Alan Howard Movies

Filmmakers Dan Geller and Dayna Goldfine explore the remarkable history of the legendary dance troupe Ballets Russes in this meticulously researched documentary that traces the evolution of the group from their 1909 debut performance in Paris until their final 1962 show in Brooklyn, NY. Performing at venues both large and small, the Ballets Russes opened the world's eyes to the art of dance in a manner never even conceived by vaudeville. Detailing everything from the involvement of such legendary artists as Picasso and Matisse to the quarrels between choreography giants George Balanchine and Leonid Massine -- and including interviews with such historical Ballets Russes dancers as Yvonne Chouteau, Raven Wilkinson, and other surviving members of the troupe -- this documentary pays tribute to some of the biggest names in the world of dance while simultaneously showcasing the remarkable influence that Ballets Russes had on generations of dancers. ~ Jason Buchanan, Rovi

Hot on the heels of the BBC's multipart 1999 adaptation of Charles Dickens' semiautobiographical novel David Copperfield came this American-financed version, prepared for the TNT cable network as part of the Hallmark Hall of Fame. Child actor Max Dolbey and adult performer Hugh Dancy share the role of David Copperfield who, after enduring a tempestuous youth at the hands of his cruel stepfather Murdstone (Anthony Andrews), manages to survive into adulthood with the help and support of such sympathetic figures as Aunt Betsy Trotwood (Sally Field), the eternally-in-debt Mr. Micawber (Michael Richards), and loyal old Dan Peggoty (Nigel Davenport). Even so, David's later years are none too serene, thanks in great part to antagonists like the wheedling, "'umble" Uriah Heep (Frank MacCusker), and to his own star-crossed romantic misadventures. At the time of its first telecast on December 10, 2000, this two-part adaptation of David Copperfield was criticized for the "stunt" casting of former Seinfeld regular Michael Richards as Micawber, who is transformed into a Kramer-esque slapstick figure; however, one must remember that not everyone was enamored of W.C. Fields' now-classic interpretation of the same character in the 1935 film version. David Copperfield was lensed on location in Ireland. ~ Hal Erickson, Rovi

Sunshine, a sunny Carribean island, is a little-known haven for organized crime, drug running, and murder. When a private investigator (Philip Michael Thomas) arrives to investigate the mysterious death of a British governer, he finds himself at odds with the Cuban Secret Police, the Miami Homicide Sqaud, and the mob itself. His only hope for escape lies in the hands of an eccentric island hermit played by Lauren Bacall. This British made-for-TV thriller was distributed by Nova Entertainment, Inc, and originally aired in 1994. A Little Piece of Sunshine was directed by J. Cellan-Jones, and also includes actors Chris Cooper and Larry Lamb. ~ Tracie Cooper, Rovi

Set in England and Europe, Death Has a Bad Reputation stars Alan Howard as a crack British espionage agent. Howard breaks and twists the rules to bring terrorist Tony Lo Bianco to justice. The quest is as much personal as professional: Howard's son has just been seriously injured in a terrorist attack. Pamela Villoresi and Elizabeth Hurley costar in this fast-moving, thriftily produced thriller. One of the first of many TV movies made to order for the USA Cable Network, Death Has a Bad Reputation debuted on March 14, 1991. ~ Hal Erickson, Rovi

Frederick Forsyth's novel is the basis for this made-for-television movie about British agents attempting to halt arms-smuggling between the IRA (Irish Republican Army) and Libya. ~ Kristie Hassen, Rovi

Richard Lester returned to his double-barreled successes of the 1970s, The Three Musketeers and The Four Musketeers, with Return of the Musketeers, a film that was inexplicably shelved for several years, making its belated premiere on cable television. Based on Alexandre Dumas's novel Twenty Years Later, the film takes place (appropriately enough) two decades after the death of Milady de Winter. Though Milady may have died, her nefarious schemes have been taken up by her daughter Justine (Kim Cattrall), who maneuvers with the conspiring Cardinal Mazarin (Philippe Noiret) to gain control of the crown through Queen Anne (Geraldine Chaplin). D'Artagnan (Michael York) calls for his old compatriots Porthos (Frank Finlay), Athos (Oliver Reed), and Aramis (Richard Chamberlain) to once again go "one for all and all for one." But complications set in when Athos and Aramis take sides with the crown and Athos' adopted son Raoul (C. Thomas Howell) falls in love in Justine. The film is dedicated to character actor Roy Kinnear who plays Planchet, who died in an equestrian accident during the production. ~ Paul Brenner, Rovi

As she enters middle age, expatriate American M.D. Lillian Hempel (Blair Brown) ends a long-term relationship with her actor boyfriend and embarks on a tour of European churches. After a chance encounter with charming businessman Raymond Forbes (Bruno Ganz), Lillian finds herself tempted to abandon her usually meticulous approach to romance. Fear wells up, though, and she heads back to London, where her job as a National Health physician awaits. Returning to her flat, Lillian finds Amy (Bridget Fonda), her peripatetic younger sister, who is visiting London, partying hard, and dabbling in the fashion world. Amy seems to be everything Lillian isn't: impulsive, irresponsible, and devoid of vocation. Back at work, Lillian finds herself drawn into the plight of a young man with terminal cancer, her emotional investment leading her to consider taking a stand against the toll Thatcherism is taking on Britain's health care system. Into this already complicated life comes Raymond, who has tracked Lillian to London, determined to woo and even marry her. Against her better judgment, Lillian acquiesces a bit at a time -- until a fierce row with Amy sends her spinning even faster into Raymond's alluring orbit. When Raymond disappears as mysteriously as he arrived, however, Lillian must come to terms with the choices she has made. Strapless was filmed between seasons of The Days and Nights of Molly Dodd, Brown's cult-favorite TV series; fans of the show will notice that Molly Dodd is closer in temperament to Fonda's character in Strapless than to Brown's. ~ Brian J. Dillard, Rovi

This is probably Peter Greenaway's most famous (or infamous) film, which first shocked audiences at the 1989 Cannes Film Festival and then on both sides of the Atlantic. A gang leader (Michael Gambon), accompanied by his wife (Helen Mirren) and his associates, entertains himself every night in a fancy French restaurant that he has recently bought. Having tired of her sadistic, boorish husband, the wife finds herself a lover (Alan Howard) and makes love to him in the restaurant's coziest places with the silent permission of the cook (Richard Bohringer). Though less cerebral than Greenaway's other films, featuring deadly passions reminiscent of Jacobean revenge tragedies of the early 17th century, the picture still offers the director's usual ironic and paradoxical comments on the relations between eating and sex, love and death. The film is at once funny and horrific, and those who are not used to Greenaway's peculiar style might be even disgusted or shocked; however, one might mention Sacha Vierny's brilliant camerawork, Jean-Paul Gaultier's gaudily stylized costumes, and Michael Nyman's somber, pulsating music, which will haunt the viewer long after the film's end. ~ Yuri German, Rovi

This spy outing hones in on secret agent Magnus Pym (Peter Egan). Having impersonated so many different people during his career as a British spy, Pym eventually lost track of who he really was -- a confusion compounded by the fact that he knew nothing of his actual past. Ultimately feeling that he could trust no one -- not even his so-called friends -- Pym turned his back on the British and began trading secrets with the Enemy. Filmed on location in England, Europe, and the U.S., the seven-episode A Perfect Spy originally aired in the U.K. in 1988. ~ Hal Erickson, Rovi

The title character in this British historical miniseries was 19th century French novelist Aurore Dupin (1804-1876), who wrote under the nom de plume of George Sand. Audaciously adopting male clothing and scandalizing her contemporaries by talking and behaving in a mannish fashion, George Sand also conducted several high-profile romances with members of the opposite sex. Much of the series' running time was given over to the heroine's torrid nine-year affair with Polish composer Frederick Chopin. Although American actors Rosemary Harris (who won an Emmy Award for her performance) and George Chakiris starred as Sand and Chopin, the rest of the cast was largely comprised of Britons, including Alan Howard as novelist Prosper Merimee and Jeremy Irons as composer Franz Liszt. First telecast by the BBC in 1974, the four-part Notorious Woman was seen in America via the PBS anthology Masterpiece Theatre beginning November 16, 1975. ~ Hal Erickson, Rovi

Set in a futuristic world where man and machines compete, this comical fantasy centers upon a rather eccentric man who prefers raising his special giant, euphoria-producing mushrooms to working and spending time with his fiancee. He means well, for he believes that his funny fungus will help combat the increasing dehumanization of society. However, unable to withstand his bride's pressure, he finally takes a real job in a power plant. There he knocks out the power and then feeds his mushrooms to the authorities. While they walk around in a hallucinatory daze, he and his fiancee take a baby carriage filled with mushrooms and hightail it out of town. ~ Sandra Brennan, Rovi

The lively but somehow slightly distasteful The Americanization of Emily stars James Garner as a WWII naval officer who happens to be a craven coward. While his comrades sail off to their deaths, Garner makes himself scarce, generally hiding out in the London flat of his lothario navy buddy James Coburn. Garner falls in love with virtuous war widow Julie Andrews (the "Emily" of the title), but she can't abide his yellow streak. Meanwhile, crack-brained admiral Melvyn Douglas decides that he needs a hero--the first man to die on Omaha Beach during the D-Day Invasion. Coburn is at first elected for this sacrifice, but it is the quivering Garner who ends up hitting the beach. He survives to become a hero in spite of himself, winning Andrews in the process. Paddy Chayefsky's script, based on the novel by William Bradford Huie, attempts to extract humor out of the horrors of war by using broad, vulgar comedy instead of the light satirical touch that would seem to be called for. Americanization of Emily was Julie Andrews' second film; it should have led to a steady stream of adult-oriented roles, but the box-office clout of Mary Poppins and The Sound of Music consigned her to "wholesome family entertainment". ~ Hal Erickson, Rovi