. Born in Cleveland, OH, in 1913, Wasserman started out booking music for mob-controlled night clubs, and soon became an agent for Music Corporation of America, which became the most lucrative music agency in America. As Wasserman rose through the ranks at MCA, he established such innovative business practices as "packaging" talent (booking hot acts only in tandem with other artists who were a harder sell) and took the company into managing acting talent in Hollywood, where he changed the film business forever by negotiating a ground-breaking deal for James Stewart on the film Winchester '73, which reduced the actor's up-front salary in favor of a cut of the movie's profits, earning the actor a fortune in the process. Under Wasserman's tenure at MCA, the company took over Universal Pictures, established the studio's television branch (and made enough powerful friends to make it the most important production outlet in the business), created the wildly successful Universal City studio tours, and expanded MCA's recording branch into one of the biggest record companies in the world. Wasserman was also a man with no small degree of political influence (it didn't hurt that Ronald Reagan was one of his early clients when MCA want Hollywood), and was reputed to have some useful connections to organized crime (his personal lawyer was reputed to be the model for Robert Duvall's character in The Godfather). Wasserman was a secretive man who did not give interviews or commit anything to writing if it could be avoided, but he knew nearly everyone of consequence in show business, and The Last Mogul: The Life and Times of Lew Wasserman is a documentary that through interviews with his friends and business associates paints a detailed portrait of his remarkable career, from his childhood in Ohio to his death in 2002. ~ Mark Deming, Rovi
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- Starring:
- Peter Bart, David Brown, (more)

- 2004
-
- Add Henri Langlois: The Phantom of the Cinematheque to Queue
Add Henri Langlois: The Phantom of the Cinematheque to top of Queue
Henri Langlois was, in many respects, the ultimate film fan. In 1936, at the age of 22, Langlois became (along with Jean Mitry and Georges Franju) one of the founders of the Cinémathèque Française, a theater and museum devoted to preserving the history of the motion picture. Initially a tiny operation financed by private funds, the Cinémathèque, with time, grew into Europe's most important film archive, collecting and preserving prints of rare films from all over the world and protecting many rare gems of the French cinema from destruction during the Nazi occupation of World War II. Langlois' enthusiasm for sharing the treasures of his collection with others helped spawn a film-crazy generation who created the French New Wave of the '50s, and in time, the French government acknowledged the importance of the Cinémathèque's work by financing their endeavors. In 1968, the French minister of culture, André Malraux, responded to Langlois' difficult personality and sloppy bookkeeping by pulling the government's financing of his projects, which led to an international outcry leading to the shutdown of the Cannes Film Festival by activists and film buffs. The Cinémathèque's funding and Langlois' leadership were later restored, and in 1973, his work in film preservation was honored with a special Academy Award. Henri Langlois: The Phantom of the Cinémathèque is a documentary which chronicles the life, times, and passions of the legendary archivist and includes interviews with his friends, contemporaries, and colleagues -- including Claude Berri, Claude Chabrol, Jack Valenti, and Daniel Cohn-Bendit. ~ Mark Deming, Rovi
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- Starring:
- Henri Alékan, Jo Amorin, (more)