Margaret Howell Movies

This sequel to director Bernard Rose's superb, metaphorical Candyman is a more straightforward Gothic horror project, discarding any association with the events of the previous film (which was based on the short story "The Forbidden" by horror surrealist Clive Barker) aside from the title entity, played again by the imposing Tony Todd. A melancholy but extremely deadly ghost, Candyman is revealed -- in a compelling sequence of flashbacks -- as the vengeful spirit of Daniel Robitaille, a black portraitist in post-Civil War Louisiana who was set upon and horribly mutilated by an angry white mob in retaliation for his affair with a plantation owner's daughter. In present-day New Orleans, at the height of Mardi Gras festivities (the film's title refers to the literal translation of the Latin "Carnival"), Candyman walks the realm of the undead, with a hook in place of the hand he lost to the lynch mob, waiting to be summoned by the recitation of his name five times into a mirror. The latest victims of his evisceration skills include members of the Tarrant family, with young schoolteacher Annie (Kelly Rowan) next in line. Her family's connection with the Candyman legend is eventually revealed when Annie visits the family estate to uncover the link between her ancestors and Daniel Robitaille himself. This is a well-executed horror film, with fine performances and good use of the subtle menace underlying the Mardi Gras ambience, but the deft hand of Barker is clearly absent, leaving a standard horror plot without the mythical resonance of the original. The chilling Philip Glass score is a definite plus, though. ~ Cavett Binion, All Movie Guide

Charles Bronson, weary and comatose, is trotted out again as the cocked crusader Paul Kersey in Death Wish 4: The Crackdown. Director Michael Winner has jumped ship for this installment, replaced by J. Lee Thompson (who has seen better days). Kersey is back in L.A. and dating attractive reporter Karen Sheldon (Kay Lenz). Of course, the clock is ticking, and the gong goes off when Karen's daughter overdoses on crack. Before you can say "kaboom" the drug dealer, along with a large cast of bit players, are blown to bits by the single-minded vigilante. An enterprising publisher whose own daughter has died from a drug overdose hires Kersey to wipe out the city's two rival drug dealers and their legions of flunkies. Kersey has no trouble agreeing, and using the technique limned in Yojimbo, he methodically eliminates gang members, first from one side and then the other, until one gang's paranoia about the other gang causes the two competitors to engage in a major confrontation that impacts both groups. ~ Paul Brenner, All Movie Guide

Clint Eastwood plays a New Orleans detective determined to track down a serial killer of prostitutes. Complicating matters is the fact that the unknown culprit is very likely an S&M fetishist....and so is Eastwood. The detective is profoundly disturbed at the likelihood that he and the killer have the same taste in women; this element of the case is equally troublesome for psychologist Genevieve Bujold, who finds herself attracted to Eastwood. The climax involves the killer's attempting to throw Eastwood off the track by kidnapping one of the detective's two daughters (played quite well by Clint's real-life daughter Alison). Despite its reliance on bloodletting, particularly in the final scenes, Tightrope is most effective when probing the hangups and vulnerabilities of Clint Eastwood's character. ~ Hal Erickson, All Movie Guide