Clint Howard Movies

Oversized mutant ticks start terrorizing a nearby campground and eating its campers. ~ Sean D. MacLaggan, All Movie Guide

Director Ron Howard's drama follows a beleaguered reporter during a hectic 24 hours at a New York City tabloid. Michael Keaton stars as Henry Hackett, a metro editor for the struggling New York Sun. Hackett is being wooed by the Sentinel, a more upscale paper, but he's addicted to the adrenaline-stimulating, breakneck pace of the Sun's newsroom, much to the consternation of his pregnant wife Martha (Marisa Tomei. Hackett is currently pursuing a story of two minority youths who have been arrested for the murders of two men. He learns that the police think that the killings may be a mob hit. In the court of public opinion, however, the innocent suspects are being judged as guilty, and the police may bow to the pressure. As Hackett and his staff desperately work all the story's angles to find the truth, several other dramas unfold. Top editor Bernie (Robert Duvall) learns that he has prostate cancer, and tough publisher Alicia (Glenn Close) wonders if her lack of popularity is due to her cost-cutting, her personality, or the fact that she's a woman. In their only collaboration, screenwriter David Koepp co-wrote the script with his brother Stephen Koepp, a senior editor at Time magazine. ~ Karl Williams, All Movie Guide

Stunt man Corey Michael Eubanks plays a repo man in Forced to Kill. While claiming a Jaguar, Johnny (Eubanks) is captured by a strange family. Before long, he's in the thick of a subrosa boxing tournament, where bare fists are de rigeur and the participants are obliged to kill one another. A question: if Eubanks is such a crackerjack stunt man, how'd he allow himself to get into this mess? (and he wrote the script, too!) Check your brains at the door: the action is terrific. The supporting cast of Forced to Kill includes filmmaker Ron Howard's father Rance and brother Clint. ~ Hal Erickson, All Movie Guide

In this epic Ron Howard film, Joseph Donelly (Tom Cruise) is an impoverished 19th-century Irish tenant farmer who has recently lost both his father and his home to the agents of his unscrupulous landlord. On a mission to avenge his family's injustice at the hands of the ruthless land baron Joseph meets the landlord's daughter and the two run off to America together where the girl expects to claim a piece of land for herself in the Oklahoma Land Rush. After she is robbed on the boat that carries them to America, they arrive with nary a penny and struggle just to keep their heads above water in the slums of Boston. After a series of serious set-backs they do eventually work their way out West, where Joseph must fight to realize his dream and claim a piece of the American Dream for himself -- and where they finally acknowledge their love for each other. Shot in wide-screen Panavision, the movie was filmed on-location in Ireland and Montana. ~ Iotis Erlewine, All Movie Guide

In this horror film, malicious toymaker Joe Petto (Mickey Rooney) and his creepy son, Pino (Brian Bremer), terrorize the residents of a small town with the deadly toys they create. After her husband is killed by one of Petto's toys, Sarah (Jane Higginson) and her troubled son Derek (William Thorne) set out to stop the evil toymaker. ~ Iotis Erlewine, All Movie Guide

The terror in this erotic horror thriller begins in the past when Dr. Russell, the director of a mental hospital, rapes a patient who afterward kills herself. Many years pass and the main story begins when a lovely model checks into the asylum. Dr. Russell feels those old lustful, violent stirrings upon seeing her, but during the drug-induced "seduction" something goes terribly wrong and the model seems to have died. With the aid of his weird staff, the doctor tries to get rid of the body, which mysteriously vanishes by the next day. Later, the shrink begins to seriously question his own sanity when he keeps seeing the form of the model surreptitiously sneaking around the grounds. Things only get stranger from there. ~ Sandra Brennan, All Movie Guide

In this horror film, the murderous Ricky returns under the control of a cult of demon-possessed women, who use the killer for their own evil means. ~ Iotis Erlewine, All Movie Guide

Little White Lies is a frenetic TV-movie hark bark to the "screwball comedies" of yore. Ann Jillian plays a just-getting-by Philadelphia policewoman who poses as a wealthy CEO because she's sick of "lady cop" jokes. Tim Matheson portrays a rich doctor who poses as a poverty-stricken orderly because he doesn't want women to pay attention to him because of his money. Mattheson falls for Jillian thinking that she's rich, while she falls for Matheson thinking that he's poor. And they went all the way to Rome to film this one. Little White Lies first aired November 27, 1989. ~ Hal Erickson, All Movie Guide

In Peter Yates' crime drama An Innocent Man, Tom Selleck plays Jimmie Rainwood, a stock figure airline maintenance supervisor with a perfect family. Then, one day, Jimmie decides to take a shower. While scrubbing himself clean, two crooked cops are getting themselves dirtier. Mike Parnell (David Rasche) and Danny Scalise (Richard Young) are the kind of bad cops who bust the drug dealers, steal their supply, and sell it back to the local drug lords. On this day, unfortunately for Jimmie, they get the wrong address and bash down his door. When Jimmie comes out of the bathroom wielding his hair dryer, Parnell and Scalise think it is a gun and shoot him. Realizing their mistake, they cover themselves and frame him as a drug dealer. Jimmie refuses to take a plea and he is sentenced to six years in the slammer. In the brutal prison environment, he is taken aside by long-timer Virgil Kane (F. Murray Abraham), who gives him a bleak collection of options to chose from in order to survive prison. After seeing a prison gang rape, Jimmie chooses the kill-or-be-killed selection and stabs to death the nasty black convict who has been bothering him. After three years, Jimmie is released on parole, and he tries to pick up his life again. But Parnell and Scalise return to threaten Jimmie and his family. Realizing that his prison lessons must be carried over into civilian life, he sets up a situation in which the bad cops' drug dealings are revealed, and Jimmie prepares for a final reckoning between the cops and himself. ~ Paul Brenner, All Movie Guide

This gory medical thriller managed to pre-date an early-'90s spate of direct-to-video exploitation films dealing with sleazy black-market organ banks. The plot centers on the activities of the "Body Organ Replacement Network," a secret criminal organization (led by ubiquitous movie villain William Smith) which obtains donor organs -- by any means possible -- for anyone willing to meet their prices and keep their mouths shut. Their methods usually involve patrolling the city in an ambulance looking for unwilling "donors" (usually female), who are promptly chopped up on the operating table. The sinister wheels are put in motion again when a wealthy family approaches the B.O.R.N. network about obtaining a replacement heart for their ailing daughter. Though not quite as gory as it sounds, this is still a pretty sleazy exercise which plays like a tabloid-flavored version of Robin Cook's novel Coma, without the clever insight of Michael Crichton's 1978 film. ~ Cavett Binion, All Movie Guide

This supernatural teen action film is about a strange reincarnation with the emphasis on "car." Young Jamie is killed by the evil Packard (Nick Cassavetes) and his gang of thugs because Jamie was caught romancing Keri (Sherilyn Fenn), Packard's girlfriend. Suddenly "the Wraith" -- a black turbo racing car shows up to challenge Packard (sounds like a Detroit auto duel) whose livelihood comes from stealing cars. What happens next is an endless series of car chases as Packard's gang of punks start to bite the dust, one by one. Then Jake (Charlie Sheen) comes into town on a motorcycle and makes a play for Keri, giving rise to old animosities one more time. ~ Eleanor Mannikka, All Movie Guide

Cocoon is a warm-hearted science-fiction fable that avoids becoming overly corny thanks to the performances of its mostly senior cast. Wilford Brimley, Don Ameche, and Hume Cronyn are three old-timers who sneak out of their retirement home a few days a week to swim in the large pool on an abandoned estate next door. When the threesome begins to feel curiously younger, they discover strange pods on the floor of the pool. These pods are alien cocoons, which are being pulled from the ocean by a team of extra-terrestrials in human form led by Walter (Brian Dennehy), who has hired a local charter operator (Steve Guttenberg) to assist him. Walter explains to the seniors that energy from the cocoons is restoring youth and vigor to the older men every time they go for a dip. The aliens agree to let the men continue to swim in secret, but of course they can't keep their discovery to themselves. Soon the pool is swarming with retirees, with the notable exception of Bernie (Jack Gilford), who has no interest in prolonging life any longer than necessary. The aliens ultimately prepare to return home and offer the retirees eternal life if they leave Earth behind as well. Director Ron Howard treats his old-timers with care and dignity, and they respond with deeply sympathetic performances (Ameche won the Best Supporting Actor Oscar); the film's science-fiction trappings ably sustain the story's all-too-human ruminations on youth, aging, life, and death. ~ Don Kaye, All Movie Guide

Director Allan Arkush knew whereof he spoke in Get Crazy. A longtime employee of Fillmore East, a popular rock-concert locale of the 1960s and 1970s, Arkush brought a great deal of insider's savvy to this comedy about the concert circuit and its denizens. Malcolm McDowell stars as a Mick Jagger-type rocker who is one of several acts lined up for a big New Years' Eve show. If villains Ed Begley Jr., Bobby Sherman and Fabian have their way, however, the show will never get off the ground. The supporting cast is dotted with such cult-flick icons as Dick Miller, Jackie Joseph and Mary Woronov. The musical portion of the program is handled by the likes of Malcolm McDowell, Lou Reed (as a Bob Dylan type) and Bill Henderson (as a Muddy Waters takeoff). In case it hasn't been made clear already, the main "joke" of Get Crazy is the presence in the cast of actors as musicians and musicians as actors; it is to the film's credit that this one joke never wears out its welcome. ~ Hal Erickson, All Movie Guide