Charles Horvath Movies

In this run-of-the-mill western, one of the few films directed by producer Wallace MacDonald, a rancher has been falsely accused of murdering his wife and escapes from prison to seek revenge. Robert Knapp is the rancher Gil Reardon who knows that the saloon owner Ben (Walter Coy) and his cohorts are responsible for his wife's violent death. After he escapes from a New Mexico jail, Gil is helped by a Native American woman (Jana Davi) to cross the desert and arrive back home in Laredo, though that does not happen without incident. All that remains is the final showdown. ~ Eleanor Mannikka, All Movie Guide

This biographical drama, chronicles the patriotic exploits of World War II hero Colonel Francis C. Grevemberg, who fought a tough battle against crime and corruption in his home state, Louisiana. He got his chance to serve the state when he was appointed the superintendent of state police by the new governor. Prior to his appointment, Louisiana had been notorious for it's graft, crooked leadership, and criminal underpinnings. Upon accepting his position, Grevemberg vowed to eradicate it from the state governments. It was not an easy task as he met with almost constant opposition from all sides. He and his staff did succeed and Louisiana was a cleaner state. ~ Sandra Brennan, All Movie Guide

A young woman plays with a divining rod and ends up finding much more than water in this horror movie. Instead of the desired liquid, the woman finds a 400-year-old human head, and it is still alive. The horrific creature, seeing that the woman is properly innocent, hypnotizes her into looking for the rest of his body. ~ Sandra Brennan, All Movie Guide

Travelling photographer Professor Jacoby (Sebastian Cabot) is treated like a celebrity during his visit to Dodge City, with the locals showing up in droves to have their pictures taken. What Marshal Matt Dillon (James Arness) doesn't realize (at least not at first) is that Jacoby is a ruthless self-promoter, determined to make himself nationally famous with his "wild west" pictures--even if it means provoking a gunfight in which an innocent man is killed. But the Professor gets his just desserts at the hands of some Indians who take violent offense at his photographic intrusions. This episode is based on the Gunsmoke radio broadcast of May 6, 1956. ~ Hal Erickson, All Movie Guide

Man in the Shadow is a better-than-usual Albert Zugsmith production starring Jeff Chandler as the newly appointed lawman in a corrupt southwestern town. A Mexican laborer has been murdered, a crime which powerful land baron Orson Welles wants the sheriff to ignore. Chandler bucks Welles' wishes and investigates the killing, with the trail of evidence leading inexorably to Welles...but what's the motive? Man in the Shadow is unimportant enough on its own, but the fact that it was produced at all would have a far-reaching effect on cinematic history. It was during shooting of this western that producer Albert Zugsmith and actor Orson Welles agreed to collaborate on the Welles-directed masterpiece Touch of Evil (58). ~ Hal Erickson, All Movie Guide

Mister Cory represented the first of several successful collaborations between star Tony Curtis and director Blake Edwards. Adapted from a story by Leo Rosten, the story details the rise of Mr. Cory (Curtis) from summer-resort busboy to high-stakes gambler. Along the way, Cory uses several close associates to get ahead, including sluttish socialite Abby Vollard (Martha Hyer) and Abby's virtuous young sister Jen (Kathryn Grant). Charles Bickford delivers a sturdy performance as the worldly-wise older gambler who becomes Cory's partner and severest critic. Judging by the number of times it has recently popped up on Cable TV, Mister Cory is one of the most enduringly popular of Tony Curtis' 1950s vehicles. ~ Hal Erickson, All Movie Guide

Based on the novel by Kenneth M. Dodson, Away All Boats stars Jeff Chandler as a tough Navy captain who takes charge of a group of raw, undisciplined sailors during World War 2. To keep his men from getting on each other's nerves, Chandler makes himself the target of their excess hatred by assuming the pose of a rigid martinet who cares nothing about his crew's wellbeing. He finds an ally in lieutenant George Nader, who catches on to Chandler's "act" and helps him maintain discipline. The crew survives numerous Japanese air and sea attacks with flying colors. ~ Hal Erickson, All Movie Guide

Though both star Donald O'Connor and director Arthur Lubin had said goodbye to the "Francis the Talking Mule" series, Universal-International wasn't about to give up on so valuable a property. Thus, Francis in the Haunted House starred Mickey Rooney, with Charles Barton calling the shots. Likewise missing from the earlier series entries was the voice of Francis, Chill Wills; he is replaced by the ubiquitous Paul Frees, who also narrated the film's promotional trailer. The plot and comic content of Francis in the Haunted House is summed up by the title, as Francis and his new buddy David Prescott (Mickey Rooney) try to corral a gang of art thieves. Along the way, they get mixed up with a phony heiress (Virginia Welles), a series of murders (one of the victims is Richard Deacon!) and, of course, a spooky old house. Most of the "scare" gags in Francis in the Haunted House had been done earlier, and better, by Universal's own Abbott and Costello. ~ Hal Erickson, All Movie Guide

"The Silent Partner" is, along with John Ford's "Rookie of the Year", perhaps the best-known episode of the TV anthology series Screen Directors' Playhouse. Buster Keaton stars as Kelsey Dutton, a former silent-film comedian fallen upon hard times. While visiting a neighborhood tavern, Kelsey is recognized by Selma (ZaSu Pitts), herself an ex-actress. Their happy reunion is spoiled by the Academy Award telecast being shown on the bar's TV set, in which prominent actor-director Arthur Vail (Joe E. Brown), accepting an Oscar, flippantly refers to Kelsey and Selma as washed-up hasbeens. As it turns out, however, Vail's apparent cruelty has a noble purpose. Directed and cowritten by George Marshall, who in his movie heyday worked with the likes of Bob Hope, W.C. Fields and Laurel and Hardy, the film is at its best when recreating the Golden Days of silent slapstick comedy, of which Keaton was an acknowledged master. Unavailable for many years, The Silent Partner was put back in circulation for collectors and aficionados alike by Blackhawk Films in the mid-1970s. ~ Hal Erickson, All Movie Guide

A gangster is killed by a big man who pays no attention to bullets, and who leaves glowing fingerprints. Police scientist Chet Walker (Richard Denning) discovers that the fingerprints are radioactive -- as well as those of a dead man. We soon learn that this walking corpse was created by Dr. Wilhelm Steigg (Gregory Gaye); he's allowing secretly-returned deported gangster Buchanan (Michael Granger) to get revenge on those who were responsible for his conviction. Steigg removes part of the brains of recently-dead men, and replaces them with a device that allows them to control the body from a distance, like a robot; they can even see through the creature's eyes via television. Another atomic zombie kills the district attorney who convicted Buchanan, which leads Chet and his homicide detective friend Dave Harris (S. John Launer) to deduce that the killings are connected to the Buchanan case. Warnings are issued to other possible targets, but they're unable to prevent another death. The last two go into hiding. The movie concludes with a headline: "Creatures with the Atomic Brains Destroyed." This entertaining but cheesy little movie is completely unpretentious. Broad, surprisingly gruesome and well-paced, it's obviously aimed straight at the juvenile market -- and it hits it, too. A sterling artifact of its time: brisk, efficient and entertaining, even if it is awfully silly. ~ Bill Warren, All Movie Guide

Rails into Laramie is one of the more obscure Universal-International western programmers of the 1950s, but this is no reflection on its entertainment value. John Payne stars as "town tamer" Jefferson Harder, who intends to clean up the wide-open community of Laramie. Everyone knows that the outlaw gang headed by Jim Shanessy (Dan Duryea) is responsible for preventing the railroad from building a line into Laramie, but Shanessy always manages to intimidate the all-male juries into releasing him. He and saloon-hall gal Lou Carter (Mari Blanchard) want to keep the rails out of Laramie so that both can pursue their criminal activities unabated. But when Lou switches sides and aligns herself with Harder, it's the beginning of the end for the scurrilous Shanessy. The film's resolution is "borrowed" from the 1941 western The Lady From Cheyenne and works just as well here as it did in the earlier picture. ~ Hal Erickson, All Movie Guide