Victoria Horne Movies

Dreamboat stars Clifton Webb as Thornton Sayre, the perfectionist professor of literature at a sedate Midwestern university. Widowed and with a pretty daughter (Anne Francis), Sayre has given no clue to his previous life before becoming a teacher. But thanks to television, everyone discovers that Sayre is actually Bruce Blair, a former silent screen star known as "America's Dreamboat." Sayre's onetime leading lady (Ginger Rogers) has made a comeback hosting screenings of her old films on TV, and the result is acute embarrassment for both the professor and his college. Sayre takes the case all the way to court, where he wangles a compromise agreement: he will permit his films to be televised as long as they're not "doctored" to accommodate commercial endorsements (this was based on a real-life lawsuit involving cowboy Gene Autry -- which Autry lost). The ensuing publicity costs Sayre his college job, but the renewal of interest in his old films results in a new movie contract. Although silent movies and singing commercials are easy satirical targets, Dreamboat still delivers the laughs, and it's fun to see Clifton Webb camping it up as a "Doug Fairbanks" type. ~ Hal Erickson, All Movie Guide

Cuban Fireball is a vehicle for the combustible talents of Estelita Rodriguez, here cast as "herself." The plot finds Estelita arriving in Los Angeles to claim a multimillion-dollar inheritance. To fend off fortune hunters, she disguises herself as a meek little old lady. The rest of the story sustains this level of credibility. Warren Douglas co-stars as Estelita's true love, while Leon Belasco is the most prominent of the film's many antagonists. The film's 78-minute running time affords ample opportunity for Estelita Rodriguez to render four songs. Dyed-in-the-wool fans of Republic Pictures will easily recognize Cuban Fireball as a South-of-the-Border retooling of the studio's popular Judy Canova musical comedies. ~ Hal Erickson, All Movie Guide

This whimsical fantasy about a local drunk's 6' 3 1/2" imaginary rabbit pal was a smash hit (and a Pulitzer Prize winner) on Broadway and was then adapted into this likeable farce that's also an allegory about tolerance. James Stewart stars as Elwood P. Dowd, a wealthy tippler whose sunny philosophy and inebriated antics are tolerated by most of the citizenry. That is, until Elwood begins claiming that he sees a "pooka" (a mischievous Irish spirit), which has taken the form of a man-sized bunny named Harvey. Although everyone is certain that Elwood has finally lost his mind, Harvey's presence begins to have magically positive effects on the townsfolk, with the exception of Elwood's own sister Veta (Josephine Hull), who, ironically, can also occasionally see Harvey. A snooty socialite, Veta is determined to marry off her daughter, Myrtle (Victoria Horne), to somebody equally respectable, and Elwood's lunacy is interfering. When Veta attempts to have Elwood committed to an insane asylum, however, the result is that she is accidentally admitted instead of her brother. Then the institution's director, Dr. Chumley (Cecil Kellaway), begins seeing Harvey, too. Hull, who reprised her part from the stage production, won an Oscar and a Golden Globe. ~ Karl Williams, All Movie Guide

In the tradition of Red Skelton's The Fuller Brush Man and The Yellow Cab Man comes The Good Humor Man, with Jack Carson subbing for Skelton this time out. Carson plays Biff Jones, who when not peddling Good Humor ice cream carries on a romance with perky Margie Bellew (Lola Albright). Through a series of incredible circumstances, poor Biff is set up for a fall guy by a gang of holdup men. Ingredients essential to the action is a juvenile "Captain Marvel Fan Club," a dead woman who isn't dead, an above-suspicion business executive who turns out to be a criminal mastermind, and a room full of very versatile musical instruments. If the sight gags have a slightly cartoonish feel to them, it's because they were cooked up by Frank Tashlin, a graduate of the Warner Bros. animation factory. The best is reserved for the end, wherein hero, heroine, villain, henchmen, cops and kids all converge in a high-school auditorium for an uninhibited orgy of slapstick. Comic book fans will get a kick out of seeing George "Superman" Reeves come to grief at the hands of a bunch of "Captain Marvel" devotees! ~ Hal Erickson, All Movie Guide

This comedy is based on the enduring radio series and chronicles the attempts of an airplane riveter to find a better paying, less physically taxing job. Chester A. Riley gets his chance when his employer's son falls in love with Riley's daughter. Wanting to make her father happy, the daughter, who does not really love the boss's son, agrees to be his wife if her father can be promoted to an executive. This happens and the reluctant but honorable young woman prepares to become a bride until Riley finds out and sets things right. ~ Sandra Brennan, All Movie Guide

The sure-handed starring performance of Warner Baxter and the inventive direction of William Castle help lift The Gentleman From Nowhere out of the ordinary. When Earl Donovan (Baxter) is picked up on a robbery charge, insurance investigator Barton (Luis Van Rooten) can't help but notice that Donovan resembles a criminal who was supposedly killed several years later in a chemical-plant hold-up. Hoping to solve the earlier case, Barton talks Donovan into impersonating the dead criminal. What the investigator doesn't know is that Donovan is the criminal, who's returned to his hometown for a second chance in life -- and hopefully, a reconciliation with his wife Catherine (Fay Baker). It's a surefire premise, and neither Baxter nor Castle let that premise down. ~ Hal Erickson, All Movie Guide

In this whimsical fantasy, a young girl suddenly discovers that her horse is really a reincarnation of her beloved uncle who upon his death bed was heard to say that if could ever come back, he would want to be a race horse that wins the Kentucky Derby. When the girl's relatives learn of her beliefs, the greedily try to have her declared incompetent so they can get a hold of her estate. Fortunately, October the horse (it really is her reincarnated uncle!) intervenes, wins the Derby and gives them all pause for thought. ~ Sandra Brennan, All Movie Guide

They said it couldn't be done, but they did it: Kathleen Winsor's "notorious", bestselling bodice-ripper Forever Amber actually made it to the screen in 1947 with full censorial approval. Of course, it was necessary to tone down the more erotic passages of Winsor's novel, but the end result pleased fans of the book and bluenosed nonfans alike. A last-minute replacement for British import Peggy Cummins, Linda Darnell steps into the role of 17th century blonde bed-hopper Amber as though she'd been born to play it. Feeling suppressed by her Puritan upbringing, Amber heads to London, finding considerable success as a courtesan (that's the polite word for it). The first real love of her life is dashing soldier Bruce Carlton, who leaves her pregnant and penniless when he marches off to war. Subsequent amours include the sadistic Earl of Radcliffe (a superbly loathsome performance by comic actor Richard Haydn), handsome highwayman Black Jack Mallard (John Russell) and privateer Captain Rex Morgan (Glenn Langan). Surviving the Plague and the Great London Fire with nary a hair out of place, Amber ends up in the arms of no less than King Charles II (wittily portrayed by George Sanders), but true love, as personified by Bruce Carlton, will always elude her. Taking no chances, 20th Century-Fox sent out Forever Amber with a spoken prologue, heard over the opening credits, which explained that the film in no way endorsed its heroine's libertine behavior, and that she would be amply punished for her sins before fadeout time (that prologue has thankfully been removed from current prints). A model of restraint by today's standards, Forever Amber was sufficiently titillating in 1947 to post an enormous profit, far in excess of its $4 million budget. ~ Hal Erickson, All Movie Guide

Daisy Kenyon stars Joan Crawford as the eponymous heroine, a Manhattan commercial artist. Daisy is torn between two men: a handsome, married attorney (Dana Andrews) and an unmarried Henry Fonda. Deciding to do the "right thing", Daisy marries Fonda, but carries a torch for the dashing Andrews. When the lawyer divorces his wife, he calls upon Daisy and tries to win her back. She is very nearly won over, but her husband isn't about to give up so easily. Both men argue over Daisy, who is so distraught by the experience that she nearly has a fatal automobile accident. In the end, Daisy realizes that she truly loves Fonda, and gives Andrews his walking papers. Daisy Kenyon is given a contemporary slant with a subplot about child abuse (in a Joan Crawford film!); and, in one scene set at New York's Stork Club, several celebrities (Walter Winchell, Leonard Lyons, John Garfield) make unbilled cameo appearances. ~ Hal Erickson, All Movie Guide

In this drama, a soldier's widow, whose husband died a hero in WW II, begins a quest to find the five men whose lives were saved when her husband sacrificed his own life by taking the brunt of a hand grenade blast. Her search begins two years after the war's end, and is an attempt to see if the men were worthy of her husband's death. En route she is slightly hurt in a minor accident and becomes hysterically paralyzed and unable to walk. One of the soldiers she was looking for tries to help her overcome her hysteria by using hypnosis. While she sleeps, he allows her to "talk" to all the soldiers involved in the incident. In this way, she is able to accept her husband's death. Seeing that the hypnotist is himself filled with guilt about the death, she in turn hypnotizes him. ~ Sandra Brennan, All Movie Guide

In this comedy, a puritanical math teacher at a midwestern university is forced by the dean's wife to go to New York to collect the royalties for a naughty romance the latter wrote under a penname. Unfortunately, while there, the professor suffers a blow to the noodle and wakes up believing that she wrote the torrid little tome. Now she finds herself being manipulated by a clever publisher who has the phony writer become passionately involved with a bogus Russian nobleman. Later the woman's memory returns and she goes back to her dull, well-ordered life on campus. ~ Sandra Brennan, All Movie Guide

Jed Potter (Fred Astaire) is a popular radio personality who was once a famous dancer. He also used to be friends with Johnny Adams (Bing Crosby) until they became rivals for the affections of Mary O'Hara (Joan Caulfield). Jed lost out when Johnny and Mary got married, but life hasn't been too rosy for the couple since; Johnny's career in business was a washout, and not long after the birth of their daughter, the couple decided to divorce. Mary gave Jed another chance with her, but in time she chose to patch things up with Johnny, leading Jed to a close partnership with alcohol that ended with an accident, preventing him from ever dancing again. However, the aftermath of this tragedy helps bring the three former friends back together. Blue Skies was not much more than a framework for a bunch of musical numbers featuring great tunes from the Irving Berlin catalog, but when you've got Bing singing and Fred dancing to songs like "Puttin' on the Ritz," "You Keep Coming Back Like a Song," "A Couple of Song and Dance Men," and "White Christmas," why carp? Noted stage actor and tap dancer Paul Draper was originally cast as Jed, but he was fired after several days of filming and replaced by Astaire; Draper would make only one more movie before his film career came to an end after he was branded a Communist sympathizer. ~ Mark Deming, All Movie Guide