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Jane Howard Movies

Discovered, or so the story goes, by Red Skelton, Betty Jane Howarth was awarded a contract with MGM in 1948 and appeared in the background in such diverse fare as The Pirate (1948) and The Great Sinner (1949). Universal-International later changed her moniker to Jane Howard but she continued to appear under both names through the 1970s. ~ Hans J. Wollstein, Rovi
1970  
 
In this crime drama, a playboy gambler has a passionate one-night stand with a beautiful woman. During the night, he briefly leaves and when he returns, finds her dead. Not wanting his name in the papers, the man tries to avoid the police. He soon finds himself victimized by extortionists, headed by his own boss and the girl, who only feigned death. They try to force him into breaking a notorious crimelord out of prison, but he is not so easily swayed. ~ Sandra Brennan, Rovi

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1957  
 
Having inherited a huge cattle ranch from his late father, Will Keough (Fred MacMurray) wants nothing more than to tend to his work and live in peace, but this is made impossible by the tense situation in his own household. Will's two younger brothers, Bless (Jeffrey Hunter) and Hade (Dean Stockwell), are as different as night and day: Convinced that he was responsible for the death of his father, Bless refuses to use a gun, and is thus branded a coward; conversely, Hade is wild and reckless, literally an accident waiting to happen. Exacerbating the situation is the brothers' grim and merciless mother (Josephine Hutchinson), who has instilled most of Bless' guilt feelings, and Will's sweetheart Aud Niven (Janice Rule), who finds herself drawn to the sensitive Bless. Ultimately, there will have to be a showdown...but who among the Keogh siblings will survive? ~ Hal Erickson, Rovi

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Starring:
Fred MacMurrayJeffrey Hunter, (more)
 
1957  
 
In this dark drama, a schizophrenic is forced out of his hospital due to overcrowding, and his doctors tell him to avoid stressful situations. He goes to a beachside motel and likes both the area and the owner's daughter. Her father discovers that he is a mental patient and threatens to have him recommitted unless he leaves his daughter alone. The schizophrenic snaps momentarily, killing him, and he and the daughter flee down the beach. He tries to kill her by pushing her into the water, but comes to his senses and rescues her. He ends up turning himself in. ~ Steve Huey, Rovi

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Starring:
Ray DantonColleen Miller, (more)
 
1956  
 
The "Bridey Murphy" craze of the 1950s was the catalyst for I've Lived Before. Jock Mahoney plays a contemporary pilot who survives a plane crash. Upon awakening, he is under the delusion that he is another airman, who died during the first World War. The authorities pass this insistence off as delirium, until Mahoney starts recounting events and intimacies that only the long-dead pilot would know. Ann Harding portrays the ageing former lover of the soul trapped within Mahoney's body. ~ Hal Erickson, Rovi

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Starring:
Jock MahoneyLeigh Snowden, (more)
 
1956  
 
There's Always Tomorrow is a remake of a 1934 film of the same name. Fred MacMurray is a toy company executive whose wife (Joan Bennett) and kids (Gigi Perreau, William Reynolds and Judy Nugent) take him for granted. Barbara Stanwyck is Fred's former girlfriend, whose own business activities result in a surprise reunion. MacMurray falls back in love with Stanwyck and prepares to leave his family. MacMurray's children go to Stanwyck and politely ask her to back off. She does so, and MacMurray's wife Bennett, who's been out of town during all this, is none the wiser. In the original There's Always Tomorrow, the male and female leads (Frank Morgan and Binnie Barnes) were farther apart age-wise, making their brief encounter all the more poignant. ~ Hal Erickson, Rovi

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Starring:
Barbara StanwyckFred MacMurray, (more)
 
1955  
 
A man with a strangely misshapen face wanders out of the desert near a small town and falls to the ground dead. The county sheriff (Nestor Paiva) tentatively identifies the dead man as Eric Jacobs, a laboratory assistant to Professor Deemer (Leo G. Carroll), a research scientist living a few miles out in the desert. But there's something strange about Jacobs; his facial features and bodily extremities are distorted to a point where he's barely recognizable. The sheriff calls in Dr. Matt Hastings (John Agar), the local physician, who makes a diagnosis of acromegalia, a glandular disorder that affects the body's growth. He also tells the sheriff that it can't possibly be acromegalia, because symptoms as pronounced as those he sees in this case take years to develop, and the man was in perfect health just three months earlier. Hastings refuses to believe the professor's account of Jacobs' rapid deterioration, but the sheriff takes the word of the scientist. Back in his laboratory, Deemer continues his work, going over tests of a chemical on various animals, all of which are jumbo-sized, including guinea pigs the size of rabbits, baby mice the size of full-grown rats, and a tarantula three feet long. Suddenly, the professor is attacked by his assistant (Eddie Parker), whose face and hands are distorted in the same manner as Jacobs, and who injects the helpless scientist with the experimental chemical before collapsing dead. A fire starts during the attack and in the confusion, the tarantula's glass cage is broken and it escapes the burning laboratory, wandering out into the desert. Weeks go by, and a new assistant, Stephanie "Steve" Clayton (Mara Corday), arrives to begin work for the professor. When Hastings gives her a ride to Deemer's home, the scientist explains to the doctor that he's been working on a radioactive nutrient, that, if perfected, could feed the entire world's population. He also says that Eric Jacobs made the mistake of testing the chemical on himself and it caused the disease that killed him. Hastings and Steve begin a romance, unaware that wandering around the desert is the tarantula from Deemer's laboratory, now grown to the size of an automobile and getting bigger with each passing day. Soon livestock and then people begin disappearing, and the sheriff is at a loss to explain any of it, or the one clue left behind in each case: large pools of what seems to be some kind of venom next to the stripped skeletons of the victims. Hastings takes some of the material in for a test; meanwhile, Steve notices that Deemer is going through some bizarre changes. His mood has darkened and his features now appear to be changing, as the acromegalia, caused by the injection, manifests itself. Hastings learns that one of the professor's test animals was a tarantula, which was presumed destroyed. When he learns that the pools near the deaths are composed of spider venom -- equivalent to what it would take many thousands of spiders to generate -- he's certain that the tarantula from the laboratory survived. By this time, the title creature is bigger than a house and ravaging the countryside, killing everything in its path and knocking down power lines and telephone poles as it moves. Hastings arrives just in time to rescue Steve from the attacking creature, which destroys Deemer's house and kills the professor. The sheriff and the highway patrol are unable to slow the creature, now the size of a mountain and moving at 45 miles an hour, even with automatic rifle fire, as it follows the road through the desert toward the town. Even an attempt to blow it up with dynamite fails when the monster walking right through the blast. Finally, the creature is poised to attack the town, when jets scrambled from a nearby Air Force base (led by a young Clint Eastwood, barely recognizable behind an oxygen mask) swoop in. When rockets fail to divert the monster from its path, the jets roar in for a second pass and drop enough napalm to incinerate the creature. ~ Bruce Eder, Rovi

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Starring:
John AgarMara Corday, (more)
 
1955  
 
Complaining that Francis the Mule was getting more fan mail than he was, Donald O'Connor bade adios to the "Francis" series with this 1955 entry. Once more, O'Connor plays Army lieutenant Peter Sterling, who heads to a navy base when it looks like his old pal Francis is about to be auctioned off as surplus. In short order, Sterling is mistaken for a bos'n's mate whom he resembles, and it's off to sea for both Peter and the mule. Among the able-bodied seamen in this film is a chap named Jonesy, played by a young Clint Eastwood in his second movie appearance. An eleborate slapstick finale brings this one to a rousing conclusion. Director Arthur Lubin likewise left the "Francis" series after Francis in the Navy; the next (and last) entry, Francis in the Haunted House, starred Mickey Rooney and was directed by Charles Lamont. ~ Hal Erickson, Rovi

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Starring:
Donald O'ConnorMartha Hyer, (more)
 
1934  
 
In this melodrama, a devoted father begins feeling unappreciated at home and so embarks upon a clandestine friendship with a former employee. The children see them together and assume it's an affair. They beg him to end the relationship. Later the woman herself talks to the kids, assuring them that the friendship is platonic and chiding them gently on their thoughtless behavior towards their dad. In the end, the family reconciles and the woman goes on with her life. ~ Sandra Brennan, Rovi

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Starring:
Frank MorganBinnie Barnes, (more)