Gregory Hormel Movies

David Lynch's prequel to his cult television series "Twin Peaks" concerns the last seven days in the life of Laura Palmer (Sheryl Lee), whose plastic-wrapped corpse, found floating in a river, was the fulcrum for the television series. During the day in the town of Twin Peaks, Laura is a top honors student at the local high school. By night, she is a sex-crazed cokehead, prostituting herself at a sleazy sex club to get money to feed her drug habit. Her race to oblivion is fueled by her father, Leland (Ray Wise), who, as his alter ego Bob (Frank Silva), has been sexually abusing Laura since she was a child. But Laura has an attack of conscience when she realizes that she is leading her best friend Donna (Moira Kelly) down the same rocky road. Leland, however, discovers Laura's nocturnal debauchery when, during a business trip out-of-town, his mistress for a sexual tryst sets him up with his own daughter. In a fit of jealous rage, Leland follows Laura as she travels to a sex party in an abandoned railroad car. Consumed by insatiable longing, Leland transforms himself into Bob, with tragic results for Laura and her friends. ~ Paul Brenner, Rovi

An ordinary woman is unwittingly led into California's criminal underbelly in this drama. Betty Parrish (Debra Winger) is a bank teller who is involved in a rather sporadic relationship with Mike (Mark Keyloun), a low-level tennis pro who supplements his income by dealing cocaine on the side. One night, Betty finds herself stood up by Mike and discovers that there's a good reason why he hasn't shown up -- he's been killed. It seems that Mike and his friend Pete (Darrell Larson) were acting as middlemen in a deal for one of the city's major drug suppliers. Mike and Pete made the mistake of siphoning off some of the cocaine for their own purposes (Mike wanted product to sell to his customers, while Pete needed to satisfy his growing addiction to coke), and the dealer's thugs had Mike eliminated rather than allowing him to steal from their boss. Betty and Pete want to find out the truth about how and why Mike was murdered, and their journey leads them into the darkest regions of the Los Angeles underworld. Mike's Murder went through extensive revisions between its first previews and its final release; pop singer and songwriter Joe Jackson, then at the height of his popularity, composed a score for the film, and a soundtrack album of his music appeared in stores several months before the film's belated release. However, by that time much of Jackson's music had been replaced with a new score by John Barry. ~ Mark Deming, Rovi