Trevor Howard Movies

This film showed up on TV as Forbidden Paradise, but you can't fool us. It's really The Hurricane, producer Dino De Laurentiis' ill-advised remake of the 1938 Sam Goldwyn production of the same name. The story of the casual cruelties imposed by the white ruling class on the natives of the isle of Manakoora had the advantage of timeliness in 1938; forty-one years later, the story plays like a Gilligan's Island amateur production of Uncle Tom's Cabin. Playing the old Jon Hall role of the native lad whose rambunctiousness incurs the wrath of the provincial governor, the uniquely ungifted Daton Kane makes Hall look like Sir John Gielgud. Even the expensive hurricane finale (which ate up most of the film's $22 million budget) isn't one-tenth as exciting as the corresponding sequence in the earlier film. The saddest aspect of the 1979 The Hurricane is that it was directed by Jan Troell, who showed flashes of brilliance in his earlier The Emigrants and Zandy's Bride; perhaps significantly, Troell hightailed it back to Sweden after wrapping up his obligation to Dino De Laurentiis. ~ Hal Erickson, Rovi

Richard Donner's big-budget blockbuster Superman: The Movie is an immensely entertaining recounting of the origin of the famous comic book character. Opening on Krypton (where Marlon Brando plays Superman's father), the film follows the Man of Steel (Christopher Reeve) as he's sent to Earth where he develops his alter-ego Clark Kent and is raised by a Midwestern family. In no time, the movie has run through his teenage years, and Clark gets a job at the Daily Planet, where he is a news reporter. It's there that he falls in love with Lois Lane (Margot Kidder), who is already in love with Superman. But the love story is quickly sidetracked once the villainous Lex Luthor (Gene Hackman) launches a diabolical plan to conquer the world and kill Superman. Superman: The Movie is filled with action, special effects and a surprising amount of humor. ~ Stephen Thomas Erlewine, Rovi

South Africa provides the setting for this dark tale of racial unrest and turmoil. The story centers upon a policeman out to exact revenge for the man who killed and raped his fiancee. ~ Sandra Brennan, Rovi

Beau Geste, the classic adventure story of a young man's dangerous journeys as part of the French Foreign Legion, becomes the subject of broad parody in this slapstick comedy. The original tale, best known to film lovers from William Wellman's 1939 classic, tells of several brothers who join the Foreign Legion after claiming responsibility for the mysterious disappearance of an invaluable family heirloom. Eventually, brothers Beau and Digby find themselves in conflict with their vicious commander, leading to a potential mutiny. The plot here is similar, with Michael York assuming Gary Cooper's role as Beau, and first-time director Marty Feldman co-starring as Digby. However, following the lead of former collaborator Mel Brooks, Feldman plays strictly for laughs, loading the story with jokes ranging from the satirical to the vulgar. A cast of notables keeps things lively, with Peter Ustinov and Ann-Margret mocking their own images as the sadistic commander and lusty Geste stepmother. ~ Judd Blaise, Rovi

The Australian Eliza Fraser tries for the wig-and-bodice bawdiness of Tom Jones. The title character, played by Susannah York, is an 18th century lass who is shipwrecked together with Trevor Howard on a remote Australian island. Her lively exploits among the refugees help to make Eliza famous--or rather, notorious--throughout the British empire. Once rescued, Eliza earns her keep at county fairs by regaling audiences with her own tales of her adventures. Tim Burstall both wrote and directed Eliza Fraser from an original screenplay by David Williamson. ~ Hal Erickson, Rovi

This is not the same kind of film as the 1962 production, Tom Jones. In fact, it is a "nudie musical", as evidenced by the presence of singing star Georgia Brown in the dual role of Jenny Jones and Mrs. Waters. The project originated as a Las Vegas stage presentation, with Nicky Henson in the lead. The plot of the Henry Fielding novel about the "boy born to be hanged" is followed in spirit rather than to the letter, with busty Joan Collins thrown in like a lagniappe as a lady highwayman. Wandering through the proceedings are such English stalwarts as Trevor Howard and Terry-Thomas. ~ Hal Erickson, Rovi

Actor Richard Johnson wrote the original story for this taut suspense drama that stars Rod Steiger as Niall Hennessy, a man who plans to blow up the British Parliament in retaliation for the accidental death of his family in Belfast. Johnson plays Scotland Yard-inspector Hollis, an expert in the struggles of Ireland, who under Commander Rice (Trevor Howard) attempts to locate Hennessy. Hennessy has journeyed to London with a plan to substitute himself for MP Burgess (Hugh Moxey) and, wiring himself up as a human bomb, to destroy the British power structure. In a twist, IRA leader Tobin (Eric Porter), realizing that the explosion will lead to more British repression on Northern Ireland, also travels to London to try to kill Hennessy before he can explode his bomb. ~ Paul Brenner, Rovi

Based on the novel by Gerald A. Browne, 11 Harrowhouse is a 1974 heist spoof with an all-star cast. The story concerns millionaire Clyde Massey (Trevor Howard) pressuring diamond merchant Howard R. Chesser (Charles Grodin) into robbing a London diamond exchange owned by Meecham (John Gielgud. Howard gets help from his girlfriend Maren Shirell (Candice Bergen), discontented employee Charles D. Watts (James Mason), and a cockroach in order to execute the plan. Once he has the fortune, Massey tries to double-cross his team of forced thieves, but his wealthy partner-in-crime Lady Anne Bolding (Helen Cherry) helps them escape. Charles Grodin, who also co-wrote the screenplay adaptation, provides voice-over commentary. 11 Harrowhouse is also known as Anything for Love and Fast Fortune. ~ Andrea LeVasseur, Rovi

Originally titled Persecution, the British Terror of Sheba represents Lana Turner's entree into the "fading stars in horror flicks" sweepstakes. Turner plays a maniacally possessive millionairess who delights in dominating her tremulous young son (Mark Weavers). She knows that her son has a morbid fear of cats, and she uses this knowledge to keep him under her thumb. Even when he grows up (then portrayed by Alan Bates), Turner continues her reign of terror. As tragedy is heaped upon tragedy, we eagerly await Turner's comeuppance. When it comes, it's well worth the wait, even though The Terror of Sheba itself is hardly in the category of What Ever Happened to Baby Jane? (or even Die! Die! My Darling!). ~ Hal Erickson, Rovi

In The Offence, Sean Connery plays Johnson, a normally unflappable British police inspector who is emotionally shaken by a case of child molestation. For reasons he cannot explain, he is driven to kill the suspect while interrogating him and is suspended from the force. The incident leads to a nervous breakdown -- and the implication that Johnson had beaten the molester to death to purge himself of his own hidden pederastic tendencies. Based on John Hopkins' stage play This Story of Yours, The Offence made little headway at the box office, but United Artists was compelled to release the film to assure Connery's participation in UA's next James Bond movie. ~ Hal Erickson, Rovi

This Joseph Losey-directed 1973 version of Henrik Ibsen's A Doll's House marks one of two cinematizations of the story released during the same year. Here, Jane Fonda plays Nora Helmer, the mousy Norwegian wife who eventually turns on her insensitive husband Torvald (David Warner). At the time of its release, A Doll's House was castigated for allowing Ms. Fonda to espouse her "feminist dogma" in the role. In truth, what Losey and Fonda give us is not the traditional mindless "hothouse rose" who finally comes to her senses in Act Three, but instead a woman who knows she is trapped in a stereotype, but is willing to play along as long as her husband loves and trusts her. Only when Torvald proves to be a thick-headed jerk by condescendingly forgiving his wife for entering into a potentially scandalous but household-saving financial arrangement, does Nora reject his values and slam the door on him. Trevor Howard plays the slimy Dr. Rank, who assumes that his monetary hold over Nora grants him certain intimate privileges. A Doll's House was exquisitely photographed on location in Norway by Gerry Fisher. ~ Hal Erickson, Rovi

Liv Ullman portrays a female pope -- based on a long-held rumor that the papacy was held by a woman between the reigns of Leo IV and Benedict III -- in this rambling saga directed by Michael Anderson. The British version of the film has been cut, not only removing twenty-one minutes of the film but also an entire contemporary framing story. In the full version, a modern-day woman evangelist, played by Ullman, who feels an affinity to the legendary Pope Joan, pays a visit to her psychiatrist (Keir Dullea). Searching through her past lives to see whether she is the reincarnation of Pope Joan, the film then flashbacks 1000 years to pick up Joan (Ullman in an earlier incarnation of her character) undergoing a succession of trials and tribulations. Joan then meets up with and becomes the mistress of Adrian (Maximilian Schell), a monk with an artistic bent. After the death of Charlemagne when roving bands of Saxons are raping women and ransacking the countryside, Joan flees the country by cutting her hair short and dressing like a man. Together Joan and Adrian escape to Greece. In Greece, Joan's street-corner preaching draws the attention of Pope Leo IV (Trevor Howard), who is impressed by her impassioned rendering of the Gospel. Still disguised as a man, Pope Leo, clueless as to her true sex, hires her as his secretary. From there, she rises up the ladder of the Roman Catholic Church, becoming a cardinal and then Pope Leo's successor. But then she becomes pregnant by a lover from her past (Franco Nero) and Joan must hide her delicate condition from the papal authorities and the rowdy masses. ~ Paul Brenner, Rovi

Dick Clement directed this late-in-the-game spy thriller, starring Kirk Douglas. Douglas plays Andrej, a drone that smuggles books out of communist countries. Unfortunately for Andrej, he is mistaken for a spy and gets into a series of convoluted situations. Fabienne (Marlene Jobert), who lives with Sir Trevor Dawson (Trevor Howard), a randy British minister, is the slinky sex-bomb who finagles Andrej into the heart-thumping predicaments. Also on hand is Tom Courtenay as Baxter Clarke, an inept counter-espionage agent, who manages to make Andrej's already bad situation worse. ~ Paul Brenner, Rovi