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Russell Horton Movies

1990  
 
In this first telecast of Law & Order, a case of fatal criminal negligence takes front and center. During a particularly frantic night in an emergency room, a young woman dies, prompting her father to sue the hospital. Investigating detectives Greevey (George Dzundza) and Logan (Chris Noth) uncover evidence that the E.R.'s chief resident, Dr. Edward Auster (Paul Sparer), has a history of alcoholism, and may have been drinking at the time of the tragedy. D.A. Adam Schiff (Steven Hill) orders his subordinates Stone (Michael Moriarty) and Robinette (Richard Brooks) to charge Auster with murder. ~ Hal Erickson, Rovi

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1988  
R  
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Michael J. Fox once more makes a courageous effort to shed his nice-guy image in Bright Lights, Big City. Fox plays an impressionable Kansan who comes to the Big Apple to take a job at a major magazine. It isn't long before he falls into the twin traps of drug and alcohol abuse. His only hope for redemption is in the hands of Vicky (Tracy Pollan), the cousin of his scuzzy drinking buddy Tad (Kiefer Sutherland). Jay McInerney's bestselling novel does not translate easily to the big screen, but Fox strives hard to please, as do all of his costars. The white stuff snorted by Fox wasn't really cocaine, but powdered milk. Watch for Frasier's David Hyde Pierce in a small role and Jason Robards in a significant unbilled cameo. ~ Hal Erickson, Rovi

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Starring:
Michael J. FoxKiefer Sutherland, (more)
 
1985  
PG13  
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Cat's Eye is an uneven, tepid trilogy of stories written by Stephen King connected by a cat which appears at the beginning of each story. The best story, and first episode, concerns chain-smoker Morrison (James Woods) who joins a stop-smoking group run by sadistic Dr. Monatti, played with great relish by Alan King. In the second episode, a gambler named Cressner (Kenneth McMillan) makes a bet with his wife's lover. In the third episode, a young girl (Drew Barrymore) is terrorized by a tiny troll. Although he wrote the screenplay, Stephen King was disappointed with the results and thought the interconnection of the stories using the cat clumsy and distracting. Directer Lewis Teague does an average job of directing the confusing and sometimes foolish script. However, James Woods' fine performance and the special effects by Jeff Jarvis make the film worth a view. ~ Linda Rasmussen, Rovi

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Starring:
Drew BarrymoreJames Woods, (more)
 
1984  
NR  
Written by Walter Lockwood and directed by Joan Micklin Silver, Finnegan Begin Again is a whimsical comedy drama about a late-blooming romance. Robert Preston plays a Mike Finnegan, 65-year-old newspaperman resigned to wasting his time on a lonely hearts column and caring for his ailing, unappreciative wife (Sylvia Sidney). Mary Tyler Moore portrays Liz DeHaan, a much-younger schoolteacher, recently widowed and mired in a go-nowhere relationship with a mortician (Sam Waterston). Liz comes to Mike for advice...and nature takes its course. Finnegan Begin Again premiered February 24, 1985, over the HBO cable service. ~ Hal Erickson, Rovi

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1982  
 
Made for television, this film chronicles the life and work of real-life New York City undercover policewoman Mary Glatzle, here played by Karen Valentine). A single mom, Ms. Glatzle is in dire need of money to pay for her son's mounting medical expenses. Thus we she joins the NYC police force, Mary makes it known that she will take on any dangerous assignment so long as it fattens her bank account. Providing to be adept at disguises, Mary acts as a decoy for muggers and rapists, posing as everything from a hooker to a little old lady--and in the process, she becomes famous as "Muggable Mary". Though Karen Valentine did most of her own stunts, in certain hazardous sequences she was doubled by Tanya Russell. Muggable Mary: Street Cop made its first CBS network appearance on February 25, 1982. ~ Hal Erickson, Rovi

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1980  
R  
Based around footage from his 1972 film Parades, this anti-war drama from Robert J. Siegel is an account of a Vietnam War deserter who joins his fellow prison inmates in a sit-down strike at a military stockade in California. ~ Jason Ankeny, Rovi

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1980  
R  
Slow-moving and dark, this Klute clone stars Talia Shire as Emily Hollander, a retiring, painfully introverted woman with a stutter who advertises her insecurity. She is attacked one day and her anguish recorded on tape by her assailant. It soon becomes apparent that her wacko lesbian neighbor Andrea (Elizabeth Ashley) is in love with her but too demented to express herself openly. She hired the assailant, though exactly why is not clear. Detective Bob Luffrono (Joseph Cortese) is called in to watch over Emily and perhaps corner her attacker. The relationship between Emily and the detective starts to slowly heat up, but meanwhile, there is Andrea with her telescope, spying on Emily and definitely up to no good. ~ Eleanor Mannikka, Rovi

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Starring:
Talia ShireJoe Cortese, (more)
 
1979  
R  
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Scripted by James L. Brooks from Dan Wakefield's novel, Alan J. Pakula's romantic comedy follows the tribulations of a freshly divorced man as he looks for love with a wary single woman. Phil Potter (Burt Reynolds sans mustache) can't quite believe it when his aspiring songbird wife Jessica (Candice Bergen) kicks him out to realize her career dreams, but the added revelation of her adultery speeds him out the door by choice. Relocating to Boston, Phil starts to settle in with the help of his psychiatrist brother Mickey (Charles Durning), joining a divorced men's therapy group. Phil really begins to feel better when Mickey and his wife Marva (Frances Sternhagen) set him up with her friend Marilyn (Jill Clayburgh), a preschool teacher who has had her share of grief from newly single men. Phil wins her over and even convinces her to move in, but an unexpected visit from a regretful, saucily clad Jessica, and an anxiety attack over buying a couch, threaten to end Phil's new life with Marilyn before it has a chance to start. Starting Over offers a ruefully comic look at how the decade's rising divorce rate did not mean fun and games for all the new bachelors; Brooks' movie debut after a sparkling career in 1970s TV with The Mary Tyler Moore Show and Taxi, it was also proof that top '70s star Reynolds could be more than just a good 'ol boy. Still, while the three leads were all praised for their work, only Clayburgh and Bergen received Oscar nominations. Starting Over was a moderate hit, and its humorous yet down-to-earth view of single life and its discontents reassured unattached thirtysomethings that, even though it may not be easy, everything could still turn out fine in modern romance. ~ Lucia Bozzola, Rovi

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Starring:
Burt ReynoldsJill Clayburgh, (more)
 
1978  
PG  
One of the first fictional efforts by former documentary maker Claudia Weill, Girlfriends focuses on a pair of roommates, Susan Weinblatt and Anne Munroe, played by Melanie Mayron and Anita Skinner. Anne gets married, leaving the plump, insecure Susan alone for virtually the first time in her life. A mild flirtation with a rabbi leads to a whole new life for Susan when she becomes a portrait photographer for Jewish weddings and bar mitzvahs. Claudia Weill wrote the (presumed) autobiographical screenplay with Vicki Polon. Filmed in New Jersey, Girlfriends was an expansion of a short subject subsidized by the American Film Institute. ~ Hal Erickson, Rovi

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Starring:
Melanie MayronEli Wallach, (more)
 
1977  
PG  
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Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, Rovi

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Starring:
Woody AllenDiane Keaton, (more)
 
1972  
 
This drama contains a strongly anti-military message as it presents the supposed abuses that go on inside US military stockades. The story is set in the fictitious Fort Nix (based on Fort Dix, New Jersey where many of the accounts the film is based on came from), and contains scenes of graphic violence as it tells the prisoners' tales. ~ Sandra Brennan, Rovi

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1965  
 
Captain Crane (David Hedison) is kidnapped and brainwashed by an enemy power, and then returned to the Seaview. helpless to resist the programming imposed on him. His mission is to deactivate a group of defensive missiles, and to kill Admiral Nelson (Richard Basehart). ~ Bruce Eder, Rovi

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1964  
 
In the first episode of a two-part story, Billie Jo (Jeannine Riley) falls heir to a $500 insurance endowment from her late father. Unfortunately, the conditions stipulate that Billie is to study to be a doctor--but she wants to use the money to go to Hollywood and become an actress. A pre-Batman Adam West appears as Dr. Clayton Harris (at the time West was so little-known that he isn't even listed in the TV Guide synopsis!), while another of the supporting players, Paul DeRolf, performs his own composition, "The Hooterville Hop". ~ Hal Erickson, Rovi

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1963  
 
During the first season of Petticoat Junction, Bobbie Jo Bradley was portrayed (by Pat Woodell) as a naïve bookworm, with no interest in men--or virtually anything else. Worried that Bobbie Jo will never find a husband, her mom Kate (Bea Benadaret) takes it upon herself to force the girl out of her cocoon and transform her into a real fashion plate. Jack Bannon, the son of star Bea Benadaret, makes his first series appearance in this episode, as Roger Budd. ~ Hal Erickson, Rovi

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1963  
 
After a brief flirtation with the 60-minute form, Twilight Zone wisely returned to its original half-hour format with the first episode of the series' fifth season, "In Praise of Pip." Upon learning that his beloved son Pip is dying in a field hospital in South Vietnam, two-bit bookie Max Philips (Jack Klugman) suddenly experiences an epiphany -- which earns him a bullet in the gut from a disgruntled gangster. The wounded Max stumbles into a deserted amusement park, where he is met by the younger version of his boy Pip. Expressing his undying love for his son, Max begs the Powers Above to spare the grown-up Pip's life, as the younger version begins fading into the void. Billy Mumy and Bobby Diamond share the role of the eponymous Pip. Written by Rod Serling, "In Praise of Pip" originally aired September 27, 1963. ~ Hal Erickson, Rovi

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Starring:
Jack KlugmanBill Mumy, (more)
 
1963  
 
Store clerk Herbie Bates (Don Washbrook), the off-and-on boyfriend of Billie Jo Bradley (Jeannine Riley), has just received his draft notice. Herbie broods over the likelihood of being separated from Billie Jo for two whole years. But Billie Jo doesn't look as if she'll be lonely in Herbie's absence, what with several other local boys hovering around her like bees around honey. So how will THIS situation work itself out? ~ Hal Erickson, Rovi

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1962  
 
Written by Rod Serling, this nostalgic Twilight Zone episode was clearly inspired by Serling's student years at Ohio's Antioch College. Made up to look twice his age, Donald Pleasence stars as Prof. Ellis Fowler, the oldest teacher at an exclusive boy's school. Ordered by his headmaster (Liam Sullivan) to retire, Fowler is convinced that his life has been meaningless -- until he is paid a nocturnal visit by several ethereal-looking "alumni." Telecast June 1, 1962, "The Changing of the Guard" was scheduled as the final Twilight Zone of the 1961-62 season -- and at the time, it looked as if it would be the last Twilight Zone, period. Though the series would ultimately be renewed in January of 1963, it would never completely rescale the creative heights of its first three seasons. ~ Hal Erickson, Rovi

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Starring:
Donald PleasenceLiam Sullivan, (more)