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Joyce Howard Movies

1950  
 
In this murder mystery, a woman pretends to be her murdered sister's ghost in an effort to catch the killer. She is assisted by a stranger. Later the two discover that it was the brother-in-law who committed the crime and together they get their revenge. ~ Sandra Brennan, Rovi

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1947  
 
Set in 1783, this romance chronicles the doomed relationship between a prince regent and a Catholic widow. The prince falls for her first, but as there is a great gulf in social class, she laughs at his advances. The poor prince is so distraught he attempts suicide. The widow then feels compassion and secretly marries him. Unfortunately, their secret becomes grist for the rumor mill and when it threatens the relationship between the prince and the king, the prince denies his marriage. The jilted woman runs away, and the prince marries the woman to whom he was originally betrothed. ~ Sandra Brennan, Rovi

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Starring:
Peter GravesJoyce Howard, (more)
 
1946  
 
The British Woman to Woman was the third film version of the war-horse stage play by Michael Morton. Hollywood's Douglass Montgomery plays David, a Canadian officer attached to the British secret service. Unhappily married to "ice princess" socialite Sylvia (Adele Dixon), David throws himself wholeheartedly into his espionage activities. While on a life-and-death mission in Paris, he falls in love with cabaret dancer Nicolette (Joyce Howard). Forced to evacuate Paris when the Nazis march in, David is unaware that Nicolette is pregnant. Years later, David searches desperately for Nicolette and the child he never knew, unaware that both are living in London. Will a happy ending follow? Well? best to wait until the final fadeout to be sure. ~ Hal Erickson, Rovi

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Starring:
Douglass MontgomeryJoyce Howard, (more)
 
1945  
 
In this drama, an average man of average income finds his life abruptly changed when the securities he purchased from a speculator pan out and he is rich. Unfortunately, the turn out to be securities are worthless and the newly rich man and the speculator lose everything. Unfortunately, by this time, he has developed a taste for the high life and this leads to his making a foolish decision. ~ Sandra Brennan, Rovi

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Starring:
Nora SwinburneJoyce Howard, (more)
 
1945  
 
In this WWII drama, James Mason plays naval commander Richard Heritage, who is distracted from his duties by a beautiful young woman who is secretly in cahoots with Nazi spies. By accident, Heritage lets her discover the sailing dates of American warships. The mistake costs the U.S. Navy a war ship and costs Heritage his post. After his court-martial, he sets off to find the girl who tripped him up and discovers that she has been killed. With the help of Laura Verity (Joyce Howard), he uncovers the Nazi spy ring, which is being operated under the guise of a British theatrical agency in the seaside town of Blackpool. The head of the outfit is master spy Christopher Child (Tom Walls), a fearsome villain. Heritage hopes to redeem himself and win the heart of Laura by defeating Child and his schemes. ~ Michael Betzold, Rovi

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Starring:
James MasonJoyce Howard, (more)
 
1945  
 
Leo Martin (William Hartnell) is a low-level member of a smash-and-grab gang run by shady dance-club owner Loman (Raymond Lovell), who is cajoled into a risky job on a major jewelry store. When the robbery goes wrong, and Martin is caught (and his wrists broken), the hood keeps silent and does his stretch in prison -- all along, he nurses a grudge against Loman and his driver Hatchett (Victor Weske) for running out on him. And that grudge grows to full-blown, murderous vengeance when Loman blows off the newly-released Martin as no use to the gang (as his hands aren't what they used to be). Now Martin plans to get even by squeezing Loman dry of everything he has, starting with his peace-of-mind -- he implicates the club owner in a murder, while planning a seemingly perfect alibi for himself, and also manages to latch on to the ring-leader that Loman is fronting for, "respectable" art dealer Gregory Lang (Herbert Lom). Lang has a knack for tying up loose ends -- including Loman -- and thinks he can handle a low-level spiv like Martin, but he doesn't reckon with the latter's rage, deviousness, or resourcefulness. Martin's planning gets him past all of the obstacles in his way, even -- so it seems -- the plodding efforts of Inspector Rogers (Robert Beatty), still investigating the killing that put Martin's plan into operation. ~ Bruce Eder, Rovi

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Starring:
William HartnellRaymond Lovell, (more)
 
1943  
 
Whenever one sees a title like The Gentle Sex, one braces oneself for an ironic switcharound. The supposedly gentle girls of the title--seven in all--are actually determined young British moderns who go into military service during World War II. In true "Army bomber crew" fashion, the film explores the widely varied backgrounds of the ladies involved, showing the events which led them to their patriotic commitment. As propaganda, Gentle Sex served its wartime purpose; as entertainment, it holds up reasonably well after five decades. The film was coproduced and codirected by actor Leslie Howard, who functions as narrator and (according to one source) can be glimpsed from behind in a couple of scenes. ~ Hal Erickson, Rovi

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Starring:
Joan GatesJoan Greenwood, (more)
 
1942  
 
British radio funster Arthur Askey inherits British film comedian Will Hay's longtime stooges Moore Marriot and Graham Moffatt in Back Room Boy. Big-Hearted Askey plays a cuckoo scientist seeking peace and quiet in a Scottish lighthouse. No such luck: the house is being used as a rendezvous for Nazi spies. Beyond the presence of Marriot and Moffatt, one gets the impression that Back Room Boy was originally intended as a Will Hay vehicle, inasmuch as Hay's longtime scripters Val Guest and Marriot Edgar wrote the yarn. Young Googie Withers fares well in an a thankless leading-lady assignment. ~ Hal Erickson, Rovi

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1942  
 
Two sisters stick by each other through thick and thin in this drama. The elder sister has a rather sexually checkered past. The tale begins as she heads for the French Riviera in search of more adventure and meets a charming man who knows nothing about her notorious past. They end up getting married. It is then he sees his bride's name figured prominently in a tabloid. The younger sister intervenes to save the union and tells him that she was the naughty sister. Unfortunately, her admission causes her own romantic life to crumble so the older sister finally 'fesses up. ~ Sandra Brennan, Rovi

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Starring:
Hugh WilliamsCarla Lehmann, (more)
 
1942  
 
Terror House is the prosaic American title for the taut British chiller The Night Has Eyes. James Mason plays Stephen Deremid, one of those brooding, secretive young men so beloved of wartime melodramas. He lives in a remote Yorkshire mansion surrounded by a boggish moor. A young British girl (Joyce Howard) and her wisecracking American friend (Dorothy Black) are forced to seek shelter in Stephen's home during a thunderstorm. The friend disappears; perhaps Stephen is responsible, or perhaps it's his Mrs. Danvers-like housekeeper (Mary Clare). And then there's the harmless, helpful Wilfred Lawson. ~ Hal Erickson, Rovi

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Starring:
James MasonJoyce Howard, (more)
 
1941  
 
In this socially conscious drama, an eccentric, wealthy young man impersonates a hobo in order to save a flophouse that is slated for destruction. ~ Sandra Brennan, Rovi

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1941  
 
In this WW II propaganda film, a German doctor, highly praised by his Nazi employers, finds it increasingly difficult to support the oppressive, increasingly brutal movement. At first he does nothing as his friends are persecuted and his wife becomes increasingly enamored with the party's misguided philosophies. Eventually he enlists the aide of an engineer and creates a secret radio station where he broadcasts condemnations of Hitler and prays for a "better" Germany to arise out of the ashes of his ruined country. ~ Sandra Brennan, Rovi

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Starring:
Clive BrookDiana Wynyard, (more)
 
1941  
 
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Filmed in the North Country of England, this is a film noir set in the 1930s as a family struggles with poverty and unemployment. Depressing and realistic, it portrays the lengths to which a family can go in order to survive., though there is some humor interlaced to keep the bleakness under control. The beautiful, sepia-tinted photography enhances the portrayals, which are excellent. ~ Tana Hobart, Rovi

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Starring:
Deborah KerrClifford Evans, (more)