Lewis Howard Movies

Though the most famous and controversial of the WWII "shell shock" documentaries, John Huston's Let There Be Light, was withheld from public view for nearly four decades, there were a few similar films made available for general distribution. One of these was Shades of Gray, produced under strict governmental supervision by the U.S. Army Pictorial Service. Because of the censorial hue and cry over the use of actual shell-shock victims in Let There Be Light, it was decided to use professional actors in Shades of Gray. The results are stiff and contrived, and not nearly as powerful as the images seen in the Huston film. In addition, the "solutions" offered by the film's psychiatrists seem to be pat and pedantic, as if all the mental problems fomented by the war could be resolved by a few carefully chosen words (it should be noted without further comment that the script was approved in advance by the Army's psychiatric technical advisers). Shades of Gray was directed by Joseph E. Henabery, whose film career extended all the way back to The Birth of a Nation (1915). ~ Hal Erickson, All Movie Guide

MGM's first "Maisie" entry in two years, Up Goes Maisie once more stars Ann Sothern as eternally stranded showgirl Maisie Revere. Our heroine manages to secure a job as secretary to inventor Joseph Morton (George Murphy), who has developed a revolutionary new helicopter. A rival aircraft manufacturer tries to discredit and/or steal Morton's invention, but Maisie comes to the rescue. The entire film seems to be building up to the inevitable moment wherein Maisie herself takes over the copter controls and embarks on a wild ride high over Manhattan. The process work in this climactic sequences is unusually good for an MGM production, providing an exciting wrap-up to an otherwise pedestrian project. ~ Hal Erickson, All Movie Guide

This MGM musical lifts the premise of Pride and Prejudice and plunks it down into the early 1900s. S.Z. Sakall is a restaurateur who has decreed that his seven daughters must marry in order of age -- the oldest one first. Kathryn Grayson isn't the oldest, but she has the sweetest singing voice, and it is she who bags the first husband (Van Heflin). For the record, the remaining six sisters are played by Marsha Hunt, Frances Rafferty, Cecilia Parker, Peggy Moran, Dorothy Morris and Frances Raeburn. Seven Sweethearts was produced by Joe Pasternak, who'd been doing much the same material when in charge of Universal's Deanna Durbin vehicles. ~ Hal Erickson, All Movie Guide

In this musical comedy, a pregnant disc jockey misses her husband who is fighting overseas. Stressed out by the situation and her job, she decides to take some time off and convinces her twin sister to trade places with her. The switcheroo causes the soldier her husband appointed as her unofficial guardian no end of confusion. Songs include: "Annie Laurie," "Rug Cuttin' Romeo" (sung by Susan Miller), "My Melancholy Baby" (Ernie Burnett, George A. Norton, sung by Frances Langford), "I'm Gonna Swing My Way to Heaven" (Eddie Cherkose, Jacques Press, sung by Langford), "Got Love" (sung by Langford). ~ Sandra Brennan, All Movie Guide

In this crime drama set on the seedy waterfront of San Francisco, a longshoreman studies in his spare time to become an aircraft mechanic. He is also in love with a barmaid who works at her father's saloon. One day at the bar, the longshoreman gets into a fight with a man who is later found dead. Naturally, the longshoreman becomes the prime suspect and is arrested. There are two men who can prove him innocent, but they are in league with the real killer, a fugitive from Alcatraz. Meanwhile, a priest, a drunk, and the girl's father try to prove that the longshoreman is innocent by finding the fugitive's wife. The barmaid and the trampy wife then get in a big fight. In the end, the priest and the fugitive wrestle it out and the thief gets his just desserts. ~ Sandra Brennan, All Movie Guide

Hellzapoppin' is the film version of the "anything goes" Broadway hit starring Ole Olsen and Chic Johnson. The original production was part musical comedy, part "blackout" revue, with wild sight gags, zany props, audience participation sequences, dirty jokes, and never-ending gunshots. There was no plot, and in fact no two performances were exactly alike. When Hellzapoppin' was optioned by Universal, the original intention was to film the play as it stood (minus the more ribald one-liners), but the studio got cold feet and grafted on a conventional plot and romantic interest. The film's story concerns a musical show being staged at a fancy estate, and the romantic triangle of the show's producer (Robert Paige), the wealthy girl who lives at the estate (Jane Frazee), and the girl's erstwhile fiance (Lewis Howard). The show's stars are Olsen, Johnson, and Martha Raye. Martha is mistaken for the wealthy girl by a penniless Russian aristocrat (Mischa Auer), and the entire proceedings are "investigated" by a goofy private detective (Hugh Herbert). Olsen and Johnson are thus reduced to supporting players in their own film, but when they do manage to command the screen, the results are hilarious. The best moments range from a throwaway gag about Citizen Kane (Johnson finds a sled marked "Rosebud" and mutters "I thought they burned that!") to the more elaborate special-effects routines involving the mixed-up projectionist (Shemp Howard) who's ostensibly running Hellzapoppin for the benefit of the film audience. While the movie version fails to completely capture the spirit of the original play (except in a bizarre opening sequence), and the finale is a major disappointment, Hellzapoppin remains one of the few sustained filmic examples of the "nut humor" exemplified by Olsen and Johnson. ~ Hal Erickson, All Movie Guide

In It's a Date, the teenage diva Deanna Durbin is cast as Pamela Drake, the daughter of celebrated stage actress Georgia Drake (Kay Francis). Hoping to find success as an actress herself, Pamela energetically lobbies for the role of the maid in an upcoming play based on the life of St. Bernadette -- a role that has already been given to Georgia. When those conducting the auditions hear Pamela's singing, however, they quickly change their mind and offer the part to her. The rivalry between Pamela and Georgia intensifies when both fall in love with handsome middle-ager John Arlen (Walter Pidgeon). Innumerable complications follow, leading to a happy ending for both mother and daughter, though not quite the ending that either one had in mind. Deanna Durbin's musical repertoire this time out includes "Musetta's Street Song" from La Bohème, "Loch Lomond," "Love Is All," and a curious climactic rendition of "Ave Maria." It's a Date was remade in 1950 as Nancy Goes to Rio, with Jane Powell and Ann Sothern. ~ Hal Erickson, All Movie Guide

Best remembered as the film in which 17-year-old Deanna Durbin receives her first screen kiss, First Love is a modernized variation of the Cinderella legend (there's even "six white mice" in the form of a sextet of motorcycle policemen!). The film casts Durbin as Constance Harding, the poor relation of wealthy tycoon James Clinton (Eugene Pallette). When she comes to live with the Clinton family, she runs headfirst into her eccentric, social-climbing aunt Grace (Leatrice Joy) and her nasty, nightclub-hopping cousin Barbara (Helen Parrish); James himself rather likes the girl, but most his attention is directed towards dealing with his monumentally lazy son Walter (Lewis Howard in a comic turn). Left behind on the night of a fancy society ball, Constance is championed by the household servants, who provide her with a gorgeous gown and transportation to the event. She meets her Prince Charming in the form of likeable socialite Ted Drake (Robert Stack in his film debut)- but, just after the stroke of midnight, leaves her slipper behind. Later that night, the hateful Barbara convinces Constance that Ted was only toying with her emotions. Sorrowfully, Constance decides to return to school and bury herself in her studies, only to be dissuaded by her head teacher (Kathleen Howard), who made the same mistake herself many years before. Naturally there's a happy ending, with time to spare for Durbin to sing five numbers, including the Puccini-inspired aria "One Fine Day". ~ Hal Erickson, All Movie Guide