Barrie Houghton Movies

This four-part British miniseries was based on the second of the three Johnny Maxwell books by children's author Terry Pratchett (who also wrote the teleplay). This time around, young Johnny (Andrew Falvey) came to the rescue of several restless ghosts. This required the hero to prevent a local cemetery from being plowed over by the usual evil land developers. More whimsical than weird, Johnny and the Dead originally aired from April 4 to 25, 1995. ~ Hal Erickson, All Movie Guide

Based on J.G. Ballard's autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes. ~ Hal Erickson, All Movie Guide

A movie version of the stage play The Doctor and the Devils, written in the 1950s by Welsh poet/playwright Dylan Thomas, had been planned and shelved by several filmmakers before producer Mel Brooks and director Freddie Francis finally brought the project to fruition in 1985. Essentially, the story is the old one about grave robbers Burke and Hare and Scottish surgeon Dr. Robert Knox (which also yielded the 1945 Val Lewton classic The Body Snatcher). Timothy Dalton plays 18th century doctor Thomas Rock, who must rely upon the disreputable Robert Fallon (Jonathan Pryce) and Timothy Broom (Stephen Rea) to provide fresh cadavers for Dr. Rock's teaching hospital. When they can't dig up corpses fast enough to suit Dr. Rock, Fallon and Broom decide to streamline their methods via murder. ~ Hal Erickson, All Movie Guide

Telecast in the United States as Q.E.D., the British series Mastermind stars Sam Waterston as eccentric professor Quentin E. Deverill, resident of 1912 London. A brilliant inventor, Deverill is an even more accomplished detective. His "Moriarty" is one Dr. Stefan Kilkiss, who wants to-need we say it?--RULE THE WORLD. In the 60-minute Mastermind episode "The Infernal Device", Deverill develops a remote control system, which is promptly stolen by Kilkiss' minions. A heady hybrid of Wild Wild West, Sherlock Holmes and Doctor Who, Mastermind ran in America from March 23 through April 27, 1982. ~ Hal Erickson, All Movie Guide

Swordplay, secret messages, and the rustle of ballroom finery make this 1982 adaptation of The Scarlet Pimpernel a gala bash. Anthony Andrews heads the cast as English nobleman Sir Percy Blakeney, a conceited but amusing fop in the drawing rooms of British high society. But beneath his veneer of lacy impertinence is a man of bravado and derring-do. In disguise, he becomes the Pimpernel -- ta-da! -- and steals into France to rescue aristocrats condemned to the guillotine during the French Revolution. After each rescue, he leaves behind a scarlet pimpernel, a flower whose petals close at the approach of stormy weather. He also uses a signet ring engraved with a scarlet pimpernel to identify himself on the sealing wax of letters to compatriots. It is all jolly-good intrigue. Because he cloaks his schemes in great secrecy, not even his new wife Marguerite (Jane Seymour) realizes he is anything more than an innocuous dandy. Frustrated, the French send the ruthless Chauvelin (Ian McKellen) to England to serve as ambassador and ferret out the elusive Pimpernel. In a plot that ensnares Marguerite and closes the Pimpernel's petals, Chauvelin finally confronts his clever adversary, and it's en garde -- parry and thrust! ~ Mike Cummings, All Movie Guide

Jim Bishop's minute-by-minute account of the events leading up to the Crucifixion was the basis for the three-hour TV movie The Day Christ Died. Chris Sarandon plays the Hebrew "blasphemer" known as Jesus, who is brought before the beleaguered governor Pontius Pilate (Keith Mitchell). To avoid an insurrection, Pilate washes his hands of the matter by offering the Hebrews a pardon either to Jesus or the thief Barabbas during Passover. "Give us Barabbas!" is the answer, sealing Jesus' fate. The screenplay by James Lee Barrett and Edward Anhalt is for the most part objective and dispassionate, though there are some unsubtle parallels between Pilate and such future political "heavies" as Nixon. Also appearing in the cast are Colin Blakely as Caiaphas, Barrie Houghton as Judas, Jonathan Pryce as Herod, Eleanor Bron as Mary, and Hope Lange as Claudia. The Day Christ Died premiered -- not without protest from certain circles -- on March 26, 1980. ~ Hal Erickson, All Movie Guide

British glam rock superstars Slade made their collective acting debut in this downbeat drama about a pop group's struggles with success. In the late '60s, Barry (Dave Hill), Paul (Jim Lea), and Charlie (Don Powell) are musicians who are barely making a living playing pub dates, weddings, and socials backing up egocentric vocalist Jack Daniels (Alan Lake). One night, the boys find themselves opening for a ghoulish show band called The Undertakers, and a prank played on their lead vocalist, Stoker (Noddy Holder), backfires and leads to a car chase which lands both groups in jail for the night. After a long night of thinking, Barry, Paul, and Charlie decide that they have no future with Daniels, and bring new pal Stoker aboard as their singer. Calling themselves Iron Rod, the new quartet clicks musically, but manager Ron Harding (Johnny Shannon) doesn't care for their new style and stops booking the group. Robert Seymour (Tom Conti), a marketing man from a wealthy family who thinks there's quick money in pop music, enters the picture and informs the band that he can make them major stars. Wary of Seymour but eager for success, the group signs a new management deal, and after Seymour changes their name to Flame and gives them an image makeover, the band scores a hit record and is soon playing a series of sold-out shows. But as fame beckons, tensions rise between the musicians and is not at all helped when Harding reenters the picture. Slade members Jim Lea and Noddy Holder wrote a set of original songs for the film, two of which ("Far Far Away" and "How Does It Feel") became hit singles in the U.K. ~ Mark Deming, All Movie Guide