Anna Maria Horsford Movies

Black supporting actress, onscreen from the late '70s. ~ All Movie Guide
1979  
 
Hollow Image is an occasionally overwritten but generally impressive screenwriting debut for Lee Hunkins. Saundra Sharp plays an African-American career woman who has become a success in Manhattan's high-fashion world. She has risen from the grinding poverty of Harlem, but her roots are deeper than she's willing to admit. Dick Anthony Williams plays the new man in Ms. Sharp's new world. His friend (Morgan Freeman) is not supportive concerning the new relationship. Hollow Image was originally telecast as an ABC Theatre special on June 24, 1979. ~ Hal Erickson, All Movie Guide

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1979  
 
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Inside jokes about the film industry dominate this slight tale of ambition and romance at the Cannes Film Festival. Keith Carradine plays a first-time director who has sunk two years and all his money into a movie about the execution of murderer Gary Gilmore. With his last bit of cash, he flies himself and his picture to Cannes, but the film is seized by French customs. The wife of an Italian producer (Monica Vitti) helps him retrieve his work, and the two become embroiled in a passionate, yet ultimately ill-fated, affair. Carradine gets the first-time, self-important director mostly right, but the movie is so specific to the film industry that viewers may lose interest. ~ Don Kaye, All Movie Guide

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Starring:
Keith CarradineMonica Vitti, (more)
1980  
R  
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Two runaway teens face life on the streets in New York City with a devil-may-care attitude and a punk-rock image. ~ Kristie Hassen, All Movie Guide

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Starring:
Tim CurryTrini Alvarado, (more)
1981  
R  
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Lauren Bacall more or less plays herself in The Fan. Cast as famous Broadway musical comedy star Sally Ross (with an astonishing lack of temperament!), Bacall finds herself the unwilling love object of psychotic fan Douglas Breen (Michael Biehn). As security around Ross tightens, Breen vows that if he can't have Ross, no one else can. James Garner and Maureen Stapleton are underused as, respectively, Bacall's ex-husband and mother-hen secretary. Based on a good novel by Bob Randall, The Fan comes off as a slightly more expensive "stalker of the week" TV movie. Still, the film proved grimly prescient in the light of John Lennon's assassination (which occurred after the film was completed, but before its release) and the ongoing dilemma of current Broadway stars (even the lesser lights) who are forced to hire bodyguards to protect them from worshipful wackos. ~ Hal Erickson, All Movie Guide

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Starring:
Lauren BacallJames Garner, (more)
1981  
 
This Emmy-winning made-for-TV movie, based on a book by Oscar-winning screenwriter Barry Morrow (from his true story), stars Mickey Rooney in the title role of a mentally-challenged adult who has spent his life holed up in a bleak institution. When documentary filmmaker Morrow (Dennis Quaid) and his family invite him into their home to stay with them, Bill is given his first taste of independence in the real world. Together, Bill and the Morrows unexpectedly teach each other valuable lessons about life and themselves. The film was so popular that it spawned a sequel two years later called Bill: On His Own. ~ Matthew Tobey, All Movie Guide

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1981  
NR  
A young Trini Alvarado stars in this Emmy-winning ABC Afterschool Special as Alicia Mann, an aspiring folksinger. To realize her dream, teenaged Alicia takes a summer job at a coffee shop where she is allowed to perform without pay. Alicia's mother, Inez (Joanna Merlin), is appalled by this, insisting that Alice accept a "safe" job at the factory where Inez works. A crisis develops when Alicia is forced to choose between a singing career and a generous scholarship offered her by Inez' boss. Lynn Ahrens of Schoolhouse Rock fame wrote the original songs for this film, including "Great American Hit," "My City Song," and "Gonna Make My Dreams Come True." ~ All Movie Guide

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Starring:
Trini AlvaradoLee Curreri, (more)
1982  
R  
Based upon the true story of a woman's battle to raise her baby in prison after having become pregnant by a prison guard while serving a twenty-year stretch for robbery, Amy Madigan, in her debut film, delivers an impressive intensity and range as Terry Jean Moore, a wild young woman with a chip on her shoulder. The story begins as Terry is hitchhiking with her equally wild cousin Jesse (Lewis Smith). They are picked up by a passing motorist and Jesse tries to rob the motorist of five dollars. When they are caught, Jesse takes the rap for her cousin and winds up in jail. Her temperament does not endear her to the prison authorities, although she is befriended by a young lesbian, J.J. (Mackenzie Phillips), and a sympathetic guard, Jack Hensen (Beau Bridges). Jack and Terry fall in love and have an affair in prison. Terry becomes pregnant and fights to raise her child in prison. At the same time, being pregnant forces Terry to reconsider her life and adopt a more responsible attitude. ~ Paul Brenner, All Movie Guide

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Starring:
Amy MadiganBeau Bridges, (more)
1982  
 
Made for television, this film chronicles the life and work of real-life New York City undercover policewoman Mary Glatzle, here played by Karen Valentine). A single mom, Ms. Glatzle is in dire need of money to pay for her son's mounting medical expenses. Thus we she joins the NYC police force, Mary makes it known that she will take on any dangerous assignment so long as it fattens her bank account. Providing to be adept at disguises, Mary acts as a decoy for muggers and rapists, posing as everything from a hooker to a little old lady--and in the process, she becomes famous as "Muggable Mary". Though Karen Valentine did most of her own stunts, in certain hazardous sequences she was doubled by Tanya Russell. Muggable Mary: Street Cop made its first CBS network appearance on February 25, 1982. ~ Hal Erickson, All Movie Guide

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1982  
 
Relying more on acting and attitude than makeup, Louis Gossett Jr. plays a cantankerous, fiercely independent old man in Benny's Place. A longtime employee of a steel mill, Gossett has set up his own tool repair operation within the mill, running things nicely, thank you, without the interference of his employers. He has rejected one white apprentice after another, but now is forced by affirmative action to accept an African-American assistant (David Harris)--whom Gossett suspects is being groomed to replace him. In his off-hours, Gossett juggles the affections of the two women in his life: a much-younger lady played by Anna Maria Horsford, and a mature lover closer to his own age, played by Cicely Tyson. Benny's Place was written by J. Rufus Caleb. ~ Hal Erickson, All Movie Guide

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1983  
R  
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With a plot that is a cross between a teen, low-brow farce and a coming-of-age story, Class opens with scenes of two best friends -- nerdy whiz Jonathan (Andrew McCarthy) and carefree jock Skip (Rob Lowe) -- going around in lingerie; they also barf on a double date, break into a quiet meeting at a girls' school, and generally behave as emotional throwbacks. But when the nerd Jonathan is picked up in a Chicago bar by Skip's mother Ellen (Jacqueline Bisset), the tone changes completely. The affair between the student and the older woman is torrid until they rendezvous in New York and Ellen dumps Jonathan because she finds out he is not a Ph.D. candidate from Northwestern University. Meanwhile, Jonathan does not know who Ellen is until Skip brings him home for the Christmas holidays and the two clandestine, September-May ex-lovers come face to face with the truth. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Rob LoweJacqueline Bisset, (more)
1984  
 
A TV pilot film, Doctor's Story explores the rights--or rather, the lack of them--of geriatric patients. Howard E. Rollins Jr. plays a young doctor who resents the throwaway attitude conveyed towards the elderly. Among Rollins' patients are a near-senile old man (Art Carney), a woman (Vivece Lindfors) with a mysterious abdominal ailment, and a suicidal widow (Uta Hagen). Stymied by hospital bureaucracy and indifference, Rollins fights to give his older charges the same care and attention afforded younger patients--and in so doing, his own marriage on the critical list. Whether or not this premise could have sustained a weekly series is problematic (the pilot didn't sell), but as a self-contained drama, Doctor's Story was certainly worth two hours of anyone's attention, young or old. ~ Hal Erickson, All Movie Guide

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1984  
PG  
A remake of Pigeon by Mario Monicelli, but set on the streets of San Francisco in a contemporary America instead of Italy in the '50s, this comedy about a conspiratorial heist of a greedy pawnbroker has excellent acting and good light fun but not much in the way of character motivation. Weslake (Donald Sutherland) is unemployed and has reason to frequent the pawnshop of his money-hungry friend Garvey (Jack Warden). People come and go around the shop (almost the only setting for the action): an aspiring musician of sorts (Sean Penn), the eccentric meter-maid Maxine (Christine Baranski), a safe-cracker (Irwin Corey), and others. Then one day Weslake gets the idea to break into Garvey's safe and make off with a few valuables just for the fun of it. Everyone agrees, and the plot goes on unhindered by motivation or ethics. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Donald SutherlandJack Warden, (more)
1984  
 
Often cited as a rip-off of such "parent-kid personality switch" films of the 1980s as Like Father, Like Son and Vice Versa, this ABC Afterschool Special actually predates those projects by several years. Summer camper Ben Andrews (Scott Schwartz) would like to be a grown-up. Ben's father, Bill Andrews (Robert Klein), a harried movie executive, yearns for the carefree days of childhood. Inevitably, Ben and Bill switch personalities, with uproarious results. Amazingly, no one seems to notice the switch, not even when 12-year-old Ben puffs away on a pipe while heading a movie conference, and middle-aged Bill totes a teddy bear all around summer camp. (One would think that the overacting of both stars would rather give the game away, but we shouldn't be seeking logic here, should we?) Summer Switch is based on a novel by Bruce Rodgers. ~ All Movie Guide

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Starring:
Robert KleinScott Schwartz, (more)
1985  
R  
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Post-collegiate angst, '80s style, is the subject of this coming-of-age ensemble piece, which traces the fortunes of a group of Georgetown grads as they enter the real world and grapple with work, infidelity, and adulthood. The most outwardly upscale member of the gang, Jules (Demi Moore), hides a plethora of emotional baggage behind a chic wardrobe, an expensive apartment, a fashionable drug habit, and lots of meaningless casual sex. Her friend Wendy (Mare Winningham) has the opposite problem; a trust-fund baby with body-image issues and little sexual experience, she's hung up on Billy (Rob Lowe), a no-good, sax-playing drunkard who can't face up to his responsibilities in the job market or at home with his wife and young child. Such open infidelity is anathema to Alex (Judd Nelson), who must maintain a sense of propriety even while engaging in compulsive womanizing; after all, the Democrat-turned-Republican's nascent political career requires the sort of picture-perfect relationship he shares with girlfriend Leslie (Ally Sheedy). That doesn't sit too well with tortured writer Kevin (Andrew McCarthy), who toils away at a newspaper job and pines away for the unattainable Leslie. Unrequited love also dogs Kirby (Emilio Estevez), a law-school student whose greatest wish is to romance classy doctor Dale Biberman (Andie MacDowell), who is, alas, way out of his league. Co-written by director Joel Schumacher and his studio intern, Carl Kurlander, St. Elmo's Fire spawned the number one pop hit "St. Elmo's Fire (Man in Motion)," which was credited to John Parr but co-written by music producer David Foster. ~ Brian J. Dillard, All Movie Guide

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Starring:
Rob LoweDemi Moore, (more)
1985  
 
The full title of this made-for-TV film is Charlotte Forten's Mission: Experiment in Freedom. But don't be put off by this 21-gun cognomen -- the film is a simple, austere tale of a pioneer African-American educator. Melba Moore plays Charlotte Forten, a northern black woman who heads to Port Royal, SC, in the midst of the Civil War. Charlotte intends to educate the newly freed slaves in this Union-held community. Her mission is complicated by a self-serving abolitionist (Bruce McGill) and the fact that the slaves mistrust her because of her lighter complexion and "fancy airs." Charlotte Forten's Mission was originally telecast February 25, 1985, on PBS' American Playhouse. ~ Hal Erickson, All Movie Guide

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Starring:
Melba Moore
1985  
 
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The ads for The Stone Pillow tended to suggest that this TV movie was Lucille Ball's dramatic debut--completely ignoring the fact that Ball had started out as a "straight" actress in the 1930s who only occasionally played comedy until I Love Lucy came along. Whatever the case, the Ball we see in Stone Pillow is a cranky bag lady, fiercely independent and violently resistant to do-gooders who try to alter her homeless status. Daphne Zuniga plays an idealistic social worker who tries to get Ball off the streets. It is only after watching several of her fellow indigents die where they sleep that Ball agrees to give up her "stone pillow." Though meant to be intensely dramatic, The Stone Pillow looks more like an elongated I Love Lucy sketch in which Ball dresses up like a tramp in order to meet Red Skelton (or somebody). ~ Hal Erickson, All Movie Guide

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1986  
 
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Marlo Thomas fully justifies her star status in the made-for-television Nobody's Child. Ms. Thomas portrays the real-life Marie Balter, a Massachusetts woman consigned to a mental hospital after a suicide attempt at age 16. For the next 20 years, Marie is and out of the institution, mostly under the care of a sensitive doctor (Caroline Cava) who treats her for panic disorder and depression. Finally able to curb her inner demons without the use of drugs and therapy, Marie leaves the hospital for good, hoping to pursue a normal life. She falls in love with another ex-mental patient (Ray Baker), and strives successfully to earn a college diploma (she later became a health administrator). Aside from Marlo Thomas' Emmy-winning performance, Nobody's Child boasts the stunning camerawork of longtime Ingmar Bergman associate Sven Nykvist. One scene, in which Marie Balter imagines she sees serpents emerging from a typewriter, is as frightening a piece of celluloid as has ever been presented on television. ~ Hal Erickson, All Movie Guide

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1986  
R  
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Though she always played coy about the fact in interviews, Nora Ephron's novel Heartburn is a thinly disguised "a clef" rehash of her marriage to Washington Post reporter Carl Bernstein. Meryl Streep plays Rachel, an influential food critic who marries charismatic columnist Mark (Jack Nicholson) after a whirlwind courtship. Warned that Mark is constitutionally incapable of settling down with any one woman, Rachel gives up her own job to make certain that her marriage works. When Rachel announces that she's pregnant, Mark virtually jumps out of his skin with delight. But as the news sinks in, Mark chafes at the impending responsibilities of fatherhood, and the philandering begins-- as if it had ever really stopped! Our favorite scene: Rachel and her friends being robbed at her therapy group. That's Meryl Streep's real-life daughter playing Rachel's offspring. ~ Hal Erickson, All Movie Guide

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Starring:
Meryl StreepJack Nicholson, (more)
1986  
 
This gripping made-for-TV courtroom drama centers on a pair of hard-working lawyers who become obsessed with proving that the tactical division of the Boston Police Force made a fatal mistake when they shot the wrong man following a robbery. The plot is based on a true story. ~ Sandra Brennan, All Movie Guide

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1986  
 
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William Friedkin, a product of television, returned to the small screen to direct the made-for-TV feature C.A.T. Squad. The titular acronym stands for Counter Assault Tactical. The heroes and heroines are fitted out with state-of-the-art hardware and weaponry that would make the Teenage Mutant Ninja Turtles pale with envy. Captained by Joe Cortese, the squad is assigned to an anti-terrorist mission, the goal of which is to protect a top-secret laser project. Filmed in Canada and Mexico, C.A.T. Squad was plagued by a tiny budget that grew tinier with each passing day. Friedkin had hoped to include an elaborate car chase in the manner of his earlier French Connection, but the money ran out before the vehicles could gas up. First telecast August 27, 1986, C.A.T Squad was followed by a TV movie sequel, C.A.T. Squad: Python Wolf. ~ Hal Erickson, All Movie Guide

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1987  
R  
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Jonathan Fisher (Christopher Reeve) is a newspaper reporter who becomes a celebrity when he writes a fictitious exposé on prostitution. The story of the high-living pimp is too close a resemblance to real-life flesh pedlar Fast Black (Morgan Freeman), and Jonathan is jailed when he refuses to turn his papers over to the local district attorney. In jail for suspicion of murder, Black tries to silence the reporter who created the sensational fabrication. ~ Dan Pavlides, All Movie Guide

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Starring:
Christopher ReeveMorgan Freeman, (more)
1987  
 
When a tour bus driver plans to save his daughter from her captors, a Belgian circus performer, the Americans on his European bus tour lend a help hand. ~ All Movie Guide

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1988  
 
Artist Jill Clayburgh is divorced by her doctor husband James Farentino. Despite the obvious fact that Farentino is a louse, the loyalties of the couple's friends are divided. Left with precious little money, Clayburgh tries to make a go of it as a single mother, but finds that many of her so-called "close friends" don't want to have much to do with her anymore. Despite its melancholy tone and moments of dead seriousness, the made-for-TV Who Gets the Friends is a comedy, and at times a very funny one. Its bittersweet tone is, however, compromised by an out-of-the-blue happy ending. ~ Hal Erickson, All Movie Guide

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1989  
 
Coproduced by Marlo Thomas, the made-for-TV Taken Away was a curiosity: a Valerie Bertinelli film not based on a true story. Bertinelli plays a young, divorced mother, unjustly charged with neglecting her 8-year-old daughter Juliet Sorcey. The motives behind the charge soon become clear: some well-meaning but misguided bureaucrat wants to take Sorcey out of Bertinelli's hands and place the child in the foster-parent pool. With few friends and no money, Bertinelli is nonetheless determined to take on the system and regain custody of Sorcey. Seldom bothering with subtlety, Taken Away hammers away relentlessly at the viewer's tear ducts. The film premiered on November 5, 1989. ~ Hal Erickson, All Movie Guide

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1990  
 
Whenever there's a TV movie about a "lone holdout" juror, you can bet that reality will be left behind at the front door. Killer Among Us is no exception. A Different World's Jasmine Guy plays a doubting jury member on a homicide case. She not only believes the defendant innocent, but suspects that the foreman of the jury, played by Dwight Schultz, is the guilty party. To make a long story short, which the scriptwriter didn't, Guy ends up being stalked by the real murderer. ~ Hal Erickson, All Movie Guide

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