Anne Hovey Movies

Flirting with Fate is one of the lesser Joe E. Brown vehicles for independent producer David L. Loew. Brown is cast as Dixon, the manager of a third-rate vaudeville troupe stranded in a mythical South American country. Completely broke, Dixon hits upon a plan to finance the actors' trip home: he'll take out a huge life insurance policy, then arrange to get himself killed by bandit chieftan Sancho (Leo Carrillo). Unfortunately, Sancho has no interest whatsoever in knocking off our hero, nor can he be insulted into committing the deed. By the final reel, of course, Dixon has decided to go on living-and that's when his life is really in danger, courtesy of a cannister of nitroglycerine. Hungarian-born Steffi Duna provides unintentional laughs as an offkey Latin American songstress. The title Flirting with Fate had previously been used by Douglas Fairbanks in 1917; coincidentally, that film also had a leading character with suicidal notions. ~ Hal Erickson, All Movie Guide

Set amidst the tense and suspenseful world of men who transport large amounts of nitroglycerin, used to put out fires in oil fields, this drama centers on the conflict between a young med student, who has become a nitro handler to help pay his way through school, and the old trucker who hauls the deadly chemical on site. The trucker resents the young man's attentions toward his daughter because he feels that there can be no security with a man who could accidentally blow himself up at any moment. ~ Sandra Brennan, All Movie Guide

1932 WAMPAS Baby Star Dorothy Wilson was trapped in this mediocre circus melodrama from low-budget Peerless Pictures Corp. Wilson played Elaine Cavanaugh, whose mother, Stella (Dorothy Revier), joined a traveling tent show after being ostracized by her husband's wealthy family. The story repeats itself years later when Elaine breaks up with her wealthy boyfriend Dale Wentworth (Kane Richmond), whose aunt (Gladys Gale) and snobbish sister (Anne Hovey) warn him against getting involved with show people. At the circus, Elaine works as the assistant to fake astrologer Zirillo (William Ruhl). When Dale later accuses the act of swindling his aunt, Elaine pretends to be in on the ruse, hoping that he will forget her. Tommy (Sumner Getchell), a former pickpocket and Elaine's friend, tells Dale that Elaine believed Zirillo to be the genuine article and the lovers are reunited. ~ Hans J. Wollstein, All Movie Guide

Produced by small-scale Mascot Pictures, this behind-the-scenes look at a now forgotten annual Hollywood event, the WAMPAS Baby Star selection, starred former MGM light leading man William Haines in his penultimate film role. Well cast as Bob Preston, the brash publicity director of Superba Pictures, Haines will stop at nothing to make his girlfriend, WAMPAS Baby Star June Dale (Judith Allen) a movie queen, never mind if the result should strain their relationship. Finagling a contract with Superba's Samuel Goldwyn-like president (Joseph Cawthorn), Preston nevertheless nearly loses June to a Pasadena playboy (John Miljan), winning her back only by staging a fake suicide attempt. While Bob pursues June, the other 12 WAMPAS babies get to join vaudeville comedians Shaw and Lee in a rousing production number to J. Keirn Brennan and Ted Snyder's "Hush Your Fuss" and generally strut their stuff. Inaugurated in 1922, the yearly selection by the Western Association of Motion Picture Advertisers (WAMPAS) produced such future stars as Colleen Moore (1922), Clara Bow (1923), Joan Crawford (1926), and Ginger Rogers (1932), but by 1934 studio interference and competing pageants had made the event nearly obsolete. Instead of the yearly coming-out party, Hollywood studios were asked to feature the year's crop in their productions but only Paramount (with Kiss and Make Up) and Mascot obliged. In the end, only ten of the 1934 winners actually appeared in Young and Beautiful, albeit billed above the title: Judith Arlen, Betty Bryson, Jean Carmen, Dorothy Drake, Jean Gale, Hazel Hayes, Ann Hovey, Lucille Lund, Lu Anne Meredith, and Katherine Williams. One had to be left out to make room for the film's non-WAMPAS leading lady, Judith Allen, and the other two were apparently busy elsewhere. Helen Cohan, the daughter of George M. Cohan, Gigi Parrish, and Jacqueline Wells (aka Julie Bishop) were the no-shows and two of them were replaced with alternates Naomi Judge and Lenore Keefe. With the possible exception of Miss Wells/Bishop, none of the girls lasted more than a year or two and the yearly WAMPAS selection went the way of the Model-T. Aside from this now obscure yearly pageant, the best reasons to view Young and Beautiful today are William Haines' engaging performance and an enticing peek behind the gates at Mascot Pictures, the former Mack Sennett studios and future home of Republic Pictures. ~ Hans J. Wollstein, All Movie Guide

In this melodrama, a female physician encounters professional and personal turmoil when she finds herself having an affair with an alcoholic peer. He impregnates her and she travels to Paris to have the baby in private. As she is returning to the States, the baby dies from infantile paralysis. This does not prevent her from saving the lives of two other children aboard the same ocean liner. When she returns, she discovers that her lover has divorced his wife and wants to marry her. ~ Sandra Brennan, All Movie Guide

The quintessential "backstage" musical, 42nd Street traces the history of a Broadway musical comedy, from casting call to opening night. Warner Baxter plays famed director Julian Marsh, who despite failing health is determined to stage one last great production, "Pretty Lady." Others involved include "Pretty Lady" star Dorothy Brock (Bebe Daniels); Dorothy's "sugar daddy" (Guy Kibbee), who finances the show; her true love Pat (George Brent); leading man Billy Lawlor (Dick Powell); and starry-eyed chorus girl Peggy Sawyer (Ruby Keeler). It practically goes without saying that Dorothy twists her ankle the night before the premiere, forcing Julian Marsh is to put chorine Peggy into the lead: "You're going out there a youngster, but you've got to come back a star!" Delightfully corny, with hilarious wisecracking support from the likes of Ginger Rogers, Una Merkel, and George E. Stone, 42nd Street is perhaps the most famous of Warners' early-1930s Busby Berkeley musicals. Based on the novel by Bradford Ropes (which was a lot steamier than the movie censors would allow), 42nd Street is highlighted by such grandiose musical setpieces as "Shuffle Off to Buffalo," "Young and Healthy," and of course the title song. Nearly fifty years after its premiere, it was successfully revived as a Broadway musical with Tammy Grimes and Jerry Orbach. ~ Hal Erickson, All Movie Guide

The second talkie version of the Avery Hopwood's theatrical war-horse The Golddiggers of Broadway, Gold Diggers of 1933 was the second of three back-to-back 1933 Warner Bros. musicals benefiting from the genius of Busby Berkeley. The basic plot is retained from the Hopwood play: Showgirls Joan Blondell, Ruby Keeler and Aline McMahon attempt to find financial backing for the new show planned by producer Ned Sparks. Songwriter Dick Powell, an incognito man of wealth, offers to put up the money, a fact that brings down the wrath of his older brother Warren William, who despises show folk. Attempting to buy off the three girls, William is placed in a compromising position by the crafty Blondell and is compelled to bankroll the musical himself. The oddest aspect of Gold Diggers of 1933 is the fact that the mood of the songs is wildly at variance with the plot. The film begins with dozens of chorus girls (led by Ginger Rogers) happily chirping "We're In the Money", a rehearsal number interrupted when the finance men burst in to claim the sets and props from the impoverished troupe. At the end, when everyone is genuinely in the money, the troupe stages a downbeat "Brother Can You Spare A Dime"-style production number, "Remember My Forgotten Man"--and it is on this doleful indictment of the Depression that the film fades out! Other Berkeley-staged musical highlights include "Pettin' in the Park" (yes, that salacious little baby really is Billy Barty) and the neon-dominated "Shadow Waltz", all written by the prolific Harry Warren and Al Dubin. As spectacular as Gold Diggers of 1933 was, it would be topped by the last of Berkeley's 1933 trilogy, Footlight Parade. ~ Hal Erickson, All Movie Guide