Mark Bailey Movies

A lover, an ultimatum, a phone call, and a gun: these elements are found in each segment of Hal Hartley's Flirt, an experimental comedy-drama that essentially repeats the same story three times. But while the basic narrative remains the same -- a congenital flirt must decide whether or not to commit to a current lover, who otherwise will marry someone else -- the details differ greatly, from the location of the film to the gender of the participants. The initial segment, set in New York, tells the tale with a male flirt in turmoil over his relationship with a woman. The film then moves to Berlin, where the same drama is played out amongst a gay male couple, with an added touch of self-reflexive humor. The third and final episode takes place in Tokyo, with a female flirt and a more abstract cinematic approach, including several sequences in traditional Japanese pantomime. ~ Judd Blaise, Rovi

This is the third film based on Tom Clancy's high-tech espionage potboilers starring CIA deputy director Jack Ryan. Harrison Ford, returning to the Ryan role after his first go-round in 1992's Patriot Games, is assigned to a delicate anti-drug investigation after a close friend of the President (a Reaganesque Donald Moffat) is murdered by a Colombian drug cartel. When Ryan discovers that the President's wealthy friend was in league with the cartel, the President's devious national security adviser (Harris Yulin) and an ambitious CIA deputy director (Henry Czerny) send a secret paramilitary force into Colombia to wipe out the drug lords. The force is captured and then abandoned by the President's lackeys. It falls to Ryan to enter Colombia and rescue them, aided only by a renegade operative named Clark (Willem Dafoe), with both his life and career on the line. ~ Don Kaye, Rovi

Writer-director Hal Hartley's first feature -- shot in less than 12 days in his backyard for a mere $200,000 -- is a dry and dark comedy about the dangerous undercurrents that exist below the surface of normal middle class existence. Over the credits, Josh (Robert Burke), a man garbed in black, is seen hitch-hiking back to his Long Island home. People ask him, "Are you a priest?" and Josh responds, "No. I'm a mechanic." Back in Long Island in the town of Lindenhurst, beautiful and somber 17-year-old Audry (Adrienne Shelly) is busy worrying about the forthcoming apocalypse. Josh arrives in Lindenhurst and is hired by Audry's father (Chris Cooke) as a mechanic at his garage. But Audry's father worries about him, particularly when he falls in love with Audry. Her father's problems compound when Audry dumps her old boyfriend and rejects an invitation to attend Harvard. The whole town is now gossiping about Audry's new boyfriend, with rumors spreading that Josh is a mass murderer who killed two members of the family of local waitress Pearl (Julia McNeal). Pearl tells Audry, "He seems like a nice man." Audry responds, "Even though he killed your father and your sister?" Audry finally makes her father happy when she tells him she won't see Josh again, but dad's relief is short-lived when Audry informs him she's moving to New York to become an underwear model. ~ Paul Brenner, Rovi

Friends in Georgia are broken up when an enticing teenager comes between them as told in this true story. ~ Rovi

Leslie Stevens adapted his own stage comedy Marriage-Go-Round for the movies, watering down the more explicit sex talk but keeping its sly innuendo intact. The stunning Julie Newmar plays a Swedish gymnast who wishes to mate with a genius and produce the "perfect child." She chooses professor James Mason for this honor, which wouldn't have been such a problem had not Mason already been married to Susan Hayward. Mason is tempted, but ultimately the head wins out over the libido and the professor returns to his wife, while the decidedly unpregnant Newmar returns to Sweden. Marriage-Go-Round is inclined towards staginess, but this can be forgiven whenever Julie Newmar, recreating her Broadway role, sashays into view. ~ Hal Erickson, Rovi